The Project Gutenberg's Etext Myth, Ritual, and Religion, Vol. 1 #28 in Our Series by Andrew Lang
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Greece • Crete • Turkey May 28 - June 22, 2021
GREECE • CRETE • TURKEY MAY 28 - JUNE 22, 2021 Tour Hosts: Dr. Scott Moore Dr. Jason Whitlark organized by GREECE - CRETE - TURKEY / May 28 - June 22, 2021 May 31 Mon ATHENS - CORINTH CANAL - CORINTH – ACROCORINTH - NAFPLION At 8:30a.m. depart from Athens and drive along the coastal highway of Saronic Gulf. Arrive at the Corinth Canal for a brief stop and then continue on to the Acropolis of Corinth. Acro-corinth is the citadel of Corinth. It is situated to the southwest of the ancient city and rises to an elevation of 1883 ft. [574 m.]. Today it is surrounded by walls that are about 1.85 mi. [3 km.] long. The foundations of the fortifications are ancient—going back to the Hellenistic Period. The current walls were built and rebuilt by the Byzantines, Franks, Venetians, and Ottoman Turks. Climb up and visit the fortress. Then proceed to the Ancient city of Corinth. It was to this megalopolis where the apostle Paul came and worked, established a thriving church, subsequently sending two of his epistles now part of the New Testament. Here, we see all of the sites associated with his ministry: the Agora, the Temple of Apollo, the Roman Odeon, the Bema and Gallio’s Seat. The small local archaeological museum here is an absolute must! In Romans 16:23 Paul mentions his friend Erastus and • • we will see an inscription to him at the site. In the afternoon we will drive to GREECE CRETE TURKEY Nafplion for check-in at hotel followed by dinner and overnight. (B,D) MAY 28 - JUNE 22, 2021 June 1 Tue EPIDAURAUS - MYCENAE - NAFPLION Morning visit to Mycenae where we see the remains of the prehistoric citadel Parthenon, fortified with the Cyclopean Walls, the Lionesses’ Gate, the remains of the Athens Mycenaean Palace and the Tomb of King Agamemnon in which we will actually enter. -
Loeb Lucian Vol5.Pdf
THE LOEB CLASSICAL LIBRARY FOUNDED BY JAMES LOEB, LL.D. EDITED BY fT. E. PAGE, C.H., LITT.D. litt.d. tE. CAPPS, PH.D., LL.D. tW. H. D. ROUSE, f.e.hist.soc. L. A. POST, L.H.D. E. H. WARMINGTON, m.a., LUCIAN V •^ LUCIAN WITH AN ENGLISH TRANSLATION BY A. M. HARMON OK YALE UNIVERSITY IN EIGHT VOLUMES V LONDON WILLIAM HEINEMANN LTD CAMBRIDGE, MASSACHUSETTS HARVARD UNIVERSITY PRESS MOMLXII f /. ! n ^1 First printed 1936 Reprinted 1955, 1962 Printed in Great Britain CONTENTS PAGE LIST OF LTTCIAN'S WORKS vii PREFATOEY NOTE xi THE PASSING OF PEBEORiNUS (Peregrinus) .... 1 THE RUNAWAYS {FugiUvt) 53 TOXARis, OR FRIENDSHIP (ToxaHs vd amiciHa) . 101 THE DANCE {Saltalio) 209 • LEXiPHANES (Lexiphanes) 291 THE EUNUCH (Eunuchiis) 329 ASTROLOGY {Astrologio) 347 THE MISTAKEN CRITIC {Pseudologista) 371 THE PARLIAMENT OF THE GODS {Deorutti concilhim) . 417 THE TYRANNICIDE (Tyrannicidj,) 443 DISOWNED (Abdicatvs) 475 INDEX 527 —A LIST OF LUCIAN'S WORKS SHOWING THEIR DIVISION INTO VOLUMES IN THIS EDITION Volume I Phalaris I and II—Hippias or the Bath—Dionysus Heracles—Amber or The Swans—The Fly—Nigrinus Demonax—The Hall—My Native Land—Octogenarians— True Story I and II—Slander—The Consonants at Law—The Carousal or The Lapiths. Volume II The Downward Journey or The Tyrant—Zeus Catechized —Zeus Rants—The Dream or The Cock—Prometheus—* Icaromenippus or The Sky-man—Timon or The Misanthrope —Charon or The Inspector—Philosophies for Sale. Volume HI The Dead Come to Life or The Fisherman—The Double Indictment or Trials by Jury—On Sacrifices—The Ignorant Book Collector—The Dream or Lucian's Career—The Parasite —The Lover of Lies—The Judgement of the Goddesses—On Salaried Posts in Great Houses. -
Tourism in Greece 2020 U L B
Travel, Excursions & Sightseeing Tourism in Greece 2020 U L B S O N O K Y M / l e t o c e r G The National Herald T H D E L N A AT ER IONAL H www.thenationalherald.com 2 SPECIAL EDITION JANUARY 2020 Tourism in Greece 2020 THE NATIONAL HERALD ❙ “Greece is a good place for rebirths” Judith Martin Welcome to The National Herald’s first special insert (of many) of 2020! HIS YEAR, we have decided to jumpstart the new urning on summer vacation plans. The Travel Show is To those who have not visited Greece, it is known for Make your decade with an insert focused on various tourist one of the most comprehensive in North America – at - being the birthplace of democracy, the creation of the destinations throughout Greece. We know that as tracting more than 35K attendees and hosting over 750 Olympic Games, and for its unique and historical archi - summer plans winter (finally) sets in here on the east coast of exhibits related to trade and consumer travel. The show tecture. But it is so much more than that. Even the littlest Tthe United States, we Greeks living abroad can’t help it is the ultimate travel and tourism event and aims to pro - moments in Greece have the capacity to fill all your sen - when our minds wander off to our favorite beaches, vil - mote all aspects of tourism worldwide – including local ses at one time. As Henry Miller said, “it takes a lifetime now and lages, and sunsets in the motherland. -
Corinth in Context Supplements to Novum Testamentum
Corinth in Context Supplements to Novum Testamentum Executive Editors M. M. Mitchell Chicago D. P. Moessner Dubuque Editorial Board L. Alexander, Sheffield – C. Breytenbach, Berlin J. K. Elliott, Leeds – C. R. Holladay, Atlanta M. J. J. Menken, Tilburg – J. Smit Sibinga, Amsterdam J. C. Thom, Stellenbosch – P. Trebilco, Dunedin VOLUME 134 Corinth in Context Comparative Studies on Religion and Society Edited by Steven J. Friesen, Daniel N. Schowalter, and James C. Walters LEIDEN • BOSTON 2010 Cover illustration: Corinth, with Acrocorinth in the background. Photo by Larry Cripe. Th is book is also published as hardback in the series Supplements to Novum Testamentum, ISSN 0167-9732 / edited by Steven Friesen, Dan Schowalter, and James Walters. 2010. ISBN 978 90 04 18197 7 Th is book is printed on acid-free paper. ISBN 978 90 04 18211 0 Copyright 2010 by Koninklijke Brill NV, Leiden, Th e Netherlands. Koninklijke Brill NV incorporates the imprints Brill, Hotei Publishing, IDC Publishers, Martinus Nijhoff Publishers and VSP. All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. Authorization to photocopy items for internal or personal use is granted by Koninklijke Brill NV provided that the appropriate fees are paid directly to Th e Copyright Clearance Center, 222 Rosewood Drive, Suite 910, Danvers, MA 01923, USA. Fees are subject to change. printed in the netherlands CONTENTS List of Illustrations ............................................................................ vii Acknowledgments .............................................................................. xvii List of Abbreviations ......................................................................... xix List of Contributors .......................................................................... -
Pausanias' Description of Greece
BONN'S CLASSICAL LIBRARY. PAUSANIAS' DESCRIPTION OF GREECE. PAUSANIAS' TRANSLATED INTO ENGLISH \VITTI NOTES AXD IXDEX BY ARTHUR RICHARD SHILLETO, M.A., Soiiii'tinie Scholar of Trinity L'olltge, Cambridge. VOLUME IT. " ni <le Fnusnnias cst un homme (jui ne mnnquo ni de bon sens inoins a st-s tlioux." hnniie t'oi. inais i}iii rn>it ou au voudrait croire ( 'HAMTAiiNT. : ftEOROE BELL AND SONS. YOUK STIIKKT. COVKNT (iAKDKX. 188t). CHISWICK PRESS \ C. WHITTINGHAM AND CO., TOOKS COURT, CHANCEKV LANE. fA LC >. iV \Q V.2- CONTEXTS. PAGE Book VII. ACHAIA 1 VIII. ARCADIA .61 IX. BtEOTIA 151 -'19 X. PHOCIS . ERRATA. " " " Volume I. Page 8, line 37, for Atte read Attes." As vii. 17. 2<i. (Catullus' Aft is.) ' " Page 150, line '22, for Auxesias" read Anxesia." A.-> ii. 32. " " Page 165, lines 12, 17, 24, for Philhammon read " Philanimon.'' " " '' Page 191, line 4, for Tamagra read Tanagra." " " Pa ire 215, linu 35, for Ye now enter" read Enter ye now." ' " li I'aijf -J27, line 5, for the Little Iliad read The Little Iliad.'- " " " Page ^S9, line 18, for the Babylonians read Babylon.'' " 7 ' Volume II. Page 61, last line, for earth' read Earth." " Page 1)5, line 9, tor "Can-lira'" read Camirus." ' ; " " v 1'age 1 69, line 1 , for and read for. line 2, for "other kinds of flutes "read "other thites.'' ;< " " Page 201, line 9. for Lacenian read Laeonian." " " " line 10, for Chilon read Cliilo." As iii. 1H. Pago 264, " " ' Page 2G8, Note, for I iad read Iliad." PAUSANIAS. BOOK VII. ACIIAIA. -
University Microfilms, Inc., Ann Arbor, Michigan LINDA JANE PIPER 1967
This dissertation has been microfilmed exactly as received 66-15,122 PIPER, Linda Jane, 1935- A HISTORY OF SPARTA: 323-146 B.C. The Ohio State University, Ph.D., 1966 History, ancient University Microfilms, Inc., Ann Arbor, Michigan LINDA JANE PIPER 1967 All Rights Reserved A HISTORY OF SPARTA: 323-1^6 B.C. DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Linda Jane Piper, A.B., M.A. The Ohio State University 1966 Approved by Adviser Department of History PREFACE The history of Sparta from the death of Alexander in 323 B.C; to the destruction of Corinth in 1^6 B.C. is the history of social revolution and Sparta's second rise to military promi nence in the Peloponnesus; the history of kings and tyrants; the history of Sparta's struggle to remain autonomous in a period of amalgamation. It is also a period in Sparta's history too often neglected by historians both past and present. There is no monograph directly concerned with Hellenistic Sparta. For the most part, this period is briefly and only inci dentally covered in works dealing either with the whole history of ancient Sparta, or simply as a part of Hellenic or Hellenistic 1 2 history in toto. Both Pierre Roussel and Eug&ne Cavaignac, in their respective surveys of Spartan history, have written clear and concise chapters on the Hellenistic period. Because of the scope of their subject, however, they were forced to limit them selves to only the most important events and people of this time, and great gaps are left in between. -
Myth, Ritual, and Religion, Vol. 1 by Andrew Lang</H1>
Myth, Ritual, and Religion, Vol. 1 by Andrew Lang Myth, Ritual, and Religion, Vol. 1 by Andrew Lang This etext was prepared by Donald Lainson, [email protected]. MYTH, RITUAL, AND RELIGION by Andrew Lang Volume One CONTENTS PREFACE TO NEW IMPRESSION. PREFACE TO NEW EDITION. CHAPTER I. -- SYSTEMS OF MYTHOLOGY. page 1 / 422 Definitions of religion--Contradictory evidence--"Belief in spiritual beings"--Objection to Mr. Tylor's definition--Definition as regards this argument--Problem: the contradiction between religion and myth--Two human moods--Examples--Case of Greece-- Ancient mythologists--Criticism by Eusebius--Modern mythological systems--Mr. Max Muller--Mannhardt. CHAPTER II. -- NEW SYSTEM PROPOSED. Chapter I. recapitulated--Proposal of a new method: Science of comparative or historical study of man--Anticipated in part by Eusebius, Fontenelle, De Brosses, Spencer (of C. C. C., Cambridge), and Mannhardt--Science of Tylor--Object of inquiry: to find condition of human intellect in which marvels of myth are parts of practical everyday belief--This is the savage state--Savages described--The wild element of myth a survival from the savage state--Advantages of this method--Partly accounts for wide DIFFUSION as well as ORIGIN of myths--Connected with general theory of evolution--Puzzling example of myth of the water- swallower--Professor Tiele's criticism of the method-- Objections to method, and answer to these--See Appendix B. CHAPTER III. -- THE MENTAL CONDITION OF SAVAGES--CONFUSION WITH NATURE--TOTEMISM. The mental condition of savages the basis of the irrational element page 2 / 422 in myth--Characteristics of that condition: (1) Confusion of all things in an equality of presumed animation and intelligence; (2) Belief in sorcery; (3) Spiritualism; (4) Curiosity; (5) Easy credulity and mental indolence--The curiosity is satisfied, thanks to the credulity, by myths in answer to all inquiries--Evidence for this--Mr. -
Iron Within, Iron Without
BACKLIST Book 1 – HORUS RISING Book 2 – FALSE GODS Book 3 – GALAXY IN FLAMES Book 4 – THE FLIGHT OF THE EISENSTEIN Book 5 – FULGRIM Book 6 – DESCENT OF ANGELS Book 7 – LEGION Book 8 – BATTLE FOR THE ABYSS Book 9 – MECHANICUM Book 10 – TALES OF HERESY Book 11 – FALLEN ANGELS Book 12 – A THOUSAND SONS Book 13 – NEMESIS Book 14 – THE FIRST HERETIC Book 15 – PROSPERO BURNS Book 16 – AGE OF DARKNESS Book 17 – THE OUTCAST DEAD Book 18 – DELIVERANCE LOST Book 19 – KNOW NO FEAR Book 20 – THE PRIMARCHS Book 21 – FEAR TO TREAD Book 22 – SHADOWS OF TREACHERY Book 23 – ANGEL EXTERMINATUS Book 24 – BETRAYER Book 25 – MARK OF CALTH Book 26 – VULKAN LIVES Book 27 – THE UNREMEMBERED EMPIRE Book 28 – SCARS Book 29 – VENGEFUL SPIRIT Book 30 – THE DAMNATION OF PYTHOS Book 31 – LEGACIES OF BETRAYAL Book 32 – DEATHFIRE Book 33 – WAR WITHOUT END Book 34 – PHAROS Book 35 – EYE OF TERRA Book 36 – THE PATH OF HEAVEN Book 37 – THE SILENT WAR Book 38 – ANGELS OF CALIBAN Book 39 – PRAETORIAN OF DORN Book 40 – CORAX Book 41 – THE MASTER OF MANKIND Book 42 – GARRO Book 43 – SHATTERED LEGIONS Book 44 – THE CRIMSON KING Book 45 – TALLARN Book 46 – RUINSTORM Book 47 – OLD EARTH Book 48 – THE BURDEN OF LOYALTY Book 49 – WOLFSBANE Book 50 – BORN OF FLAME Book 51 – SLAVES TO DARKNESS Book 52 – HERALDS OF THE SIEGE More tales from the Horus Heresy... PROMETHEAN SUN AURELIAN BROTHERHOOD OF THE STORM THE CRIMSON FIST CORAX: SOULFORGE PRINCE OF CROWS DEATH AND DEFIANCE TALLARN: EXECUTIONER SCORCHED EARTH THE PURGE THE HONOURED THE UNBURDENED BLADES OF THE TRAITOR TALLARN: IRONCLAD RAVENLORD THE SEVENTH SERPENT WOLF KING CYBERNETICA SONS OF THE FORGE Many of these titles are also available as abridged and unabridged audiobooks. -
Songs of the Last Philosopher: Early Nietzsche and the Spirit of Hölderlin
Bard College Bard Digital Commons Senior Projects Spring 2013 Bard Undergraduate Senior Projects Spring 2013 Songs of the Last Philosopher: Early Nietzsche and the Spirit of Hölderlin Sylvia Mae Gorelick Bard College, [email protected] Follow this and additional works at: https://digitalcommons.bard.edu/senproj_s2013 This work is licensed under a Creative Commons Attribution 3.0 License. Recommended Citation Gorelick, Sylvia Mae, "Songs of the Last Philosopher: Early Nietzsche and the Spirit of Hölderlin" (2013). Senior Projects Spring 2013. 318. https://digitalcommons.bard.edu/senproj_s2013/318 This Open Access work is protected by copyright and/or related rights. It has been provided to you by Bard College's Stevenson Library with permission from the rights-holder(s). You are free to use this work in any way that is permitted by the copyright and related rights. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. Songs of the Last Philosopher: Early Nietzsche and the Spirit of Hölderlin Senior Project submitted to The Division of Social Studies of Bard College by Sylvia Mae Gorelick Annandale-on-Hudson, New York May 1, 2013 For Thomas Bartscherer, who agreed at a late moment to join in the struggle of this infinite project and who assisted me greatly, at times bringing me back to earth when I flew into the meteoric heights of Nietzsche and Hölderlin’s songs and at times allowing me to soar there. -
Dante Alighieri's Divine Comedy – Inferno
DIVINE COMEDY -INFERNO DANTE ALIGHIERI HENRY WADSWORTH LONGFELLOW ENGLISH TRANSLATION AND NOTES PAUL GUSTAVE DORE´ ILLUSTRATIONS JOSEF NYGRIN PDF PREPARATION AND TYPESETTING ENGLISH TRANSLATION AND NOTES Henry Wadsworth Longfellow ILLUSTRATIONS Paul Gustave Dor´e Released under Creative Commons Attribution-Noncommercial Licence. http://creativecommons.org/licenses/by-nc/3.0/us/ You are free: to share – to copy, distribute, display, and perform the work; to remix – to make derivative works. Under the following conditions: attribution – you must attribute the work in the manner specified by the author or licensor (but not in any way that suggests that they endorse you or your use of the work); noncommercial – you may not use this work for commercial purposes. Any of the above conditions can be waived if you get permission from the copyright holder. English translation and notes by H. W. Longfellow obtained from http://dante.ilt.columbia.edu/new/comedy/. Scans of illustrations by P. G. Dor´e obtained from http://www.danshort.com/dc/, scanned by Dan Short, used with permission. MIKTEXLATEX typesetting by Josef Nygrin, in Jan & Feb 2008. http://www.paskvil.com/ Some rights reserved c 2008 Josef Nygrin Contents Canto 1 1 Canto 2 9 Canto 3 16 Canto 4 23 Canto 5 30 Canto 6 38 Canto 7 44 Canto 8 51 Canto 9 58 Canto 10 65 Canto 11 71 Canto 12 77 Canto 13 85 Canto 14 93 Canto 15 99 Canto 16 104 Canto 17 110 Canto 18 116 Canto 19 124 Canto 20 131 Canto 21 136 Canto 22 143 Canto 23 150 Canto 24 158 Canto 25 164 Canto 26 171 Canto 27 177 Canto 28 183 Canto 29 192 Canto 30 200 Canto 31 207 Canto 32 215 Canto 33 222 Canto 34 231 Dante Alighieri 239 Henry Wadsworth Longfellow 245 Paul Gustave Dor´e 251 Some rights reserved c 2008 Josef Nygrin http://www.paskvil.com/ Inferno Figure 1: Midway upon the journey of our life I found myself within a forest dark.. -
Black Orpheus, Myth and Ritual: a Morphological Reading*
DOI 10.1007/s12138-008-0009-y Black Orpheus, Myth and Ritual: A Morphological Reading* HARDY FREDRICKSMEYER # Springer Science + Business Media B.V. 2008 Black Orpheus (Orfeu Negro; M. Camus, 1959) drew on classical myth and ritual to win the Palme d’Or at the Cannes Film Festival and the Oscar for Best Foreign Film. Yet no one has analyzed the film with reference to its classical background. This paper argues that the film closely follows two narrative patterns (Separation-Liminality- Incorporation and the Heroic Journey) employed by the myth of Orpheus and Eury- dice, and related stories. This morphological approach reveals the cinematic Euridice as a “female adolescent initiand” whose loss of virginity and death are foreshadowed from her first scene. The film’s setting of Carnaval promotes Euridice’s adolescent ini- tiation as it duplicates ancient Greek Dionysian festivals. Orfeu emerges as not only a shamanistic hero, but also an associate of Apollo and, antithetically, an avatar of Diony- sus and substitute sacrifice for the god. Finally, the film not only replicates but also reinvents the ancient, rural and European myth of Orpheus and Eurydice by resituat- ing it in a modern city of the Africanized “New World.” A Stephanie, la compagna della mia vita lack Orpheus (Orfeu Negro; M. Camus, 1959) explodes on the screen as a Bsensual tour de force of color, music and dance, all framed by the rhapsodic beauty of Rio de Janeiro during Carnaval. Critical and popular admiration for these audio-visual qualities help to explain why Black Orpheus won the Palme d’Or at the Cannes Film Festival, and the Oscar for Best Foreign Film, and why it remains one of the most successful films of all time with a Latin-Amer- * For their thoughtful comments on earlier versions of this essay, I would like to thank the editor of this journal, Wolfgang Haase, the anonymous referees, Erwin Cook, John Gibert, Ernst Fredricksmeyer, and Donald Wilkerson. -
Doctor Who 1 Doctor Who
Doctor Who 1 Doctor Who This article is about the television series. For other uses, see Doctor Who (disambiguation). Doctor Who Genre Science fiction drama Created by • Sydney Newman • C. E. Webber • Donald Wilson Written by Various Directed by Various Starring Various Doctors (as of 2014, Peter Capaldi) Various companions (as of 2014, Jenna Coleman) Theme music composer • Ron Grainer • Delia Derbyshire Opening theme Doctor Who theme music Composer(s) Various composers (as of 2005, Murray Gold) Country of origin United Kingdom No. of seasons 26 (1963–89) plus one TV film (1996) No. of series 7 (2005–present) No. of episodes 800 (97 missing) (List of episodes) Production Executive producer(s) Various (as of 2014, Steven Moffat and Brian Minchin) Camera setup Single/multiple-camera hybrid Running time Regular episodes: • 25 minutes (1963–84, 1986–89) • 45 minutes (1985, 2005–present) Specials: Various: 50–75 minutes Broadcast Original channel BBC One (1963–1989, 1996, 2005–present) BBC One HD (2010–present) BBC HD (2007–10) Picture format • 405-line Black-and-white (1963–67) • 625-line Black-and-white (1968–69) • 625-line PAL (1970–89) • 525-line NTSC (1996) • 576i 16:9 DTV (2005–08) • 1080i HDTV (2009–present) Doctor Who 2 Audio format Monaural (1963–87) Stereo (1988–89; 1996; 2005–08) 5.1 Surround Sound (2009–present) Original run Classic series: 23 November 1963 – 6 December 1989 Television film: 12 May 1996 Revived series: 26 March 2005 – present Chronology Related shows • K-9 and Company (1981) • Torchwood (2006–11) • The Sarah Jane Adventures (2007–11) • K-9 (2009–10) • Doctor Who Confidential (2005–11) • Totally Doctor Who (2006–07) External links [1] Doctor Who at the BBC Doctor Who is a British science-fiction television programme produced by the BBC.