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1 2019 Gally Academic Track Friday, February 15
2019 Gally Academic Track Friday, February 15, 2019 3:00-3:15 KEYNOTE “The Fandom Hierarchy: Women of Color’s Fight For Visibility In Fandom Spaces” Tai Gooden Women of Color (WoC) have been fervent Doctor Who fans for several decades. However, the fandom often reflects societal hierarchies upheld by White privilege that result in ignoring and diminishing WoC’s opinions, contributions, and legitimate concerns about issues in terms of representation. Additionally, WoC and non-binary (NB) people of color’s voices are not centered as often in journalism, podcasting, and media formats nor convention panels as much as their White counterparts. This noticeable disparity has led to many WoC, even those who are deemed “important” in fandom spaces, to encounter racism, sexism, and, depending on the individual, homophobia and transphobia in a place that is supposed to have open availability to everyone. I can attest to this experience as someone who has a somewhat heightened level of visibility in fandom as a pop culture/entertainment writer who extensively covers Doctor Who. This presentation will examine women of color in the Doctor Who fandom in terms of their interactions with non-POC fans and difficulties obtaining opportunities in media, online, and at conventions. The show’s representation of fandom and the necessity for equity versus equality will also be discussed to craft a better understanding of how to tackle this pervasive issue. Other actionable solutions to encourage intersectionality in the fandom will be discussed including privileged people listening to WoC and non- binary people’s concerns/suggestions, respectfully interacting with them online and in person, recognizing and utilizing their privilege to encourage more inclusivity, standing in solidarity with them on critical issues, and lending their support to WoC creatives. -
Loeb Lucian Vol5.Pdf
THE LOEB CLASSICAL LIBRARY FOUNDED BY JAMES LOEB, LL.D. EDITED BY fT. E. PAGE, C.H., LITT.D. litt.d. tE. CAPPS, PH.D., LL.D. tW. H. D. ROUSE, f.e.hist.soc. L. A. POST, L.H.D. E. H. WARMINGTON, m.a., LUCIAN V •^ LUCIAN WITH AN ENGLISH TRANSLATION BY A. M. HARMON OK YALE UNIVERSITY IN EIGHT VOLUMES V LONDON WILLIAM HEINEMANN LTD CAMBRIDGE, MASSACHUSETTS HARVARD UNIVERSITY PRESS MOMLXII f /. ! n ^1 First printed 1936 Reprinted 1955, 1962 Printed in Great Britain CONTENTS PAGE LIST OF LTTCIAN'S WORKS vii PREFATOEY NOTE xi THE PASSING OF PEBEORiNUS (Peregrinus) .... 1 THE RUNAWAYS {FugiUvt) 53 TOXARis, OR FRIENDSHIP (ToxaHs vd amiciHa) . 101 THE DANCE {Saltalio) 209 • LEXiPHANES (Lexiphanes) 291 THE EUNUCH (Eunuchiis) 329 ASTROLOGY {Astrologio) 347 THE MISTAKEN CRITIC {Pseudologista) 371 THE PARLIAMENT OF THE GODS {Deorutti concilhim) . 417 THE TYRANNICIDE (Tyrannicidj,) 443 DISOWNED (Abdicatvs) 475 INDEX 527 —A LIST OF LUCIAN'S WORKS SHOWING THEIR DIVISION INTO VOLUMES IN THIS EDITION Volume I Phalaris I and II—Hippias or the Bath—Dionysus Heracles—Amber or The Swans—The Fly—Nigrinus Demonax—The Hall—My Native Land—Octogenarians— True Story I and II—Slander—The Consonants at Law—The Carousal or The Lapiths. Volume II The Downward Journey or The Tyrant—Zeus Catechized —Zeus Rants—The Dream or The Cock—Prometheus—* Icaromenippus or The Sky-man—Timon or The Misanthrope —Charon or The Inspector—Philosophies for Sale. Volume HI The Dead Come to Life or The Fisherman—The Double Indictment or Trials by Jury—On Sacrifices—The Ignorant Book Collector—The Dream or Lucian's Career—The Parasite —The Lover of Lies—The Judgement of the Goddesses—On Salaried Posts in Great Houses. -
The Fantastic Queer: Reading Gay Representations in Torchwood and True Blood As Articulations of Queer Resistance Frederik Dhaenens1
Critical Studies in Media Communication Vol. 30, No. 2, June 2013, pp. 102Á116 The Fantastic Queer: Reading Gay Representations in Torchwood and True Blood as Articulations of Queer Resistance Frederik Dhaenens1 Fantasy films and television series have generally taken an ambivalent position toward homosexuality. On the one hand, the genre has omitted representations of gay characters or displaced homosexuality onto the victims, villains, or nonhuman others. Hence, from a queer theoretical perspective, homosexuality has been represented as a threat to the hegemonic discourse of heteronormativity. On the other hand, deconstructionist practices have revealed how the other may be read as a form of cultural resistance and a powerful metaphor for gay men and women. However, a few 21st-century fantasy series are breaking the tradition by representing characters and themes explicitly marked as gay. Using a textual analysis of two contemporary fantasy series (Torchwood and True Blood), this study illustrates how the inclusion of gay characters rearticulates this ambivalent position of the fantasy genre toward homosexuality. The ambivalence no longer serves to read the others as metaphors for homosexuality and/or queerness, but allows us to imagine queer subject positions and transgressive norms and values in close relation to actual gay characters. Keywords: Torchwood; True Blood; Gay Representation; Queer Theory; The Fantastic Introduction Nan Flanagan: We’re citizens. We pay taxes. We deserve basic civil rights ...just like everyone else. Bill Maher: Yeah, but ...I mean, come on. Doesn’t your race have a rather sordid history ...of exploiting and feeding off innocent people for centuries? Nan Flanagan: Three points. -
Study on Education and Information Activities on Animal Welfare EDUCAWEL Contract - SANCO/2013/G3/SI2.649393
Study on education and information activities on animal welfare EDUCAWEL Contract - SANCO/2013/G3/SI2.649393 20/01/2016 IRTA – Institut de Recerca i Tecnologia Agroalimentàries (Institute for Food and Agriculture Research and Technology) Veïnat de Sies s/n – 17121 Monells, SPAIN www.irta.es Participant Participant organisation name Organisation short name Country 01/ Institut de Recerca i Tecnologia Agroalimentàries IRTA ES 02/ Lithuanian University of Health Sciences LSMU LT 03/ Agrosysytems IQC RO Collaborators Country Vasiliki Protopapadaki EL Association Tierschutz macht Schule AT Eblex UK EDUCAWEL FINAL REPORT Table of Contents 1. Executive Summary ........................................................................................................................... 3 2. Introduction ........................................................................................................................................ 4 3. Methodology ...................................................................................................................................... 5 4. Results from the questionnaires ........................................................................................................ 8 4.1 Animal welfare and ethics .................................................................................................................. 8 4.2 Level of knowledge on animal welfare and quality of the information received ............................... 10 4.3 Knowledge on animal welfare legislation ........................................................................................ -
The Bernice Summerfield Stories
www.BIGFINISH.COM • NE w AUDIO ADVENTURES THE BIG FINISH MAGAZINE FREE! THE PHILIP OLIVIER AND AMY PEMBERTON TELL US ABOUT SHARING A TARDIS! PLUS! VORTEX ISSUE 43 n September 2012 BENNY GETS BACK TO HER ROOTS IN A NEW BOX SET BERNICE SUMMERFIELD: LEGION WRITER DONALD TOSH ON HIS 1960s LOST STORY FOURTHE ROSEMARINERS COMPANIONS EDITORIAL Listen, just wanted to remind you about the Doctor Who Special Releases. What do you mean, you haven’t heard of them? SNEAK PREVIEWS AND WHISPERS It’s a special bundle of low-priced but excessively exciting new releases. The package consists of two box sets: Doctor Who: Dark Lalla Ward, Louise Jameson and Eyes (featuring the Eighth Doctor and the Daleks), UNIT: Dominion Seán Carlsen return to studio later (featuring the Seventh Doctor and Klein). PLUS! Doctor Who: Love and this month to begin recording the War (featuring the Seventh Doctor and Bernice Summerfield). PLUS! final series of Gallifrey audio dramas Two amazing adventures for the Sixth Doctor with Jago and Litefoot for 2013. (yes, I know!), Doctor Who: Voyage to Venus and Doctor Who: Voyage Last time we heard them, Romana, to the New World. Leela and Narvin were traversing the multiverse (with K-9 and Braxiatel Now, here’s the thing: this package is an experiment in cheaper still in tow). Now they’re stranded pricing. Giving you even more value for money. If it works and it on a barbaric Gallifrey that never attracts more people to listen – and persuades any of you illegal discovered time travel… and they’re downloaders out there – then it’s a model for pricing that we will looking for an escape. -
The Postmodern Sacred
The Postmodern Sacred Popular Culture Spirituality in the Genres of Science Fiction, Fantasy and Fantastic Horror Em McAvan BA (Honours) Curtin University This thesis is submitted for the degree of Doctor of Philosophy at Murdoch University, August 2007. Declaration I declare that this thesis is my own account of my research and contains as its main content work which has not previously been submitted for a degree at any tertiary educational institution. __________________________ Acknowledgements My thanks to Vijay Mishra and Wendy Parkins for their supervision, my friends and family for their support and encouragement, and to Candy Robinson for everything else. Contents Introduction 1 Chapter One 17 The Postmodern Sacred Chapter Two 60 ‘Something Up There’: Transcendental Gesturing in New Age influenced texts Chapter Three 96 Of Gods and Monsters: Literalising Metaphor in the Postmodern Sacred Chapter Four 140 That Dangerous Supplement: Christianity and the New Age in Tolkien’s Lord of the Rings Chapter Five 171 Good, Evil and All That Stuff: Morality and Meta-Narrative in the Postmodern Sacred Chapter Six 214 Nostalgia and the Sacredness of “Real” Experience in Postmodernity Conclusion 253 Bibliography 259 1 Introduction The Return of the Religious and the Postmodern Sacred God is no longer dead. When Nietzsche famously declared his death toward the end of the 19th century, it seemed possible, even inevitable, that God and religion would die under the rationalist atheist onslaught. That, however, was not to be the case. Religion and “spirituality” have survived the atheist challenge, albeit profoundly changed. Although there are a number of contributing factors, the revival of the religious in the West has occurred partly as a result of the postmodernist collapse of the scientific meta-narratives that made atheism so powerful. -
Songs of the Last Philosopher: Early Nietzsche and the Spirit of Hölderlin
Bard College Bard Digital Commons Senior Projects Spring 2013 Bard Undergraduate Senior Projects Spring 2013 Songs of the Last Philosopher: Early Nietzsche and the Spirit of Hölderlin Sylvia Mae Gorelick Bard College, [email protected] Follow this and additional works at: https://digitalcommons.bard.edu/senproj_s2013 This work is licensed under a Creative Commons Attribution 3.0 License. Recommended Citation Gorelick, Sylvia Mae, "Songs of the Last Philosopher: Early Nietzsche and the Spirit of Hölderlin" (2013). Senior Projects Spring 2013. 318. https://digitalcommons.bard.edu/senproj_s2013/318 This Open Access work is protected by copyright and/or related rights. It has been provided to you by Bard College's Stevenson Library with permission from the rights-holder(s). You are free to use this work in any way that is permitted by the copyright and related rights. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. Songs of the Last Philosopher: Early Nietzsche and the Spirit of Hölderlin Senior Project submitted to The Division of Social Studies of Bard College by Sylvia Mae Gorelick Annandale-on-Hudson, New York May 1, 2013 For Thomas Bartscherer, who agreed at a late moment to join in the struggle of this infinite project and who assisted me greatly, at times bringing me back to earth when I flew into the meteoric heights of Nietzsche and Hölderlin’s songs and at times allowing me to soar there. -
Black Orpheus, Myth and Ritual: a Morphological Reading*
DOI 10.1007/s12138-008-0009-y Black Orpheus, Myth and Ritual: A Morphological Reading* HARDY FREDRICKSMEYER # Springer Science + Business Media B.V. 2008 Black Orpheus (Orfeu Negro; M. Camus, 1959) drew on classical myth and ritual to win the Palme d’Or at the Cannes Film Festival and the Oscar for Best Foreign Film. Yet no one has analyzed the film with reference to its classical background. This paper argues that the film closely follows two narrative patterns (Separation-Liminality- Incorporation and the Heroic Journey) employed by the myth of Orpheus and Eury- dice, and related stories. This morphological approach reveals the cinematic Euridice as a “female adolescent initiand” whose loss of virginity and death are foreshadowed from her first scene. The film’s setting of Carnaval promotes Euridice’s adolescent ini- tiation as it duplicates ancient Greek Dionysian festivals. Orfeu emerges as not only a shamanistic hero, but also an associate of Apollo and, antithetically, an avatar of Diony- sus and substitute sacrifice for the god. Finally, the film not only replicates but also reinvents the ancient, rural and European myth of Orpheus and Eurydice by resituat- ing it in a modern city of the Africanized “New World.” A Stephanie, la compagna della mia vita lack Orpheus (Orfeu Negro; M. Camus, 1959) explodes on the screen as a Bsensual tour de force of color, music and dance, all framed by the rhapsodic beauty of Rio de Janeiro during Carnaval. Critical and popular admiration for these audio-visual qualities help to explain why Black Orpheus won the Palme d’Or at the Cannes Film Festival, and the Oscar for Best Foreign Film, and why it remains one of the most successful films of all time with a Latin-Amer- * For their thoughtful comments on earlier versions of this essay, I would like to thank the editor of this journal, Wolfgang Haase, the anonymous referees, Erwin Cook, John Gibert, Ernst Fredricksmeyer, and Donald Wilkerson. -
Baptize/Baptized Definition of “Baptize”
BAPTISM/BAPTIZE/BAPTIZED DEFINITION OF “BAPTIZE” EPHESIANS 4:5 = ONE LORD, ONE FAITH, ONE BAPTISM GREEK DEFINITION OF ‘BAPTIZE’ The word ‘baptize’ is a Greek word that has been transliterated into the English language. The English language did not have a word for the Greek word ‘baptize’ so the Greek word was borrowed and put into the English language, retaining its Greek definition. In other words, the translators taught us a Greek word and the Greek words meaning. Baptize is from two (2) Greek words ‘BAPTO’ & BAPTIZO BAPTO -- STRONG'S GREEK DICTIONARY, 911[1] bapto bap'-to 1. a primary verb; to whelm, i.e. cover wholly with a fluid; (by implication) to stain (as with dye): 2. --dip. We see that there are two definitions for the root word ‘bapto’... one is to ‘cover wholly with a fluid’ and the other definition is to ‘dip’There are only three places in the Greek text where the word ‘bapto’ is found and in each case this word was translated into English as ‘dip’. Luke 16:24 (KJV) And he cried and said, Father Abraham, have mercy on me, and send Lazarus, that he may dip the tip of his finger in water, and cool my tongue; for I am tormented in this flame. John 13:26 (KJV) Jesus answered, He it is, to whom I shall give a sop, when I have dipped it. And when he had dipped the sop, he gave it to Judas Iscariot, the son of Simon. Revelation 19:13 (KJV) And he was clothed with a vesture dipped in blood: and his name is called The Word of God. -
Doctor Who 1 Doctor Who
Doctor Who 1 Doctor Who This article is about the television series. For other uses, see Doctor Who (disambiguation). Doctor Who Genre Science fiction drama Created by • Sydney Newman • C. E. Webber • Donald Wilson Written by Various Directed by Various Starring Various Doctors (as of 2014, Peter Capaldi) Various companions (as of 2014, Jenna Coleman) Theme music composer • Ron Grainer • Delia Derbyshire Opening theme Doctor Who theme music Composer(s) Various composers (as of 2005, Murray Gold) Country of origin United Kingdom No. of seasons 26 (1963–89) plus one TV film (1996) No. of series 7 (2005–present) No. of episodes 800 (97 missing) (List of episodes) Production Executive producer(s) Various (as of 2014, Steven Moffat and Brian Minchin) Camera setup Single/multiple-camera hybrid Running time Regular episodes: • 25 minutes (1963–84, 1986–89) • 45 minutes (1985, 2005–present) Specials: Various: 50–75 minutes Broadcast Original channel BBC One (1963–1989, 1996, 2005–present) BBC One HD (2010–present) BBC HD (2007–10) Picture format • 405-line Black-and-white (1963–67) • 625-line Black-and-white (1968–69) • 625-line PAL (1970–89) • 525-line NTSC (1996) • 576i 16:9 DTV (2005–08) • 1080i HDTV (2009–present) Doctor Who 2 Audio format Monaural (1963–87) Stereo (1988–89; 1996; 2005–08) 5.1 Surround Sound (2009–present) Original run Classic series: 23 November 1963 – 6 December 1989 Television film: 12 May 1996 Revived series: 26 March 2005 – present Chronology Related shows • K-9 and Company (1981) • Torchwood (2006–11) • The Sarah Jane Adventures (2007–11) • K-9 (2009–10) • Doctor Who Confidential (2005–11) • Totally Doctor Who (2006–07) External links [1] Doctor Who at the BBC Doctor Who is a British science-fiction television programme produced by the BBC. -
The Project Gutenberg's Etext Myth, Ritual, and Religion, Vol. 1 #28 in Our Series by Andrew Lang
The Project Gutenberg's Etext Myth, Ritual, and Religion, Vol. 1 #28 in our series by Andrew Lang Copyright laws are changing all over the world, be sure to check the copyright laws for your country before posting these files!! Please take a look at the important information in this header. We encourage you to keep this file on your own disk, keeping an electronic path open for the next readers. Do not remove this. *It must legally be the first thing seen when opening the book.* In fact, our legal advisors said we can't even change margins. **Welcome To The World of Free Plain Vanilla Electronic Texts** **Etexts Readable By Both Humans and By Computers, Since 1971** *These Etexts Prepared By Hundreds of Volunteers and Donations* Information on contacting Project Gutenberg to get Etexts, and further information is included below. We need your donations. Title: Myth, Ritual, and Religion, Vol. 1 Author: Andrew Lang September, 2001 [Etext #2832] The Project Gutenberg Etext of Myth, Ritual, and Religion, Vol. 1 *******This file should be named 1mrar10.txt or 1mrar10.zip****** Corrected EDITIONS of our etexts get a new NUMBER, 1mrar11.txt VERSIONS based on separate sources get new LETTER, 1mrar10a.txt This etext was prepared by Donald Lainson, [email protected]. Project Gutenberg Etexts are usually created from multiple editions, all of which are in the Public Domain in the United States, unless a copyright notice is included. Therefore, we usually do NOT keep any of these books in compliance with any particular paper edition. We are now trying to release all our books one month in advance of the official release dates, leaving time for better editing. -
Fair Housing Information Sheet # 6
Fair Housing Information Sheet # 6 Right to Emotional Support Animals in "No Pet" Housing Advocates and professionals have long recognized the benefits of assistive animals for people with physical disabilities, including Seeing Eye dogs or hearing dogs that are trained to perform simple tasks such as carrying notes and alerting their owners to oncoming traffic or other environmental hazards. Recent research suggests that people with psychiatric disabilities can benefit significantly from assistive animals, too. Emotional support animals have been proven extremely effective at ameliorating the symptoms of these disabilities, such as depression and post-traumatic stress disorder, by providing therapeutic nurture and support. See Psychiatric Service Animals page for information about other issues and the 2010 definitions of service and companion animals under the ADA, the Fair Housing Act, and Section 504. See also comments filed with the Department of Justice (in 2008) and the Department of Transportation(December 2009) addressing proposed regulations governing the use of psychiatric service animals, described in our December 8, 2009 Action Alert. The Fair Housing Amendments Act of 1988, Section 504 of the Rehabilitation Act of 1973, and Title II of the Americans with Disabilities Act protect the right of people with disabilities to keep emotional support animals, even when a landlord's policy explicitly prohibits pets. Because emotional support and service animals are not "pets," but rather are considered to be more like assistive aids such as wheelchairs, the law will generally require the landlord to make an exception to its "no pet" policy so that a tenant with a disability can fully use and enjoy his or her dwelling.