July/August 2011
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Road Diets Sidewalks Street Trees Traffic Calming
Livability Fact Sheets The Complete Collection Livable Communities are Great Places for All Ages Bicycling Density Economic Development Form-Based Code Modern Roundabouts Parking Revitalization Without Displacement Road Diets Sidewalks Street Trees Traffic Calming A Publication of aarp.org/livable The Livability Fact Sheets collected in this booklet were created in partnership by AARP Livable Communities and the Walkable and Livable Communities Institute. The two organizations have the shared goal of helping towns, cities and communities nationwide to become safer, healthier, more walkable and overall livable for people of all ages. A package of 11 comprehensive, easy-to-read livability resources, the fact sheets can be used individually or as a collection by community leaders, policy makers, citizen activists and others to learn about and explain what makes a city, town or neighborhood a great place to live. Each topic-specific fact sheet is a four-page document that can be read online — by visiting aarp.org/livability-factsheets — or printed and distributed. We encourage sharing, so please forward the URL and use the fact sheets for discussions and research. If you have comments or questions, contact us at [email protected] and/or [email protected]. The AARP Livability Fact Sheets series was published by AARP Education & Outreach/Livable Communities in association with the Walkable and Livable Communities Institute Project Advisor: Jeanne Anthony | Editor: Melissa Stanton | Writers: Dan Burden, Kelly Morphy, Robert Ping The fact sheets can be downloaded and printed individually or as a collection by visiting aarp.org/livability-factsheets AARP is a nonprofit, nonpartisan organization, with a membership of more than 37 million, that helps people turn their goals and dreams into real possibilities, strengthens communities and fights for the issues that matter most to families such as healthcare, employment security and retirement planning. -
STORM Report the STORM Report Is a Compilation of Up-And-Coming Bands and Explores the Increasingly Popular Trend Artists Who Are Worth Watching
Hungry Like The Wolf: Artists as Restauranteurs SYML Maggie Rogers Sam Bruno Angus & Julia Stone Fox Stevenson and more THE STORM ISSUE NO. 49 REPORT NOVEMBER/DECEMBER 2017 TABLE OF CONTENTS 4 EYE OF THE STORM Hungry Like The Wolf: Artists as Restauranteurs 5 STORM TRACKER Post Malone, Ty Dolla $ign, St. Vincent, and Courtney Barnett 6 STORM FORECAST What to look forward to this month. Holiday Season, Award Season, Rainy Day Gaming and more 7 STORM WARNING Our signature countdown of 20 buzzworthy bands and artists on our radar. 19 SOURCES & FOOTNOTES On the Cover: Marshmello. Photo courtesy of management. ABOUT A LETTER THE STORM FROM THE REPORT EDITOR STORM = STRATEGIC TRACKING OF RELEVANT MEDIA It’s almost Thanksgiving in the US, and so this special edition of the STORM report The STORM Report is a compilation of up-and-coming bands and explores the increasingly popular trend artists who are worth watching. Only those showing the most of artists and food with our featured promising potential for future commercial success make it onto our article “Hungry Like the Wolf: Artists as monthly list. Restauranteurs.” From Sammy Hagar’s Cabo Wabo to Jimmy Buffet’s Margaritaville to How do we know? Justin Timberlake’s Southern Hospitality, artists are leveraging their brand equity to Through correspondence with industry insiders and our own ravenous create extensions that are not only lucrative, media consumption, we spend our month gathering names of artists but also delicious! Featured on this month’s who are “bubbling under”. We then extensively vet this information, cover is one of our favorite STORM alumni, analyzing an artist’s print & digital media coverage, social media Marshmello (STORM #39), whose very growth, sales chart statistics, and various other checks and balances to name sounds like it would go well with ensure that our list represents the cream of the crop. -
Legally Speaking: Group Ride Liability, Part 1 Bob Mionske August 30, 2018
Legally Speaking: Group ride liability, part 1 Bob Mionske August 30, 2018 News What happens if one of the cyclists hits a pedestrian or a car or takes down a paceline on a group ride? Bike clubs have long organized of all sorts of group rides for club members as well as the public. These rides provide a great introduction to the world of cycling. Because they attract an array of different cyclists, the level of etiquette and experience varies immensely among the participants. To your left, you could be looking at a retired professional. But to your right, you’ll find a super-strong newbie who also struggles with proper riding lines and basic bike handling — which is, of course, critical in a fast-moving peloton. You start to wonder: What happens if one of the cyclists hits a pedestrian or a car or takes down a paceline? These are classic group ride liability scenarios. And, they all boil down to these two issues: 1. Who is responsible and who is legally liable? The club and its organizers? The individuals involved? Or the sponsors of the ride? 2. If liability attaches to the group ride, who pays for the property damages and injuries that happen to someone? These are sophisticated legal issues, and the answers will depend on a range of legal factors and vary from state to state. Consequently, we will address these questions in a two-part series. This column addresses the first issue — when can a group ride be held liable if someone gets hurt or property is destroyed? Understanding basic liability law and negligence As attorney Kurt Holzer explains, the mere fact that one person is injured does not give rise to legal liability. -
Bike Lanes.4 Numbers
Bicycling | A LIVABILITY FACT SHEET Half of all trips taken in the United States are three miles alongside Brooklyn’s Prospect Park. Weekday bicycling or less, yet most Americans drive — even to the closest traffic tripled, speeding by all vehicles dropped from 74 to destinations. Only 3 percent of commuting trips in the 20 percent, crashes for all road users dropped 16 percent U.S. are by bicycle, compared to up to 60 percent in The and injuries went down 21 percent, all without a change Netherlands. in corridor travel time.3 Throughout New York City, deaths and serious crashes are down 40 percent where there are Still, it’s not unreasonable to believe we can improve our bike lanes.4 numbers. The popularity of bicycling has been on the rise. The number of bike trips doubled between 1990 and Bicycling also provides economic benefits: Two-thirds of 2009, and many communities and the federal government merchants surveyed on San Francisco’s Valencia Street say are embracing the bicycle as a transportation solution for that bike lanes have improved business. In North Carolina’s a healthy and viable future.1 Outer Banks, bicycle tourism has already generated $60 million in annual economic activity on its $6.7 million Surveys show that 60 percent of Americans would ride a bicycle infrastructure investment. In 2009, people using bicycle if they felt safe doing so, and eight out of 10 agree bicycles spent $261 million on goods and services that bicycling is a healthy, positive activity. in Minnesota, supporting more than 5,000 jobs and generating $35 million in taxes.5 Although issues related to bicycling continue to be debated, experience shows that bicycle-friendly features Building bike infrastructure creates an average of 11.4 increase safety for all road users, including motor vehicles.2 jobs for every $1 million spent. -
America's Changing Mirror: How Popular Music Reflects Public
AMERICA’S CHANGING MIRROR: HOW POPULAR MUSIC REFLECTS PUBLIC OPINION DURING WARTIME by Christina Tomlinson Campbell University Faculty Mentor Jaclyn Stanke Campbell University Entertainment is always a national asset. Invaluable in times of peace, it is indispensable in wartime. All those who are working in the entertainment industry are building and maintaining national morale both on the battlefront and on the home front. 1 Franklin D. Roosevelt, June 12, 1943 Whether or not we admit it, societies change in wartime. It is safe to say that after every war in America’s history, society undergoes large changes or embraces new mores, depending on the extent to which war has affected the nation. Some of the “smaller wars” in our history, like the Mexican-American War or the Spanish-American War, have left little traces of change that scarcely venture beyond some territorial adjustments and honorable mentions in our textbooks. Other wars have had profound effects in their aftermath or began as a result of a 1 Telegram to the National Conference of the Entertainment Industry for War Activities, quoted in John Bush Jones, The Songs that Fought the War: Popular Music and the Home Front, 1939-1945 (Lebanon, NH: University Press of New England, 2006), 31. catastrophic event: World War I, World War II, Vietnam, and the current wars in the Middle East. These major conflicts create changes in society that are experienced in the long term, whether expressed in new legislation, changed social customs, or new ways of thinking about government. While some of these large social shifts may be easy to spot, such as the GI Bill or the baby boom phenomenon in the 1940s and 1950s, it is also interesting to consider the changed ways of thinking in modern societies as a result of war and the degree to which information is filtered. -
Green Illusions Is Not a Litany of Despair
“In this terrific book, Ozzie Zehner explains why most current approaches to the world’s gathering climate and energy crises are not only misguided but actually counterproductive. We fool ourselves in innumerable ways, and Zehner is especially good at untangling sloppy thinking. Yet Green Illusions is not a litany of despair. It’s full of hope—which is different from false hope, and which requires readers with open, skeptical minds.”— David Owen, author of Green Metropolis “Think the answer to global warming lies in solar panels, wind turbines, and biofuels? Think again. In this thought-provoking and deeply researched critique of popular ‘green’ solutions, Zehner makes a convincing case that such alternatives won’t solve our energy problems; in fact, they could make matters even worse.”—Susan Freinkel, author of Plastic: A Toxic Love Story “There is no obvious competing or comparable book. Green Illusions has the same potential to sound a wake-up call in the energy arena as was observed with Silent Spring in the environment, and Fast Food Nation in the food system.”—Charles Francis, former director of the Center for Sustainable Agriculture Systems at the University of Nebraska “This is one of those books that you read with a yellow marker and end up highlighting most of it.”—David Ochsner, University of Texas at Austin Green Illusions Our Sustainable Future Series Editors Charles A. Francis University of Nebraska–Lincoln Cornelia Flora Iowa State University Paul A. Olson University of Nebraska–Lincoln The Dirty Secrets of Clean Energy and the Future of Environmentalism Ozzie Zehner University of Nebraska Press Lincoln and London Both text and cover are printed on acid-free paper that is 100% ancient forest free (100% post-consumer recycled). -
Los Angeles Vacation Planner: How to Eat Your Way Around LA In
Filipino star Ma'am Sir is one of LA's best new restaurants | Fried Chicken Sandwich Studios Filipino star Ma'am Sir is one of LA's best new restaurants | Fried Chicken Sandwich Studios TRAVEL Presented By It may come as a bit of a shock that Los Angeles, a place often imagined for beach bodies and plastic surgery, would be the ultimate destination for a vacation based around eating, but life is full of surprises. You’ll hear stories about how LA has “finally” figured out our culinary scene in the last few years (thanks for the pity visit, Michelin!), but the fact is that the city has always had a killer food scene. This is a city where ex-Nobu busboys open their own Mexican sushi restaurants , a city that essentially jump-started the food truck revolution (thanks Roy Choi!). It's where you can turn a quiet corner corner and walk directly into the heart of a Guatemalan street food market, or find world’s-best-sushi contenders in the dusty corners of a strip mall. LA is stuffed top to bottom with incredible things to eat. It's also, you know, one of America's biggest and most vibrant cities. And one of the best ways to see LA at its best is through the lens of food -- something that makes LA one of the 20 Best Places for a Big Trip in 2020 . In this guide, we’re talking about the Los Angeles of 2020. We're not sending you to Rodeo Drive, the Walk of Fame, old-world LA legacy restaurants, or any of Wolfgang Puck’s Beverly Hills establishments. -
Rolling Resistance
This is a newsletter prepared by lawyers to advise bicyclists about the joys of riding, bicycle safety, active transportation, and cyclists’ rights. Bicycle Law is solely owned 1005 Sansome Street, Suite 330 and operated by former-Olympian- San Francisco, CA 94111 turned-lawyer Bob Mionske through his firm, The Law Office of Bob Mionske. Bob is a regular contributor to VeloNews with his Legally Speaking column, is licensed to practice in Oregon, and is regularly consulted by attorneys and cyclists nationwide regarding crashes. ROLLING CYCLING MT. SHASTA, AVOIDING DOORINGS, INSURANCE, ANDMORE AVOIDING SHASTA, MT. CYCLING ISSUE #1 ISSUE | FALL 2020 FALL RESISTANCE | VIRAL CYCLING VIRAL WHAT IS BICYCLE LAW? For those unfamiliar with us, we are lawyers working for cyclists. Founded by Olympic cyclist and national champion-turned-lawyer Bob Mionske in 2000, the organization has grown over the past two decades. We are commuters, advocates, adventurers, and enthusiasts. You can find us piloting cargo bikes with our kids — the easiest and most enjoyable way to travel with children. You can also find us in INSIDE THIS EDITION Washington, D.C. with the League of American Bicyclists, lobbying for better infrastructure. We commute, we adventure, we joy ride… Circumnavigating Mount Shasta in a day We’ve also found that the COVID-19 pandemic has created bicycle- Bike handling: Avoiding doorings specific opportunities, and issues, that need to be addressed. People have flocked to riding as a way to socially distance while commuting, Why should bicyclists have auto insurance? and as a way to get exercise. Try getting in for a bike repair, or locating (Hint: it’s all about the underinsured motorist coverage, folks!) a new bike these days, and you’ll see the impact. -
Wilson Pickett, New York City, 1981; Swamp Dogg; Aretha Franklin, New York City, 1982; Fred Wesley, 2011; Dr
HYTHM AND LUES From left top and clockwise: Wilson Pickett, New York City, 1981; Swamp Dogg; Aretha Franklin, New York City, 1982; Fred Wesley, 2011; Dr. Mable John. Photos: © Fredrich Cantor; Courtesy of Swamp Dogg; © Fredrich Cantor; Mark Puryear, Smithsonian Institution; Courtesy of Stax Museum of American Soul Music Right side: The Dixie Cups® began performing rhythm and blues music in 1963; the group now includes original members Barbara A. Hawkins (right) and Rosa L. Hawkins (left), joined by Athelgra Neville. Photo by Richard Strauss, Smithsonian Institution Rhythm and Blues 53 Tell It Like It Is by Mark Puryear In 1964 The Dixie Cups®, a female vocal trio from New Orleans, crooned out a cheerful version of “Chapel of Love” and knocked the Beatles from their number one spot on the pop charts. A year later, the trio released “Iko Iko,” a song first released in 1954 by James “Sugar Boy” Crawford as “Jock-A-Mo,” whose lyrics recount the meeting of two groups of Mardi Gras Indians. Since then, this song has been cov- ered by artists from the Grateful Dead to Cyndi Lauper, and continues to move new generations with its infectious New Orleans rhythms. The career of The Dixie Cups, and their direct and indirect roles in carrying rhythm and blues (R&B) into mainstream consciousness, speaks to the enduring pow- er of this music to transcend region and musical category and become a representative sound of the country. Musical Crossroads by Dwandalyn Reece The National Museum of African American History of musical genres, highlighting musical innovations, and Culture (NMAAHC) was established by an act of significant time periods and events along with Congress in 2003 making it the nineteenth museum historic performances to capture the music’s impact of the Smithsonian Institution. -
From Jazz Assembly Series to Hip
teacher resource guide assembly series from jazz to hip hop DJ Mike-Doelo featuring mark gross quartet and dj mike-doelo about the meet the in the spotlight performance artists An Interview with Mark Gross and DJ Mike-Doelo The Mark Gross Quartet and DJ Mike-Doelo will take you on Mark Gross, who leads his How did your professional training and experience inform to want to DJ. In the late 1980s, we moved to the west side a sonic journey exploring two of America’s greatest musical namesake quartet, has been the your performances? of Manhattan at a time when hip hop was maturing. Teddy innovations—jazz and hip hop—and the language, rhythms and Director of Jazz Instruction at Riley actually lived in my apartment building when he was cultural significance of the two art forms, including their close New Jersey Performing Arts Mark Gross: I started playing saxophone when I was 6 or 7 spearheading the whole new jack swing movement. I was connections. The performance will be interactive and feature Center (NJPAC) since 2015. years old. I initially learned to play by ear. Growing up in a there when hip hop grew up, watching music videos, and being a call-and-response dynamic between the audience and Gross is a dedicated and home where music was often played, mostly gospel music such inspired by it all. My inspiration came from the people living performers—like the ones found at a great hip hop concert or accomplished jazz saxophonist as Mahalia Jackson or Reverend C. L. Franklin, I was deeply and composing and performing all around me. -
Fast and Furious 5
UNIVERSAL PICTURES Presenta Una Produzione ORIGINAL FILM / ONE RACE FILMS Un Film di JUSTIN LIN VIN DIESEL PAUL WALKER JORDANA BREWSTER TYRESE GIBSON CHRIS “LUDACRIS” BRIDGES MATT SCHULZE SUNG KANG GAL GADOT TEGO CALDERÓN DON OMAR JOAQUIM DE ALMEIDA e DWAYNE JOHNSON Produttori Esecutivi AMANDA LEWIS SAMANTHA VINCENT JUSTIN LIN Prodotto da NEAL H. MORITZ VIN DIESEL MICHAEL FOTTRELL Basato Sui Personaggi Creati da GARY SCOTT THOMPSON Scritto da CHRIS MORGAN Regia di JUSTIN LIN VIN DIESEL e PAUL WALKER sono i protagonisti di Fast & Furious Five che vede riunite tutte le star dei capitoli precedenti di questo esplosivo franchise all’insegna della velocità! Insieme alla new entry DWAYNE JOHNSON, la serie che ha tenuto il mondo con il fiato sospeso, esplorerà nuove, incredibili avventure cariche di adrenalina. In Fast and Furious 5 troviamo l’ex poliziotto Brian O’Conner (Walker) fare coppia con l’ex detenuto Dom Toretto in circostanze decisamente inospitali e poco familiari: siamo in Brasile, nell’esotica Rio de Janeiro, nel versante opposto della legge. ELSA PATAKY si unisce a Johnson assieme al ritorno dei personaggi più amati, riuniti per il colpo definitivo: JORDANA BREWSTER, CHRIS ‘LUDACRIS’ BRIDGES, TYRESE GIBSON, SUNG KANG, GAL GADOT, MATT SCHULZE, TEGO CALDERON e DON OMAR. La serie che per dieci anni ha conquistato il pubblico con la sua squadra di piloti clandestini di Los Angeles, legati tra di loro da un codice basato sul senso della famiglia e del rispetto, invita i suoi fan alla più grande ed emozionante corsa che possano immaginare. Dopo aver emozionato con folli corse attraverso i circuiti di Miami, dopo aver rivelato la spregevole malavita di Tokio, dopo aver corso e sfrecciato attraverso i tunnel nascosti tra il confine Americano e Messicano, i nostri eroi tornano in azione. -
Rap Vocality and the Construction of Identity
RAP VOCALITY AND THE CONSTRUCTION OF IDENTITY by Alyssa S. Woods A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Music: Theory) in The University of Michigan 2009 Doctoral Committee: Associate Professor Nadine M. Hubbs, Chair Professor Marion A. Guck Professor Andrew W. Mead Assistant Professor Lori Brooks Assistant Professor Charles H. Garrett © Alyssa S. Woods __________________________________________ 2009 Acknowledgements This project would not have been possible without the support and encouragement of many people. I would like to thank my advisor, Nadine Hubbs, for guiding me through this process. Her support and mentorship has been invaluable. I would also like to thank my committee members; Charles Garrett, Lori Brooks, and particularly Marion Guck and Andrew Mead for supporting me throughout my entire doctoral degree. I would like to thank my colleagues at the University of Michigan for their friendship and encouragement, particularly Rene Daley, Daniel Stevens, Phil Duker, and Steve Reale. I would like to thank Lori Burns, Murray Dineen, Roxanne Prevost, and John Armstrong for their continued support throughout the years. I owe my sincerest gratitude to my friends who assisted with editorial comments: Karen Huang and Rajiv Bhola. I would also like to thank Lisa Miller for her assistance with musical examples. Thank you to my friends and family in Ottawa who have been a stronghold for me, both during my time in Michigan, as well as upon my return to Ottawa. And finally, I would like to thank my husband Rob for his patience, advice, and encouragement. I would not have completed this without you.