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Sharon's Noranian Turn: Stardom, Embodiment, and Language in Philippine Cinema
Sharon's Noranian Turn: Stardom, Embodiment, and Language in Philippine Cinema Bliss Cua Lim Discourse, Volume 31, Number 3, Fall 2009, pp. 318-358 (Article) Published by Wayne State University Press For additional information about this article http://muse.jhu.edu/journals/dis/summary/v031/31.3.lim01.html Access Provided by University of California @ Irvine at 11/09/10 7:10PM GMT Sharon’s Noranian Turn: Stardom, Embodiment, and Language in Philippine Cinema Bliss Cua Lim Writing in 1965 under the pseudonym Quijano de Manila, National Artist Nick Joaquin vividly describes an era when the decline of the great Philippine film studios spawned an unbridled “star system still in apogee.” In the 1960s, star worship fuels the popular cinema and feeds “the avarice of the independent producer.” The middle- class lament that mainstream Filipino movies are hardly “quality” pictures, Joaquin writes impatiently, misses the point: “The movie fans crowd to a local movie not because they expect a sensible story or expert acting or even good entertainment”; instead, they go to the movies to see the stars they adore—action film kings Fernando Poe Jr. and Joseph Estrada, glamour goddesses Amalia Fuentes and Susan Roces. “Our movie idols remain idolized, whatever the quality of their vehicles, as long as they remain impossibly young, impossibly glamorous, impossibly beautiful”1 (figure 1). This is a form of star worship that, in its emphasis on an unrealizable world, ends by preventing audience identification. The spectatorial plea- sures offered by the star system of the early to mid-1960s, Joaquin argues, are not driven by identification but by wonder, idolatry practiced from afar. -
Lopez Group Lalong Tatatag Sa Susunod Na 5 Taon
January 2006 Lopez execs bag Excel awards ...p. 6 Lopez Group lalong tatatag sa susunod na 5 taon By Carla Paras-Sison Upang makamit ang katatagan at Media and communications paglago na inaasahan ni OML sa Para sa ABS-CBN Broadcasting “Though there are still daunting envi- susunod na limang taon, idinulog ng Corp., kailangang patatagin ang organ- ronmental imponderables and also ma- Benpres Holdings Corporation sa isasyon, mabawi ang pangunguna sa jor business problems in some of our bawa’t kumpanya ng mga kailangang Mega Manila TV ratings at ipagpatuloy companies, I am optimistic that we are mangyari sa taong 2006. ang paglago ng ABS-CBN Global. making definite progress toward group stability, growth and increased prof- Turn to page 2 Meralco Phase 4 itability in the next five years,” pa- hayag ni LopezGroup chairman Oscar refund ongoing...p. 2 M. Lopez(OML) sa nakaraang Strate- gic Planning Conference. Abangan ang ‘Pinoy Big Brother’ Season 2! ...p. 5 2 LOPEZLINK January 2006 Lopez Group lalong tatatag ... from page 1 Bagama’t nakapaglunsad ng mga mga bagong proyekto para sa strategic ings sa 2006 kung maaprubahan ang Para sa Manila North Tollways Property development bagong programa ang ABS-CBN growth. rate hike na hinihiling ng Meralco. Corp. (MNTC), nakatuon ang pansin Inaasahang mabebenta ng Rockwell noong 2005, hindi pa nito nababawi Sa Sky Cable, inaasahang magawa Walumpu’t dalawang porsiyento sa pagpapadami ng motoristang du- Land Corporation ang 100% ng Joya ang leadership sa Mega Manila TV ang pilot encryption ng Sky Cable ng kita ng First Holdings ay mangga- madaan sa North Luzon Expressway condominium sa taong ito. -
Chinese Automaker to Invest $8M in Phl Assembly Plant
Msgr. Gutierrez Dr. Ofelia Dirige Balik Tanaw Got Food and Drink? Weight Control: Eat Right Armando Goyena: A Rare .. p 11 and Be Active .. p 5 Breed of Movie Talent.. p 13 March 25 - 31, 2011 Chinese automaker to invest $8M in Phl assembly plant Great Wall Motor, one of China’s leading car makers will Filipinos are # 1 charity givers The Philippine-Mexican Connection: invest $8 million for the assem- bly of Chinese vehicles in the in Asia, Mastercard says country. (From Good News Philip- Priests, Soldiers and Seamen pines) Filipinos are the top by Riz A. Oades, PhD charity givers in Asia and Africa. This is the result of The late Dr. Riz Oades was Professor Emeritus in the Department of History and Center for the latest MasterCard Survey Asian Studies, San Diego State University. He pioneered courses such as AS 460, “Contem- on Ethical Spending con- porary Issues in Filipino American Communities.” He was also Co-Founder, President and ducted from September 13 to CEO of Kalusugan Community Services; columnist in the Asian Journal; and Vice Chair- November 11, 2010, involv- man of the Council of Philippine American Organizations (COPAO). ing 10,502 consumers in 24 The Haval 5 SUV by Great Wall countries in Asia and Africa. Geographically and In the survey, the Philip- A typhoon victim gets aid The Board of Investments pines topped the most chari- old and above (57%) and ethnically speaking, the (BOI) announced that GWM’s table category at 68% fol- married (51%). Philippines is an Asian assembly facility will be done in partnership with Allen Roxas of lowed by Hong Kong, 66%, Women (50%) tend to do- country. -
Fil-Am Nurse Enjoys Success in U.S. Home Health Industry by Alex P
Msgr. Gutierrez Riz A. Oades Entertainment Permanent FiL-Am YOUTH: “No, I’ve already Jennylyn: Resident gone with the Navy Path with you!” ‘My fault’ May 8 - 14, 2009 Fil-Am nurse enjoys success in U.S. home health industry By Alex P. Vidal/ PNS OAK BROOK, Illinois -- Happy Mother’s Day to All ! While many traders and finan- Pilipinas: cial managers in the United Anne M. Jarvis is credited States are groping in darkness with originating Mother’s Day. over the gloomy economic She never married and was ex- atmosphere wrought by reces- Balik-Tanaw tremely attached to her mother, sion, a 41-year-old nurse from Miag-ao, Iloilo in the Philip- By Dr. Romy Protacio of golf in world class golf Mrs. Anna Reese Jarvis. After courses, visiting parks and pines has successfully inched “Balik-Tanaw” means museums, or even simply Mrs. Jarvis died, Anne Jarvis her way into home health to look back at the past – in watching sunsets in stunning missed her mother so much business in Fairfield=2 0Way, retrospect. The word balik- resorts beyond compare. Bloomingdale. tanaw vividly describes my The Philippines is never The success of Lira Faicol recent trip to the Philippines. wanting for such options Mueda’s four-year-old home Whenever I take a trip back and all for far less than they health business that serves the entire state of Illinois however didn’t happen overnight. “We also encountered that she and her friends began a some problems in the begin- letter writing campaign to gain the ning, but me and my husband, support of congressmen, business- Edwin, do the marketing and directly manage the business,” men and influential ministers in quipped Mueda, who consid- declaring a national Mother’s Day ers Edwin as the business’ holiday. -
Hearst Corporation Los Angeles Examiner Photographs, Negatives and Clippings--Portrait Files (N-Z) 7000.1C
http://oac.cdlib.org/findaid/ark:/13030/c8w37tqm No online items Hearst Corporation Los Angeles Examiner photographs, negatives and clippings--portrait files (N-Z) 7000.1c Finding aid prepared by Rebecca Hirsch. Data entry done by Nikita Lamba, Siria Meza, Stephen Siegel, Brian Whitaker, Vivian Yan and Lindsey Zea The processing of this collection and the creation of this finding aid was funded by the generous support of the Council on Library and Information Resources. USC Libraries Special Collections Doheny Memorial Library 206 3550 Trousdale Parkway Los Angeles, California, 90089-0189 213-740-5900 [email protected] 2012 April 7000.1c 1 Title: Hearst Corporation Los Angeles Examiner photographs, negatives and clippings--portrait files (N-Z) Collection number: 7000.1c Contributing Institution: USC Libraries Special Collections Language of Material: English Physical Description: 833.75 linear ft.1997 boxes Date (bulk): Bulk, 1930-1959 Date (inclusive): 1903-1961 Abstract: This finding aid is for letters N-Z of portrait files of the Los Angeles Examiner photograph morgue. The finding aid for letters A-F is available at http://www.usc.edu/libraries/finding_aids/records/finding_aid.php?fa=7000.1a . The finding aid for letters G-M is available at http://www.usc.edu/libraries/finding_aids/records/finding_aid.php?fa=7000.1b . creator: Hearst Corporation. Arrangement The photographic morgue of the Hearst newspaper the Los Angeles Examiner consists of the photographic print and negative files maintained by the newspaper from its inception in 1903 until its closing in 1962. It contains approximately 1.4 million prints and negatives. The collection is divided into multiple parts: 7000.1--Portrait files; 7000.2--Subject files; 7000.3--Oversize prints; 7000.4--Negatives. -
Annual Report 2012
Philippine Social Science Council ...a private organization of professional social science associations in the Philippines Annual Report 2012 1 2 TABLE OF CONTENTS Program and Proposed Agenda 5 Minutes of the 2012 Annual General Membership Meeting 7 Chairperson’s Report 13 Treasurer’s Report 21 Accomplishment Reports 43 Regular Members Associate Members Board of Trustees Resolutions 197 Directory of PSSC Members 199 Regular Members Associate Members 3 4 PSSC ANNUAL GENERAL MEMBERSHIP MEETING 16 February 2013 PROGRAM • Business Meeting Proposed Agenda I. Call of the meeting to order II. Proof of quorum III. Approval of the proposed agenda IV. Approval of the minutes of the 2012 Annual General Membership Meeting V. Business arising from the minutes of the previous meeting VI. New business a. Chairperson’s report b. Treasurer’s report c. Membership Committee report d. Announcements and other matters VII. Adjournment • Conferment of the Virginia A. Miralao Excellence in Research Award 5 6 MINUTES OF THE ANNUAL GENERAL MEMBERSHIP MEETING PSSC Auditorium, 3 March 2012 ATTENDANCE Regular Members Linguistic Society of the Philippines Danilo Dayag Philippine Association of Social Workers Inc. Eva Ponce-de Leon Philippines Communication Society Rod Cornejo Philippine Geographical Society Simeona Martinez Alve Berdan Philippine Historical Association Evelyn Miranda Celestina Boncan Philippine National Historical Society Patrick de Castro Gil Gotiangco Philippine Political Science Association Teresa Tadem Philippine Population Association Christian -
Festival Guide Fdcpchannel.Ph 1 Table of Contents
SAMA ALL OCT. 31 - DEC. 13, 2020 PPP SHORT FILM SHOWCASE NOV. 20 - DEC. 13, 2020 PPP MAIN FEATURE FILM SHOWCASE FESTIVAL GUIDE FDCPCHANNEL.PH 1 TABLE OF CONTENTS SHORT FILM SHOWCASE Special Screening: Anak Dalita 13 Cinemarya Premiere 15 Sine Katabataan 18 Regional Shorts 20 MAIN FEATURE FILM SHOWCASE Premium 33 Classics 47 Documentary 52 Romance 57 Youth and Family 63 Genre 68 From the Regions 73 Pang-Oscars 78 Tribute 83 Bahaghari 88 PPP Retro 93 Special Feature 97 Main Feature Film Showcase Calendar 99 Events Schedule 107 The Film Development Council of the Philippines (FDCP) is the national film agency responsible for film policies and programs to ensure the economic, cultural and educational development of the Philippine film industry. It aims to encourage the production of quality films and to conduct film-related events that enhance the skills of the Filipino talents. The agency also leads the film industry’s participation in domestic and foreign film markets, and local and international film festivals, and is tasked to preserve and protect films as part of the country’s national cultural heritage. PISTA NG PELIKULANG PILIPINO is a multi-day festival of original Filipino films that will be seen and enjoyed nationwide. This highly successful showcase of our film industry’s ingenuity and artistry began in August 2017 in partnership with cinemas throughout the country with the objective of creating wider platforms for Filipino films to gain more audience share and profit, as well as to promote excellence in filmmaking. Now on its fourth year and in light of the pandemic, PPP premieres in the FDCP Channel online in support of Filipino filmmakers and producers to feature an exciting curation of 90 full feature films and 80 short films. -
NEW SCHOLARS FORUM Gay LANGUAGE
KRITI K A KULTURA NEW SCHOLARS FORUM GAY Language: DefYIng The STrucTural LIMITS of ENGLISH Language IN THE PHILIPPINES Norberto V. Casabal Lyceum of Subic Bay, Philippines [email protected] Abstract Gay language has achieved a higher degree of acceptance in recent years in the Philippines. Both gays and non- gays can be heard uttering gay expressions. But the main role of gayspeak for gay people in the Philippines is to function as an “armor” to shield themselves from the chasm and the social stigma caused by gender differences. From a linguistic point of view, this paper not only describes the nature of this gay language and how expressions are coined; it also looks at how code mixing (gayspeak + English language) is made possible. This paper also examines how this code-mixing creatively violates the grammatical structure of the use of the English language in the Philippines. Keywords code-mixing, gayspeak, gender difference, Philippine English, street-talk About the author Norberto V. Casabal is Head for Academic Affairs of Lyceum of Subic Bay. He is currently pursuing his MA in English Language and Literature Teaching at the Ateneo de Manila University. INTRODUCTION Binabae and bakla are familiar words in Filipino street-talk. But what about badaf, baklush, and baklers? These are a little confusing for the average Filipino speaker, while the expressions Bading Garci, pa-mihn, pa-girl, X-men, will lose most expert speakers of the Filipino language. These are terms which are heard “only in the Philippines”; as the local TV advertisement says, “Walang ganyan sa States” (“You don’t have that in the States”). -
He Oldest Award Giving Body in the Philippines Was the Filipino Academy of Movie Arts and Sciences Simply Called FAMAS
Figure 1: Best Actress from FAMAS, Gawad Urian, Film Academy of the Philippines, and CMMA he oldest award giving body in the Philippines was the Filipino Academy of Movie Arts and Sciences simply called FAMAS. It was launch two years after the Maria Clara awards folded in 1951. FAMAS shared the same name with the American film academy; AMPAS until the later complained and the Filipino organization have to change theirs into the current acronym. FAMAS created a history of controversies throughout their more than sixty years in award-giving business mostly due to their questionable selection of winners. In 2006, FAMAS experienced another setback when two groups divided the organization due to a controversial election of its officers. As the legal battle settled, the battling groups decided to just hand out their own awards, one used the name FAMAS and the other the Maria Clara Awards. Like its infancy, the Maria Clara Awards did not reach its maturity and died the second time. This is not the first time FAMAS experience disgruntled “break-away” members forming their own award. Prior to 1976, FAMAS retained their status as the most prestigious recognition a Filipino actor could have. Charito Solis, who won best actress at the Asian Film Festival in 1967 used to proudly bring her FAMAS trophies on the film set to intimidate starlets and to instigate professionalism. The breakaway group of critics wish to distinguish themselves from FAMAS by successfully branded their award as not for actors who overtly act in films, they catered to the ones who are restrained and controlled. -
Sharon's Noranian Turn: Stardom, Embodiment, and Language in Philippine Cinema
UC Irvine UC Irvine Previously Published Works Title Sharon’s Noranian Turn: Stardom, Embodiment, and Language in Philippine Cinema Permalink https://escholarship.org/uc/item/6867483k Journal Discourse, 31(3) Author Lim, Bliss Cua Publication Date 2009-10-01 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Sharon's Noranian Turn: Stardom, Embodiment, and Language in Philippine Cinema Bliss Cua Lim Discourse, Volume 31, Number 3, Fall 2009, pp. 318-358 (Article) Published by Wayne State University Press For additional information about this article http://muse.jhu.edu/journals/dis/summary/v031/31.3.lim01.html Access Provided by University of California @ Irvine at 11/09/10 7:10PM GMT Sharon’s Noranian Turn: Stardom, Embodiment, and Language in Philippine Cinema Bliss Cua Lim Writing in 1965 under the pseudonym Quijano de Manila, National Artist Nick Joaquin vividly describes an era when the decline of the great Philippine film studios spawned an unbridled “star system still in apogee.” In the 1960s, star worship fuels the popular cinema and feeds “the avarice of the independent producer.” The middle- class lament that mainstream Filipino movies are hardly “quality” pictures, Joaquin writes impatiently, misses the point: “The movie fans crowd to a local movie not because they expect a sensible story or expert acting or even good entertainment”; instead, they go to the movies to see the stars they adore—action film kings Fernando Poe Jr. and Joseph Estrada, glamour goddesses Amalia Fuentes and Susan Roces. “Our movie idols remain idolized, whatever the quality of their vehicles, as long as they remain impossibly young, impossibly glamorous, impossibly beautiful”1 (figure 1). -
A Certain Tendency Europeanization As a Response to Americanization in the Philippines’ “Golden-Age” Studio System
A Certain Tendency Europeanization as a Response to Americanization in the Philippines’ “Golden-Age” Studio System Joel David Inha University Abstract Malvarosa (Gregorio Fernandez, 1958) possesses a curious reputation in relation to other prestige productions of the so-called first “Golden Age of Philippine Cinema” (roughly the 1950s). Although sharing certain neorealist properties with the other serious outputs of LVN, its production company, it also partakes of the overreliance on coincidence and the mercurial performa- tive style that characterize the then less-reputable undertakings of Philippine cinema. This article attempts a reconsideration of the significance of film texts sourced from Philippine graphic novels (known as komiks) as more properly belonging to the period succeeding the Golden Age, when innovations that would eventually provide the foundation for more accomplished film activity during the martial-law period were first introduced. Keywords Malvarosa, multicharacter narrative, neorealism, Philippine architecture, Philippine cinema, retablo JOEL DAVID: A CERTAIN TENDENCY UNITAS 24 Introduction One recurring lamentation in standard discourses on Philippine architecture is that, despite the obvious and pervasive colonial influences, few structures aspire to breathtaking heights, much less attain them. Such anxieties might be prone to exacerbation now that the once-tallest building in the world has collapsed from a terrorist attack attributed to Islamic militants, and the tallest building (at least from 1998 to 2004 and still the tallest twin-building structure) is a few hours away from Manila by plane in the Islamic state of Malaysia. Other projects intended to challenge the current record holder, Dubai’s Burj Khalifa, continue to be announced and undertaken, mostly outside the Euro-American sphere. -
Texto Completo Libro (Pdf)
La discapacidad en el La discapacidad en el cine en 363 películas © Luis Alberto Jiménez Acevedo Diseño y Maquetación: Luis Alberto Jiménez Acevedo y Chus Jiménez Diseño de Portada y Contraportada: JJSG Foto solapa: Lucía Gismero Armendáriz Correcciones: Mercedes Jiménez Edita: Fundación ONCE y el autor Distribuye: Fundación ONCE y el autor Imprime: ESPAGRAF Impresores S.L. Segunda edición: junio de 2017 Depósito legal: M-28220-2014 ISBN: 978-84-88934-32-1 Permitido el uso de datos de este libro citando su procedencia. “Oscar” es una marca registrada de la Academia de Artes y Ciencias Cinematográficas de Hollywood. Todas las imágenes del libro pertenecen a sus respectivos autores y/o productoras/distribuidoras. A mis padres y hermanos. Porque sin su apoyo, comprensión y ayuda, no hubiera llegado a ser lo que soy en la vida. Prólogo segunda edición Cuando hice la primera edición de este libro que tienes en las manos, no sabía si tendría aceptación, ni si recibiría el reconocimiento a todo el esfuerzo que puse en llevar a cabo este proyecto, lo cual era lo de menos para mí porque lo que quería era hacer un libro de consulta, donde se pudieran encontrar datos referentes a las películas de las que hablo. Las expectativas no pudieron ser mejores. El libro causó grata impresión en quien lo leyó. A las diferentes Asociaciones, Fundaciones, Federaciones y Centros que trabajan en el mundo de la discapacidad, donde llegó la obra para sus bibliotecas, les pareció interesante, por lo que mis expectativas estaban cumplidas. Pero hubo muchas demandas y los libros se agotaron pronto, por lo que me embarqué en preparar una segunda edición.