DOCSLIB.ORG

Download PDF File

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Download PDF File World Premiere from Robert Hill October 22-25, 2020 Walt Disney Theater SEASON Dancers: Thomas Holdsworth (UK), Kate-Lynn Robichaux (USA) Photography by Michael Cairns 2020 FOREVER IN OUR HEARTS THE ANGEL OF THE BALLET Harriett Lake Rendering: RSVP Design Studio LLC Harriett’s Orlando Ballet Centre is an asset not only for Orlando Ballet, but the community at large — a place to gather and share in the magic inherent to the City Beautiful, all while overlooking idyllic Lake Formosa. FACILITY RENTALS Interested in hosting an event to remember at Harriett’s Orlando Ballet Centre? The Facility is available for weddings, corporate events, performances, and more. Contact Katherine Fabian, Managing Director, at [email protected] for more information. CELEBRATE #GIVINGTUESDAY WITH ORLANDO BALLET A LETTER FROM THE ARTISTIC DIRECTOR America’s Love of Ballet • Our school successfully hosted students from ever have I been as excited as I am now N across the country through our annual, five- to welcome you to another new season with Orlando week summer intensive program in our new Ballet. Each of us has been challenged in so many home — Harriett’s Orlando Ballet Centre. ways this year so coming together once again feels like an uplifting moment for us all. • I’ve launched “Barre Talk with Robert Hill” my new podcast that features conversations with We are so pleased to start off with The Sleeping some of the greatest dancers, choreographers Beauty, a truly iconic ballet. While the tradition of and artists who share their stories. Tchaikovsky’s score and original choreography by • We launched Dance Accelerator, an Marius Petipa offer a welcome sense of normalcy, this innovative global platform designed for performance includes a few surprises including some choreographers to present their creative twists of humor. The goal is to preserve the tradition of ideas before industry professionals and a beloved ballet, but we’ve had to be creative due to potential investors. the challenges of COVID-19. I believe we’ve done so in a way that will pleasantly surprise you and elevate the • The Nutcracker will kick off the tradition of spirit of our community. Central Florida’s holiday season. • Our dancers have never been so happy The power of this performance and the performing to perform live and on stage as they are arts in general reflect Orlando Ballet’s culture of this season. perseverance and positivity. We pay attention to • Most importantly — you are here. our philosophy of gratitude, and we are intentionally tenacious. That’s how we are all able to bring forward So, it is with continued and deep gratitude that I a new season of live performances that we have welcome you back to a new season of live dance all craved. by Orlando Ballet. Stay well. In spite of disruptions from the COVID-19 virus, much good has occurred at Orlando Ballet. Our organization — its staff, Board and dancers — remains strong: • Cheryl Collins was named Executive Director Robert Hill and her leadership has been remarkable in these Artistic Director, Orlando Ballet difficult days. A LETTER FROM THE EXECUTIVE DIRECTOR Our Future Has Never Looked Brighter What makes a performing arts organization great? Artistic excellence, bold vision, passionate leadership and the fortitude to allow for creative risk. These are the hallmarks of Orlando Ballet. Under the leadership of Board President Jonathan Ledden and our dedicated Board of Directors, the road to sustainability has transformed our financial picture, allowed for the building of a debt free home and set us up to succeed in a time that none of us could ever have imagined. This solid organizational foundation supports the vision of a fearless artistic director to rise above each new hurdle – instead seeing a creative challenge. I am in awe of my partner, Robert Hill, as he leads Orlando Ballet through the constraints of providing safety for our dancers, staff and audience to produce a ballet worthy of the mainstage. Rare is the choreographer who would depart from the traditional interpretations of an iconic ballet like The Sleeping Beauty to present a work that addresses the reality of our current world. Robert has done just this with grace and fortitude that is echoed in the dedication of the company, production, wardrobe and technical staff. My opportunity to lead the business side of our organization in support of this vision is the greatest professional gift of my life. I love our mission and deeply admire the professionalism and dedication of our administrative, artistic, school and community enrichment staff. Serving along side this team and our board of directors to safe- ly bring dance to you, our loyal audience, is my deepest privilege. I would also like to extend thanks on behalf of the entire Orlando Ballet family and the community we serve to the generous donors and funding partners who continue to support our mission to make all of this possible. We are honored to perform for you and thank you for continuing help keep us dancing. With sincere gratitude, Cheryl Collins Executive Director, Orlando Ballet THE SLEEPING BEAUTY World Premiere from Robert Hill October 22-25, 2020 Dr. Phillips Center THE NUTCRACKER* December 4-20, 2020 Dr. Phillips Center MOULIN ROUGE® THE BALLET Choreography by Jorden Morris In the Spirit of the Moulin Rouge of Paris February 11-14, 2021 Walt Disney Theater THE PREMIERE COLLECTION March 19-21, 2021 Harriett’s Orlando Ballet Centre PETER PAN Choreography by Jorden Morris April 16-18, 2021 Walt Disney Theater *Season subscription option. Additional purchase required. SEASON SUBSCRIDE TODAY 407.418.9828 orlandoballet.org Dancers: Jaysan Stinnett (USA), Kate-LynnDancer: Kate-Lynn Robichaux Robichaux (USA) (USA) Photography by Michael Cairns 2020 Photography by MichaelMOULIN Cairns ROUGE® 2020 is a registered trademark of Moulin Rouge S.A. OUR BENEFITS ARE EN POINTE Our Subscribers receive the best seats, the best value and the best perks, including: • Guaranteed priority seating • Personalized customer service • Free lost ticket replacement • Free date and seating exchanges* • Exclusive pre-sales & upgrade opportunities • Exclusive VIP invitations* • Up to 20% off regular ticket prices ENJOY PRIORITY ACCESS SHARE THE EXPERIENCE Subscribers can purchase up to eight extra tickets per show for your friends and family.* EXCHANGING YOUR TICKETS Do you want to change your performance day or try a different seat? Exchange your seats for a different performance of the same show or convert your seats into a tax-deductible contribution as late as one business day prior to the ticketed performance.* BECOME A SUBSCRIBER TODAY! 407.418.9828 orlandoballet.org * Subject to social distancing requirements. Some exclusions may apply depending on availability of VIP events throughout the season. Subscriber Extra Ticket Purchases and Exchanges subject to the terms, conditions and fees outlined in the Orlando Ballet General Subscriber Terms available at www.OrlandoBallet.org. Dancer: Thomas Holdsworth (UK) Photography by Michael Cairns 2020 CHOREOGRAPHY Robert Hill ADDITIONAL STAGING AND REHEARSAL DIRECTOR Lisa Thorn Vinzant MUSIC Pyotr Ilyich Tchaikovsky NARRATED BY Robert Hill SCENIC AND COSTUME DESIGN Elizaveta Dvorkina LIGHTING DESIGN Helena Kuukka WIGS & MAKEUP Eddy Frank Fernandes, Norelis Dean SETS & COSTUMES COURTESY OF Theatrical Rentals, LLC SPECIAL EFFECTS PROVIDED BY AFX Special Effects CARABOSSE RAP COMPOSED BY Andy Haynes CARABOSSE RAP PERFORMED BY Chad Pitt CASTING CAST A: THURSDAY, OCTOBER 22 – 7:30pm CAST B: FRIDAY, OCTOBER 23 – 7:30pm CAST C: SATURDAY, OCTOBER 24 – 11:00am CAST D: SATURDAY, OCTOBER 24 – 7:30pm & SUNDAY, OCTOBER 25 – 2:00pm PRINCESS AURORA Chloe Misseldine (B), Junna Ige (D), Kate-Lynn Robichaux (A,C) PRINCE Andre Gallon (A,B,C), Luis Gonzalez (D) CARABOSSE/HAG Adam Boreland (D), Matthew Cunningham (A,B,C) KING Phillip Broomhead QUEEN Elizabeth Shook LILAC FAIRY Chloe Misseldine (C,D), Hitomi Nakamura (A,B) FAIRY OF BEAUTY Anita Boer FAIRY OF GENEROSITY Isabella Mendez (A,C), Jillian Price (B,D) FAIRY OF CHARM Rachele Eusebione FAIRY OF ELOQUENCE Ashley Baszto (A,B,C), Anamarie McGinn (D) FAIRY OF COURAGE Kellie Fulton SUITOR 1 Hunter Baehrens (D), Israel Zavaleta Escobedo (A,B,C) SUITOR 2 Amir Dodarkhojayev (C), Jaysan Stinnett (A,B,D) SUITOR 3 David Wright SUITOR 4 Daniel Benavides SILVER Junna Ige (B), Chloe Misseldine (A), Hitomi Nakamura (C,D) SAPPHIRE Adam Boreland (A,B,C), Matthew Cunningham (D) DIAMOND Isabella Mendez (B,D), Jillian Price (A,C) PUSS IN BOOTS Kobe Atwood Courtney (D), Luis Gonzales (C), Jaysan Stinnett (A,B) WHITE CAT Ashley Baszto (D), Anamarie McGinn (A,B,C) BLUEBIRD Andre Gallon (D), Luis Gonzalez (A,B), Jaysan Stinnett (C) PRINCESS FLORINE Junna Ige (A,C), Kate-Lynn Robichaux (B,D) RED RIDING HOOD Ashley Coupal (D), Kenna Gold (A,B,C) THE WOLF David Wright GARLAND DANCE SOLOIST Kobe Atwood Courtney (A,B,C), Israel Zavaleta Escobedo (D) MINIONS: Hunter Baehrens (A,C), Erik Campos, Amir Dodarkhojayev (A,B,D), Grayson Jenkins (B,D), Francis Mihm, Derek Saunders (C) GARLAND DANCE: Evie Beach, Lauren Chin, Jimmy Denham, Christina Deutsch, Johannah Gertel, Charlotte Haase, Lauren Hartman, Mackenzie Marin, Himari Nakamura, Quinn Rapp, Valenthina Reyes, Claire Rutland, Sienna Smith NYMPHS: Beverly Abbott, Alexa Caballero, Ashley Coupal (A,B), Kenna Gold (D), Bailey Hetzel (D), Saki Ogawa, Olivia Mitchell, Elisabeth Moser (A,B), Emma Rose Palladino, Olivia Sparling COURT ATTENDANTS: Hunter Baehrens, Amir Dodarkhojayev, Eva Deloof, Bailey Hetzel, Grayson Jenkins, Elisabeth Moser, Derek Saunders, Kate Stone, Remina Tanaka PRODUCTION STAFF DIRECTOR OF PRODUCTION John Beaulieu PRODUCTION STAGE MANAGER Rita D’Angelo Tikador COSTUME DIRECTOR Eddy Frank Fernandez TECHNICAL SUPERVISOR Andy Haynes WARDROBE ASSISTANT Norelis Dean STAGE CREW ARE MEMBERS OF IATSE LOCAL 631 SCHOOL REHEARSAL ASSISTANTS Phillip Broomhead and Anamarie McGinn Everyone knows that a princess needs her beauty sleep, but too much sleep can be a curse and so goes the story of The Sleeping Beauty.
Load more

Recommended publications
  • The Sleeping Beauty
    Teacher Resource Guide Teacher Student Matinee Friday, October 24, 2014 1 Teacher Resource Guide Original Choreography by Marius Petipa Staged by Terrence S. Orr Music by Peter Ilych Tchaikovsky The Benedum Center for the Performing Arts Student Matinee Sponsor In Step Funding Courtesy of The Pittsburgh Ballet Theatre Education Department is grateful for the support of the following organizations: Allegheny Regional Asset District The Heinz Endowments Allegheny Technologies, Inc. Net Health Systems Buncher Family Foundation Peoples Natural Gas Anne L. and George H. Clapp Charitable and Pennsylvania Council on the Arts Educational Trust Pennsylvania Department of Community and Claude Worthington Benedum Foundation Economic Development Cleveland Brothers Equipment Co., Inc. PNC Bank Direct Energy Business PPG Industries, Inc. Dominion Foundation Richard King Mellon Foundation Eat ‘n Park Restaurants, Inc. James M. and Lucy K. Schoonmaker ESB Bank Foundation First Commonwealth Bank Edith L. Trees Charitable Trust Henry C. Frick Educational Fund of The Buhl UPMC Health Plan Foundation Hilda M. Willis Foundation The Huntington National Bank GENCO Supply Chain Solutions Cover photo by Duane Rieder, 2013. Artists: Gabrielle Thurlow The Grable Foundation and Nurlan Abougaliev. Guide created by PBT’s Department of Education and Community Engagement, 2014. Hefren-Tillotson, Inc. 2 September 2014 Dear Educator: We at Pittsburgh Ballet Theatre want to thank you for taking the time to plan for, organize, and exe- cute a visit to the Benedum Center to see Pittsburgh Ballet Theatre’s The Sleeping Beauty. We know you will not be disappointed—it is one of the most important and well-loved works in all of ballet.
    [Show full text]
  • Russian Museums Visit More Than 80 Million Visitors, 1/3 of Who Are Visitors Under 18
    Moscow 4 There are more than 3000 museums (and about 72 000 museum workers) in Russian Moscow region 92 Federation, not including school and company museums. Every year Russian museums visit more than 80 million visitors, 1/3 of who are visitors under 18 There are about 650 individual and institutional members in ICOM Russia. During two last St. Petersburg 117 years ICOM Russia membership was rapidly increasing more than 20% (or about 100 new members) a year Northwestern region 160 You will find the information aboutICOM Russia members in this book. All members (individual and institutional) are divided in two big groups – Museums which are institutional members of ICOM or are represented by individual members and Organizations. All the museums in this book are distributed by regional principle. Organizations are structured in profile groups Central region 192 Volga river region 224 Many thanks to all the museums who offered their help and assistance in the making of this collection South of Russia 258 Special thanks to Urals 270 Museum creation and consulting Culture heritage security in Russia with 3M(tm)Novec(tm)1230 Siberia and Far East 284 © ICOM Russia, 2012 Organizations 322 © K. Novokhatko, A. Gnedovsky, N. Kazantseva, O. Guzewska – compiling, translation, editing, 2012 [email protected] www.icom.org.ru © Leo Tolstoy museum-estate “Yasnaya Polyana”, design, 2012 Moscow MOSCOW A. N. SCRiAbiN MEMORiAl Capital of Russia. Major political, economic, cultural, scientific, religious, financial, educational, and transportation center of Russia and the continent MUSEUM Highlights: First reference to Moscow dates from 1147 when Moscow was already a pretty big town.
    [Show full text]
  • Dance Theatre of Harlem
    François Rousseau François DANCE THEATRE OF HARLEM Founders Arthur Mitchell and Karel Shook Artistic Director Virginia Johnson Executive Director Anna Glass Ballet Master Kellye A. Saunders Interim General Manager Melinda Bloom Dance Artists Lindsey Croop, Yinet Fernandez, Alicia Mae Holloway, Alexandra Hutchinson, Daphne Lee, Crystal Serrano, Ingrid Silva, Amanda Smith, Stephanie Rae Williams, Derek Brockington, Da’Von Doane, Dustin James, Choong Hoon Lee, Christopher Charles McDaniel, Anthony Santos, Dylan Santos, Anthony V. Spaulding II Artistic Director Emeritus Arthur Mitchell PROGRAM There will be two intermissions. Friday, March 1 @ 8 PM Saturday, March 2 @ 2 PM Saturday, March 2 @ 8 PM Zellerbach Theatre The 18/19 dance series is presented by Annenberg Center Live and NextMove Dance. Support for Dance Theatre of Harlem’s 2018/2019 professional Company and National Tour activities made possible in part by: Anonymous; The Arnhold Foundation; Bloomberg Philanthropies; The Dauray Fund; Doris Duke Charitable Foundation; Elephant Rock Foundation; Ford Foundation; Ann & Gordon Getty Foundation; Harkness Foundation for Dance; Howard Gilman Foundation; The Dubose & Dorothy Heyward Memorial Fund; The Klein Family Foundation; John L. McHugh Foundation; Margaret T. Morris Foundation; National Endowment for the Arts; New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature; New England Foundation for the Arts, National Dance Project; Tatiana Piankova Foundation; May and Samuel Rudin
    [Show full text]
  • A Teacher's Guide to Antelope Valley Ballet's “Nutcracker”
    A Teacher’s Guide to Antelope Valley Ballet’s “Nutcracker” Dear Educator, As you make plans for your students to attend an upcoming presentation of the Arts for Youth program at the Lancaster Performing Arts Center, we invite you to prepare your students by using this guide to assure that from beginning to end; the experience is both memorable and educationally enriching. The material in this guide is for you the teacher, and will assist you in preparing your students before the day of the event, and extending the educational value to beyond the walls of the theatre. We provide activity and/or discussion ideas, and other resources that will help to prepare your students to better understand and enjoy what they are about to see, and to help them connect what they see on stage to their studies. We also encourage you to discuss important aspects of the artistic experience, including audience etiquette. We hope that your students find their imagination comes alive as lights shine, curtains open, and applause rings through Lancaster Performing Arts Center. As importantly, we hope that this Curriculum Guide helps you to bring the arts alive in your classroom! Thank you for helping us to make a difference in the lives of our Antelope Valley youth. Arts for Youth Program Lancaster Performing Arts Center, City of Lancaster Message from the Artistic Director Welcome! We are so excited to have you consider joining us for The Nutcracker on Dec. 9 - 12, 2010 at the Lancaster Performing Arts Center. This study guide has been created to assist you in classroom activities that relate to The Nutcracker.
    [Show full text]
  • CID Virtual Library of the Dance at ​
    CID permanent program No. 4 CID Virtual Library of the Dance at www.CID-portal.org/virtual-library/ ​ Books and magazines authored or edited by members of the International Dance Council CID at UNESCO. The list is posted at the CID Portal and circulated world-wide. This results in : 1. Prestige, as the public realizes the enormous intellectual production of CID ​ ​ Members: more than 650 books and over 40 magazines. 2. More sales, since no publisher can have the wide contacts CID has within the ​ ​ dance world. 3. Lower cost, as readers can order books directly to publishers or to authors. ​ ​ 4. Feedback, since authors can receive comments from their readers. ​ ​ 5. Better acquaintance between CID members, once they know the research ​ ​ interests and publication achievements of each other. Books authored or edited by Members of CID ​ www.CID-portal.org/virtual-library/ Updated: 06 May 2019 ​ ​ - A - Aelita Kondratova (ed.): Proceedings of the 36th World Congress on Dance Research, Saint ​ Petersburg, 2013. Saint Petersburg, 2015. ​ Aelita Kondratova(ed.): Proceedings of the 39th World Congress on Dance Research. Saint ​ ​ Petersburg, Saint Petersburg Section CID, 2015, 184 p. Aelita Kondratova (ed.): Proceedings of the 47th World Congress on Dance Research. Saint ​ ​ Petersburg, Saint Petersburg Section CID, 2016, 222 p. Aja Jung (ed.): Decadance. Ten years of Belgrade Dance Festival. Beograd, 2013, 143 p. ​ ​ Alba G.A. Naccari: Pedagogia della corporeità. Educazione, attività motoria e sport nel tempo. ​ ​ Perugia, Italy, Morlacchi, 2003, 297 p. Alba G.A. Naccari: Le vie della danza. Pedagogia narrativa, danze etniche e danzamovimentoterapia. ​ ​ Perugia, Italy, Morlacchi, 2004, 295 p.
    [Show full text]
  • MAKS Air Show
    AUGUST 08 2007 www.passportmagazine.ru MAKS Air Show Across Siberia by Train Prepare for Kremlin Zoria Military Festival Retail therapy without the pain advertising Content 4 Editor's choice Children of Terpsichore 4 Made in the USA 8 Like Russian Aristocrats 8 9 St Petersburg Feature Ivan Slavinsky 9 Peter the Great's summer residence 10 Astoria, the feel of history 12 13 Cover Story MAKS air show 13 16 Travel London through russian eyes 16 Bicester Village 18 Into Siberia 20 29 Real Estate Paradise for sale 29 Savant Re-Brand 31 Swiss kick off new chamber with real estate discussion 32 News 34 35 Business The Russian middle class 35 38 Art The 1920's and 1930's in the Soviet period of art 38 40 Hospitality News Gourmet shashlyk in "Cafe Kranzler" 40 Golden Apple Restaurant Pasta Festival 40 Swissotel Krasnye Kholmy sells events at Boutique 40 Dяgilev celebrates New Year in August 40 41 Wine & Dine Moscow's Ferrari 41 Lorenzo Strappato, Executive Chef of Bellezza 42 Recipe 43 46 Community St Catherine's: Representing American Orthodoxy in Moscow 46 Postcard from Belarus 48 The end of everything 49 Stalin's bunker – a surprise under an athletic field 50 52 Out & About Open air in Paradise 52 Moscow Oblast Governor's Show-Jumping Cup 52 Dewar's Russian Polo Cup 53 RBCC Apple Bar&Restaurant networking meeting 53 Cox hits 75 not out 54 GEOS 54 Ex-pat football 54 56 Last Word Victor Shenderovich 56 08 2007 Letter from the Publisher August is a ‘happening month’ and we have lots in this issue to tempt you to see and do things out of the ordinary.
    [Show full text]
  • CID Permanent Program No
    CID permanent program No. 4 CID Virtual Library of the Dance at www.CID-portal.org/virtual-library/ Books and magazines authored or edited by members of the International Dance Council CID at UNESCO. The list is posted at the CID Portal and circulated world-wide. This results in : 1. Prestige, as the public realizes the enormous intellectual production of CID Members: more than 650 books and over 40 magazines. 2. More sales, since no publisher can have the wide contacts CID has within the dance world. 3. Lower cost, as readers can order books directly to publishers or to authors. 4. Feedback, since authors can receive comments from their readers. 5. Better acquaintance between CID members, once they know the research interests and publication achievements of each other. Books authored or edited by Members of CID www.CID-portal.org/virtual-library/ Updated: 06 May 2019 - A - Aelita Kondratova (ed.): Proceedings of the 36th World Congress on Dance Research, Saint Petersburg, 2013. Saint Petersburg, 2015. Aelita Kondratova(ed.): Proceedings of the 39th World Congress on Dance Research. Saint Petersburg, Saint Petersburg Section CID, 2015, 184 p. Aelita Kondratova (ed.): Proceedings of the 47th World Congress on Dance Research. Saint Petersburg, Saint Petersburg Section CID, 2016, 222 p. Aja Jung (ed.): Decadance. Ten years of Belgrade Dance Festival. Beograd, 2013, 143 p. Alba G.A. Naccari: Pedagogia della corporeità. Educazione, attività motoria e sport nel tempo. Perugia, Italy, Morlacchi, 2003, 297 p. Alba G.A. Naccari: Le vie della danza. Pedagogia narrativa, danze etniche e danzamovimentoterapia. Perugia, Italy, Morlacchi, 2004, 295 p.
    [Show full text]
  • Lewis Segal Collection of Dance and Theater Materials, 1902-2011; Bulk, 1970-2009
    http://oac.cdlib.org/findaid/ark:/13030/c8c24wzf No online items Lewis Segal Collection of Dance and Theater Materials, 1902-2011; Bulk, 1970-2009 Preliminary processing by Andrea Wang; fully processed by Mike D'Errico in 2012 in the Center for Primary Research and Training (CFPRT), with assistance from Jillian Cuellar; machine-readable finding aid created by Caroline Cubé. The processing of this collection was generously supported by Arcadia funds. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Email: [email protected] URL: http://www.library.ucla.edu/libraries/special/scweb/ © 2012 The Regents of the University of California. All rights reserved. Lewis Segal Collection of Dance 1890 1 and Theater Materials, 1902-2011; Bulk, 1970-2009 Descriptive Summary Title: Lewis Segal Collection of Dance and Theater Materials Date (inclusive): 1902-2011; Bulk, 1970-2009 Collection number: 1890 Collector: Segal, Lewis Extent: 24 record cartons (24 linear ft.) Abstract: Lewis Segal is a performing arts critic who has written on various topics related to the performing arts, from ballet to contemporary dance and musicals. He began working as a freelance writer in the 1960s for a number of publications, including the Los Angeles Times, Performing Arts magazine, the Los Angeles Free Press, Ballet News, and High Performance magazine. He joined the staff of the Los Angeles Times in 1976. From 1996 to 2008 he held the full-time position of chief dance critic, writing full features and reviews on dance companies and performing arts organizations from around the world.
    [Show full text]
  • Celebrate the Journey to Artistic Excellence
    Celebrate the Journey to Artistic Excellence 29TH ANNUAL GRAND FINALE PERFORMANCE May 23, 2017 | #spotlight17 WELCOME TO THE MUSIC CENTER —L.A.’s Performing Arts Destination Nicole Ishimaru, Spotlight alumnae The Music Center, L.A.’s performing arts destination, with and reflects the community, activating spaces is one of the largest and most highly regarded and places beyond its theatres, such as Grand Park performing arts centers in the country. and The Music Center Plaza. With The Music Center On Location, the non-profit performing arts organization Its 22-acre campus includes four spectacular brings events and activities to locations outside of venues—Ahmanson Theatre, Dorothy Chandler its Downtown Los Angeles campus. In addition, The Pavilion, Mark Taper Forum and Walt Disney Music Center provides lifelong learning opportunities Concert Hall. Celebrated for its illustrious dance that benefit students in grades K-12 in addition to their programming, Glorya Kaufman Presents Dance teachers, both in schools throughout the County of at The Music Center, and home to four world-class Los Angeles and at The Music Center, cultivating the resident companies—Center Theatre Group, LA next generation of artists and arts leaders. Opera, LA Phil and Los Angeles Master Chorale —The Music Center is a destination where audiences The Music Center is truly a performing arts center find inspiration in the very best of live performance. for the 21st century, continually pushing the boundaries Breaking the mold of a traditional performing to further inspire and contribute to the artistic voice arts center, The Music Center provides access and of Los Angeles.
    [Show full text]
  • ODISHA JOURNAL of SOCIAL SCIENCE a Bi- Annual Research Journal (English)
    January 2017 Volume 4 Issue 1 ODISHA JOURNAL OF SOCIAL SCIENCE A Bi- Annual Research Journal (English) Members of Advisory Board : Chief Editor : Dr. Santa Misra (India) Prof. Alan D. Scott, (USA) Prof. Mieke O.Mandagi ( Indoneia) Co-Editor : Prof. Ryo Takahashi (Japan) Prof. Jung-Nim Kim (Japan) Honorary Editor : Prof. Irina Pervova (Russia) Prof. Nibedita Jena (India) Prof. Mridula Srivastava (India) Reviewer : Prof. Michael C. Sturman, Prof. A. Anjum (India) Ithaca, New York Dr. Laxmi Rani (India) Prof. Raquel R. Smith, USA Dr. Harapriya Kar (India) Dr. Haresh Chandra Mishra (India) Dr. Mamata Mahapatra (India) Special Consultant : Prof. Banamali Mohanty (India) Dr. Jyotirmaya Satpathy (India) Dr. B. P. Rath (India) Dr. Jyotiprakash Pani (India) Contents S.No. Topic Author Pg. No. 1. An Analysis Of Sports Using Game Refinement Measure Chetprayoon Panumate Hiroyuki Iida Ryo Takahashi 4 2. Effectiveness Of Ballet Education In Gerontology From Youth To Age Chiiho Sano Ryo Takahashi 49 3. Temple Sound : Coping With Stress Debasish Chatterjee 60 4. Effect Of Learning And Civic Education Teacher Pedagogical The Improvement Of Students In Civic Disposition Public Junior High School 1 Kawangkoan North Sulawesi Apeles Lexi Lonto 69 5. Relationship Self-concept, Aktivities And Communication Interpersonal With The Interpretation Of Learning Planning Teaching Students Faculty Of Engineering Manado State University Helena V. Opit 84 6. Morals Values In A Fairytale Society Jaton In Minahasa “Se Telu Mekaloan Wo Si Sumeselem” Kinayati Djojosuroto 99 7. Alzheimer’s Disease And Cognitive Impairment In Older People: Dr.arpita Roy A Challenge To The Care Professionals And Family Caregivers Nina Piyali Gupta 112 8.
    [Show full text]
  • 2013-14 Organizational Member List
    2013-14 Organizational Member List Agents/Artist Representatives Arc Dance Company Groundworks Dance Theater Bernard Schmidt Productions, Inc. Arts Ballet Theatre of Florida Heidi Duckler Dance Theatre Cadence Arts Network Atlanta Ballet Houston Ballet CAMI Spectrum Attack Theatre Houston Metropolitan Dance Cathy Pruzan Artist Representative AXIS Dance Company Company Elsie Management The Australian Ballet* Hubbard Street Dance Chicago H-Art Management Ballet Austin Island Moving Company Joanne Rile Artists Management Backhausdance Invertigo Dance Theater Laird Rodet/Kronos Quartet Ballet Memphis James Sewell Ballet Le Trait d’Union Ballet Mink Joffrey Ballet Lisa Booth Management Ballet Pensacola Kansas City Ballet PMG Arts Management BalletX Karen Peterson and Dancers Inc. Piccadilly Arts Bandaloop Kathy Harty Gray Dance Theatre Rena Shagan Associates Blue Lapis Light KEIGWIN + COMPANY Siegel Artist Management Boston Ballet Kun-Yang Lin/Dancers Boulder Ballet L.A. Contemporary Dance Bowen McCauley Dance Company Business Affiliates Buglisi Dance Projects LehrerDance American Harlequin Corp. Calpulli Mexican Dance Company Lily Cai Chinese Dance Company Arts Consulting Group Inc. Canada’s Royal Winnipeg Ballet* Liss Fain Dance Body Wrappers Carolyn Dorfman Dance Company Louise Reichlin & Dancers/LA Capezio/Ballet Makers Dance Cedar Lake Contemporary Ballet Choreographers & Dancers Foundation Chamber Dance Project Lucky Plush Productions Dance Magazine Chen Dance Center Malashock Dance EMC Arts, Inc. Chicago Dance Crash Mark Foehringer
    [Show full text]
  • 2018 Elizabeth O'neill Verner Award Recipient
    2018 ELIZABETH O’NEILL VERNER AWARD RECIPIENT Strength and support when you need it most. J. Grier Bomar | A. Kyle Milner, III | TJ Walsh 864-585-2256 | georgejohnsonins.com Is an injury or joint pain coming between you and your favorite activities? Then let us help you get back in action. Dr. Gregory Colbath and the team provide comprehensive orthopedic and sports medicine care that ranges from physical therapy to total joint replacement. Ask about same-day appointments. To request your appointment, visit MaryBlackOrthopedics.com. ORTHOPEDIC CARE THAT MAKES YOU FEEL EN POINTE. Orthopedics 1650 Skylyn Drive, Suite 120 Spartanburg 864-216-4525 MaryBlackOrthopedics.com Patient results may vary. Consult your physician about the benefits and risks of any surgical procedure or treatment. free general admission 200 e saint john street spartanburg sc 29306 864.582.7616 | spartanburgartmuseum.org At Home in Spartanburg. www.hodgefloors.com FROM CARPET TO HOME FURNISHINGS, GROWING WITH THE CITY WE SERVE. Dr. Alva S. Pack III Dr. Louis L. Martin Optometric Physicians P: 864-585-0208 399 E. Henry Street F: 864-594-6783 Spartanburg, SC 29302 [email protected] www.eyesonhenry.com [email protected] 864-310-5009 172 James Road • Roebuck, SC 29376 Office (864) 583-5144 Fax (864) 582-2927 • Home (864) 579-7277 360 E. Henry St. • Spartanburg, SC 29302 [email protected] Bucko Brandt and the Company #lovewhereyoudance 2018-2019 SEASON #collectiveworks BREAKING BOUNDARIES FRI., DECEMBER 7 7 PM WITH CONTEMPORARY BALLET SAT., DECEMBER 8 3 PM SUN., DECEMBER 9 3 PM and — TICKETS: 864-596-9724 the balletspartanburg.org — FRI., MARCH 22 7 PM twichell auditorium SAT., MARCH 23 7 PM FRI., OCTOBER 19 7 PM TICKETS: 864-542-2787 Student $18 | Senior $25 | Adult $32 balletspartanburg.org TICKETS: 864-542-2787 SAT., OCTOBER 20 3 PM balletspartanburg.org chapman cultural center APRIL 26 & 27 Ballet Spartanburg Studio SUN., OCTOBER 21 3 PM Student $15 | Senior $20 | Adult $25 6PM & 8PM tickets $20 Chapman Cultural Center CHAMPAGNE & SWEETS FRI., FEB.
    [Show full text]