Ballet La Cenicienta Prokofiev / Nebrada
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World Premiere from Robert Hill October 22-25, 2020 Walt Disney Theater SEASON Dancers: Thomas Holdsworth (UK), Kate-Lynn Robichaux (USA) Photography by Michael Cairns 2020 FOREVER IN OUR HEARTS THE ANGEL OF THE BALLET Harriett Lake Rendering: RSVP Design Studio LLC Harriett’s Orlando Ballet Centre is an asset not only for Orlando Ballet, but the community at large — a place to gather and share in the magic inherent to the City Beautiful, all while overlooking idyllic Lake Formosa. FACILITY RENTALS Interested in hosting an event to remember at Harriett’s Orlando Ballet Centre? The Facility is available for weddings, corporate events, performances, and more. Contact Katherine Fabian, Managing Director, at [email protected] for more information. CELEBRATE #GIVINGTUESDAY WITH ORLANDO BALLET A LETTER FROM THE ARTISTIC DIRECTOR America’s Love of Ballet • Our school successfully hosted students from ever have I been as excited as I am now N across the country through our annual, five- to welcome you to another new season with Orlando week summer intensive program in our new Ballet. Each of us has been challenged in so many home — Harriett’s Orlando Ballet Centre. ways this year so coming together once again feels like an uplifting moment for us all. • I’ve launched “Barre Talk with Robert Hill” my new podcast that features conversations with We are so pleased to start off with The Sleeping some of the greatest dancers, choreographers Beauty, a truly iconic ballet. While the tradition of and artists who share their stories. Tchaikovsky’s score and original choreography by • We launched Dance Accelerator, an Marius Petipa offer a welcome sense of normalcy, this innovative global platform designed for performance includes a few surprises including some choreographers to present their creative twists of humor. -
2018 Elizabeth O'neill Verner Award Recipient
2018 ELIZABETH O’NEILL VERNER AWARD RECIPIENT Strength and support when you need it most. J. Grier Bomar | A. Kyle Milner, III | TJ Walsh 864-585-2256 | georgejohnsonins.com Is an injury or joint pain coming between you and your favorite activities? Then let us help you get back in action. Dr. Gregory Colbath and the team provide comprehensive orthopedic and sports medicine care that ranges from physical therapy to total joint replacement. Ask about same-day appointments. To request your appointment, visit MaryBlackOrthopedics.com. ORTHOPEDIC CARE THAT MAKES YOU FEEL EN POINTE. Orthopedics 1650 Skylyn Drive, Suite 120 Spartanburg 864-216-4525 MaryBlackOrthopedics.com Patient results may vary. Consult your physician about the benefits and risks of any surgical procedure or treatment. free general admission 200 e saint john street spartanburg sc 29306 864.582.7616 | spartanburgartmuseum.org At Home in Spartanburg. www.hodgefloors.com FROM CARPET TO HOME FURNISHINGS, GROWING WITH THE CITY WE SERVE. Dr. Alva S. Pack III Dr. Louis L. Martin Optometric Physicians P: 864-585-0208 399 E. Henry Street F: 864-594-6783 Spartanburg, SC 29302 [email protected] www.eyesonhenry.com [email protected] 864-310-5009 172 James Road • Roebuck, SC 29376 Office (864) 583-5144 Fax (864) 582-2927 • Home (864) 579-7277 360 E. Henry St. • Spartanburg, SC 29302 [email protected] Bucko Brandt and the Company #lovewhereyoudance 2018-2019 SEASON #collectiveworks BREAKING BOUNDARIES FRI., DECEMBER 7 7 PM WITH CONTEMPORARY BALLET SAT., DECEMBER 8 3 PM SUN., DECEMBER 9 3 PM and — TICKETS: 864-596-9724 the balletspartanburg.org — FRI., MARCH 22 7 PM twichell auditorium SAT., MARCH 23 7 PM FRI., OCTOBER 19 7 PM TICKETS: 864-542-2787 Student $18 | Senior $25 | Adult $32 balletspartanburg.org TICKETS: 864-542-2787 SAT., OCTOBER 20 3 PM balletspartanburg.org chapman cultural center APRIL 26 & 27 Ballet Spartanburg Studio SUN., OCTOBER 21 3 PM Student $15 | Senior $20 | Adult $25 6PM & 8PM tickets $20 Chapman Cultural Center CHAMPAGNE & SWEETS FRI., FEB. -
Artistic Director Michael Pink Executive Director Julia Glawe
Nutack Direction and Choreography: Michael Pink Composer: Pyotr IIyich Tchaikovsky Lighting Design: David Grill Costumes and Scenic Design: Zack Brown Conductor: Pasquale Laurino Milwaukee Ballet Orchestra, Milwaukee Children’s Choir Artistic Director Executive Director Michael Pink Julia Glawe Music Director Associate Conductor Andrews Sill Pasquale Laurino Ballet Masters Luz San Miguel, Denis Malinkine Leading Artists Marize Fumero, Annia Hidalgo, Davit Hovhannisyan, Patrick Howell, Timothy O’Donnell, Luz San Miguel, Nicole Teague-Howell Artists Parker Brasser-Vos, Marie Collins, Josiah Cook, Randy Crespo, Garrett Glassman, Alana Griffith, Elizabeth Harrison, Itzel Hernandez, Erik Johnson, Quinby Kasch, Janel Meindersee, Barry Molina, Luis Mondragon, Isaac Sharratt, Lizzie Tripp, Lahna Vanderbush, Ransom Wilkes-Davis The Nancy Einhorn Milwaukee Ballet II Program Isaac Allen, Abby Caldwell, Julia Crosby, Christina Dennis, Diego Garcia-Castillo, Justin Geiss, Yoka Hirayama, Matthew Larson, Jessica Lopes, Richard Marks, Kristen Marshall, Serena Martin, Reina Miyata, Julia Pareto, Wyatt Pendleton, Eliza Schwartz, Emily Smith, Hunter Solomon, Isabelle Urban, Kendra Woo Jodi Peck Center 504 W. National Avenue, Milwaukee, WI 53204 milwaukeeballet.org Program Information 01 Credits 12-15 Casts 16 Ensemble 17 Children’s Cast 20 Synopsis 25 David Grill, Lighting Designer 26 Michael Pink, Artistic Director 27 Julia Glawe, Executive Director 31 Artistic Staff 37 Milwaukee Ballet Company Dancers 46 Rolando Yanes, Director of Milwaukee Ballet School -
2014-Programa-Ballet-La Cenicienta
Autoridades PROVINCIA DE BUENOS AIRES Gobernador | D. Daniel Osvaldo Scioli Vicegobernador | Lic. Juan Gabriel Mariotto INSTITUTO CULTURAL Presidente | Sr. Jorge Telerman Secretario Ejecutivo | Sr. Sergio Beros Jefe de Gabinete | Sr. Álvaro Rufiner Sec. Complejo Pcial. de las Artes Escénicas | Lic. Juan Carlos D´Amico TEATRO ARGENTINO Administrador General (a cargo) | Sergio Beros Directora Artística | Valeria Ambrosio Director de Estudios | Federico Víctor Sardella Director de la Orquesta Estable | Carlos Vieu Director del Coro Estable | Hernán Sanchez Arteaga Director del Ballet Estable | Mario Silva Director de Producción Escenotécnica | Claudio Hanczyc Director del Centro de Experimentación y Creación (TA.CEC) | Martín Bauer Directora de Prensa y Comunicación | Nora Lafon Directora de la Escuela de Arte y Oficios | Claudia Billourou Directora de Servicios Administrativos-Financieros (a cargo) | Laura López Director de Mantenimiento y Servicios Generales | Martín Cairo Avenida 51 entre 9 y 10, La Plata • Provincia de Buenos Aires www.teatroargentino.gba.gob.ar BOLETERÍA: (221) 429-1732 de martes a domingos, de 10 a 20 hs. /TeatroArgentinoLaPlata @ArgentinoTeatro NFORMES: 0800-666-5151 www.ic.gba.gov.ar COORD. VISITAS GUIADAS: (221) 429-1745 de lunes a viernes de 9 a 15 hs. /BuenosAiresCultura @BA_Cultura acompañando la cultura Sala Alberto Ginastera | Julio: Del sábado 19 al domingo 27 - 17 hs. (excepto lunes 21) Tercer espectáculo coreográfico de la temporada 2014 LA CENICIENTA (Nueva producción escénica) Versión estreno para Argentina -
Batucada Fantástica
Artistic Director: EduArDo VilAro Workshops and Performance for Young People Batucada Fantástica Program Information, Context, Activities, and Resources exploring Dance page 2 Batucada Fantástica Rhythm A lot of dances that are created have music or sounds that accompany them. This is a very important part of Hispanic dance styles—and dance in general. Complex rhythms may be generated by the dancers through footwork, hand-clapping, and movements of the body. Percussion instruments help to set a tone of a dance, and specific rhythms impact the qualities of the movements done by the dancers. Latin American dances and music often have at the heart percussive instruments. In Batucada Fantástica, there are several percussive instruments used in the music that influence the type of movements that the dancers do. If you are interested in introducing your students to the world of Latin music, the percussion section is a good place to start. Suggested Activities Sound Rhythms Activity A Batucada Fantástica (1983) Vicente Nebrada Batucada Fantástica pays homage to Brazilian • Like the clapping rhythms teachers use to get students’ attention, create Carnival with electric performances by soloists, 3 or 4 clapping rhythms that the students can repeat easily. Next ask 3 culminating in a riot of ensemble dancing by or 4 students to come up with their own rhythms that can be repeated by the company. The accompanying percussion the class. instruments include some which are unique to Brazil and known as batuque. The choreographer • Have students share ideas for different ways to create a sound using transforms “everyday” movements -- be they from parts of their bodies (feet, snapping fingers, mouths). -
Margaret Alkek Williams Jubilee of Dance | December 6, 2019 MARGARET ALKEK WILLIAMS JUBILEE of DANCE CONTENTS
HoustonBallet Margaret Alkek Williams Jubilee of Dance | December 6, 2019 MARGARET ALKEK WILLIAMS JUBILEE OF DANCE CONTENTS FEATURES 5 FIRST POSITION A look at Houston Ballet’s celebrated history, an upcoming tour, and Houston Ballet supporters on art and planned giving 8 DEAR MARGARET A thank you to the force behind this evening’s performance from Executive Director Jim Nelson 9 MARGARET ALKEK WILLIAMS JUBILEE OF DANCE The repertoire and artists behind the outstanding one-night-only showcase Preferred Jewelry Partner of Houston Ballet Connell B. by Photo IN THIS ISSUE Esmeralda Pas de Deux. Pas Esmeralda 18 Artistic Profiles 19 Company Profiles 23 Houston Ballet Orchestra 25 Annual Supporters Janie Parker and William Pizzuto in Ben Stevenson’s in Ben Stevenson’s and William Pizzuto Janie Parker 2 HOUSTON BALLET HOUSTON BALLET 3 4310 WESTHEIMER RD · WWW.TENENBAUMJEWELERS.COM · 713.629.7444 FIRST POSITIONUPLIFT p. 6 | ANATOMY OF A SCENE p. 7 | EN POINTE p. 8 Tickets Start at $25! And Many More... The history behind Houston Ballet’s 50th birthday AMBITION, CREATIVE SPIRIT, AND INNOVATION can each be used to describe Houston. Quite literally, it’s a “shoot for the moon” kind of city, so it’s no wonder its ballet company has followed suit. From simple beginnings to world stages, Houston Ballet forged its path with grace, style, and sheer determination. 1966-1969 In 1966, Houston Ballet, under the direction of Russian ballerina Nina Popova, planned a limited run performance. Students were trained to perform Giselle alongside ballet superstars Carla Fracci and Erik Bruhn. The performance was a hit and revealed a thirst for ballet in Houston.