1985-2014 Oyunlar
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Performances of Border: Theatre and the Borders of Germany, 1980-2015
Performances of Border: Theatre and the borders of Germany, 1980-2015 A Dissertation SUBMITTED TO THE FACULTY OF THE UNIVERSITY OF MINNESOTA BY Misha Hadar IN PARTIAL FULFILLMENT OF THE REQUIERMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Adviser: Professor Margaret Werry November 2020 COPYRIGHT © 2020 MISHA HADAR Acknowledgements I could not have written this dissertation without my advisor Margaret Werry, whose support and challenge throughout this process, the space and confidence she offered, made this possible. I want to thank my committee members: Michal Kobialka, Sonja Kuftinec, Hoon Song and Matthias Rothe. You have been wonderful teachers to me, people to think with, models to imagine a life of scholarship, and friends through a complicated process. I want to thank the rest of the Theatre Arts and Dance department at the University of Minnesota, who were a wonderful intellectual community to me. And then all of my graduate student friends, from the department and beyond, who were there to think this project with me, to listen, to question, and to encourage. Special thanks in this to my cohort, Sarah Sadler, my first base in Minneapolis Bryan Schmidt, and Baruch Malewich. I want to thank family, near and further away, who were important and kind support. And finally, to my wonderful partner Elif Kalaycioglu, with whom this whole rollercoaster has been shared, and who was always there to push and pull us along. i Table of Contents Introduction ........................................................................................................................ 1 CHAPTER I: The Turkish Ensemble and the Cultural Border .................................... 21 CHAPTER II: Transit Europa and the Historiographic Border ................................. 104 CHAPTER III: The First Fall of the European Wall, Compassion, and the Humanitarian Border ................................................................................................... -
Ihsan Deniz'in Şiir Poetikasi
T. C. ULUDAĞ ÜNİVERSİTESİ SOSYAL BİLİMLER ENSTİTÜSÜ TÜRK DİLİ VE EDEBİYATI ANABİLİM DALI YENİ TÜRK EDEBİYATI BİLİM DALI İHSAN DENİZ’İN ŞİİR POETİKASI (YÜKSEK LİSANS TEZİ) Muharrem KAPLAN BURSA – 2019 T. C. ULUDAĞ ÜNİVERSİTESİ SOSYAL BİLİMLER ENSTİTÜSÜ TÜRK DİLİ VE EDEBİYATI ANABİLİM DALI YENİ TÜRK EDEBİYATI BİLİM DALI İHSAN DENİZ’İN ŞİİR POETİKASI (YÜKSEK LİSANS TEZİ) Muharrem KAPLAN Danışman Prof. Dr. Alev SINAR UĞURLU BURSA - 2019 ÖZET Yazar Adı ve Soyadı : Muharrem Üniversite : ULUDAĞ ÜNİVERSİTESİ Enstitü : Sosyal Bilimler Enstitüsü Anabilim Dalı : Türk Dili ve Edebiyatı Bilim Dalı : Yeni Türk Edebiyatı Tezin Niteliği : Yüksek Lisans Tezi Sayfa Sayısı: Mezuniyet Tarihi : …. / …. / 2019 Tez Danışmanı : Prof. Dr. Alev SINAR UĞURLU İhsan Deniz’in Şiir Poetikası İhsan Deniz, 1980 Dönemi şairlerinden biridir. Metafizik şiir anlayışının Cumhuriyet sonrası Türk şiirindeki en önemli temsilcilerindendir. Şiirlerinde aşk, ölüm, yalnızlık, şehir insanın sancıları ve arayış gibi temler başlıca yer alır. Bu tezde İhsan Deniz’in şiirlerinin poetikası, metafizik şiir bağlamında ele alınmıştır. Tezin birinci bölümünde poetikanın ilk ortaya çıktığı dönemden günümüze değin yaşadığı değişim ve gelişim ele alınmıştır. Tezin ikinci bölümünde 1980 dönemi şiir anlayışına ışık tutulmuştur. Tezin üçüncü bölümü, İhsan Deniz’in hayatının anlatımı ile başlayıp yetişmesinde emeği olan dergiler ve kendi poetik metinleri incelenmiştir. Tez, Türk şiirinin son zamanlardaki dönemine ve İhsan Deniz’in şiirine ışık tutma hüviyeti taşımaktadır. Anahtar Kelimeler: İhsan Deniz, poetika, şair, şiir, 1980’ler şiiri, metafizik, estetik, trajik, dil. iv ABSTRACT Name and Surname: Muharrem KAPLAN University: Uludağ University Institution: Social Science Institution Field: Turkish Language and Literature Degree Awarded: Master Page Number: Degree Date: …. / …. / 2019 Supervisor (s): Prof. Dr. Alev SINAR UĞURLU POETİCS OF İHSAN DENİZ İhsan Deniz is a poet of 1980s and is one of the most important representatives of metaphysical poetry in the Republican period. -
The Space Between: a Panorama of Cinema in Turkey
THE SPACE BETWEEN: A PANORAMA OF CINEMA IN TURKEY FILM LIST “The Space Between: A Panorama of Cinema in Turkey” will take place at the Walter Reade Theater at Lincoln Center from April 27 – May 10, 2012. Please note this list is subject to change. AĞIT a week. Subsequently, Zebercet begins an impatient vigil Muhtar (Ali Şen), a member of the town council, sells a piece and, when she does not return, descends into a psychopathic of land in front of his home to Haceli (Erol Taş), a land ELEGY breakdown. dispute arises between the two families and questions of Yılmaz Güney, 1971. Color. 80 min. social and moral justice come into play. In Ağıt, Yılmaz Güney stars as Çobanoğlu, one of four KOSMOS smugglers living in a desolate region of eastern Turkey. Reha Erdem, 2009. Color. 122 min. SELVİ BOYLUM, AL YAZMALIM Greed, murder and betrayal are part of the everyday life of THE GIRL WITH THE RED SCARF these men, whose violence sharply contrasts with the quiet Kosmos, Reha Erdem’s utopian vision of a man, is a thief who Atıf Yılmaz, 1977. Color. 90 min. determination of a woman doctor (Sermin Hürmeriç) who works miracles. He appears one morning in the snowy border attends to the impoverished villagers living under constant village of Kars, where he is welcomed with open arms after Inspired by the novel by Kyrgyz writer Cengiz Aytmatov, Selvi threat of avalanche from the rocky, eroded landscape. saving a young boy’s life. Despite Kosmos’s curing the ill and Boylum, Al Yazmalım tells the love story of İlyas (Kadir İnanır), performing other miracles, the town begins to turn against a truck driver from Istanbul, his new wife Asya (Türkan Şoray) him when it is learned he has fallen in love with a local girl. -
Turkish Cinema
Turkish cinema Nezih Erdoğan Deniz Göktürk The first years Cinema, as a Western form of visual expression and entertainment, did not encounter resistance in Turkey, a country culturally and geographically bridging East and West. It perfectly represented the ambivalent attitudes of the national / cultural identity under construction. On one hand, cinema came as a sign of modernization / Westernization, not only for the images of the Westbeing projected onto the screen, but also for the condi- tions of its reception. Cinematography was a technological innovation imported from the West and the ritual of going to the movies became an important part of the modern urban experience. On the other hand, cinema offered possibilities for the production of a ‘national discourse’. Many of the early feature films reflect the ‘birth of a nation’ or resis- tance to the Allied Forces during World War I. The audience was already familiar with the apparatus (theatre, screen, figures, music and sound, light and shadow), which bore some resemblance to the traditional Turkish shadowplay Karagöz, one of the most popular entertainment forms of the past. Ayse Osmanoğlu, the daughter of Sultan Abdülhamid II, remembers that the French illusionist of the palace used to go to France once a year and return with some novelties to entertain the palace population; a film projector throwing lights and shadows on a wall was the most exciting of these spectacles. The first public exhibition took place in 1896 or 1897 in the Sponeck pub, which was frequented by non-Muslim minorities (namely Levantines), as well as Turkish intellectuals infatuated with the Western civilization in Pera (today Beyoğlu), a district in the European part of Istanbul known for its cosmopolitan character. -
Literary Translation from Turkish Into English in the United Kingdom and Ireland, 1990-2010
LITERARY TRANSLATION FROM TURKISH INTO ENGLISH IN THE UNITED KINGDOM AND IRELAND, 1990-2010 a report prepared by Duygu Tekgül October 2011 Making Literature Travel series of reports on literary exchange, translation and publishing Series editor: Alexandra Büchler The report was prepared as part of the Euro-Mediterranean Translation Programme, a co-operation between the Anna Lindh Euro-Mediterranean Foundation for the Dialogue between Cultures, Literature Across Frontiers and Transeuropéenes, and with support from the Culture Programme of the European Union. Literature Across Frontiers, Mercator Institute for Media, Languages and Culture, Aberystwyth University, Wales, UK This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 2.0 UK: England & Wales License. 1 Contents 1 EXECUTIVE SUMMARY ............................................................................................ 4 1.1 Framework .......................................................................................................... 4 1.2 Method and scope ................................................................................................. 4 1.3 Conclusions ......................................................................................................... 5 1.3.1 Literary translation in the British Isles ................................................................... 5 1.3.2 Literature translated from Turkish – volume and trends .............................................. 6 1.3.3 Need for reliable data on published translations -
Örneklerin Kaynakları
TÜRKÇE SÖZLÜK’TEKĐ ÖRNEKLERĐN KAYNAKLARI Abbas Sayar Eflâtun Cem Güney Abdülhak Hamit Tarhan Elif Şafak Abdülhak Şinasi Hisar Emine Işınsu Abidin Dino Erzurumlu Emrah Adalet Ağaoğlu Enderunlu Vasıf Ahmet Altan Enis Behiç Koryürek Ahmet Cemal Ercüment Ekrem Talu Ahmet Hamdi Tanpınar Erhan Bener Ahmet Haşim Erzurumlu Emrah Ahmet Hikmet Müftüoğlu Esat Mahmut Karakurt Ahmet Kabaklı Etem Đzzet Benice Ahmet Kutsi Tecer Evliya Çelebi Ahmet Midhat Fahir Đz Ahmet Muhip Dranas Fahri Celâlettin Ahmet Rasim Falih Rıfkı Atay Ahmet Ümit Faruk Nafiz Çamlıbel Aka Gündüz Fazıl Hüsnü Dağlarca Ali Naci Karacan Feridun Fazıl Tülbentçi Anayasa Fikret Otyam Anonim şiir Fuat Köprülü Arif Nihat Asya Fuzuli Asaf Halet Çelebi Gevheri Âşık Ali Đzzet Özkan Haldun Taner Âşık Ömer Halide Edip Adıvar Âşık Veysel Halikarnas Balıkçısı Atai Halit Fahri Ozansoy Atatürk Halit Ziya Uşaklıgil Attilâ Đlhan Halk türküsü Aydın Boysan Hamdullah Suphi Tanrıöver Ayla Kutlu Hasan Âli Yücel Ayşe Kulin Hasan Pulur Azra Erhat Hikmet Münir Ebcioğlu Aziz Nesin Hüseyin Bayaz Bahai Hüseyin Cahit Yalçın Baki Hüseyin Rahmi Gürpınar Bayburtlu Zihni Đbrahim Alâeddin Gövsa Bedri Rahmi Eyüboğlu Đhsan Oktay Anar Behçet Kemal Çağlar Đlker Sarıer Behçet Necatigil Đrfani Bekir Sıtkı Erdoğan Đsmail Hakkı Baltacıoğlu Beynul Akyavaş Đsmet Özel Burhan Felek Karacaoğlan Burhan Günel Kemal Bilbaşar Cahit Külebi Kemal Tahir Cahit Sıtkı Tarancı Kemalettin Kamu Cahit Uçuk Kenan Hulûsi Celâl Bayar Koca Ragıp Paşa Celâl Sahir Erozan Kul Mustafa Cem Sultan Lâtife Tekin Cemil Meriç Leylâ Erbil Cenap Şehabettin -
A Utopian Journey in Turkish: from Non-Translation to Retranslation Ceyda Elgül Boğaziçi University 2011
A UTOPIAN JOURNEY IN TURKISH: FROM NON-TRANSLATION TO RETRANSLATION CEYDA ELGÜL BOĞAZİÇİ UNIVERSITY 2011 A UTOPIAN JOURNEY IN TURKISH: FROM NON-TRANSLATION TO RETRANSLATION Thesis submitted to the Institute for Graduate Studies in the Social Sciences in partial fulfillment of the requirements for the degree of Master of Arts in Translation by Ceyda Elgül Boğaziçi University 2011 Thesis Abstract Ceyda Elgül, “A Utopian Journey in Turkish: From Non-Translation to Retranslation” This study explores the role of translation in the evolution of new contexts for foreign works. It classifies non-translation, initial translation and retranslation as the three existential forms in which translation appears and proposes that each of these forms attributes the foreign work a different translational context. Benefiting from the favorable grounds provided by the journey of Thomas More’s Utopia in the Turkish literary system, this diachronic study embraces the pre- and post-translation periods synchronously with the period in which the translation first appeared.The study firstly investigates Utopia in the Turkish literary system as a work that appeared in the form of non-translation in the period between the Tanzimat and 1964 and questions what type of a culture repertoire this non-translation contributed to. Then, it focuses on the initial translation and seeks a position for this first translation in the context of the 1960s, referring to the social dynamics of the period in which the translation first appeared after a long phase of resistance. Here, the study touches on the agency factor and explores the historical significance of the first translation in relation to the external factors that concern the agents of the translation. -
Türk Sinema Tarihi
TÜRK SİNEMA TARİHİ RADYO TELEVİZYON VE SİNEMA BÖLÜMÜ DOÇ. DR. ŞÜKRÜ SİM İSTANBUL ÜNİVERSİTESİ AÇIK VE UZAKTAN EĞİTİM FAKÜLTESİ Yazar Notu Elinizdeki bu eser, İstanbul Üniversitesi Açık ve Uzaktan Eğitim Fakültesi’nde okutulmak için hazırlanmış bir ders notu niteliğindedir. İÇİNDEKİLER 1. SİNEMANIN TÜRKİYE'YE GELİŞİ VE TÜRKİYE'DE YAPILAN İLK FİLMLER ..................................................................................................................... 3 2. SİNEMACILAR DÖNEMİ-2(1950-1970) ......................................................... 27 3. SİNEMACILAR DÖNEMİ(1950-1970) ............................................................ 53 4. KARŞITLIKLAR DÖNEMİ(1970-1980) .......................................................... 78 5. HAFTA DERS NOTU ........................................................................................... 98 6. VİZE ÖNCESİ GENEL DEĞERLENDİRME ................................................. 117 7. VİZE ÖNCESİ TEKRAR ................................................................................. 143 8. 1980 DÖNEMİ TÜRK SİNEMASI(1980-1990) .............................................. 158 9. 1980 DÖNEMİ TÜRK SİNEMASI(1980-1990) .............................................. 175 10. YENİ DÖNEM TÜRKİYE SİNEMASI ............................................................ 191 11. TÜRK SİNEMASINDA SANSÜR ................................................................... 201 12. MİLLİ SİNEMA ............................................................................................... -
Tde Iv. Sinif Güz Yariyili Tde 415 Eski Türk Edebiyati V Tde 419
TDE IV. SINIF GÜZ YARIYILI TDE 415 ESK İ TÜRK EDEB İYATI V 1. Hafta XVII. Yüzyılın ilk yarısında Osmanlı Devleti’nin siyasî durumu. XVII. Yüzyılın ilk yarısında Osmanlı Devleti’nin kültürel durumu. XVII. Yüzyılın ilk yarısında edebî durum (a. Kaside, gazel, mesnevi ve hiciv. b. Sebk-i Hindî nedir? İran şiirinde ve Türk şiirinde Sebk-i Hindî ile etkileri. c. XVII. Yüzyılın ilk yarısında nesir). 2. Hafta Nef’î’nin hayatı ve edebî ki şili ği. Nef’î’de Sebk-i Hindî’nin etkisi. Nef’î’nin eserleri ve kasidecili ği. 3-4. Hafta Nef’î’nin Bulak baskısı Dîvân’ından “Na’t”ının okunması ve ö ğrencilere okutulması. şiirin vezninin bulunması ve mısralarda takti edilmesi. Beyitlerin Türkçe düzyazıya çevrimi, açıklanması ve edebî sanatların bulunması. 5-6. Hafta Nef’î’nin rah şiyeleri. Seçilen örnek bir metnin okunması ve ö ğrencilere okutulması. şiirin vezninin bulunması ve mısralarda takti edilmesi. Beyitlerin Türkçe düzyazıya çevrimi, açıklanması ve edebî sanatların bulunması. 7. Hafta Nef’î’nin gazelleri. Seçilen örnek bir metnin okunması ve ö ğrencilere okutulması. şiirin vezninin bulunması ve mısralarda takti edilmesi. Beyitlerin Türkçe düzyazıya çevrimi, açıklanması ve edebî sanatların bulunması. 8. Hafta Ara sınav. 9. Hafta XVII. Yüzyılın ikinci yarısında Osmanlı Devleti’nin siyasî durumu. XVII. Yüzyılın ikinci yarısında Osmanlı Devleti’nin kültürel durumu. XVII. Yüzyılın ikinci yarısında edebî durum (a. Kaside, gazel, mesnevi. b. Hikmet nedir? Hikemî Tarz nedir? Türk şiirinde Hikemî Tarz. c. XVII. Yüzyılın ikinci yarısında nesir). 9. Hafta Nâbî’nin hayatı ve edebî ki şili ği. Nâbî’nin hikemî tarzı. Nâbî’nin eserleri. 10-11. Hafta Nâbî’nin İstanbul baskısı Dîvân’ından “Azliyye”sinin okunması ve öğrencilere okutulması. -
103 TURKISH LITERATURE in JAPANESE Oğuz BAYKARA*
İ.Ü. Çeviribilim Dergisi, Sayı: 6 (2-2012) s. 103-133 I.U. Journal of Translation Studies, Issue: 6 (2-2012) p. 103-133 103 TURKISH LITERATURE IN JAPANESE Oğuz BAYKARA* Abstract This article gives an account of Turkish works translated into Japanese between 1925 and 2012. It is also an attempt to provide some answers, especially to the question concerning the reasons of the lack of interest for Turkish literature in Japan. The first part of this article sets out the theo- retical framework. The second part outlines the literary exchange between Japan and Turkey. The third part presents the data collected regarding the published Turkish literature in Japanese by surveying the authors, publishers, translators and translated works as well as scrutinizing the translation activity and the forces that triggered it. The final part evaluates the position of the translated Turkish literature in the Japanese polysystem, based on the data obtained from this research. Key Words: Polysystem Theory, Turkish Literature in Japanese, literary exchanges and relations, central/marginal positions. Özet Bu makalede 1925-2012 yılları arasında Türk edebiyatından Japonca- ya çevrilen eselerler ele alınmaktadır. Makale aynı zamanda Japonya’da Türk edebiyatına olan ilginin neden marijinal düzeyde olduğu sorusuna da yanıt aramaktadır. İlk bölümde çalışmanın kuramsal çerçevesi belirlenmiş- tir. İkinci bölüm Japonya ve Türkiye arasındaki edebi alış-verişi özetler. Üçüncü bölümde Japoncaya çevrilen Türk edebiyatı üzerinde yaptığımız araştırmalardan elde edilen veriler sunulmuştur. Veriler toplanırken sadece çevrilen eserler, yazarlar, çevirmenler ve yayınevleri değil, aynı zamanda çeviri etkinliği ve onu tetikleyen güçler de göz önünde bulundurulmuştur. Dördüncü bölümde ise elde edilen veriler temel alınarak, Japon diline ak- tarılan Türk edebiyatının Japon çoğuldizgesi içindeki konumu üzerinde bir değerlendirme yapılmaktadır. -
Kurdish Language in the Turkish Monolingual Sphere
AT THE INTERSECTION OF CENTER AND PERIPHERY: KURDISH LANGUAGE IN THE TURKISH MONOLINGUAL SPHERE A Master’s Thesis by SEREN ÜSTÜNDAĞ Department of Turkish Literature İhsan Doğramacı Bilkent University Ankara July 2019 1 2 AT THE INTERSECTION OF CENTER AND PERIPHERY: KURDISH LANGUAGE IN THE TURKISH MONOLINGUAL SPHERE The Graduate School of Economics and Social Sciences of İhsan Doğramacı Bilkent University by SEREN ÜSTÜNDAĞ In Partial Fulfillment of the Requirements for the Degree of MASTER OF ART IN TURKISH LITERATURE THE DEPARTMENT OF TURKISH LITERATURE İHSAN DOĞRAMACI BILKENT UNIVERSITY ANKARA July 2019 1 i ii ABSTRACT AT THE INTERSECTION OF CENTER AND PERIPHERY: KURDISH LANGUAGE IN THE TURKISH MONOLINGUAL SPHERE Üstündağ, Seren M.A., Department of Turkish Literature Supervisor: Asst. Prof. Dr. Etienne Eugene Christian Charriere July 2019 This thesis focuses on, monolingualist paradigm, World Literature system and translation as its main tool. While Turkish and Kurdish, Turkish Literature and Kurdish literature provide a fruitful contest area to these concepts, both opens a path to interrogate the borders of monolingual paradigm and the center-periphery dynamics of World Literature. In Kurdish case, it both continues its existence within Turkish and by articulating the World Literature orbit, it aims to construct its own literary space upon that. The novels of Ayhan Geçgin and Mehtap Ceyran, who write in Turkish although their mother tongue is Kurdish, provide to follow the traces of Kurdish which embodied in Turkish. On the other hand, Kurdish with two-sided translation aims to create its own literary space. The first axis of this literary production occurs as a projection of monolingual paradigm. -
Faculty of Humanities
FACULTY OF HUMANITIES The Faculty of Humanities was founded in 1993 due to the restoration with the provision of law legal decision numbered 496. It is the first faculty of the country with the name of The Faculty of Humanities after 1982. The Faculty started its education with the departments of History, Sociology, Art History and Classical Archaeology. In the first two years it provided education to extern and intern students. In the academic year of 1998-1999, the Department of Art History and Archaeology were divided into two separate departments as Department of Art History and Department of Archaeology. Then, the Department of Turkish Language and Literature was founded in the academic year of 1999-2000 , the Department of Philosophy was founded in the academic year of 2007-2008 and the Department of Russian Language and Literature was founded in the academic year of 2010- 2011. English prep school is optional for all our departments. Our faculty had been established on 5962 m2 area and serving in a building which is supplied with new and technological equipments in Yunusemre Campus. In our departments many research enhancement projects and Archaeology and Art History excavations that students take place are carried on which are supported by TÜBİTAK, University Searching Fund and Ministry of Culture. Dean : Vice Dean : Prof. Dr. Feriştah ALANYALI Vice Dean : Assoc. Prof. Dr. Erkan İZNİK Secretary of Faculty : Murat TÜRKYILMAZ STAFF Professors: Feriştah ALANYALI, H. Sabri ALANYALI, Erol ALTINSAPAN, Muzaffer DOĞAN, İhsan GÜNEŞ, Bilhan