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Este documento es proporcionado al estudiante con fines educativos, para la crítica y la investigación respetando la reglamentación en materia de derechos de autor. Este documento no tiene costo alguno, por lo que queda prohibida su reproducción total o parcial. El uso indebido de este documento es responsabilidad del estudiante. Este documento es proporcionado al estudiante con fines educativos, para la crítica y la investigación respetando la reglamentación en materia de derechos de autor. Este documento no tiene costo alguno, por lo que queda prohibida su reproducción total o parcial. El uso indebido de este documento es responsabilidad del estudiante. Este documento es proporcionado al estudiante con fines educativos, para la crítica y la investigación respetando la reglamentación en materia de derechos de autor. Este documento no tiene costo alguno, por lo que queda prohibida su reproducción total o parcial. El uso indebido de este documento es responsabilidad del estudiante. ROUTLEDGE STUDIES IN MEMORY AND NARRATIVE Series editors: Mary Chamberlain, Paul Thompson, Timothy Ashplant, Richard Candida-Smith and Selma Leydesdorff NARRATIVE AND GENRE CONTESTED PASTS Edited by Mary Chamberlain and Paul Thompson TRAUMA AND LIFE STORIES The politics of memory International perspectives Edited by Kim Lacy Rogers and Selma Leydesdorff with Graham Dawson NARRATIVES OF GUILT AND COMPLIANCE IN UNIFIED GERMANY Stasi informers and their impact on society Barbara Miller JAPANESE BANKERS IN THE CITY OF LONDON junko Sakai Edited by Katharine Hodgkin and MEMORY AND MEMORIALS, 1789 — 1914 Literary and cultural perspectives Susannah Radstone Edited by Matthew Campbell, Jacqueline M Labbe and Sally Shuttleworth THE ROOTS OF ENVIRONMENTAL CONSCIOUSNESS Popular tradition and personal experience Edited by Stephen Hussey and Paul Thompson THE POLITICS OF WAR MEMORY AND COMMEMORATION Edited by T G Ashplant, Graham Dawson and Michael Roper ZINES OF NARRATIVE Psychosocial perspectives Edited by Molly Andrews, Shelley Day Sclater, Corinne Squire and Amal Treacher THE ETHIOPIAN JEWISH EXODUS Narratives of the migration journey to Israel 1977-1985 Gadi BenEzer ART AND THE PERFORMANCE OF MEMORY Sounds and gestures of recollection Edited by Richard Candida-Smith CONTESTED PASTS The politics of memory Edited by Katharine Hodgkin and Susannah Radstone REGIMES OF MEMORY Edited by Susannah Radstone and Katharine Hodgkin Routledge Taylor & Francis Group LIVING THROUGH SOVIET RUSSIA LONDON AND NEW YORK Edited by Daniel Bertaux and Paul Thompson Este documento es proporcionado al estudiante con fines educativos, para la crítica y la investigación respetando la reglamentación en materia de derechos de autor. Este documento no tiene costo alguno, por lo que queda prohibida su reproducción total o parcial. El uso indebido de este documento es responsabilidad del estudiante. UNANI 8IBUOTECA CENTRAL 580,182 CONTENTS MATRIZ 1 List of illustrations First published 2003 by Routledge Notes on contributors 11 New Fetter Lane, London EC4P 4EE Preface and acknowledgements Simultaneously published in the USA and Canada by Routledge 29 West 35th Street, New York, NY 10001 Introduction: Contested pasts 1 Routledge is an imprint of the Taylor & Francis Group KATHARINE HODGKIN AND SUSANNAH RADSTONE O 2003 Editorial matter and selection, Katharine Hodgkin and Susannah Radstone; individual chapters, the authors Part Typeset in Baskerville by Taylor & Francis Books Ltd Printed and bound in Great Britain by MPG Books Ltd, Bodmin Transforming memory 23 All rights reserved. No part of this book may be reprinted or reproduced or utilised in INTRODUCTION: KATHARINE HODGKIN AND SUSANNAH RADSTONE any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. 1 The massacre at the Fosse Ardeatine: history, myth, ritual and British Library Cataloguing in Publication Data symbol 29 A catalogue record for this book is available from the British Library AI ESSANDRO PORTELLI Library of Congress Cataloging in Publication Data Contested pasts: the politics of memory / edited by Katharine Hodgkin and Susannah Radstone. Includes bibliographical references and índex. 2 Memories and histories, public and prívate: after the Finnish 1. Memory — Social aspects. 2. Memory — Political aspects. Civil War 42 I. Hodgkin, Katharine, 1961— II. Radstone, Susannah. ANNE HEIMO AND ULLA-MAIJA PELTONEN BF378.S65 0665 2003 153.1'2—dc21 2002035844 ISBN 0-415-28647-6 3 War, history, and the education of (Canadian) memory 57 GRAHAM CARR 4 `We would never have come without you': generations of nostalgia 79 IsIARIANNE HIRSCH AND LEO SPITZER Este documento es proporcionado al estudiante con fines educativos, para la crítica y la investigación respetando la reglamentación en materia de derechos de autor. Este documento no tiene costo alguno, por lo que queda prohibida su reproducción total o parcial. El uso indebido de este documento es responsabilidad del estudiante. CONTENTS CONTENTS 221 12 `Dead Man': film, colonialism and memory Part II CHRIS HEALY Remembering suffering: trauma and history 97 INTRODUCTION: KATHARINE HODGKIN AND SUSANNAH RADSTONE Part IV 237 5 The traumatic paradox: autobiographical documentary and the And then silence psychology of memory 104 INTRODUCTION: KATHARINE HODGKIN AND SUSANNAH RADSTONE JANET WALKER 238 13 Memories between silence and oblivion 6 Memories of violence in interviews with Basque nationalist LUISA PASSERINI women 120 255 CARRIE HAMILTON Index 7 Sale of the century? Memory and historical consciousness in Australia 136 PAULA HAMILTON 8 'Brothers and sisters, do not be afraid of me': trauma, history and the therapeutic imagination in the new South Africa 153 CHRISTOPHER J COLVIN Part III Patterning the national past 169 INTRODUCTION: KATHARINE HODGKIN AND SUSANNAH RADSTONE 9 Nationalism and memory at the Tuol Sleng Museum of Genocide Crimes, Phnom Penh, Cambodia 175 RACHEL HUGHES 10 The death of socialism and the afterlife of its monuments: making and marketing the past in Budapest's Statue Park Museum 193 MAYA NADKARNI 11 From contested to consensual memory: the Rock and Roll Hall of Fame and Museum 208 ROBERT BURGOYNE Este documento es proporcionado al estudiante con fines educativos, para la crítica y la investigación respetando la reglamentación en materia de derechos de autor. Este documento no tiene costo alguno, por lo que queda prohibida su reproducción total o parcial. El uso indebido de este documento es responsabilidad del estudiante. ILLUSTRATIONS NOTES ON CONTRIBUTORS 3.1 Untitled photograph. Women in cemetery collecting earth. 62 Robert Burgoyne is Professor of English and Film Studies at Wayne State 3.2 Kevin Paris, a Grade 3 student from St. Mary's Elementary School in University. He is author of Film Nation: Hollywood Looks at U.S. History and co- Halifax, places a flag on one of the many graves. 63 author of New Vocabularies in Film Semiotics. His work revolves around questions 3.3 `Wait for me, daddy.' 64 of history and memory in contemporary media culture. 3.4 Untitled photograph. Prime Minister Pierre Trudeau and family at Graham Carr teaches US and Canadian history at Concordia University in National War Memorial. 69 Montreal. His research deals with twentieth-century North American cultural 3.5 War and Remembrance. Silver Cross mother Alice Taylor, 100, and and public history. In addition to work on war and commemoration, he has First and Second World War veteran Tom Spear, 99, participate in the published on various topics in literary history and historiography, and has 50th anniversary citizenship ceremony in the House of Commons. 71 written on public policy issues such as the implications of trade liberalisation for national cultures. His current research focuses on music, society and poli- tics in Canada and the US in the 1950s-60s. The main focus of this work is on the neglected relationship between culture and security issues in Cold War narratives of East—West performer exchanges. Christopher J. Colvin is currently completing his dissertation in sociocultural anthropology at the University of Virginia's Department of Anthropology. He conducted ethnographic research with an apartheid victim support and advocacy group as well as with a psychological trauma clinic in Cape Town, South Africa. His work explores the role of memory-making about traumatic events in post-conflict societies with a particular emphasis on the intersection of medical, politico-legal and religious discourses of memory and trauma. His dissertation focuses on the post-apartheid 'political economy of story- telling' in South Africa. Carrie Hamilton teaches Spanish History in the School of Modern Languages at the University of Southampton. Her research focuses on women's political activism in contemporary Spain. She has conducted an oral history project on women in ETA, the radical Basque nationalist armed organisation, and has published several articles on the topic. She is currently completing a book based on this research, titled Remembering ETA: women, family and conflict in the Basque country, 1959-1982. Este documento es proporcionado al estudiante con fines educativos, para la crítica y la investigación respetando la reglamentación en materia de derechos de autor. Este documento no tiene costo alguno, por lo que queda prohibida su reproducción total o parcial. El uso indebido de este documento es responsabilidad
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  • This Thesis Has Been Submitted in Fulfilment of the Requirements for a Postgraduate Degree (E.G

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    This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Witnesses to the Unpresentable: Narratives of Memory and Trauma at the End of History Marc Di Sotto PhD Thesis University of Edinburgh 2014 Declaration This is to certify that the work contained within has been composed by me and is entirely my own work. No part of this thesis has been submitted for any other degree or professional qualification. Marc Di Sotto, MA (Hons) MSc Abstract This thesis investigates the problem of historical representation in the context of the contemporary turns to trauma and memory visible in cultural theory and in wider popular culture and contemporaneous with post-Cold war ‘end of history’ discourse. Rather than apply the theories of trauma to readings of contemporary texts, the present study proposes that trauma theory be seen as part of the wider cultural tendency towards memorialization, characterized by a privileging of the notion of witnessing, an emphasis on the punctuality of the traumatic moment, and the fetishization of the historical trace.