Muzeul ENESCU
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High-Fidelity-1955-Nov.Pdf
November 60 cents SIBELIUS AT 90 by Gerald Abraham A SIBELIUS DISCOGRAPHY by Paul Affelder www.americanradiohistory.com FOR FINE SOUND ALL AROUND Bob Fine, of gt/JZe lwtCL ., has standardized on C. Robert Fine, President, and Al Mian, Chief Mixer, at master con- trol console of Fine Sound, Inc., 711 Fifth Ave., New York City. because "No other sound recording the finest magnetic recording tape media hare been found to meet our exact - you can buy - known the world over for its outstanding performance ing'requirements for consistent, uniform and fidelity of reproduction. Now avail- quality." able on 1/2-mil, 1 -mil and 11/2-mil polyester film base, as well as standard plastic base. In professional circles Bob Fine is a name to reckon auaaaa:.cs 'exceed the most with. His studio, one of the country's largest and exacting requirements for highest quality professional recordings. Available in sizes best equipped, cuts the masters for over half the and types for every disc recording applica- records released each year by independent record lion. manufacturers. Movies distributed throughout the magnetically coated world, filmed TV broadcasts, transcribed radio on standard motion picture film base, broadcasts, and advertising transcriptions are re- provides highest quality synchronized re- corded here at Fine Sound, Inc., on Audio products. cordings for motion picture and TV sound tracks. Every inch of tape used here is Audiotape. Every disc cut is an Audiodisc. And now, Fine Sound is To get the most out of your sound recordings, now standardizing on Audiofilm. That's proof of the and as long as you keep them, be sure to put them consistent, uniform quality of all Audio products: on Audiotape, Audiodiscs or Audiofilm. -
A Physical and Moral Portrait of Balkan Vlachs In
MUZEUL NAŢIONAL Vol. XX 2008 A PHYSICAL AND MORAL PORTRAIT OF BALKAN VLACHS IN HISTORICAL SOURCES (IXth-XIIth CENTURIES) DESPRE PORTRETUL FIZIC ŞI MORAL AL VLAHILOR BALCANICI ÎN SURSELE ISTORICE (SECOLELE IX-XII) Ginel Lazăr, Monica Lazăr Abstract Like any other people, the Balkan Vlachs (Romanians) came into being and defined themselves as an entity during a long and difficult historical process. Ethnoculturally and historically they share similarities but also differences which bring them closer, but also separate them from neighbouring peoples. Balkan Romanians’ physical and moral traits are differently perceived from one observer to another. For Byzantines, „Vlachs“ meant „barbarians“, namely those who didn’t speak, think or live like a Greek. Ever since Vlachs have been first mentioned in historical sources (approx. 850) until the Asanesti rebellion (1185), „the physical and moral portrait of Balkan Vlachs differs with each observer. Latin authors, especially Italians and Dalmatians, depicted them favourably, mainly highlighting their bellicose attributes and their pleasant appearance, sometimes associated to their Roman descent. On the contrary, they are often negatively perceived by their Balkan neighbours. This is not surprising at all: for Byzantines and Southern Slavics, endowed with their own states and cultures, the Vlach is „the other“, a foreigner refusing integration by asserting his own identity and even worse - often trying to establish his own state in an area they claimed“. Key words: „Romanus“, „the other“, transhumance, „kjelatori“, Haemus, Vlachs, Christians. Like any other people, the Balkan Vlachs (Romanians) came into being and defined themselves as an entity during a long and difficult historical process. Ethnoculturally and historically they share similarities but also differences which bring them closer, but also separate them from neighbouring peoples. -
Romanian Folkloric Influences on George Enescu’S Artistic and Musical
The Treatise Committee for Maria Zlateva Zlateva certifies that this is the approved version of the following treatise: Romanian Folkloric Influences on George Enescu’s Artistic and Musical Development as Exemplified by His Third Violin Sonata. Committee: ____________________________________ James Buhler, Supervisor ____________________________________ Eugene Gratovich, Co-Supervisor ____________________________________ Andrew Dell’Antonio ____________________________________ Phyllis Young ____________________________________ David Neubert ____________________________________ Martha Mason Romanian Folkloric Influences on George Enescu’s Artstic and Musical Development as Exemplified by His Third Violin Sonata. by Maria Zlateva Zlateva, BMus, M.M. Treatise Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Musical Arts The University of Texas at Austin May, 2003 UMI Number: 3119655 ________________________________________________________ UMI Microform 3119655 Copyright 2004 by ProQuest Information and Learning Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ____________________________________________________________ ProQuest Information and Learning Company 300 North Zeeb Road PO Box 1346 Ann Arbor, MI 48106-1346 Table of Contents Chapter 1: Introduction…………………………………………………………1 Chapter 2: Life and Works……………………………………………………...8 Chapter 3: Formal and Stylistic -
Werner-B02c[Erato-10CD].Pdf
Johann Sebastian Bach (1685-1750) The Cantatas, Volume 2 Heinrich Schütz Choir, Heilbronn Pforzheim Chamber Orchestra Württemberg Chamber Orchestra (B\,\1/ 102, 137, 150) Südwestfunk Orchestra, Baden-Baden (B\,\ry 51, 104) Fritz Werner L'Acad6mie Charles Cros, Grand Prix du disque (BWV 21, 26,130) For complete cantata texts please see www.bach-cantatas.com/IndexTexts.htm cD t 75.22 Ich hatte viel Bekümmernis, BWV 2l My heart and soul were sore distrest . Mon cceur ötait plein d'ffiiction Domenica 3 post Trinitatis/Per ogni tempo Cantata for the Third Sunday after Trinity/For any time Pour le 3n"" Dimanche aprös la Trinitö/Pour tous les temps Am 3. Sonntag nachTrinitatis/Für jede Zeit Prima Parte 0l 1. Sinfonia 3.42 Oboe, violini, viola, basso continuo 02 2. Coro; Ich hatte viel Bekümmernis 4.06 Oboe, violini, viola, fagotto, basso continuo 03 3. Aria (Soprano): Seufzer, Tränen, Kummer, Not 4.50 Oboe, basso continuo ) 04 4. Recitativo (Tenore): Wie hast du dich, mein Gott 1.50 Violini, viola, basso continuo 05 5. Aria (Tenore): Bäche von gesalznen Zähren 5.58 Violini, viola, basso conlinuo 06 6. Coro: Was betrübst du dich, meine Seele 4.35 Oboe, violini, viola, fagotto, basso continuo Seconda Parte 07 7. Recitativo (Soprano, Basso): Ach Iesu, meine Ruh 1.38 Violini, viola, basso continuo 08 8. Duetto (Soprano, Basso): Komm, mein Jesu 4.34 Basso continuo 09 9. Coro: Sei nun wieder zufrieden 6.09 Oboe, tromboni, violini, viola, fagotto, basso continuo l0 10. Aria (Tenore): Erfreue dich, Seele 2.52 Basso continuo 11 11. -
Enescu Discovery
muziek Enescu Discovery zo 4 mrt 2018 / Blauwe zaal & Theaterstudio van 14 uur tot ± 21.30 uur 2017-2018 Kwartet Schumann Quartett & Sabine Meyer klarinet wo 11 okt 2017 Escher Quartet wo 22 nov 2017 Julia Fischer Quartett do 1 feb 2018 Enescu Discovery Quatuor Danel Quatuor Enesco Oliver Triendl piano Terra Nova Collective ea. zo 4 mrt 2018 Armida Quartett & Quatuor Modigliani wo 23 mei 2018 teksten programmaboekje David Vergauwen coördinatie programmaboekje deSingel D/2018/5.497/28 Gelieve uw GSM uit te schakelen Cd-verkoop Bij onze concerten worden occasioneel cd’s te koop aangeboden door De inleidingen kan u achteraf beluisteren via La Boite à Musique / Coudenberg 74 / Brussel / +32 www.desingel.be (0)2 513 09 65 / www.classicalmusic.be Selecteer hiervoor voorstelling / concert / tentoonstelling van uw keuze. Concertvleugels Met bijzondere dank aan Ortwin Moreau voor het stemmen en het onderhoud van de Grand café deSingel drankjes / hapjes / snacks concertvleugels van deSingel uitgebreid tafelen / open alle dagen: 9-24 uur Moreau Pianoservice / Kapucinessenstraat 32 / 2000 informatie en reserveren: +32 (0)3 237 71 00 of Antwerpen / +32 (0)486 83 63 98 www.grandcafedesingel.be www.moreau-pianoservice.be George Enescu (1881-1955) 14 uur / Blauwe zaal 17.15 uur / Blauwe zaal Oliver Triendl piano & Quatuor Enesco Quatuor Danel & Oliver Triendl piano Giani Lincan cimbalon Karel Boeschoten viool Strijkkwartet nr 2 in G, opus 22 nr 2 (1951) 28’ Aurel Budisteanu accordeon Gabriel Barbalau contrabas Molto moderato Vioolsonate nr 3 in a, opus -
Sacred & Secular Vocal
SACRED & SECULAR VOCAL SACRED WORKS BACH 333 BACH 1 2 BACH 333 SACRED WORKS SACRED AND SECULAR VOCAL Tracklists Chorales 2 Magnificat, Motets, Masses, Passions, Oratorios 16 Secular Cantatas 68 Vocal Traditions 92 Sung texts Chorales 160 Magnificat, Motets, Masses 205 St John Passion 214 St Matthew Passion 234 Easter Oratorio 263 Ascension Oratorio 265 Christmas Oratorio 268 Secular Cantatas 283 CD 49 68:51 4-Part Chorales Sung texts pp. 160–174 1 Was Gott tut, das ist wohlgetan BWV 250 0:53 2 Sei Lob und Ehr dem höchsten Gut BWV 251 0:53 3 Nun danket alle Gott BWV 252 0:52 Kölner Akademie | Michael Alexander Willens conductor 4 Ach bleib bei uns, Herr Jesu Christ BWV 253 0:38 5 Ach Gott, erhör mein Seufzen und Wehklagen BWV 254 0:48 6 Ach Gott und Herr BWV 255 0:36 7 Ach lieben Christen, seid getrost BWV 256 0:57 Augsburger Domsingknaben | Reinhard Kammler conductor CHORALES Claudia Waßner organ 8 Wär Gott nicht mit uns diese Zeit BWV 257 0:55 9 Wo Gott der Herr nicht bei uns hält BWV 258 0:56 Vocalconsort Berlin | Daniel Reuss conductor Ophira Zakai lute | Elina Albach organ BACH 333 BACH 4 10 Ach, was soll ich Sünder machen BWV 259 0:55 11 Allein Gott in der Höh sei Ehr BWV 260 0:56 12 Allein zu dir, Herr Jesu Christ BWV 261 1:13 13 Alle Menschen müssen sterben BWV 262 0:57 14 Alles ist an Gottes Segen BWV 263 0:42 15 Als der gütige Gott BWV 264 1:22 16 Als Jesus Christus in der Nacht BWV 265 1:42 17 Als vierzig Tag nach Ostern warn BWV 266 0:48 18 An Wasserflüssen Babylon BWV 267 1:23 19 Auf, auf, mein Herz, und du mein ganzer Sinn -
Decca Discography
DECCA DISCOGRAPHY >>V VIENNA, Austria, Germany, Hungary, etc. The Vienna Philharmonic was the jewel in Decca’s crown, particularly from 1956 when the engineers adopted the Sofiensaal as their favoured studio. The contract with the orchestra was secured partly by cultivating various chamber ensembles drawn from its membership. Vienna was favoured for symphonic cycles, particularly in the mid-1960s, and for German opera and operetta, including Strausses of all varieties and Solti’s “Ring” (1958-65), as well as Mackerras’s Janá ček (1976-82). Karajan recorded intermittently for Decca with the VPO from 1959-78. But apart from the New Year concerts, resumed in 2008, recording with the VPO ceased in 1998. Outside the capital there were various sessions in Salzburg from 1984-99. Germany was largely left to Decca’s partner Telefunken, though it was so overshadowed by Deutsche Grammophon and EMI Electrola that few of its products were marketed in the UK, with even those soon relegated to a cheap label. It later signed Harnoncourt and eventually became part of the competition, joining Warner Classics in 1990. Decca did venture to Bayreuth in 1951, ’53 and ’55 but wrecking tactics by Walter Legge blocked the release of several recordings for half a century. The Stuttgart Chamber Orchestra’s sessions moved from Geneva to its home town in 1963 and continued there until 1985. The exiled Philharmonia Hungarica recorded in West Germany from 1969-75. There were a few engagements with the Bavarian Radio in Munich from 1977- 82, but the first substantial contract with a German symphony orchestra did not come until 1982. -
Building a Library
BUILDING A LIBRARY All selections were made from recordings available in the UK at the time of the broadcast and are full price unless otherwise stated. CD Review cannot guarantee that they have not subsequently been deleted. KEY: CD = compact disc c/w = coupled with SIS = a recording which is only available through EMI’s Special Import Service IMS = a recording which is only available through Universal Classics' Import Music Service CONTENTS September 1999 – July 2000 .................................................................................................................................................................................. 2 September 2000 – July 2001 ................................................................................................................................................................................ 23 September 2001 – July 2002 ................................................................................................................................................................................ 45 September 2002 – July 2003 ................................................................................................................................................................................ 73 September 2003 – July 2004 ................................................................................................................................................................................ 97 September 2004 – July 2005 ............................................................................................................................................................................. -
Versiunea .Pdf
c y m k Revistã de culturã ORAª REGAL Anul XI n Nr. 4 (113) n Aprilie 2020 Ecumenismul Dacoromaniei Gheorghe PĂUN ste posibil ca deja titlul dinainte să provoace multora oarece E„urticarie” şi este sigur că pledo aria pe care o încerc în continuare va avea o asemenea urmare… În primul rând, îi va întărâta pe hlizitorii la adresa „excepţio nalismului românesc”, dar, pe de o parte, contez pe faptul căi va deruta toponimul multacoperitor, şi geografic, şi istoric, Dacoromania (apare deja aici un ecume nism suigeneris, încercând săi concilieze pe dacofili şi latinofili, ambele părţi purtând semnificaţii şi greu de tradus. eventual sufixe mult mai agresive, etichete Plus ceva intim poporului român, sem neelegante venite dinspre „interlocutori”), nalat şi de Eminescu (Timpul, 10 septem pe de altă parte, sunt curios cum pot să brie 1880; o mare parte din articol este contracareze sugestia, detaliată mai jos, reprodusă la pagina următoare, şi alte că noi, românitatea, se pare că chiar avem rânduri din el decât cele de mai jos fiind o misiune cu adevărat excepţională, anume, relevante pentru discuţia noastră): „Am ecumenică – la modul practic, de reînfrăţire susţinut mai mult: că legea catolică la a „celor două biserici”, separate de aproape români, ritul grecocatolic, se deosebeşte o mie de ani, de la Marea Schismă din 1054, de restul bisericii române întrun mod cu motivată, la prima vedere, de orgolii umane totul exterior, cel puţin în ochii poporului, şi amănunte de ceremonie, în fond, de şi că deosebirea nu are înţeles decât pentru interese „geoteologice”. -
Programme Notes Thursday 10 December 2020 • 8Pm
AUTUMN CONCERT SEASON 2020 IN THE STREAM OF LIFE PROGRAMME NOTES THURSDAY 10 DECEMBER 2020 • 8PM 2018: BEHIND NIGHT AND CLOUDS JUROWSKI CONDUCTS ENESCU, BACH & KATS-CHERNIN J S Bach Orchestral Suite No. 1 Elena Kats-Chernin Piano Concerto No. 3 (Lebewohl) EUROPEAN PREMIERE Enescu Decet for Winds* Enescu Chamber Symphony* Vladimir Jurowski conductor Alexandra Silocea piano Concert supported by the *Generously supported by the Romanian Cultural Institute LONDON PHILHARMONIC ORCHESTRA • 10 DECEMBER 2020 LONDON PHILHARMONIC ORCHESTRA • 10 DECEMBER 2020 CONTENTS HOW TO CLICK ON THE HEADINGS TO JUMP TO A SECTION WATCH TONIGHT’S CONCERT 3 HOW TO WATCH Go to marquee.tv Watch anytime, anywhere Each concert will be available for 7 days for free, Watch on your tablet or phone wherever you are – or 3 2020 VISION no registration required. To access the full season download to watch on the go – via the Marquee TV iOS please subscribe to MarqueeTV and enjoy the LPO and Android apps. 4 PROGRAMME NOTES: BACH collection together with the world’s best opera, dance, theatre and ideas. Watch on the big screen 5 PROGRAMME NOTES: KATS-CHERNIN For the ultimate viewing experience, download Details of how to subscribe and start your free trial at the Marquee TV app directly on your Apple TV, marquee.tv/freetrial Amazon Fire TV, Android TV, Roku TV or Samsung 9 PROGRAMME NOTES: ENESCU - DECET (coming soon). Alternatively, cast from your phone/ tablet to your Smart TV via AirPlay or Google 11 PROGRAMME NOTES: ENESCU - CHAMBER SYMPHONY Chromecast. 14 VLADIMIR JUROWSKI 15 ALEXANDRA SILOCEA www.marquee.tv 16 LONDON PHILHARMONIC ORCHESTRA 17 LEADER: PIETER SCHOEMAN 18 ON STAGE TONIGHT 19 NEXT CONCERTS 20 PLAY ON APPEAL 21 SOUND FUTURES DONORS 22 THANK YOU February–December 2020 25 MEMBERSHIPS & DONATIONS Tonight’s concert is part of our 26 CORPORATE PARTNERSHIPS year-long 2020 Vision series, 27 LPO ADMINISTRATION exploring the journey of music with pioneering works that have defined the sound of the Concert recorded at the Southbank Centre’s Royal Festival Hall on 2 December 2020. -
Building a Library
BUILDING A LIBRARY All selections were made from recordings available in the UK at the time of the broadcast and are full price unless otherwise stated. CD Review cannot guarantee that they have not subsequently been deleted. KEY: CD = compact disc c/w = coupled with SIS = a recording which is only available through EMI’s Special Import Service IMS = a recording which is only available through Universal Classics' Import Music Service CONTENTS September 1999 – July 2000 .................................................................................................................................................................................. 3 September 2000 – July 2001 ................................................................................................................................................................................ 24 September 2001 – July 2002 ................................................................................................................................................................................ 46 September 2002 – July 2003 ................................................................................................................................................................................ 74 September 2003 – July 2004 ................................................................................................................................................................................ 98 September 2004 – July 2005 ............................................................................................................................................................................. -
Temporada De Opera Invierno 1968-69
TEMPORADA DE OPERA INVIERNO 1968-69 - BARCELONA 52 REPRESENTACIONES (37 DE NOCHE Y 15 DE TARDE) DEL 9 DE NOVIEMBRE DE 1968 AL 4 DE FEBRERO DE 1969 NUMISMATICA (!9 IBERICA, SA. DISCOS ¡Sensacional ACUÑACIONES OFICIALES CONMEMORATIVAS Sfnlf IIANCH" oferta! EMITIDAS EN EXCLUSIVA MUNDIAL ORO 917/1000= 22 quilates OBRA S COMPLET AS MEDALLA$ OFICIALES OLIMPICAS GRANDES DE lA MUSICA EMITIDAS POR El COMITE ORGANIZADOR OBRAS FUNDAMENTALES VAUOSAS IDEAS PARA SUS OBSEQUIOS bE 3 NAVIDAD, AÑO NUEVO Y RE YES DON JUAN IDa Ponta y Mozortl ROMA Wolter Berry·Cioire Wotson-Nicolol Ghiourov·Fronz Cross· Nicolol Geddo · Christo ludwig· M lrelto Freni. Po oio Mon· 1960 torsolo • Nuevo O rquesto Fitormonlo y coro • Dir. OTIO KlEM PE RER· Henry Smith, orpicordio lfmpresló n completo] SAN 172/1731174/175 l tEstereofónico) Preclo suscrlpción, 1.060 ptos. Preclo normal, 1.400 ptos. MA DAMA BUTTERFL Y llllico, Giocoso y Puccinil Corlo Bergonzi • Piero de Polmo • Anna di Sto slo • Rolondo Ponerol · Renoto Scollo • Morio Rinoudo • Poo lo Montorsolo. G iuseppe Morresi • Si tvono Podoon • Orquesto y Coro del 1eotro de lo Opero de Ramo · Moestro de Cora, Gionni TOKYO lozzori • Dir. Sir JOHN BARSIROlll llmpresión completat SAN 184(185/186 l tEstereolónicoJ 1964 Precio suscripclón, 795 ptos. Precio normo!, 1.050 ptos. MISA EN Sl MENOR !Bochl Agnes Glebel ·Jo net Boker • N icoloi Geddo • Fronz Cross. Hermonn Prey • Nuevo Orquesto fitormonlo • Corcs de lo B. B. C. IMoeslro de Caro: Peier Gellhornl • Dir. OTTO KLEMPERER tContodo en lotinl SAN 195/196}1 97 l IEstereofónicol Precio suscripción: 795 ptos. Precio normal, 1.050 ptos.' MEXICO 1968 PRECIO SUSCRIPCION POR OBRA.