Temporada De Opera Invierno 1968-69
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“Lucrezia Borgia”
PROGRAMACIÓN LÍRICA DE A CORUÑA 2017 ÓPERA (en versión de concierto) “Lucrezia Borgia” Gaetano Donizetti Teatro Colón, 23 de septiembre (20.00 h.) PROGRAMACIÓN LÍRICA DE A CORUÑA 2017 EDITA Amigos de la Ópera de A Coruña DISEÑO Y MAQUETACIÓN Lamarck Publicidad TRADUCCIÓN Roxelio Xabier García Romero IMPRIME Imprenta da Deputación da Coruña Gaetano Donizetti Lucrezia Borgia Ópera en un prólogo y dos actos, con libreto de Felice Romani, basado en el drama Lucrèce Borgia de Víctor Hugo, y música de Gaetano Donizetti, estrenada en el Teatro alla Scala de Milán el 26 de diciembre de 1833. REPARTO Lucrezia Borgia Mariella Devia, soprano Gennaro Celso Albelo, tenor Don Alfonso Luiz-Ottavio Faria, bajo Maffio Orsini Elena Belfiore, mezzosoprano Rustighello Francisco Corujo, tenor Astolfo Axier Sánchez, barítono Jacoppo Liverotto Enrique Alberto Martínez, tenor Apostolo Gazella David Sánchez, bajo Oloferno Vitellozzo Ramón Farto, tenor Ascanio Petrucci Pedro Martínez Tapia, barítono Gubetta Jeroboám Tejera, bajo Coro Gaos Fernando Briones, director Orquesta Sinfónica de Galicia Andriy Yurkevych, director 6 Lucrezia Borgia Ópera en só un prólogo e dous actos, con libreto de Felice Romani, baseado no drama Lucrèce Borgia de Víctor Hugo, e música de Gaetano Donizetti, estreada no Teatro alla Scala de Milán o 26 de decembro de 1833. REPARTO Lucrezia Borgia Mariella Devia, soprano Gennaro Celso Albelo, tenor Don Alfonso Luiz-Ottavio Faria, baixo Maffio Orsini Elena Belfiore, mezzosoprano Rustighello Francisco Corujo, tenor Astolfo Axier Sánchez, barítono Jacoppo Liverotto Enrique Alberto Martínez, tenor Apostolo Gazella David Sánchez, baixo Oloferno Vitellozzo Ramón Farto, tenor Ascanio Petrucci Pedro Martínez Tapia, barítono Gubetta Jeroboám Tejera, baixo Coro Gaos Fernando Briones, director Orquestra Sinfónica de Galicia Andriy Yurkevych, director 7 ARGUMENTO El prólogo se desarrolla en Venecia, y el drama en Ferrara, a comienzos del siglo XVI. -
Mihailo Arsenski, Tenor
Mihailo Arsenski TENOR Mobil 0176 7086 5780 [email protected] www.arsenski.de REPETOIRE The French- Macedonian tenor Mihailo Arsenski made his debut at the Macedonian National Opera in the roles of Alfredo (La Traviata), Almaviva (Il Barbiere di Siviglia), Beppe (I Pagliacci), Camille (Die Lustige Witwe) and Homonay (Der Zigeunerbaron). He obtained the «Artist Diploma» from the Oberlin Conservatory, USA, in the class of Richard Miller and until 2001 was part of the Opera Studio «Centre de Formation Lyrique» at the Paris National Opera. In Paris he performed regularly in concerts and productions at the Amphitheatre of Opera Bastille, including Nemorino (L'Elisir d'Amore), Fenton (Falstaff), Roméo (Roméo et Juliette), coached by Janine Reiss (Opéra de Paris), Robert Kettelson (La Scala di Milano) and Joan Dornemann (Metropolitan Opera, NY). He also sang a number of roles at the Paris National Opera, at the Opéra Bastille and Palais Garnier, including Matteo Borsa in Rigoletto, Abdallo in Nabucco, Uldino in Attila, Gastone in La Traviata, Thibault in Vêpres Siciliennes, Dritter Jude in Salome, Haushofmeister bei Faninal in Rosenkavalier and Solo Tenor in Les Noces by Stravinski, with conductors such as Daniel Oren, Pinchas Steinberg, Gary Bertini, Renato Palumbo, Paolo Carignani, Nicola Luisotti, Ulf Schirmer, Dietrich Henchel, James Conlon, Philippe Jourdain, Vladimir Jurowski, Jesus Lopez-Cobos and Arturo Tamaio. Concerts in Paris at the Opéra Comique, Théatre de Champs Elysées, Salle Pleyel and Salle Gavot. Mihailo took part in the Master Classes with Alain Vanzo, Michel Sénechal and Christa Ludwig. He represented Macedonia at the BBC «Cardiff Singer of the World» 2001 competition. -
High-Fidelity-1955-Nov.Pdf
November 60 cents SIBELIUS AT 90 by Gerald Abraham A SIBELIUS DISCOGRAPHY by Paul Affelder www.americanradiohistory.com FOR FINE SOUND ALL AROUND Bob Fine, of gt/JZe lwtCL ., has standardized on C. Robert Fine, President, and Al Mian, Chief Mixer, at master con- trol console of Fine Sound, Inc., 711 Fifth Ave., New York City. because "No other sound recording the finest magnetic recording tape media hare been found to meet our exact - you can buy - known the world over for its outstanding performance ing'requirements for consistent, uniform and fidelity of reproduction. Now avail- quality." able on 1/2-mil, 1 -mil and 11/2-mil polyester film base, as well as standard plastic base. In professional circles Bob Fine is a name to reckon auaaaa:.cs 'exceed the most with. His studio, one of the country's largest and exacting requirements for highest quality professional recordings. Available in sizes best equipped, cuts the masters for over half the and types for every disc recording applica- records released each year by independent record lion. manufacturers. Movies distributed throughout the magnetically coated world, filmed TV broadcasts, transcribed radio on standard motion picture film base, broadcasts, and advertising transcriptions are re- provides highest quality synchronized re- corded here at Fine Sound, Inc., on Audio products. cordings for motion picture and TV sound tracks. Every inch of tape used here is Audiotape. Every disc cut is an Audiodisc. And now, Fine Sound is To get the most out of your sound recordings, now standardizing on Audiofilm. That's proof of the and as long as you keep them, be sure to put them consistent, uniform quality of all Audio products: on Audiotape, Audiodiscs or Audiofilm. -
Newsletter • Bulletin
NATIONAL CAPITAL OPERA SOCIETY • SOCIETE D'OPERA DE LA CAPITALE NATIONALE Newsletter • Bulletin Summer 2000 L’Été A WINTER OPERA BREAK IN NEW YORK by Shelagh Williams The Sunday afternoon programme at Alice Tully Having seen their ads and talked to Helen Glover, their Hall was a remarkable collaboration of poetry and words new Ottawa representative, we were eager participants and music combining the poetry of Emily Dickinson in the February “Musical Treasures of New York” ar- recited by Julie Harris and seventeen songs by ten dif- ranged by Pro Musica Tours. ferent composers, sung by Renee Fleming. A lecture We left Ottawa early Saturday morning in our bright preceded the concert and it was followed by having most pink (and easily spotted!) 417 Line Bus and had a safe of the composers, including Andre Previn, join the per- and swift trip to the Belvedere Hotel on 48th St. Greeted formers on stage for the applause. An unusual and en- by Larry Edelson, owner/director and tour leader, we joyable afternoon. met our fellow opera-lovers (six from Ottawa, one from Monday evening was the Met’s block-buster pre- Toronto, five Americans and three ladies from Japan) at miere production of Lehar’s The Merry Widow, with a welcoming wine and cheese party. Frederica von Stade and Placido Domingo, under Sir Saturday evening the opera was Offenbach’s Tales Andrew Davis, in a new English translation. The oper- of Hoffmann. This was a lavish (though not new) pro- etta was, understandably, sold out, and so the only tick- duction with sumptuous costumes, sets descending to ets available were seats in the Family Circle (at the very reappear later, and magical special effects. -
Muzeul ENESCU
MUZEUL NAłIONAL „GEORGE ENESCU” RAPORT DE ACTIVITATE 22 martie 2011 – 31 decembrie 2011 LAURA MANOLACHE – Director General Prezentul raport de activitate a fost elaborat pentru evaluarea managementului de către Ministerul Culturii şi Patrimoniului NaŃional, denumit în continuare autoritatea pentru Muzeul NaŃional „George Enescu”, aflat în subordinea sa , în conformitate cu prevederile OrdonanŃei de urgenŃă a Guvernului nr. 189/2008 privind managementul instituŃiilor publice de cultură, aprobată cu modificări şi completări prin Legea nr. 269/2009, denumită în continuare OrdonanŃa de urgenŃă, precum şi cu cele ale Regulamentului de evaluare . Analiza şi notarea raportului de activitate şi a interviului se fac în baza următoarelor criterii de evaluare: 1. EvoluŃia instituŃiei în raport cu mediul în care îşi desfăşoară activitatea şi în raport cu sistemul instituŃional existent; 2. ÎmbunătăŃirea activităŃii instituŃiei; 3. Organizarea/sistemul organizaŃional al instituŃiei; 4. SituaŃia economico-financiară a instituŃiei; 5. Strategia, programele si implementarea planului de acŃiune pentru îndeplinirea misiunii specifice instituŃiei, conform sarcinilor şi obiectivelor formulate de autoritate ; 6. EvoluŃia economico-financiară a instituŃiei, pentru următoarea perioadă de management, cu menŃionarea resurselor financiare necesare de alocat de către autoritate. În conformitate cu prevederile contractului de management, datele şi informaŃiile din prezentul raport sunt aferente perioadei: de la 22 martie 2011 la 31 decembrie 2011 , reprezentând -
Building a Library
BUILDING A LIBRARY All selections were made from recordings available in the UK at the time of the broadcast and are full price unless otherwise stated. CD Review cannot guarantee that they have not subsequently been deleted. KEY: CD = compact disc c/w = coupled with SIS = a recording which is only available through EMI’s Special Import Service IMS = a recording which is only available through Universal Classics' Import Music Service CONTENTS September 1999 – July 2000 .................................................................................................................................................................................. 2 September 2000 – July 2001 ................................................................................................................................................................................ 23 September 2001 – July 2002 ................................................................................................................................................................................ 45 September 2002 – July 2003 ................................................................................................................................................................................ 73 September 2003 – July 2004 ................................................................................................................................................................................ 97 September 2004 – July 2005 ............................................................................................................................................................................. -
Building a Library
BUILDING A LIBRARY All selections were made from recordings available in the UK at the time of the broadcast and are full price unless otherwise stated. CD Review cannot guarantee that they have not subsequently been deleted. KEY: CD = compact disc c/w = coupled with SIS = a recording which is only available through EMI’s Special Import Service IMS = a recording which is only available through Universal Classics' Import Music Service CONTENTS September 1999 – July 2000 .................................................................................................................................................................................. 3 September 2000 – July 2001 ................................................................................................................................................................................ 24 September 2001 – July 2002 ................................................................................................................................................................................ 46 September 2002 – July 2003 ................................................................................................................................................................................ 74 September 2003 – July 2004 ................................................................................................................................................................................ 98 September 2004 – July 2005 ............................................................................................................................................................................. -
JULES MASSENET – His Life and Works by Nick Fuller I
JULES MASSENET – His Life and Works By Nick Fuller I. Introduction Jules Massenet’s operas made him one of the most popular composers of the late nineteenth century, his works performed throughout Europe, the Americas and North Africa. After World War I, he was seen as old- fashioned, and nearly all of his operas, apart from Werther and Manon , vanished from the mainstream repertoire. The opera-going public still know Massenet best for Manon , Werther , and the Méditation from Thaïs , but to believe, as The Grove Dictionary of Opera wrote in 1954, that ‘to have heard Manon is to have heard all of him’ is to do the composer a gross disservice. Massenet wrote twenty-seven operas, many of which are at least as good as Manon and Werther . Nearly all are theatrically effective, boast beautiful music and display insightful characterisation and an instinct for dramatic and psychological truth. In recent decades, Massenet’s work has regained popularity. Although he Figure 1 Jules Massenet, drawing by Ernesto Fontana (Source: is not the household name he once http://artlyriquefr.fr/personnages/Massenet%20Jules.html) was, and many of his operas remain little known, he has been winning new audiences. Conductors like Richard Bonynge, Julius Rudel and Patrick Fournillier have championed Massenet, while since 1990 a biennial Massenet festival has been held in his birthplace, Saint-Étienne, in the Auvergne-Rhône-Alpes, its mission to rediscover Massenet’s operas. His work has been performed in the world’s major opera houses under the baton of conductors Thomas Beecham, Colin Davis, Charles Mackerras, Michel Plasson, Riccardo Chailly and Antonio Pappano, and sung by Joan Sutherland, José van Dam, Frederica von Stade, Nicolai Gedda, Roberto Alagna, Renée Fleming, Thomas Hampson and Plácido Domingo. -
111053-54 Bk Bhmissa
111268-70 bk Manon EU 10/15/07 2:08 PM Page 12 Also available MASSENET Manon E LO A D S A RI NG O E T L C E I S V 8.110203-04 1 g 955 Recordin Victoria de los Angeles • Henri Legay • Michel Dens Chorus and Orchestra of the Théâtre National de l’Opéra-Comique 8.110061-62 Pierre Monteux 8.111268-70 12 111268-70 bk Manon EU 10/15/07 2:08 PM Page 2 Great Opera Recordings latter’s immediate anger. Threatening them, Guillot sing as they march. Des Grieux is for attacking them, leaves, to return later with the police. but Lescaut prudently bribes the sergeant to allow a ™ The Comte Des Grieux arrives, assuring his son of brief interview with Manon. The rest of the troop moves Jules release, while Manon, for whom he refuses to intervene, on and Lescaut leads the remaining guard aside, giving is taken away, now separated from her lover. the lovers a moment together. MASSENET 2 Manon, now weak with illness, reproaches herself (1842-1912) CD 3 for her behaviour to Des Grieux. He has only forgiveness for her, as they sing of their love and Act V remember their past happiness. Manon 3 Now too weak to go on, Manon can only give her 1 On the road to Le Havre Des Grieux waits for Manon lover a kiss, before dying in his arms. He tries to revive Libretto by Henri Meilhac and Philippe Gille to pass, with the women arrested and condemned to her, but in vain, and with a cry he falls on her lifeless aided by the composer transportation to Louisiana. -
21.92 More Lps, Laser Discs. Pp 164-177
LP SETS and SINGLES ALL IN EXCELLENT CONDITION (records and jackets) AND CONTAINING ORIGINAL PAPER MATERIALS, UNLESS OTHERWISE INDICATED, FOR SETS THAT ORIGINALLY INCLUDED THEM . MINIMUM BID AS INDICATED PER ITEM. A few have a small cut in the box usually on the right side. These were made by the dealer to indi- cate that the set was on sale. In some cases a small hole was punched in the upper right hand area instead. They are both indicated as “ small box cut ”. A few others have a neat plastic tape index label attached to the upper right cover and/or spine. “ Index lbl ” indicates such items. IN SUBMITTING YOUR BIDS FOR ITEMS IN THIS SECTION, PLEASE BE SURE TO INCLUDE THE CORRECT CATALOGUE NUMBER. OPERAS, OPERETTAS and EXTENDED VOCAL WORKS 5000. [FRANCO ALFANO ]. SAKUNTALA. Casapietra, Michele Molese, Tomleich, Mazzoli, dir. Ottavio Ziino. 2 LP boxed MRF 196. Factory sealed . $5.00. 5001. [ ALFANO] . CYRANO DE BERGERAC . Olivia Stapp, Johns, Blancas, dir. Maurizio Arenas. 2 2 LP boxed MRF 131. Factory sealed . $5.00. 5032. [ WILLIAM ALWYN ]. MISS JULIE . Jill Gomez, Benjamin Luxon, Della Jones, John Mitchinson, etc., dir. Vilem Tausky. 2 LP boxed Lyrita Stereo 121-2. Cover signed by Gomez, Jones and Luxon. $5.00. 5003. [DOMINICK ARGENTO ]. POSTCARDS FROM MOROCCO . 2 LP boxed set. Barbara Brandt, Barry Busse, Foreman, Hardy, Marshall, etc., dir. Philip Brunelle. 2 LP boxed Desto 7137/8. Factory sealed. $5.00. 5002. [ RAFFAELLO DE BANFIELD ] [libretto TENNESSEE WILLIAMS ]. LORD BYRON’S LOVE LETTER. Astrid Varnay, Gertrude Ribla, Carlin, Carrruba, dir. Nicola Rescigno. 1 LP. -
Cendrillon Program 2018
MASSENET 1819-Cover-CINDERELLA.indd 1 10/23/18 1:28 PM LYRIC OPERA OF CHICAGO Table of Contents JOHAN JACOBS / LA MONNAIE DE MUNT IN THIS ISSUE Cendrillon – pp. 20-34 6 From the General Director 20 Title Page 40 Patron Salute 8 From the Chairman 21 Synopsis 42 Production Sponsors 10 Board of Directors 23 Cast 43 Aria Society 11 Women’s Board/Guild Board/Chapters’ 24 Artist Profiles 53 Supporting Our Future – Executive Board/Young Professionals/Ryan Endowments at Lyric 30 Opera Notes Opera Center Board 54 Major Contributors – Special Events and 34 After the Curtain Falls 12 Administration/Administrative Staff/ Project Support Production and Technical Staff 36 Musical Staff/Orchestra/Chorus 55 Lyric Unlimited Contributors 14 Expanind the Bounds of Opera: 37 Backstage Life 56 Commemorative Gifts Kamaria Morris 38 Artistic Roster 57 Ryan Opera Center 58 Ryan Opera Center Alumni Around the World 59 Ryan Opera Center Contributors 60 Planned Giving: e Overture Society PHOTO CREDIT NEEDED 62 Corporate Partnerships 63 Matching Gifts, Special anks, and Acknowledgements 64 Annual Individual and Foundation Support 70 Facilities and Services/eater Staff On the cover: Cinderella illustration by THE IMPACT OF LYRIC UNLIMITED – pp. 14-18 Gustave Doré (1832-1883). 2 | December 1, 2018 - January 20, 2019 Since 1991 www.performancemedia.us | 847-770-4620 3453 Commercial Avenue, Northbrook, IL 60062 Gail McGrath Publisher & President Sheldon Levin Publisher & Director of Finance A. J. Levin Director of Operations Account Managers Rand Brichta - Arnie Hoffman Executive Editor Southeast Michael Hedge 847-770-4643 Southwest Betsy Gugick & Associates 972-387-1347 L M East Coast Manzo Media Group 610-527-7047 Marketing and Sales Consultant David L. -
Private Musiksammlung Archiv CD/DVD
Private Musiksammlung Aktualisierung am: 04.09.15 Archiv CD/DVD - Oper Sortierung nach: in CD - mp3 / DVD - MEGP- Formaten 1. Komponisten 2. Werk-Nummer (op.Zahl etc) TA und TR: Daten sind bei „alne“ vorhanden 3. Aufnahmejahr Auskünfte über Mail [email protected] Diese Datei erreichen Sie unter: T und TR: Daten sind bei „EO“ vorhanden http://www.euro-opera.de/T-TA-TR.pdf Auskünfte über Mail in Kürze auch unter: [email protected] http://www.cloud-de.de/~Alne_Musik/ Machaut Machaut Lasse! comment - 1976 - - - - - - - - - David Munrow Ch - 439534,0 Guillaume de Machaut oublieray - (um 1300 - 1377) - Early Music Consort 01.01.1900 - W 901 - T- CD Machaut Qui es promesses - 1976 - - - - - - - - - n Ch - 439501,0 Guillaume de Machaut - (um 1300 - 1377) - 01.01.1900 - W 902 - T- CD Machaut Hoquetus David - 1976 - - - - - - - - - David Munrow Ch - 439534,0 Guillaume de Machaut - (um 1300 - 1377) - Early Music Consort 01.01.1900 - W 903 - T- CD MacMillan The Sacrifice - 2007 Cardiff Lisa Milne - Leigh Melrose - James MacMillan O - 22.09.2007 BBC 3 Christopher Purves - Sarah Tynan - James MacMillan - Peter Hoare - Rosie Hay - Samantha (*1959) - Chorus and Orchestra 13.10.2007 - Hay - Amanda Baldwin - - of Welsh National Oper 903 - cda710 T- Internet CD 4052 Madetoja Pohjalaisia - 2010 Helsinki Ritva-Liisa Korhonen - Margit Kari Tikka O - 12.11.2010 SR 2 Westerlund - Jorma Silvasti - Hannu Leevi Annti Madetoja - Forsberg - Ville Rusanen - - - - Jussi (1887 - 1947) - Die Österbottner Chor und Orchester 08.01.2011 - Tapola - Hannu Lindholm der Finnischen Oper 1 - cda1101 T- J 2 CD Maillart LES DRAGONS DE - 1975 France - - - - - - - - - n O - Aimé Maillart (1817 - VILLARS - 1871) - 01.01.1900 - Oper 1 - cda1411 TA-an Susanne Lafaye.