— ANNUAL REPORT 2013 REPORT — ANNUAL ASCR HISTORY OF ART INSTITUTE
ANNUAL REPORT 2013
Ústav dějin umění Akademie věd České republiky, v. v. i. Institute of Art History, Academy of Sciences of the Czech Republic Ústav dějin umění Akademie věd České republiky, v. v. i. Husova 4, CZ – 110 00 Prague 1 T +420 222 222 144 F +420 222 221 654 [email protected] www.udu.cas.cz www.facebook.com/UDU.AVCR
ID No.: 683 780 33 ISBN 978–80–86890–64–7
© 2014 Praha, Ústav dějin umění Akademie věd České republiky, v. v. i. ANNUAL REPORT 2013 Director of the Institute Secretariat and Public Relations Prof. PhDr. Rostislav Švácha, CSc. Prof. PhDr. Vojtěch Lahoda, CSc. Mgr. Václava Pštrossová PhDr. Tomáš Winter, Ph.D. Mgr. Lenka Vítková / Bc. Blanka Švédová First Deputy Director Department of Art-historical and Academic Secretary Financial Administration Topography PhDr. Martin Mádl, PhD. Ing. Jana Pánková, Head PhDr. Dalibor Prix, CSc., Head Jaroslava Ramešová Mgr. Kateřina Dolejší Second Deputy Director and Secretary Růžena Kotoučová Mgr. Vendula Hnídková, Ph.D. of the Department of Scientific Miroslava Novotná Mgr. Ludmila Hůrková Information Mgr. Klára Mezihoráková, Ph.D. PhDr. Taťána Petrasová, CSc. Department of Medieval Art PhDr. Marie Platovská PhDr. Klára Benešovská, CSc., Head Mgr. Markéta Svobodová, Ph.D. Board of the Institute Mgr. Helena Dáňová, Ph.D. Mgr. Tomáš Valeš, Ph.D. Prof. PhDr. Vojtěch Lahoda, CSc., PhDr. Tomáš Gaudek Prof. PhDr. Pavel Vlček Chairman Prof. PhDr. Ivo Hlobil, CSc. Prof. PhDr. Lubomír Slavíček, CSc. PhDr. Jan Chlíbec, Ph.D. Documentation Department (Masaryk University, Brno), PhDr. Kateřina Kubínová, Ph.D. PhDr. Jiří Roháček, CSc., Head Vice-chairman Mgr. Lenka Panušková, Ph.D. BcA. Markéta Berdychová PhDr. Lenka Bydžovská, CSc. Mgr. Petr Skalický Mgr. Tereza Cíglerová PhDr. Martin Mádl, Ph.D. PhDr. Milada Studničková Mgr. Jana Marešová, Ph.D. Prof. PhDr. Lubomír Konečný PhDr. Zuzana Všetečková Mgr. Petra Trnková, Ph.D. PhDr. Martin Krummholz, Ph.D. PhDr. Kristina Uhlíková, Ph.D. PhDr. Taťána Petrasová, CSc. Department of Early Modern Art Prof. PhDr. Jindřich Vybíral, CSc. PhDr. Ivan Muchka, Head Library / Bibliography (Academy of Arts, Architecture and PhDr. Beket Bukovinská PhDr. Sabina Adamczyková, Head Design in Prague) Mgr. Sylva Dobalová, Ph.D. PhDr. Polana Bregantová Prof. PhDr. Petr Wittlich, CSc. PhDr. Martin Mádl, Ph.D. Renata Medunová (Institute of Art History, Faculty of Arts, Prof. PhDr. Lubomír Konečný Markéta Staňková Charles University) PhDr. Martin Krummholz, Ph.D. PhDr. Věra Slámová Mgr. Ivo Purš, Ph.D. Supervisory Board Doc. PhDr. Michal Šroněk, CSc. Photographic Library Doc. PhDr. Lýdia Petráňová, CSc. PhDr. Štěpán Vácha, Ph.D. / Photographic Studio (Academic Board of ASCR), Chair Mgr. Eliška Zlatohlávková Dušana Barčová, Head Prof. PhDr. Ivo Hlobil, CSc., Vice-chair Mgr. Markéta Janotová Doc. PhDr. Jiří Kotalík, CSc. Department of Art Mgr. Martina Trojanová (Academy of Fine Arts) of the 19th to 21st Centuries Zdeněk Matyásko, Doc. PhDr. Josef Štulc PhDr. Lenka Bydžovská, CSc., Head Head of Photographic Studio (National Heritage Institute) Doc. PhDr. Petr Kratochvíl, CSc. MgA. Vlado Bohdan Mgr. Et Mgr. Klára Plecitá, Ph.D. Prof. PhDr. Vojtěch Lahoda, CSc. MgA. Petr Zinke (Institute of Sociology of ASCR) Mgr. Pavla Machalíková, Ph.D. MgA. Jitka Walterová PhDr. Dagmar Nárožníková PhDr. Mahulena Nešlehová PhDr. Taťána Petrasová, CSc. Contents
Introduction / 6 Research Departments / 9 Research Centres / 19 Services Departments / 27 Periodicals / 35 Artefactum publishing house / 38 Projects / 39 Cooperation on projects / 44 Exhibitions / 49 Conferences / 51 Regular cycles / 51 Conferences and colloquia organised by the Institute of Art History / 52 Lectures at the Invitation of Other Institutions, Participation in Conferences and Scientific Meetings Prepared by other Organisers / 54 International / 54 Domestic / 56 Pedagogical Activity / 60 Research Fellowships / 63 Popularisation Activity / 63 Book Publications / 65 Books published by Artefactum publishing house / 66 Artefactum with other publishers / Other publishers /69 Bibliography of the Members of the Institute for 2013 / 71 6 Introduction 1953–2013
What does the age of sixty signify in terms of of Art History of the Academy of Sciences of the human life? Completion of the most active period Czech Republic administers material documenting in life, maturity of experience and knowledge, the activity of the Kondakov Institute and some of but also a clearer view of approaching retirement. the estate of some of its members, including N. P. For an institution it is not quite like that. For an Kondakov himself. institution sixty years is not a great deal, it is still The Institute of Art History also upholds the quite young, at the very most middle-aged. This tradition of the Czech Academy for Sciences, could be said of the Institute of Art History of Literature and Art, founded in 1890, in particular the Academy of Sciences of the Czech Republic, that of its Archaeological Commission, which was which in 2013 celebrated 60 years of activity. We established in 1895 and, like the Czech Academy, took this jubilee as a pledge to the continuity and thanks to the art patron architect Josef Hlávka. tradition of art-historical research and documenta- The work of the Archaeological Commission tion. The idea of the establishment of the Institute consisted of research and protection of artistic, of Art History of the Academy of Sciences of the historical, written and literary works and also Czech Republic is linked with the N. P. Kondakov of the compiling of lists of art treasures and the Archaeological Institute (1931–1952), which was publishing of these. This tradition is upheld by the founded in Prague in 1931 as the successor to the project of the Institute of Art History entitled Lists Seminarium Kondakovianum society and the ac- of Art Treasures in the Czech Lands. In 2013 the tivity of which was supported by the first President Department of Topography prepared the volume of Czechoslovakia, T. G. Masaryk. The activity Umělecké památky Prahy – Velká Praha II (Art of this institute ended in 1952. Up to this time it Treasures of Prague – Greater Prague II). associated art historians and archaeologists who Both the heritage of the Kondakov Institute and had emigrated from Russia after the 1917 revolu- the work of the Archaeological Commission were tion and formed a scientific community in Prague contributions, which the Institute of Art History of Byzantologists of European significance. They was endowed with on its establishment. What of were mainly the pupils and colleagues of Professor this is important for the present institute? In the Nikodim Pavlovich Kondakov (1844–1925), case of the Kondakov Institute it is the tremen- who wished to continue his work. The institute dous documentation, following in particular the amassed, among other things, a specialised library dialogue between the art of the medieval East and (10,000 volumes) and a collection of art objects West. In general it may be said that the institute (primarily coins, icons and Coptic textiles). The pe- created a platform for research, based on the recep- riodical entitled Seminarium Kondakovianum was tion of a work as the result of a constant dialogue one of the most important Byzantological period- between different cultural poles. This turns out to icals of the period between the wars. The Institute be highly topical today – and not only for medieval
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art. Exchange, migration and translocation of artis- ed by the Financial Mechanisms of the European tic ideas, opinions and experience have a far richer Economic Area and Norway (FMs EEA/Norway). map today than was ever considered at the end of It turned out that a large part of the collection is of last century and than is expressed by the one-way considerable historical and artistic quality and can influence from the centre to the periphery. It is initiate further research into the phenomenon of more a matrix of relationships than mechanical ra- photography of the 19th and first half of the 20th diation. A research example of such a focus on the century. The collection includes not only the work combination of differing cultural concepts was the of Jan Štenc, Jindřich Eckert or Rudolf Brunner- exhibition and catalogue of Tomáš Winter Palmy Dvořák, but also many photographs by Viennese na Vltavě. Primitivismus, mimoevropské kultury authors, including Andreas Groll, Des Granges, or a české umění (Palms on the Vltava. Primitivism, Ludwig Angerer. Together with large collections of Extra-European Culture and Czech Art) in the West the photographs of such figures as Josef Sudek and Bohemian Gallery in Plzen. Josef Ehm, the photographic archive is not only An important figure in the establishment of the a priceless source of documentation of monu- Institute of Art History in 1953 was Zdeněk Wirth ments and works of art, but also a rich reservoir of (1878–1961). This important Czech art historian photographic visuality from the middle of the 19th and preservationist, in 1953 head of the historical century to the middle of the 20th. section of the newly established Czechoslovak We are well aware that the administration of Academy of Sciences, had clearly envisaged, such a collection is both a privilege and a com- many years before his death, the handing over of mitment. Apart from the care of collections the his estate to a research institute working on the institute’s task is also to make them accessible. The extensive projects, without which the further de- documentation from the former Kondakov Institute velopment of art history in Czechoslovakia would and the collections of 19th-century photographs be unthinkable. After Wirth’s death everything, are of international significance. We therefore together with his own writings, under the heading believe that these collections will also attract, in of “personal estate”, became the property of the the near future, the attention of foreign researchers institute. and doctorial candidates with adequate profession- The extensive collection of photographs and al equipment and will become the basis for new negatives (around 60,000) from his estate recently research work. became the basis for a new separate collection of The jubilee year of 2013 was also successful photographs, in which topographic photographs for the Institute of Art History with regard to from other collections were also included. It was obtaining the support of grants. As in 2012, when possible to identify and process these photographs institute employees acquired five grants, a further thanks to a grant, The Resurrected Image, support- five applications to the Grant Agency of the Czech
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Republic were successful: Vendula Hnídková ideas and cities in the Middle Ages, prepared for (Moscow 1937 – Architecture and Propaganda from 7–11 May 2014 in Telč. It will also participate in the Western Perspective), Klára Benešovská (Imago, the international conference East European Art seen imagines: The work of art and the changes in its from the Global Perspective, which will be held in function in the Middle Ages in the Czech Lands), Lublin in Poland on 24–27 October 2014. Kateřina Kubínová (Gospel Cim 2. The Manuscript Our institution is entering the seventh decade of between regions and centuries in medieval Europe), its activity with the aim of ensuring that the results Markéta Svobodová (Bauhaus and Culture in of its work meet the rising demands made on the Czechoslovakia. Czechoslovak students at Bauhaus quality and quantity of research, and at the same 1919–1933) and Štěpán Vácha (Prague painters in time managing to preserve, in the interpretation 1640–1680: Artistic dialogue and rivalry). of works of art and architecture, the sufficiency For 2014 the Institute of Art History is prepar- of freedom and independence necessary for the ing several international conferences, symposia formulation of one’s own opinions and original and workshops: Discovery of Central-Plan Forms. thoughts. Architecture in France and the Czech Lands between 1500 and 1800, a preparatory workshop for the Vojtěch Lahoda, project Constancy/Change of Architectural Forms: Director of the Institute Czech Lands and France in Early Modern Era, which takes place in Prague on 16–18 April, 2014. The colloquium Looking for Leisure. Court Residences and their Satellites, 1400–1700, will take place on 5–7 June 2014 within the framework of the PALATIUM Research Networking Programme fi- nanced by the European Science Foundation (ESF). It brings together scholars from different fields across Europe to promote transdisciplinary and transnational research on Court Residences as Places of Exchange in Late Medieval and Early Modern Europe (1400–1700). The Institute is also prepar- ing the international workshop Nationalism and Cosmopolitanism in Avant-Garde and Modernism: The Impact of WWI in Prague (20–22.11. 2014), and is a joint organiser of the international conference Circulation as a factor of cultural aggregation: relics,
IAH — ANNUAL REPORT 2013 Research Departments 10 Department of Medieval Art
Head Klára Benešovská
The Medieval Department concentrates on research Ivo Hlobil and Helena Dáňová were involved of visual culture and architecture on the territory in a project of the European Union, Euroregion of the Czech Lands in their international contexts Těšínské Slezsko – Śląsk Cieszyńsky “V dobách from the adoption of Christianity to the arrival of umění bez hranic/ W czasach sztuki bez granic” the Habsburg dynasty on the Czech throne in 1526. (In the times of art without frontiers) dedicated to 2013 was first and foremost the first year of the personality of Jacob Beinhart, active in the the five-year grant from the Czech Grant Agency years 1483–1525 in Wroclaw. Helena Dáňová also Imago, imagines. The work of art and changes in cooperates with the National Gallery in Prague in its function in the Middle Ages in the Czech Lands, the realisation of the NAKI project (Programm of in which the entire department and also external Applied Research and Development of National colleagues are participating under the leadership and Cultural Identity) of the Czech Ministry of of Klára Benešovská. Department members are Culture: Historical technology and modern methods also handling individual grants: Kateřina Kubínová of research. Interpretative possibilities of specialised received a three-year grant from the Czech Grant methods for research into works of medieval art with Agency for the project Gospel Cim 2. The manu- the use of innovative technologies. script between regions and centuries in medieval In 2013 papers were presented at international Europe and Jan Chlíbec continued his work on the conferences by Milada Studničková (Forum. Kunst Czech Grant Agency grant The Bernardine “Sun” des Mittelalters II. and Man and the animal world over the Czech Lands – the significance of Bernardine in the Middle Ages, Topoľčianky), Lenka Panušková aesthetics in the Czech Lands in the Late Middle Ages. and Tomáš Gaudek (Heilige, Helden, Wüteriche. Of the international and interdisciplinary events Verflochtene Herrschaftsstile im langen Jahrhundert of this department one must mention the interna- der Luxemburger, Heidelberg) and Lenka tional workshop Art in an Unsettled Time. Bohemian Panušková (The Psalm Culture and the politics of its Book Painting before Gutenberg (circa 1380–1450), translation, London). organised by Milada Studničková, in which four Involved in the preparation of exhibitions as other members of the department also partici- authors or curators were Helena Dáňová (District pated. Milada Studničková is also taking part in Museum in Chomutov, long-term exhibition of me- the excellence project of the Centre for Medieval dieval art: For the solace of all the world. Sculpture Studies (CMS) Cultural codes and their changes and painting in the Chomutov and Kadaň districts in the Hussite period (2012–2018) and the grant 1350–1590); and Milada Studničková (Umsonst ist Katalogisierung der illuminierten Handschriften der Tod. Alltag und Frömmigkeit am Vorabend der und Inkunabeln in österreichischen Bibliotheken, Reformation and Frömmigkeit in Schrift und Bild. Mitteleuropäische Schulen VII. (ca. 1400–1450). Illuminierte Sammelindulgenzen im mittelalterli- Böhmen, Mähren, Schlesien, Ungarn. chen, Mühlhausen), who also prepared an exhibi-
IAH — ANNUAL REPORT 2013 11 tion for the Window Gallery of the Institute of Art the Architectural Institute in Prague (ARCHIP) and History Art in an unsettled time. Czech book painting Jan Chlíbec lectured in the summer semester on before Gutenberg. Ivo Hlobil devoted himself as Medieval sculpture at the Institute of the History author and editor of the catalogue to the organisa- of Christian Art of the Catholic Theological Faculty tion of the exhibition The Gothic Madonna on Lion of Charles University in Prague. Klára Benešovská (Olomouc – Leogang 2014). cooperated with the Centre for Early Medieval The staff of the department also act as lecturers Studies (Arts Faculty of Masaryk University, Brno) at universities. Ivo Hlobil was appointed emeritus and Zuzana Všetečková with the Restoration School professor of the Palacky University in Olomouc, in Litomyšl (Pardubice University). Lenka Panušková led a seminar in the winter semester entitle Basic themes of Christian iconog- raphy in examples from the art of medieval England (Institute of English Language and Didactics, Arts Faculty of Charles University, Prague), Helena Dáňová lectured on the history of medieval art at 01
02 03 01 Klára Benešovská 02 Helena Dáňová 03 Tomáš Gaudek 04 Ivo Hlobil 05 Jan Chlíbec 06 Kateřina Kubínová 07 Lenka Panušková — Petr Skalický 09 Milada Studničková 04 05 06 07 — Zuzana Všetečková
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IAH — ANNUAL REPORT 2013 12 Department of Early Modern Art
Head Ivan P. Muchka
The Department of Early Modern Art deals with in Europe, especially in the 16th century. The first research into painting, sculpture, architecture and international workshop with a central theme will also historical gardens and applied art in the Czech be the question of centralising dispositions in sa- Lands in the 16th to 18th centuries, especially in cred and secular architecture and urbanism, which the cultural context of the former Habsburg states. will take place in Prague in our Institute on 16 –18 The Studia Rudolphina centre, which acts within April 2014. the framework of the department, concentrates on The third international project is the preparation the art of the time of Emperor Rudolfa II and his of the exhibition and accompanying conference in predecessors. The centre publishes a specialised connection with the anniversary of the inaugura- periodical, in which both domestic and foreign ex- tion of Archduke Ferdinand II as viceregent in the perts publish. Also active in this department is the Tyrol in 2017, on which the institute is cooperating Centre for Research of Baroque Wall Painting, which with the Kunsthistorisches Museum Vienna. deals with the systematic documentation and Of the publications by members of this depart- interpretation of monumental paintings of the 17th ment we shall mention only the most important: and 18th centuries and is involved in the activity of the department has completed the editing of the Research Group for Baroque Ceiling Paintings the manuscript for the book Hvězda. Arcivévoda in Central Europe. Ferdinand Tyrolský a jeho letohrádek Hvězda In 2013 the preparations continued for the in- (Archduke Ferdinand of Tyrol and his Star summer ternational conference in the framework of the pro- residence). gramme PALATIUM 1400–1700 entitled: Looking An important publication issued in 2013 is the for Leisure; Court Residences and their Satellites. The extensive anthology for the seventieth birthday conference will take place in Prague on 5–7 June of Beket Bukovinská, to which many important 2014 and is the subject of considerable interest on foreign researchers contributed, mostly with the part of the professional public. items relating to the time of Emperor Rudolfa II. A further international event for which the Contributions were also made by almost all the preparations reached their final stage in 2013 is members of the Early Modern Art Department, the cooperation with l’École pratique des hautes other staff of the institute and also important études – Sorbonne in Paris. A three-year joint external colleages. As opposed to the “summary” project is under preparation, which concentrates type of so-called “Festschrifts” it is to be expected on the one hand on mutual Franco-Czech relations that the Beket Bukovinská anthology will become in the early Modern Age and also on the question an organic part of the basic bibliography for future of the migration of artists in both countries, espe- Rudolfine research. cially in the area of northern Italy. Research into Research is also continuing intensively in the Italianisms is one of the key questions of art history department on the question of confessionalism
IAH — ANNUAL REPORT 2013 13 in central Europe in the sixteenth century – in The questions of religious development in central 2010 there was a large exhibition devoted to this Europe also concern, of course, the 15th century. question in Prague Castle accompanied by a re- The last-mentioned also published, in the period- search catalogue. In connection with the specialist ical Umění, a paper on the iconography of Master conference linked with this exhibition a mono- Jan Hus with the interesting theme of the gestures graph book was also published in 2013 entitled In of this reformer, known as comput digital, in which puncto religionis. Konfesní dimenze předbělohorské it is a matter of likening Hus to Christ and thus kultury Čech a Moravy (Confessional dimensions raising him among the saints. of the pre-White-Mountain culture of Bohemia and Moravia). One of the editors of this publication, Michal Šroněk, has also completed the editing of his project: Obrazy jako nástroje katolické konfesi- jní polemiky v českých zemích v období 1550–1650 (Images as the instruments of Catholic confessional polemics in the Czech Lands in 1550–1650). 01
02 03 01 Ivan Muchka 02 Beket Bukovinská 03 Sylva Dobalová 04 Martin Mádl 05 Lubomír Konečný 06 Martin Krummholz 07 Ivo Purš 08 Michal Šroněk 09 Štěpán Vácha 04 05 06 07 10 Eliška Zlatohlávková
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IAH — ANNUAL REPORT 2013 14 Department of Art of the 19th to 21th Centuries
Head Lenka Bydžovská
The activity of this department is aimed at research to the book Transnationality, Internationalism and and interpretation of Czech modern art in an in- Nationhood. European Avant-Garde in the First Half ternational context and in wider cultural connec- of the Twentieth Century, on the other hand to the tions. The members of the department cooperate extensive catalogue Cubisti Cubismo, organised with the foremost Czech and foreign art museums by the Complesso Monumentale del Vittoriano in and galleries in the preparation of exhibitions Rome. and catalogues of modern and contemporary art. Simultaneously with the effort to take over an Particularly popular with the cultural public were initiative role in cooperation with foreign colleages the Plzeň symposia devoted to art and culture of and institutions we are also devoting great atten- the 19th century. tion to the possibility of promoting the scientific We consider as a priority our participation in approach in the cultural sphere at home. After tasks concerning the institute as a whole, foremost the success last year of the book Naprej! in which among which in 2013 was the foreign-language the collective of authors under the leadership of edition of The History of Art in the Czech Lands, in Rostislav Švácha dealt with Czech sports archi- the preparation of which department members tecture from the Renaissance up to the present, participate not only as authors, but also especially in 2013 the Czech Olympic Committee addressed as the chief co-editors (Rostislav Švácha, Vojtěch the Institute of Art History with a further inter- Lahoda) and organisers (Taťána Petrasová). In esting challenge, which culminated in the new the development of further projects we place project Sport Is Art/Art Is Sport. The concept of an the emphasis on international cooperation. In exhibition with the same name, planned in 2015 September 2013 Vojtěch Lahoda participated in the for the Riding School of Prague Castle, was again interdisciplinary symposium in Stockholm entitled prepared by Rostislav Švácha, who also put togeth- The European Artistic Avant-garde c. 1910–1930: er a working team, the core of which consists of Formations, Network and Transnational Strategies; members of our department (apart from Rostislav the open concept of the symposium, re-evaluating Švácha these are Vojtěch Lahoda and Tomáš the former view of the avant-garde movement out- Winter). side of the western centres, engaged him to such an Individual researchers of our department are extent that he instigated a further continuation of dealing with various grant projects: Rostislav this international activity under the auspices of the Švácha is the researcher for a NAKI ((Programme Institute of Art History, where it has now become of applied research and development of nation- one of the fundamental long-term projects of our al and cultural identity) grant from the Czech department. With studies re-investigating “other” Ministry of Culture Panelová sídliště v České Cubism Vojtěch Lahoda has also contributed to republice jako součást městského životního prostředí: prestigious foreign publications – on the one hand Zhodnocení a prezentace jejich obytného potenciálu
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(Panel-built housing schemes in the Czech Republic changes that the industrial age meant for visuality as part of the urban environment: Evaluation and and culture in general. The volume was prepared presentation of their potential as housing), Petr for publication by Taťána Petrasová and Pavla Kratochvíl is working on the grant project of Machalíková; both also contributed their own the Czech Grant Agency on the topical theme texts, as did Tomáš Winter. Architektura a veřejný prostor (Architecture and pub- An important part of specialist activity continues lic spaces), Tomáš Winter is a co-researcher of the to be the preparation of exhibitions accompanied project of the Czech Grant Agency entitled Antonín by research catalogues. Outstanding in this field in Pelc – dílo jako zrcadlo dějin, politiky a ideologie 2013 was the exhibition and book by Tomáš Winter (Antonín Pelc – work as the mirror of history, politics Palms on the Vltava. Primitivism, extra-European and ideology), Taťána Petrasová is participating in culture and Czech art in 1850–1950, focussed on the Czech Grant Agency project Diskurzivita české the reception given here to the original cultures literatury 19. století v česko-slovenském kontextu of sub-Saharan Africa, Oceania and America (The discoursivity of Czech literature of the 19th and clarifying the ideological nature and period century in the Czecho-Slovak context), and Pavla stereotypes of the primitivist discourse. One may Machalíková is cooperating on the grant František further mention, for instance, Winter’s exhibition Tkadlík, administered by the National Gallery in Na cestách proti své vůli: Antonín Pelc v Maroku, Prague. na Martiniku a v Americe (Travelling against his will: Of the important independent publications Antonin Pelc in Morocco, Martinique and America) issued in 2013 one must mention in particular (1939–1945) or Lahoda’s exhibition and catalogue the book prepared in honour of Rostislav Švácha, Fantastic realism 1960–1966. Jan Jedlička – Vladivoj entitled Tvary/Formy/ideje. Studie a eseje k dějinám Kotyza – Mikuláš Rachlík. Mahulena Nešlehová a teorii architektury (Shapes/Forms/Ideas. Studies prepared several important exhibitions of the work and essays on the history and theory of architec- of Pavel Nešleha and Lenka Bydžovská cooperated ture), a co-editor of which was Taťána Petrasová on the exhibition and book devoted to the largest and to which contributions were made, together collection of the posters of Alfons Mucha. with selected foreign and domestic authors, by In 2013 the members of the department par- Vojtěch Lahoda, Mahulena Nešlehová and Polana ticipated actively in numerous scientific confer- Bregantová. Also very favourably received was ences – Petr Kratochvíl spoke at the symposium the collection of papers from the 32nd year of the Wien – Berlin – Prag (Hochschule München, symposium on problems of the 19th century on the Fakultät für Architektur), Rostislav Švácha at the theme Man and machine in Czech culture of the 19th conference entitled Crossroads of architecture, century, which investigates from various aspects devoted to the protection of architectural treasures the question of the mechanical aesthetics and from the years 1948–1989 (National Museum in
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Prague) and at the conference Sports and Travel in Arts in Prague) and Petr Kratochvíl (Faculty of Czechoslovakia between the wars (National Museum Art and Architecture of the Technical University in Prague), where a paper was also presented by in Liberec). Tomáš Winter. Pavla Machalíková and Taťána The most outstanding and inspiring figure of Petrasová prepared papers for the 33rd year of the our department is winning the recognition of symposium on problems of the 19th century on society as a whole, as is confirmed by the fact that the theme of Historical fictions and mystifications, Rostislav Švácha received in 2013 both the Prize of Tomáš Winter spoke at the symposium Ars linearis the Czech Ministry of Culture and the Prize of the IV (National Gallery in Prague), etc. There were Czechoslovak Society of Arts and Sciences. also many independent lectures. Also significant is the teaching activity of Vojtěch Lahoda (Arts Faculty of Charles University in Prague), Rostislav Švácha (Arts Faculty of the Palacky University in Olomouc – Head of the Chair of Art History, School of Architecture of the Academy of Fine 01
02 03 01 Lenka Bydžovská 02 Petr Kratochvíl 03 Vojtěch Lahoda 04 Pavla Machalíková 05 Dagmar Nárožníková 06 Mahulena Nešlehová 07 Taťána Petrasová 08 Rostislav Švácha 09 Tomáš Winter 04 05 06 07
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IAH — ANNUAL REPORT 2013 17 Department of Art-historical Topography
Head Dalibor Prix
The Department of Art-historical Topography ject to the NAKI programme of the Czech Ministry devotes its main attention to lists of art-historical of Culture (Programme of Applied Research and treasures on the territory of Bohemia, Moravia and Development of National and Cultural Identity). Silesia. The department prepared the first volume of the In 2013 the members of the department com- new series Monumenta Bohemiae et Moraviae for pleted for publication the volume Art Treasures of publication within the framework of the Institute’s Prague. VI. Greater Prague M–Ž, extensive personal publishing house Artefactum, devoted to erudite and local registers. In the framework of the series guides intended for both the professional and Art Treasures of Moravia and Silesia work contin- especially the general public: Pavel Vlček, Kostel ued on the completion of the 3rd volume (O–P). sv. Vavřince v Jablonném v Podještědí (St Lawrence Simultaneously work was continuing on field Church in Jablonné v Podještědí). research and the preparation of texts for the 4th The department members also devote time to volume (R–Ž). individual research into medieval and Baroque Preparatory work on the extensive and long- architecture and building of the 19th and 20th term project of continuing the listing of art centuries in the Czech Lands, participate in the treasures according to former political districts preparation of exhibitions and conferences, and concentrated, in cooperation with the National cooperate with the Centre for Epigraphic Studies. Heritage Institute, on the formulation of general In 2013 they participated both in teaching at the principles, setting the structure for the digital Czech Technical University in Prague (Ludmila database and preparing sample entries for the dig- Hůrková, Pavel Vlček), at the Masaryk University italised book version of the lists. The cooperation in Brno (Dalibor Prix) or the Silesian University between the two institutes was confirmed at the in Opava (Dalibor Prix), and also in the tasks end of 2013 by an official declaration. Dalibor Prix (Dalibor Prix, Tomáš Valeš) and grants (Dalibor participated in the conception of the lists on behalf Prix) of the Institute as a whole. of the Institute of Art History. It was agreed by the Institute of Art History and the National Heritage Institute that they would try to submit a joint pro-
IAH — ANNUAL REPORT 2013 18
01 Dalibor Prix 02 Kateřina Dolejší 03 Vendula Hnídková 04 Ludmila Hůrková 05 Klára Mezihoráková 06 Marie Platovská 07 Markéta Svobodová 08 Tomáš Valeš 09 Pavel Vlček 01
02 03
04 05 06 07
08 09
IAH — ANNUAL REPORT 2013 19 Research Centres
IAH — ANNUAL REPORT 2013 20 Studia Rudolphina. Research Centre for Visual Arts and Culture in the Age of Rudolf II
Head Beket Bukovinská
The Centre for the study of Rudolfine art and In the course of 2013, in cooperation with culture, Studia Rudolphina, came into being in Grünes Gewölbe in Dresden, preparations began the year 2000. A specialised reference library and for an international conference with the working ti- a digital bibliography are available. The bulletin tle Kunst- Kultur und Wissenstranfer Prag–Dresden, Studia Rudolphina has published the results of which will take place in March 2015. This will be international research once a year since 2000. a continuation of the project focussing on the map- In 2013 a double issue of the bulletin Studia ping of contacts between important courts of cen- Rudolphina 12–13 was issued. The Institute of tral Europe in the 16th and 17th centuries, which Art History has organised several international began in 2007 in cooperation with Staatliche conferences (1969, 1987, 1997, and 2007) and Graphische Sammlung München on the theme its members have participated in the preparation München/Prag um 1600 (contributions were pub- of exhibitions in Essen and Vienna (1988), and in lished as Sonderheft Studia Rudolphina 2009). Prague (1997). The papers from the international conference Rudolf II, Prague and the World, which — the Institute organised in connection with 1997 Contact: Eliška Zlatohlávková, +420 221183564, exhibition, were published by the Artefactum [email protected] publishers. In 2010 the members of the Studia Rudophina Centre participated in the preparation of the exhibition and catalogue Hans von Aachen (1552–1615): Court Artist in Europe (Aachen, Prague, Vienna) and prepared the international conference entitled Hans von Aachen and new research on the transfer of artistic ideas into Central Europe (Prague, Institute of Art History, 22–25 September 2010). Contributions were published in 2012 in the volume Hans von Aachen in Context.
IAH — ANNUAL REPORT 2013 21
IAH — ANNUAL REPORT 2013 22 Centre for Epigraphic and Sepulchral Studies
Head Jiří Roháček
The Centre is the joint project of the Lands (Markéta Svobodová). Jiří Roháček deliv- Documentation Department and the Department ered a requested paper at the 13th international of Art-historical Topography. The task of the Centre epigraphic conference in Schwäbisch Halle, held is research, method and documentation activity in on 9–11 October 2013. Jiří Roháček also devotes the closely connected fields of sepulchral research time to pedagogical activity. In 2013 Jiří Roháček and medieval and modern Latin epigraphy as “aux- delivered a semestral lecture on Epigraphy at the iliary sciences” of art history. Arts Faculty of the J. E. Purkyně University in The centre organises regular international con- Ústí nad Labem, at the Arts Faculty of the South ferences on the problems connected with sepul- Bohemian University in České Budějovice and at chral monuments, which have been taking place the Arts Faculty of Charles University in Prague. since 2000. In 2013 the 12th such conference was — held under the title Justorum autem animae v manu Contact: Jiří Roháček, +420 221183399, dei sunt ... from 31st October to 1st November 2013 [email protected] (concept, organisation and moderating by Jiří Roháček). Preparations have begun for the 13th conference, planned for 30–31 October 2014, and the 14th session, which will be realised in 2015. In 2013 the IVth volume was published of the centre’s series Epigraphica et Sepulcralia (ed. Jiří Roháček), for the first time with the new concept of a peri- odical Forum of epigraphic and sepulchral studies and already without a direct connection to the above-mentioned conferences. At the same time the fifth volume was also prepared for publication. In the secondary series Epigraphica et Sepulcralia – monographica work was published on the cremato- rium in the process of secularisation of the Czech
IAH — ANNUAL REPORT 2013 IAH — ANNUAL REPORT 2013 24 Centre for Research into Baroque Ceiling Painting
Head Martin Mádl
In 1781 the Italian architectural theorist Francesco the publication of the first part of a collective Milizia asked how it is possible to admire paintings catalogue of wall paintings, which were created on the ceiling when both neck and eyes suffer in in the 17th century in various country houses and the process. In 2013 we admired dozens of ceiling churches in Bohemia and Moravia by the Italian paintings and did not much worry about neck pain artists Carpoforo and Giacomo Tencalla. With the (it was more that our backs ached from leaning photographic documentation of the wall paintings over books and archive materials). We were we supplemented the extensive monography by particularly interested in the paintings in Czech Pavel Preiss entitled Václav Vavřinec Reiner, which Benedictine monasteries – in Břevnov, Broumov was issued last year by the Academia publishing and in Kladruby. With the help of the Omnium house. civic association we also set out on an excursion — to see wall paintings in parish churches in the Contact: Martin Mádl, +420 221183551, Broumov area and to acquire their photograph- [email protected] ic documentation. We presented our findings, inter alia, at two seminars, which took place in August and September in the Broumov Monastery. Together with the Institute of Art History of the Slovak Academy of Sciences and members of the Research Group for Baroque Ceiling Painting in Central Europe we participated in the preparation of an international conference entitled Concept – Image – Reception. Baroque Ceiling Painting in the Setting of European Monasteries, which took place in Bratislava in September 2013. We also prepared
IAH — ANNUAL REPORT 2013 25
IAH — ANNUAL REPORT 2013 IAH — ANNUAL REPORT 2013 Services Departments 28 Library
Head Sabina Adamczyková
The library amasses domestic art-historical litera- — ture and selectively collects books from the fields Contact: Sabina Adamczyková, of aesthetics, architecture, history and literary +420 221183523, 221183549 science. The library subscribes to more than 200 [email protected] magazines and journals, over 40 % of which are [email protected] from abroad. At the end of 2013 the library stock consisted of 82,875 volumes of books, exhibition catalogues and specialist periodicals. Among the important increments to stock there is, in particu- lar, the list of world print collections The Illustrated Bartsch. In 1990 the library acquired 76 volumes of this list through exchange with the International Foundation for Art Research (New York). We re- ceive further volumes as they are published thanks to the support of the Samuel H. Kress Foundation, now through the Institute for Art Research and Documentation in Norwalk. In 2013 this series already contained 108 volumes. The library provides services to all those inter- ested from the ranks of the professional public and students. A total of 1,881 users are registered and in 2013 the library was visited by 2,760 readers, 1,125 books were borrowed and 8,448 volumes were taken out for reference only. The FileMaker and Aleph catalogues are available on the website www.udu.cas.cz, as is the name catalogue of books and periodicals in scanned form (they show the state up to 1998). The reading room provides Wi-Fi connection and also an online database (JSTOR, Scopus, Web of Knowledge, EBSCO (Art Source), Ulrich’s, Oxford Reference Online, Manuscriptorium).
IAH — ANNUAL REPORT 2013 29 Bibliographic Department of the Library
Head Polana Bregantová
The Bibliography Centre of the Institute of 01 Art History is part of the Library. Its historical resources are card files containing more than 500,000 records of journal and newspaper articles from Czech periodicals of the 19th and 20th centuries. The most extensive are the files on Czech and foreign artists, a valuable part of which are records of reproductions of works of art. Also available are a card file of the authors of texts, a topographic index and a subject index. The files were closed in the mid-1980s and rank among the family jewels of both the department and the 01 Sabina Adamczyková institute. 02 Renata Medunová The task of the Bibliography Centre is to edit the 03 Markéta Staňková card files, compile a Czech art-historical bibliogra- 04 Věra Slámová phy in electronic form and to provide services for 05 Polana Bregantová researchers from institutions and places of learning both in and outside Prague. 02 03 In 2013 the Bibliography Centre primarily worked on editing the bibliographies in the entries included in the Dictionary of Art Historians (Slovník historiků umění). The Bibliography of the journal Umění/Art 2003–2012 was prepared, which was published as a special supplement to year LXI of the periodical. It also conducted an extensive literature search on Košice Modernism 04 05 for the East Slovak Gallery in Košice. There were bibliographic consultations throughout the year concerning Barbora Toman Tylová’s monograph on Oldřich Hlavsa. — Contact: Polana Bregantová, +420 221183506, [email protected]
IAH — ANNUAL REPORT 2013 30 Department of Documentation
Head Jiří Roháček
The Documentation Department fulfils three exhibition was held in Rožmberk nad Vltavou from basic and mutually closely linked tasks. The first 23rd May to 31st October with an accompanying is research in the field of sources for art history, workshop. The book entitled Buquoyský Rožmberk. the second is publishing activity and the third is Vizuální kultura šlechtického sídla v období roman- rendering accessible our own extensive written tického historismu (Visual culture of a seat of the (specially from personal and institutional legacies) nobility in the period of romantic historism) (Jan and pictorial documentary funds, divided up into Ivanega – Petr Šámal – Petra Trnková) was also collections of graphic prints, plans and photo- published. graphs. A special category is that of the material The activity of the restoration studio (Tereza linked with the activity of the Archaeological Cíglerová, Markéta Berdychová) concentrated in Institute of N. P. Kondakov, containing, apart from 2013 on the restoring and conservation of histor- written relics, also a collection of icons (on loan ical plans and photographs connected with the to the National Gallery in Prague), a numismat- project Renewal of the Buquoy Cultural Landscape ic collection and a collection of small artefacts. (around 300 items). At the same time the studio is The department provides services to the Czech preparing material for various other research, ex- and foreign research public and other interested hibition and publication purposes. Great attention persons for whom a fully equipped reading room is paid continuously to the new deposition of col- is available. Within the department there is also lection objects and the improvement of conditions a restoration studio. Also part of the department is in the depositary. The department and the studio the Centre of Epigraphic and Sepulchral Studies (see cooperate closely with the photographic studio Research Centres). of the Institute of Art History of the Academy of The department’s most important task in 2013 Sciences of the Czech Republic. is continuing with the project entitled Obnova The department organised an international buquoyské kulturní krajiny: Záchrana movitého kul- conference on the problems of art-historical inven- turního dědictví jako báze pro obnovu paměti místa tories on 6th June 2013 (conception, organisation a kulturní identity (Renewal of the Buquoy cultural and moderating Jiří Roháček, reports by Kristina landscape: Protection of the movable cultural her- Uhlíková and Štěpán Vácha) itage as the basis for renewal of local memory and In 2013 the department acquired the estate of cultural identity) (leadership of Petra Trnková). restorer Prof. Karel Vesely. The cataloguing of writ- This project is realised within the framework of ten legacies (the departmental collective) and the the NAKI programme (Programme of Applied re-cataloguing of the collection of plans (Martin Research and Development of National and Krummholz) and of the collection of graphic prints Cultural Identity) of the Czech Ministry of Culture (Štěpán Vácha) continue. For the initial orienta- (see Projects). In 2013, among other things, an tion of researchers there is the revised guide to
IAH — ANNUAL REPORT 2013 31
the funds of the department (the departmental collective), which in 2013 was made available on the Institute’s website. In 2013 Kristina Uhlíková published a list of art and historical treasures of the Frýdlant district (Verzeichnis der kunstgeschichtlichen und histo rischen Denkmale im Landkreis Friedland) compiled in 1940s by Karl F. Kühn. — 01 Contact: Jiří Roháček, +420 221183399, 01 Jiří Roháček [email protected] — Markéta Berdychová 03 Tereza Cíglerová 04 Jana Marešová 05 Petra Trnková 06 Kristina Uhlíková
03 04 05
06
IAH — ANNUAL REPORT 2013 32 Photographic Library and Studio
Head Dušana Barčová
The Photographic Library is a documentation de- lichen und historischen Denkmale im Landkreis partment, which collects, administers and protects Friedland and for the foreign-language version photographs of art and architecture specialising of the publication Sepulchral Sculpture of the in the sphere of the scientific, publication and Jagellonian Period in Bohemia 50 photographs lecturing activities of the professional departments from 7 localities were newly created. The depart- of the institute. ment also played a prominent part in the pictorial The Photographic Studio is simultaneous- accompaniment to the catalogue of the exhibition ly a creative department, which ensures and Madonna on Lion in cooperation with the Museum fundamentally participates in the quality picto- of Art in Olomouc. rial presentation of art in scientific publications, Among the mundane, but not negligible activ- exhibition catalogues, professional periodicals and ities of the department was the preparation of exhibitions of photographs or the photographic photographs for the periodical Umění / Art, the part of exhibitions. bulletin Studia Rudolphina and also the photodoc- In 2013 the department continued with the umentation activity of the Institute of Art History, photographing and documentation of the pictorial amounting to 426 photographs presented on web- accompaniment for the planned foreign publica- sites, Facebook and in the Bulletin of the Academy tion of the The History of Art in the Czech Lands of Sciences of the Czech Republic, including 8 and over 300 photographs were taken from various video recordings. localities in the Czech Lands for wider selection. At the same time 250 colour negatives and diaposi- Services to the public tives borrowed from the Atelier Paul were digital- The fund of the Photographic Library serves the ised for the same purpose. In cooperation with Ivan staff of departmental and cultural institutions, P. Muchka 598 photographs of the stucco decora- approved publishing houses, associations for the tion of the Star Summer Residence were described protection and renovation of historical treasures, and added to the pictorial database. domestic and foreign research workers, restorers Within the framework of cooperation with the and students of art history. For reference only a da- Artefactum publishing house there were pre- tabase is available with preview photographs and pared for the exhibition and the catalogue of the photographs adjusted on cards. exhibition Buquoy Rožmberk 78 reproductions Visits to the Photographic Library are possible of archive photographs, historical plans and only with prior agreement on telephone number graphic prints and 18 original photographs of 221 183 509 daily between 10 am and 4 pm. works from the picture collection of the residence, 57 photographs were prepared for the publica- tion K. F. Kühn, Verzeichnis der kunstgeschicht-
IAH — ANNUAL REPORT 2013 33
— 01 Contact – Photographic Library: Dušana Barčová, [email protected] +420 221 183 510 Mgr. Martina Trojanová, [email protected] Mgr. Markéta Janotová, [email protected] +420 221 183 509 Contact – Photographic Studio: Zdeněk Matyásko, 02 [email protected] 01 Dušana Barčová 02 Zdeněk Matyásko 03 Vlado Bohdan 04 Petr Zinke 05 Jitka Walterová 06 Markéta Janotová 07 Martina Trojanová
03 04 05
06 07
IAH — ANNUAL REPORT 2013 34 Secretariat and Public Relation, Financial Administration
The organisational and economic functioning of the institute, the promotion of the results of research by its staff and the distribution of the publication of the Artefactum publishing house are ensured by the Director’s Secretariat and the Technical Economic Administration department. In 2013 the Technical Economic Administration department managed, even with a budget lower than that of 2012, to cover all necessary expendi- 01 tures, pay salaries and pay insurance and taxes. Last year greater emphasis began to be placed on promotion of the institute. This was assisted by placing Artefactum publications in the artistically striking showcases of the institute building. — Contact – Secretariat: Mgr. Václava Pštrossová, [email protected] Contact – Financial Administration: 02 Ing. Jana Pánková, [email protected] 01 Václava Pštrossová 02 Blanka Švédová 03 Jana Pánková 04 Jaroslava Ramešová 05 Růžena Kotoučová — Miroslava Novotná
03 04 05
IAH — ANNUAL REPORT 2013 Periodicals 36 Umění /Art
The bimonthly Umění/Art is an impact special- Leipzig), Ivo Hlobil (Institute of Art History of the ist periodical included in the world-renowned Czech Academy of Sciences, Prague; Chair of Art databases Web of Science (ISI Web of Knowledge, History of Palacky University in Olomouc), Kaliopi http://apps.isiknowledge.com), Scopus (http:// Chamonikola (Faculty of Fine Arts of the Technical www.scopus.com), EBSCO (http://www.ebsco- University in Brno), Lubomír Konečný (Institute host.com) and European Science Foundation of Art History of the Czech Academy of Sciences, (European Index for the Humanities – ERIH, Prague; Institute for Art History, Arts Faculty of http://www.esf.org). It concentrates mainly on Charles University in Prague), Vojtěch Lahoda the history of Czech and Central European art (Institute of Art History of the Czech Academy of from the Early Middle Ages up to the present and Sciences, Prague; Institute for Art History, Arts also publishes methodological studies. It accepts Faculty of Charles University in Prague), Jozef only original contributions. Apart from articles by Medvecký (Institute of Art History of the Slovak domestic and foreign researchers it covers news, Academy of Sciences, Bratislava), Miroslav Petříček commented editions of archive documents and jr. (Institute for Philosophy and Religious Studies, reviews. It publishes texts of international interest Arts Faculty of Charles University in Prague), in world languages, chiefly English or German. On Friedrich Polleroβ (Institut für Kunstgeschichte, the website of Umění/Art one can find the contents Universität Wien), Jan Royt (Institute for Art of the individual issues, résumés of article in Czech History, Arts Faculty of Charles University in Prague; and English, the original Czech version of translat- Institute of the History of Christian Art of the Arts ed articles and further topical information (http:// Faculty of Charles University in Prague), Lubomír www.umeni-art.cz). Slavíček (Seminar of Art History of the Arts Faculty — of Masaryk University, Brno), Karel Srp (Prague), Editorial Staff: Lenka Bydžovská (Editor-in-chief), Rostislav Švácha (Institute of Art History of the Taťána Petrasová, Pavla Machalíková a Tomáš Czech Academy of Sciences, Prague; Chair of the Winter (Editors), Dagmar Nárožníková (Executive Theory and History of Art of the Academy of Fine Editor) Arts and Chair of Art History of Palacky University Graphic layout: Jan Šerých in Olomouc), Petr Wittlich (Institute for Art History, — Arts Faculty of Charles University in Prague). Editorial Board: Neil Cox (Department of Art History and The periodical is published with the financial Theory, University of Essex), Paul Crossley support of the Czech Ministry of Culture and the (Courtauld Institute of Art, London), Jiří Fajt Trust of the Czech Literary Fund. (Geisteswissenschaftliches Zentrum Geschichte — und Kultur Ostmitteleuropas an der Universität Contact: +420 222 221 646, [email protected]
IAH — ANNUAL REPORT 2013 37 Studia Rudolphina
Studia Rudolphina is the bulletin of Studia Such is, for example, the edition of the Munich Rudolphina. Research Centre for Visual Arts and source on the confessional appurtenance of Prague Culture in the Age of Rudolf II churches (Štěpán Vácha). In the Bibliography sec- Editor-in-chief: Štěpán Vácha tion we included a list of all the publication outputs Managing editor: Sylva Dobalová of our bulletin in the years 2001–2013. Editorial Assistent: Eliška Zlatohlávková — Contact: Eliška Zlatohlávková, +420 221183564, Editorial Board: Beket Bukovinská (Institute of [email protected] Art History Academy of Sciences of the Czech Republic, Prague), Lubomír Konečný (Institute of Art History Academy of Sciences of the Czech Republic, Prague), Eliška Fučíková (Prague), Dorothy Limouze (St. Lawrence University, Canton NY), Andrew John Martin (Munich), Sergiusz Michalski (Eberhard-Karls-Universität, Tübingen), Jürgen Zimmer (Berlin)
Studia Rudolphina, the Bulletin of the Research Centre for Art and Culture in the Age of Rudolf II has been published once a year since 2001. The double issue of the bulletin Studia Rudolphina 12-13 carried on 210 pages articles on various subjects, mostly focussed on the court painting and collecting of Emperor Rudolf II. Jürgen Zimmer contributed an extensive study on unrealised acquisitions for the collection of Rudolf II and also published a text on the painting in an interesting genre entitled Two Musicians by Josef Heintz. Two studies come from the pen of transat- lantic researchers Ivana Horacek and Mirka Døj- Fetté. For heuristically oriented contributions we created a new thematic column in this issue enti- tled Fontes, in which we intend also in the future to publish new archive findings on Rudolfine themes.
IAH — ANNUAL REPORT 2013 RIHA Journal Artefactum publishing house
The Institute of Art History, as a member of The Artefactum publishing house was established RIHA (the International Association of Research at the Institute of Art History of the Academy of Institutes in the History of Art), collaborates in the Sciences of the Czech Republic in 1994. With the publication of the Internet periodical known as the financial support of the Publishing Board of the RIHA Journal, which was started in 2010. The aim Academy of Sciences of the Czech Republic it of this journal is to publish original art-historical specialises in issuing the scientific publications of articles with the least possible delay. In the case of the staff of the Institute. Apart from original work texts printed earlier in languages other than the of a monographic or thematic nature it publishes official CIHA languages it is also possible to publish conference and jubilee anthologies for important translations of important studies. The collective figures in the field. For short monographic studies “editor” of the journal are the individual directors there is the series Opera minora historiae artium, of the member institutes of the RIHA association, whereas the publication of written sources, histori- the name of which is simultaneously the guarantee cal lists of monuments aand unpublished manu- of the quality of this periodical. In each institute scripts appears in the series Fontes historiae artium. there is one editor who coordinates the reviewing The bulletin of the Research Centre for Art and and publication process of the texts. Culture in the Age of Rudolf II, Studia Rudolphina, This is an indexed periodical included in the and the anthology of epigraphic and sepulchral database Web of Science (ISI Web of Knowledge, studies Epigraphica & Sepulcralia appear periodi- http://apps.isiknowledge.com). cally. The Artefactum publishing house coordinates In the past year the Institute of Art History its activity with that of the Academia publishing contributed to the admirably rising quantity of house. articles with the translation of the text by Pavla At the end of 2013 its long-standing worker, Machalíková on Josef Führich. Mgr. Ivo Purš, Ph.D. left the post of Executive — Editor of the publishing house and Mgr. Helena Contact: Pavla Machalíková, Dáňová, Ph.D. took his place. [email protected] — Executive Editor: Helena Dáňová, Ústav dějin umění AV ČR, v.v.i. Tel. +420 221 183 710, 221 183 501, [email protected] Distribution: Bc. Blanka Švédová (purchasing, review copies) Tel. +420 221 183 502, 736169359, [email protected]
IAH — ANNUAL REPORT 2013 Projects 40 Projects
Imago, Imagines. Metamorphoses of the Moscow 1937 - Architecture and Propaganda Function of Medieval Art in the Bohemian Lands from the Western Perspective Financing: Grants Agency of the Czech Republic, Financing: Grants Agency of the Czech Republic, No. 13-39192S, 2013–2017 No. 13-39515P, 2013–2015 Researcher: Klára Benešovská Researcher: Vendula Hnídková In 2013 the Grants Agency of the Czech Republic The project deals with the detailed analysis of the awarded a collective of 18 medievalists from the 1st All-union Congress of Soviet Architects, which Institute of Art History and other institutions under took place in Moscow in 1937. This generously the leadership of Klára Benešovská a five-year grant conceived event became the first significant inter- for the project Imago, imagines. The work of art national platform on which there was intensive and changes in its function in the Middle Ages in discussion of the change in direction of Soviet the Czech Lands. The purpose of the project is to architecture, which rejected shows of avant-garde create a new picture of medieval art in the Czech and set out on the path of historicising stylistic Lands, which will not be traced only on the prin- expression. The significance of the whole event ciple of style changes, but also and particularly on was supported by the participation of foreign the basis of the function of works of art in medi- architects (Frank Lloyd Wright, Francis Jourdain, eval society. As the key for the view of the art of André Lurçat, Marcel Lods, Pavel Janák, Josef the Czech Middle Ages we selected the Latin term Gočár, etc.), who were confronted here with the imago, replacing the term work of art as not totally current development of the Soviet cultural scene. appropriate for the Middle Ages. Imago indicated In the preserved texts of these foreign guests there not only two-dimensional pieces of work (drawings, is recorded in a unique manner the reflection of the paintings, engravings), but also three-dimension- historical situation in the Soviet Union in 1937. The al (statues, reliefs). Imago can also be applied to aim of the grant is the reconstruction of authentic architecture, which in its way depicts the world testimonies to form a synthesising work. I therefore of values of medieval society, its rules, structure, concentrated in 2013 on the amassing of primary depiction of thought, resemblance. The aim of the sources in the USA, Russia and Germany. project is to prepare the manuscript of a scientific publication for the Academia publishing house. The The Bernardine “sun” over the Czech Lands – project has become the main common task of the the significance of Bernardine aesthetics in the Medieval Department for the years 2013–2017. In Czech Lands in the Late Middle Ages addition the grant has made it possible to include Financing: Grants Agency of the Czech Republic, specialists from outside the Institute in the project No. P409/12/2302, 2012–2014 – and especially representatives of the younger Researcher: Jan Chlíbec generation, postdoctorial and postgraduate. Saint Bernardino of Siena, a reformer and founder
IAH — ANNUAL REPORT 2013 41 of the order of Franciscan Observants, also Gospel Book Cim 2. The manuscript between influenced, through his preaching and literary regions and centuries of medieval Europe activity (and also through his successor John of Financing: Grants Agency of the Czech Republic, Capistrano), the sphere of art in the 15th century No. 13-18261S and the beginning of the 16th century. Until now Researcher: Kateřina Kubínová no attention has been paid to the aesthetic opinions The project is dedicated to a late Carolingian of these two Franciscans and their reflection in the gospel book, which was probably produced in preserved works of art from Franciscan Observant 875 in some monastery scriptorium in the north monasteries in the Czech Lands. This is the prob- of France. This codex is notable for its decoration, lem on which the project focuses. The theme itself which combines illusionistic Carolingian paint- has a strong international aspect because it maps ing, linked with late classical art, and also the out one branch of Italian medieval aesthetics and Irish-Scottish ornamental tradition. The damaged its absorption into the Czech milieu. The pro- binding of the codex has elements within it from cessing of this project fills a gap in contemporary several centuries – Byzantine silk fabric from the international research into the history of the order 9th century, Ottonian ivory and Czech goldsmith’s of the Franciscan Observants and its cultural influ- work of the 15th century. These individualities ence; the project also analyses the still untapped tell of the twisted fates of this book: first of all it Bernardine aesthetic opinions and thus joins in the reached the Corvay Abbey in Saxony, where it interdisciplinary investigation of this figure at the became the pattern for local illuminators in the turn of the Late Middle Ages and the Renaissance. 10th century. From there it travelled to Bohemia The result of the project will be a book on the and was deposited in the St Vitus treasury. theme presented. The publication output for 2013 This codex, evidently still valued in the Prague is the study of Jan Chlíbec, The Contest between Cathedral in the 14th century, inspired illuminator the Utraquist Chalice and the Bernardino Sun. Jan of Opava in the decoration of a gospel book Umění LXI, 2013, pp. 494–519. for Austrian counts. The outcome of the project should not be merely the “biography” of one Architecture and Public Spaces manuscript, but the amazing interconnections Financing: Grants Agency of the Czech Republic, in Europe should also be demonstrated: a sin- No. P409/11/2220, 2011–2014 gle work combines within it different traditions Researcher: Petr Kratochvíl and can also, several centuries after its creation, The intention of this project is to find out what is become the inspiration for the creation of other the relationship of architecture and public spaces, works of art. how this relationship has developed historically from the beginnings of modern architecture and Baroque wall paintings in Benedictine monas- especially what possibilities for the articulation of teries in the Czech Lands public spaces are used by contemporary archi- Financing: Grants Agency of the Czech Republic, č. tectural work. In the course of the 3rd year of the P409/12/2568, 2012–2014 project the study entitled “Urban Public Spaces in Researcher: Martin Mádl the Czech Republic” was published in the Journal This project is devoted to wall paintings of the 17th of Architecture and Urbanism, 2013, 37/3. Work and 18th centuries in Benedictine monasteries in continued on the manuscript of the final publica- Bohemia and Moravia, interpreted in the context tion. I also participated in the preparation of the of early modern-age visual communication in concept of an exhibition on contemporary land- central Europe. It links up with previous research, scape architecture, part of which will be a section which enabled the extensive documentation of devoted to public spaces, and which will take place Baroque wall paintings in the monastic architecture in 2014 in the Fragner Gallery in Prague. In the of the orders of the Benedictines, Cistercians and course of the year I gave 7 lectures on the theme of Premonstratensians. The new project utilises the public spaces, 2 of them abroad. material collected (photographic documentation,
IAH — ANNUAL REPORT 2013 42 inventories and catalogues of wall paintings) and (The Amphitheatre of the Eternal and Only True expands the intensive investigation of the archive Wisdom, 1595, 1609) and its inclusion in the con- material (including the publication of relevant text of the court culture of Rudolf II. The outcome sources) and the context of visual communication will be the publication of the Amphitheatre with an in the European monastic culture of the early extensive inter-disciplinary commentary. Modern Age. After the completion of the research the results of the project will be presented to the Bauhaus and Culture in Czechoslovakia public in the form of an extensive critical cata- Financing: Grants Agency of the Czech Republic, logue of wall paintings published in book form. No. 13-28594S, 2013–2015 Participants in the researching of the project are Researcher: Markéta Svobodová PhDr. Štěpán Vácha, Ph.D. (Institute of Art History This work deals with the more complex and de- of the Academy of Sciences of the Czech Republic), tailed summarising of the influence of Bauhaus on PhDr. Michaela Šeferisová Loudová (Seminar of Art culture in Czechoslovakia. It is the culmination of History of the Arts Faculty of Masaryk University in several years of archive research in Czech, Slovak, Brno), Mgr. Radka Tibitanzlová (National Gallery German, Austrian and Russian state and private in Prague) and external assistants Mgr. Ing. Daniela archives. The majority of this archive material has Štěrbová and Mgr. Jana Kunešová. In 2013 the doc- never before been published. The main theme is umentation work continued in the monasteries at the work of students from former Czechoslovakia Břevnov, Broumov and Kladruby and in the parish (from Czech, Slovak, German and German-Jewish churches in the Broumov area, as did research in environments), who went through this school (in the National Archives and in the collections of the various fields) and to whom sufficient or even any National Heritage Institute. attention has not yet been paid. I expanded this work to include general philosophical aspects, the Amphitheatrum sapientiae aeternea of Heinrich criticism of Bauhaus in the Czechoslovak press Khunrath (1609): translation, editing and analy- and the activity of foreign students of Bauhaus sis of its historical, scientific and artistic aspects on the territory of Czechoslovakia. I also fo- Financing: Grants Agency of the Czech Republic, cussed on the evaluation of the influence of the No. P405/12/1268, 2012–2015 ideas of Bauhaus on the concept and method Researcher: Ivo Purš of teaching at schools of applied art in former The Leipzig doctor, alchemist and mystic Heinrich Czechoslovakia. In 1913 the work was expanded Khunrath (1560–1605) is one of the most signifi- to include formerly inaccessible legacies in Czech cant figures of European alchemy at the turn of the archives, where a relatively large amount of 16th and 17th centuries. Although he was intensely interesting written material is to be found, such occupied with laboratory activity, his influence did as letters between former pupils and teachers of not stem from scientific and technological discov- Bauhaus and the Czechoslovak avant-garde. eries, but from his intricately conceived treatises, in which he mingled alchemical theories with Renewal of the Buquoy cultural landscape: Christian and cabalistic mystique and artistically Protection of the movable cultural heritage as rich illustrations. The influence of his work was the basis for the renewal of local memory and thus not restricted merely to the field of science, cultural identity but also reached into the wider sphere of Central Project in the framework of the Programme of European culture. His work therefore also played Applied Research and Development of the National an influential part in the Rudolfine cultural circle, and Cultural Identity (NAKI) of the Czech Ministry which has not hitherto been appropriately analysed of Culture, No. DF11P01OVV033, 2011–2015 and scientifically elaborated. Researcher: Petra Trnková The aim of this project is the general analy- Members of the research team: Markéta sis of Khunrath’s most influential work, the Berdychová, Tereza Cíglerová, Jan Ivanega, Martin Amphitheatrum sapientiae aeternae solius verae Krummholz and Petr Šámal
IAH — ANNUAL REPORT 2013 43
The project came into being in connection with investigation is the circle of local “first photogra- the recent identification of an extensive bundle phers”, which means mainly those experimenting of photographs and plans in the collections of the with photography, as well as the production of travel- Institute of Art History of the Academy of Sciences ling photographers and, last but not least, also ma- of the Czech Republic, linked with the Buquoy estate terial of foreign provenance imported to collections in South Bohemia in the 19th century. The mate- here. Attention is paid not only to concrete personal- rial is exceptional in quality, extent and also in the ities and events, but also to questions of support for specific circumstances of its origin and demonstrates the development of photography on the part of in- the purposeful and systematic “documentation” of stitutions and individuals here (schools, the church, the changes in the Buquoy residences and adjoining local government, societies, chambers, the nobility, estates, culminating around the middle of the 19th etc.), and links to Vienna and other European centres century. The aim of the project is the preservation of of photography. Also an intrinsic part is the investi- this bundle of around 2,000 photographs and plans, gation of the links between successful production in their professional processing, scientific evaluation Brno and the development of photography in other and making them accessible to the public. The pro- regions of Moravia. Space is also reserved for the ject also sets itself the aim of investigating, clarifying contemporary reception of photography as a cultural and virtually reconstructing the appearance of the phenomenon in other areas of culture – art, litera- no longer existent small buildings and roads in the ture, the sciences, etc. The main volume of the work landscape and specific compositional units in parks in 2013 was the investigation of regional collections. and in the vicinity of the chateau and castle build- ings in Nové Hrady and Rožmberk nad Vltavou. Prague painters in 1640–1680: Artistic dialogue It also pays attention to the analysis of building devel- and rivalry opment and functional alterations of the Buquoy res- Financing: Grants Agency of the Czech Republic, idences, the mapping of the changes in the individual No. 13-13174S, 2013–2015 localities, buildings and interiors, the questions of the Researcher: Štěpán Vácha depiction of the nobleman’s residence, its interiors Co-researcher: Mgr. Radka Tibitanzlová (National and surroundings, the artistic and social context of Gallery in Prague) these activities and the artistic interests of the owners The first year of the project was characterised by of the estate. The project tracks the question of chang- extensive investigation of primary archive sources es in local memory in connection with the non/exist- of various kinds. The aim was to become acquainted ence of the two social groups traditionally linked with with Prague painting of the 17th century in its en- the region, i.e. the Buquoy family as the estate owners tirety: with painters, painting production, the insti- and the once majority Czech-German population. tutional background and the art market. At the same time we concentrated on the radiation of Prague as The beginnings of photography in Moravia in a centre for painters in wider regional contexts and the context of Central Europe in Munich we gained fundamental knowledge of the Financing: Grants Agency of the Czech Republic, origin and training of the Prague painter Matthias No. P409/11/P834, 2011–2013 Zimprecht. We managed to determine a number of Researcher: Petra Trnková works by the Prague artists studied – Anton Stevens The project is aimed at the investigation of the and Johann Friedrich Hess. Partial outcomes are earliest period (roughly 1840–1860) of the history two studies (in: Studia Rudolphina 12–13; Ivana of photographic media in Moravia, with emphasis Ebelová, Jiří Pešek, Tomáš Sekyrka, Vít Vlnas on deepening the so far minimal basic research in (eds.), Mezi kulturou a uměním. Věnováno Zdeňku the context of Brno, and also at the analysis of the ex- Hojdovi k životnímu jubilee (Between culture and isting mythology linked with this cultural circle. The art. Dedicated to Zdenek Hojda on his anniversary), project sets itself the aim of mapping out appropriate Prague 2013). We participated in the exhibition pro- material and setting the beginnings of photography ject Baroque Art in the Havlíčkův Brod Area (Gallery here in the wider European context. The subject of of Art in Havlíčkův Brod).
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programme “Emergence de la Ville de Paris”. Cooperators: Klára Benešovská, Jan Chlíbec
“Daguerre’s drawing by light” – new methods and procedures for the protection, care and presentation of the cultural heritage in da- guerreotypy A project of NAKI (Programme of Applied Research and Development of National and Cultural Identity) of the Czech Ministry of Culture No. DF12P01OVV038, 2012–2015 The aim of the project is to improve the care, protec- tion and presentation of the cultural heritage in the sphere of daguerreotypy as an extremely threatened Cooperation on projects historical and artistic artefact – the oldest practi- cally feasible photographic process. The aim of the Research Centre of Courts and Residences in project is the elaboration of appropriate methods of the Middle Ages restoration and the listing of the daguerreotypes in This research centre, which came into being under domestic collections and their publication. the Historical Institute of the Academy of Sciences Co-researcher: Tereza Cíglerová of the Czech Republic in 2013, concentrates on interdepartmental research into court problems in Historical technologies and modern methods the Middle Ages and studies the courts of royalty and of investigation. Interpretative possibilities of the nobility, including the courts of church dignitar- specialised methods for the investigation of ies. Apart from studying the composition of courts works of medieval art with the use of innovative and their personnel it investigates expressions of the technologies everyday within the phenomenon of the court- A project of NAKI (Programme of Applied Research ly-knightly culture, the history of art and literature. and Development of National and Cultural Head of the Centre: PhDr. Dana Dvořáčková-Malá Identity) of the Czech Ministry of Culture resolved Member of the Research Committee: Klára in the National Gallery in Prague in coopera- Benešovská tion with the Faculty of Nuclear and Physical Engineering of the Czech Technical University in Transferts artistiques dans l’Europe gothique Prague, No. DF13P01OVV010; des XIIe à XVIe siècles The project is aimed at the historical technologies A project of INHA Paris researched in the years used in medieval art workshops, their documen- 2010–2013 together with the universities in tation and investigation by modern methods. The Toulouse-le Mirail and in Liège and in cooperation results will be used for the art-historical evaluation with other experts from 11 European countries, of the collections of medieval art of the National 2010–2013 Gallery (specification of attributions, dating and At the end of each year international conferences local specifics) and in practice (restoration, herit- took place (on the transfers of technologies, on age care). their social, aesthetic and formal aspects) and in Co-researcher: Helena Dáňová the final year a congress was organised, summaris- ing the findings of the whole project. A publication In the Times of Art without Frontiers has been prepared from selected contributions and Project co-financed by the European Union from will be brought out in 2014 by the Picard publish- the ERDF funds through the Euroregion Těšínské ing house. The project is financed by the three Slezsko – Śląsk Cieszyński, No. CZ.3.22/3.3.05/12- main organisers and by a contribution from the 03362
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This bilateral Czecho-Polish project is dedicat- of Culture, No. DF12P010VV041, 2011–2015 ed in particular to study of the work of Jakub The aim of the project is to show the wide public Beinhart, author of a number of sculptures in of interested persons and users how modern art, Poland, Bohemia and Germany, who was active in architecture and design in the Czech Lands in the the period around 1500 in Wroclaw. 20th century contributed to the formation of the Co-researchers: Helena Dáňová, Ivo Hlobil national and cultural identity: i.e. the process of integration of the modern nation; the building of Moravia and the world. Art in an open multicul- the independent Czechoslovak state. The project tural area also deals with the questions of how “national” or Research project of the Chair of Art History of the “state” art reflected the political and social changes Arts Faculty of Palacký University in Olomouc, in the course of the 20th century, what role is MSM 6198959225 played by “national” or “state” art in the present This project is devoted to the study of artistic day and in what way do contemporary Czech art, and cultural stimuli entering the area of Moravia architecture and design articulate the problem of over a period of more than a thousand years from national or cultural identity. European centres. It deals with Moravia as a multi- Co-researcher: Vendula Hnídková cultural area absorbing a wide range of stimuli and in return influencing the culture and art of central Asymmetrische Kunstgeschichte? Erforschung Europe. und Vermittlung ´prekärer´ denkmäler- Participation: Ivo Hlobil bestände im Kalten Krieg Universitäres Förderprogramm, Humboldt- International exhibition project Madonna on Universität zu Berlin, Institut für Kunst- und Lion (2014) Bildgeschichte, 2013–2015 An exhibition project prepared by the Museum The project deals with the investigation of interpre- of Art in Olomouc and Bergbau & Gotikmuseum tative patterns of cultural heritage in the period of Leogang, in the framework of the cooperation the Cold War on the territory of Central Europe. It agreement between the Museum of Art in Olomouc concentrates in particular on the territory left by the and the Institute of Art History of the Academy of displaced Germans and the forms of the contempo- Sciences of the Czech Republic. rary explanation of monuments, which through the The international exhibition project entitled The eyes of socialism bore a double ideological burden, Gothic Madonna on Lion is devoted to a notable that of nationality and also of feudalism. phenomenon of European supreme Gothic sculp- Co-researcher: Vendula Hnídková ture where the Virgin Mary is portrayed standing on a lion, symbolising victory over evil and sin. Panel-built housing schemes in the Czech The aim of the project is an exhibition gathering Republic as part of the urban environment: together the sculptures of the Madonna on a Lion Evaluation and presentation of their housing preserved on the territory of present-day Poland, potential Germany, Austria and also France, which should A project of NAKI (Programme of Applied Research open the door to further research and expand and Development of National and Cultural present knowledge of European sculpture of the Identity) of the Czech Ministry of Culture re- 14th century. solved in the Museum of Applied Art in Prague Participation: Ivo Hlobil DF13P01OVV018, 2013–2017 The research project Panelaci.cz sets itself the Art, architecture, design and national identity target of processing for the first time, seriously This project of the Academy of Arts, Architecture and in great breadth, the phenomenon of the and Design in Prague is realised in the Programme panel-built housing estates in the Czech Republic. of Applied Research and Development of National The research team, coordinated by the Museum of and Cultural Identity (NAKI) of the Czech Ministry Applied Art in Prague, is proceeding by individual
IAH — ANNUAL REPORT 2013 46 regions, including the capital city of Prague, select- Sylva Dobalová with studies devoted to Baroque ing from each region several of the most important layouts, Vienna-oriented supreme Baroque housing schemes with the emphasis on the present architecture, stucco and painted decorations and regional cities. The team is analysing these housing Baroque gardens. schemes in an interdisciplinary manner from the Researcher: Petr Macek architectural, urbanistic, sociological and statistical Participation: Martin Krummholz and Martin Mádl viewpoints and also from the viewpoint of heritage care. Among the outcomes of the project there will František Tkadlík (1786–1840) be exhibitions both in the open air and in exhibi- This project of the Grant Agency of the Czech tion halls in regional cities, scientific publications, Republic is researched by the National Gallery in educational programmes and also contributions in Prague, No. P409 13-17156S, 2013–2016 the media. The project will be completed in 2017. The aim of the project is to document anew the The team is led by Dr. Lucie Zadražilová of the work of the painter František Tkadlík, who was Applied Art Museum in Prague. the leading proponent of Nazarenism in the Czech Cooperation: Vendula Hnídková and Rostislav Lands and a key figure in the formation of modern Švácha Czech painting in the 19th century. Tkadlík’s work will be presented not only in the wider context of Social rise and fall and their reflection in the development of painting in the 19th century, architecture but also on the background of contemporary re- The project is realised in the framework of the search into the problems of art in the 19th century. Student Grant Contest of the Czech Technical Participation: Pavla Machalíková University (SGS 12/203/OHK 1/35/15) The grant is intended for the support of the Architecture, urbanism and landscaping of the research work of the postgraduates of Michael Rykl Frydlant estate of Albrecht of Valdštejn in the Institute of the Theory and History of This project of the Grant Agency of the Czech Architecture of the Faculty of Architecture of the Republic is researched by the Petr Uličný and by Czech Technical University in Prague. It serves in the Regional Museum and Gallery in Jičín, No. particular as financial support for the realisation of 404/09/2112, 2009–2014 historical building investigations, the results and The manuscript of the publication, part of which findings from which can then be implemented for was prepared by the co-researcher, concerning the the overall evaluation of the social situation of the Valdštejn Palace (the so-called Large Grotto), and inhabitants of the individual buildings, but also of several comparative studies (cf. Ivan P. Muchka, whole settlements. The outcome should be a joint Genua als Paradigma und eine Parallele zur publication. Within the framework of the project Wallensteins Architektur, Studia Rudolphina, I was able to carry out detailed historical building Bulletin of the Research Centre for the Art and investigations of building No. 17 in Prague Culture of the Age of Rudolf II, (10), Praha 2010, Petrovice and building No. 112 in Hostoun. pp. 161–166) have been completed. Co-researcher: Ludmila Hůrková Co-researcher: Ivan Muchka
Baroque architecture in Bohemia Discursiveness of 19th century literature in the Project of the Grant Agency of the Czech Republic, Czech and Slovak context Institute for Art History of the Arts Faculty of This project of the Grant Agency of the Czech Charles University in Prague, No. P409/10/1099 Republic is being realised at the Arts Faculty of the Participating in this project, aimed at research on South Bohemian University in České Budějovice, Czech architecture of the 17th and 18th centu- No. P406/12/0347, (2012–2016) ries, the bearer of which was the Institute for Art The project of the South Bohemian University in History of the Arts Faculty of Charles University in České Budějovice is based on the literary theory of Prague, were Martin Krummholz, Martin Mádl and the synoptic-pulsation model, in which the devel-
IAH — ANNUAL REPORT 2013 47 opment model of the stylistically closed periods of sional and power-political expressions. Milada classicism, romanticism, realism and parnassism Studničková participates, in cooperation with the were replaced by the system of dynamic events. Institute for Czech Language of the Academy of Among the case studies on Czech literary parnas- Sciences of the Czech Republic (Dr. Homolková), sism is included a chapter on the art criticism of in the preparation of the publication The Tabule of the pastels of Max Pirner entitled Demon Love Nicholas of Dresden. (1885) and their share in the formation of the Participation: Milada Studničková and Michal parnassist discourse. Šroněk Participation: Taťána Petrasová Katalogisierung der illuminierten Historisation of Central Europe Handschriften und Inkunabeln in österre- The project is being realised at the Institute ichischen Bibliotheken: Ostmitteleuropa. of Historical Science of the Arts and Sciences Mitteleuropäische Schulen VIII (ca. 1400–1450) Faculty of the Silesian University in Opava, No. Böhmen, Mähren, Schlesien, Ungarn CZ1.07/2.3.00/20.0031, (2012–2014) The project of the Fond zur Förderung der The thematic axis of the project is the problem of wissenschaftlichen Forschung – Österreich is the Historisation of Central Europe. In the theses of researched by the Zentrum Mittelalterforschung the project Central Europe is seen as a classical cul- Kommission für Schrift- und Buchwesen des tural-geographic border area and contact zone, in Mittelalters der Österreichischen Akademie which contacts occurred between different cultures, der Wissenschaften, Österreichische ethnicities and confessions and there was a meeting Nationalbibliothek-Handschriftensammlung, of western and eastern influences. The geographi- Institut für Kunstgeschichte, Universität Wien, cal term of Central Europe was gradually historised 2010–2013, No. P22227 in the course of this, or in other words filled with The aim of the project is the preparation of a cat- historically conditioned meanings, and in the alogue of illuminated manuscripts of Bohemian, individual national cultures it was burdened with Moravian, Silesian and Hungarian origin numerous and often contradictory stereotypes. from the years 1400 to 1450 from the Austrian Co-researcher: Dalibor Prix National Library in Vienna. The catalogue will be part of the publication series Die illuminierten Cultural codes and their alterations in the Handschriften und Inkunabeln der Österreichischen Hussite period Nationalbibliothek, which has been published This project of the Grant Agency of the Czech since 1905. The results will be available on the Republic is being realised in the Centre of Internet (www.manuscripta-mediaevalia.de and Medievalist Studies of the Institute of the Academy in the catalogue Mittelalterliche Handschriften in of Sciences of the Czech Republic and in the österreichischen Bibliotheken: www.ksbm.ac.at/ Institute for the History of Christian Art of the scripts/mihoeb.php) and will form part of the Catholic Theology Faculty of Charles University in Datenbank für Ikonographie und Literatur der Prague. Österreichischen Nationalbibliothek. Grant project excellence No. P405/12/G148, Participation: Milada Studničková (2012–2018) The project focuses on the culture and media of the Daguerreobase 15th century, investigates the coding of cultural Project within Competitiveness and Innovation contents by linguistic and visual means or through Framework Programme 2007–2013, CIP–Best symbolic actions, comprehensible only with refer- Practice Network, 2012–2014, No. CIP-ICT- ence to the cultural and social contexts of the time. PSP-2011-5. The project aims to bring together dig- The outcome will be a set of source publications ital images and descriptions of more than 25 000 and secondary studies on the society and culture European historical daguerreotypes and related lit- of the Hussite era in the full width of its confes- erature. The Daguerreobase Best Practice Network
IAH — ANNUAL REPORT 2013 48 consists of the Consortium and Associated Partners der mährischen und österreichischen Seite der being cultural heritage institutions, private collec- Staatsgrenze, (2012–2014) tors and software companies across Europe. The aim of the project is the preparation of a cat- Participation: Petra Trnková alogue of the unique collection of the chateau in Rájec nad Svitavou, which, in contrast to other col- History and theory of heritage care – lections, has been preserved almost in its entirety. Biographical dictionary of Czech preservation- The catalogue will include, apart from a list of the ists, 1800–1950 individual works, the latest findings on the history Project financed from the Support for Long- of the collection and on the patronage of the family term Conceptual Development of Research from Salm-Reifferscheidt in Moravia in the period Organisation, National Heritage Institute from the 18th to the beginning of the 20th century. The project focuses on the preparation of an index Participation: Tomáš Valeš and the creation of biographical entries for figures from the history of Czech heritage care, in the Antonín Pelc – his work as a mirror of history, initial phase for the period from 1800 to 1950. politics and ideology The entries are regularly published on the Internet This project of the Grants Agency of the Czech pages of the National Heritage Institute. Republic is being researched by the National Cooperation: Kristina Uhlíková Gallery in Prague, No. P409/12/0133, (2012– 2014) The sculptor Ondřej Schweigl, the role of the The project is processing in detail the life and work artist and the transformation of art on the of artist Antonín Pelc (1895–1967). It focuses threshold of the modern era on his interpretation in the wider context with This project of the Grant Agency of the Czech emphasis on tracing the role of the artist in society Republic is being realised in the History Seminar of and capturing the relationships of artistic creativity the Arts Faculty of Masaryk University in Brno, No. with politics and ideologies. P409/12/0617, 2012–2014 Co-researcher: Tomáš Winter The research on the artistic and theoretical work of Participation: Polana Bregantová Ondřej Schweigl is set, within the framework of the project, in the wider context of Central European art and society at the end of the 18th century. At the same time it focuses in particular on the analy- sis and interpretation of those aspects of Schweigl’s work, which relate to the more general questions of the changes in (Central) European culture, society and identity on the threshold of the modern era. Co-researcher: Tomáš Valeš
Scientific catalogue of the picture gallery in Rájec nad Svitavou and the collections of the family from Salm-Reifferscheidt in the 18th to 20th centuries This project of the Grants Agency of the Czech Republic is researched by the Moravian Gallery in Brno No. GAP409/12/2017 with the fi- nancial support of the Collegium Carolinum (München): Hindernis auf der Landkarte oder im Sinn? Barocke Kunstwerke und Künstler auf
IAH — ANNUAL REPORT 2013 49 Exhibitions
25. 9. 2013–5. 1. 2014, organisers: the National Gallery in Prague – Archives of the Capital City of Prague Martin Krummholz, cooperation in the preparation of the exhibition
Fantastic realism 1960–1966. Jan Jedlička – Olbram Zoubek Vladivoj Kotyza – Mikuláš Rachlík Prague Castle Riding School, Gallery of the City of Plzen 29. 11. 2013–30. 3. 2014 Vojtěch Lahoda, curator of the exhibition and Polana Bregantová, curator of the exhibition and co-author of the catalogue editor of the catalogue Cubisti Cubismo Klimt – Mucha – Kupka in Drawings Complesso Monumentale del Vittoriano, Roma 2013 Museum Kampa, Prague, 28. 6.–22. 9. 2013 Vojtěch Lahoda, cooperation in the preparation of Lenka Bydžovská, cooperation in the preparation the exhibition of the exhibition Josef Führich (1800–1875). A look back at the activities and selected pro- From Chrastava to Vienna jects of the Grant Agency of the Academy of Regional Gallery in Liberec – National Gallery in Sciences of the Czech Republic (1990–2013) Prague Academy of Sciences of the Czech Republic, Pavla Machalíková, preparation of the exhibition Prague, 12. 6.–4. 7. 2013 (2014) and catalogue Lenka Bydžovská and Beket Bukovinská, coopera- tion in the preparation of the exhibition Pavel Nešleha – Possibilities of Depiction Gallery of Academy of Arts, Architecture, and For the solace of all the world. Sculpture and Design in Prague, 28. 2.–6. 4. 2013 painting of the Chomutov and Kadaň districts Mahulena Nešlehová, concept of the exhibition 1350–1590 Regional Museum in Chomutov, exhibition of Pavel Nešleha – Sediments of Memory IV medieval art: (opened in October 2013), Helena Aleš South Bohemian Gallery in Hluboká nad Dáňová, cooperation in the preparation of the Vltavou – Wortner House in České Budějovice, exhibition 28. 3.–12. 5. 2013 Mahulena Nešlehová, concept of the exhibition, The National Style. Culture and politics selection of works The National Gallery in Prague, 8. 3.–2. 6. 2013 Vendula Hnídková, author of the exhibition Pavel Nešleha – I was attracted by light… North Bohemian Art Gallery in Litoměřice, Metamorphoses of politics. Prague monuments 18. 4.–1. 6. 2013 of the 19th century Mahulena Nešlehová, concept of the exhibition, Prague, Clam-Gallas Palace, selection of works
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The Hypnotist of Modern Painting. Bohumil Sial Kubišta (1884–1918) and the disquiet of the Spolok architektov Slovenska, Bratislava, European avant-gardes 1–18. 10. 2013 National Gallery in Prague Rostislav Švácha, cooperation in the preparation of Mahulena Nešlehová, selection of the works of the exhibition Bohumil Kubišta The Buquoys’ Rožmberk: Photographs, plans, The Opava Ramparts drawings and graphics from the collections of The Opava Cultural Organisation and the National the Institute of Art History of the Academy of Heritage Institute, Regional Centre of Ostrava; Sciences of the Czech Republic Opava, Obecní dům, Ostrožná 46, State Castle of Rožmberk, 23. 5. 2013–31. 10. 2013 28. 11. 2013–30. 3. 2014 Petra Trnková, co-author and curator of the exhi- Dalibor Prix, participation in the preparation of the bition exhibition Forgotten treasures. Art in the Dačice area in The Sign of the Vertical the 17th to 19th centuries Silesian Provincial Museum in Opava; Opava, SZM State Chateau of Dačice 2013 Historical Exhibition Building, Komenského 10, Tomáš Valeš (with Jan Mikeš), cooperation in the 24. 9. 2013–23. 3. 2014 preparation of the exhibition Dalibor Prix, participation in the preparation of the exhibition Famous Buildings of Prague 7 Galerie v Krytu, 18. 6.–30. 9. 2013 Art in an Unsettled Time. Czech book painting Pavel Vlček, cooperation in the preparation of the before Gutenberg exhibition Window Gallery of the Institute of Art History of the Czech Academy of Sciences, 6. 12. 2013 – Guided Tour of the Colloredo-Mansfeld Palace Milada Studničková, cooperation in the prepara- Gallery of the Capital City of Prague, 28. 6. 2013 tion of the exhibition Pavel Vlček, cooperation in the preparation of the exhibition Umsonst ist der Tod. Alltag und Frömmigkeit am Vorabend der Reformation Palms on the Vltava: Primitivism, non-European Mühlhausen, Museum am Lindenbühl, and Czech fine art 1850–1950 29. 9. 2013–13. 4. 2014 Plzeň: Masné krámy Exhibition Hall, West Milada Studničková, cooperation in the prepara- Bohemian Gallery, 30. 1.–28. 4. 2013 tion of the exhibition and catalogue Tomáš Winter, author of the exhibition
Frömmigkeit in Schrift und Bild. Illuminierte Travelling against his will: Antonin Pelc in Sammelindulgenzen im mittelalterlichen Morocco, Martinique and America Mühlhausen Exhibition from the depository, Cheb, Art Gallery, Das Stadtarchiv Mühlhausen, 28. 9. 2013 3. 4.–30. 6. 2013 Milada Studničková, cooperation in the prepara- Tomáš Winter, co-author of the exhibition tion of the exhibition Josef Sudek: Negro Masks Prague: Window Gallery of the Institute of Art History of the Academy of Sciences of the Czech Republic, 7. 2.–26. 5. 2013 Tomáš Winter, co-author of the exhibition
IAH — ANNUAL REPORT 2013 51 Conferences
Regular cycles as “monument” and “document”. Sepulchral monu- ments between history and art history The Lecture Series Collegium historiae atrium (CHA) 24. 4. Éva Forgacs (College of Design, Pasadena, A series of lectures delivered regularly every CA): Why Did Berlin Become a Centre? Interwar second and last Wednesday in the month in the Berlin’s Role in the International Avant-garde Lecture Room of the Institute of Art History, 15. 5. Pavel Suchánek (Masaryk University in Academy of Sciences of the Czech Republic. Brno): The Baroque statue between the Tridentine and popular religion 9. 1. Marta Filipová (University of 29. 5. Michaela Ottová (Arts Faculty of Charles Wolverhampton): The Nation at an Exhibition. University in Prague): Confessional changes and the Industrial and art exhibitions in Bohemia and form of the liturgical furnishing in the Church of the Moravia, 1891–1928 Assumption of Our Lady in Most in the 16th century 30. 1. Milada Studničková (Institute of Art History 12. 6. Keith Holz (Western Illinois University, of the Academy of Sciences of the Czech Republic, Macomb, IL): Kokoschka Public and Private in Prague): The theological metaphor as an object Czechoslovakia: New Evidence, New Insights 13. 2. Zuzana Všetečková (Institute of Art History 26. 6. Jana Zapletalová (Catholic Theological of the Academy of Sciences of the Czech Republic, Faculty of Charles University in Prague): The Prague): The seven sacraments in the context of the Madonna of Andrea del Sarto in Opočno art of 1350–1450 25. 9. Petr Uličný (Utrecht/Prague): Michna’s gar- 27. 2. Sabine Frommel (EPHE-Sorbonne, Paříž): den palace and the Rome of Bernini and Borromini Lorenzo de Medici und die Baukunst 9. 10. Václav Hájek (Faculty of Humanitarian 13. 3. Martin Pavlíček (Palacky University in Studies of Charles University): The bent thumb or Olomouc): Bozzetti of Matyáš Bernard Braun the delightful and convulsive clasp 27. 3. Matthew Rampley (University of 23. 10. Kateřina Dolejší (Institute of Art History Birmingham): Max Dvořák the Imperialist of the Academy of Sciences of the Czech Republic, 10. 4. Ondřej Jakubec (Masaryk University in Prague): “Emblemata”, “Symbola” and “Illustra” in Brno): The Renaissance/Early Modern-age epitaph the Baroque prints of Olomouc University
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27. 11. Jan Royt (Arts Faculty of Charles University in Prague): The artistic and ideological sources of the Master of the Třeboň Altarpiece
The meetings The Middle Ages in Motion – 2013: prepared by Klára Benešovská
20. 2. Ivan Foletti, (Section d‘histoire de l‘art L‘Anthropole‘, Université de Lausanne and the Seminar of Art History of the Arts Faculty of Masaryk University, Brno): Baptism and Painting: decoration of the doors of the Basilica of Saint Sabina in Rome and their liturgical function. 26. 3. Jan Hrdina, (Archives of the Capital City of Prague): New findings of a Prague pilgrim’s badge Conferences and colloquia and the Central European context 30. 4. Tomáš Gaudek, (Institute of Art History of organised by the Institute the Academy of Sciences of the Czech Republic, of Art History Prague): Illuminated manuscripts of the second third of the 14th century from the collection of the former Roudnice canonry: questions and considerations. Beket Bukovinská, Inventory or catalogue, contri- 28. 5. Ivo Hlobil, (Institute of Art History of bution to the conference Inventories. 4th meeting the Academy of Sciences of the Czech Republic, on the problems of written sources for art history, Prague): On peculiarities of the depiction of the Prague, Institute of Art History of the Academy Crucifixion of Christ in the time of the Luxembourgs of Sciences of the Czech Republic, Academic 24. 9. Julie Jančárková, (Slavonic Institute of Conference Centre, 6 June 2013. the Academy of Sciences of the Czech Republic, Prague): Old Russian, Byzantine and Armenian art Kateřina Kubínová, Ondřej z Rakous – scribe of the 29. 11. Evelin Wetter, (Abegg-Stiftung, Morgan Bible Riggisberg): Bride of Christ and Groom of the Contribution to the international workshop Art in Church: Liturgical Clothing in Consecration Rites an Unsettled Time. Bohemian Book Painting before Gutenberg (ca. 1380–1450)/ Kunst in unruhigen Zeiten. Böhmische Buchmalerei vor Gutenberg/ Umění v neklidné době. Česká knižní malba před Gutenbergem organised by the Institute of Art History of the Academy of Sciences of the Czech Republic, Prague, 12–14 November 2013
Martin Mádl, ‘Iconomysticism’ of Jacob Masen and Decoration of Pilgrim Church at Holly Hill near Olomouc Contribution and co-organisation of the confer- ence Concept – Image – Reception. Baroque Ceiling Painting in the Setting of European Monasteries, organised by the Institute of Art History of the Slovak Academy of Sciences and the Institute of Art History of the Academy of Sciences of the Czech Republic, The Research Group for Baroque
IAH — ANNUAL REPORT 2013 53
Ceiling Painting in Central Europe, Bratislava, Gutenberg (ca. 1380–1450)/ Kunst in unruhigen 19–21 September 2013 Zeiten. Böhmische Buchmalerei vor Gutenberg/ Umění v neklidné době. Česká knižní malba před Martin Mádl, Felix Anton Scheffler and Baroque wall Gutenbergem organised by the Institute of Art paintings in the environment of the Břevnov and History of the Academy of Sciences of the Czech Broumov monasteries. Republic, Prague, 12–14 November 2013 Contribution to the seminar Broumov wall paint- ings from the Middle Ages to the Baroque, Broumov, Petra Trnková, Organisation and participation at 22–23 August 2013 the workshop Buquoys´Rožmberk during the reign of Georg Johann Heinrich, Rožmberk nad Vltavou, Lenka Panušková, Die Vorliebe Wenzels IV. für 23. 5. 2013 Astronomie und Astrologie oder was steckt hinter den Illuminationen des Codex Clm 826? Kristýna Uhlíková, First inventories of buildings Contribution at the international workshop Art in nationalised after 1945, contribution to the con- an Unsettled Time. Bohemian Book Painting before ference Inventories. 4th meeting on the problems Gutenberg (ca. 1380–1450)/ Kunst in unruhigen of written sources for art history, Prague, Institute Zeiten. Böhmische Buchmalerei vor Gutenberg/ of Art History of the Academy of Sciences of the Umění v neklidné době. Česká knižní malba před Czech Republic, Academic Conference Centre, 6 Gutenbergem organised by the Institute of Art June 2013. History of the Academy of Sciences of the Czech Republic, Prague, 12–14 November 2013
Jiří Roháček, Organisation and leadership of the conference: Inventory. 4th meeting on the problems of written sources for art history, Prague, Institute of Art History of the Academy of Sciences of the Czech Republic, 6 June 2013.
Jiří Roháček, Organisation and leadership of the international conference: Justorum autem animae in manu dei sunt. 12th session on the problems of sepulchral monuments, Prague, Institute of Art History of the Academy of Sciences of the Czech Republic, 31 October – 1 November 2013
Milada Studničková, organisation of the interna- tional workshop Art in an Unsettled Time. Bohemian Book Painting before Gutenberg (ca. 1380–1450)/ Kunst in unruhigen Zeiten. Böhmische Buchmalerei vor Gutenberg/ Umění v neklidné době. Česká knižní malba před Gutenbergem organised by the Institute of Art History of the Academy of Sciences of the Czech Republic, Prague, 12–14 November 2013
Milada Studničková, Von Luxus-Handschrift zum Medium der Reformbewegung Contribution at the international workshop Art in an Unsettled Time. Bohemian Book Painting before
IAH — ANNUAL REPORT 2013 54 Lectures at the invitation of other institutions, participation in conferences and scientific meetings prepared by other organisers
International gotyk Mistrza Jakuba Beinharta / The Silesian Gothic of Master Jacob Beinhart, Muzeum Śląska Klára Benešovská, Cloître d’Emmaüs – fondation Cieszyńskiego, 16. 5. 2013 et fonctionnement dans la Nouvelle Ville de Charles IV, XLIVe Congrès de la Société des Historiens Vendula Hnídková, Battlefield as a Source for Médiévistes de l’Enseignement Supérieur Public, Czechoslovak visual Identity, Association of Art Prague, 24. 5. 2013 Historians Annual Conference, University of Reading, 11.–13. 4. 2013 Helena Dáňová, Jacob Beinhart and the Master of the Olomouc Madonnas – options for cooperation Petr Kratochvíl, Public Spaces in the Czech Republic, and cultural exchange between regions in the first Universidade Lusófona do Porto, 8. 10. 2013 third of the 16th century, international conference Śląski gotyk Mistrza Jakuba Beinharta / The Petr Kratochvíl, Das neue Prag in alter Stadt, Silesian Gothic of Master Jacob Beinhart, Muzeum Sympozium Wien – Berlin – Prag, Fakultät der Śląska Cieszyńskiego, 16. 5. 2013 Architektur, Technische Universität München, 15. 11. 2013 Helena Dáňová, Seated Virgin Mary by the Master of the Kefermarkt Altarpiece. Specification of the Martin Krummholz, Theresienthal bei Gratzen. sculpture’s monochrome surface treatment, known Anfänge der Landschaftsgärten in Böhmen, as Holzsichtigkeit, international conference: Österreichische Gesellschaft für historische Gärten, International Council of Museums, Committee Wien, 3. 12. 2013 of Conservation Heritage Wood: Research and Conservation in the 21st century, Muzeum Kateřina Kubínová, Le cycle iconographique du Narodowe, Warszawa, with R. Šefců, A. Třeštíková monastère pragois Na Slovanech (Emmaüs), lecture and V. Pitthard, 28.– 30. 10. 2013 as part of the L’Europe centrale de la fin du Xe au début du XVIe siècle. Aspects religieux et culturels Tomáš Gaudek, Die Schönheit unter der Lupe. Die cycle, École Normale Supérieure, Paris, Kunstwissenschaftler und die Zeit der Luxemburger, 10.–13. 1. 2013 Heilige, Helden, Wüteriche, Verflochtene Herrschaftsstile im langen Jahrhundert der Kateřina Kubínová, Cloître d’Emmaüs – Le cycle Luxemburger, Heidelberg, 27. 9.–2. 10. 2013 iconographique, XLIVe Congrès de la Société des Historiens Médiévistes de l’Enseignement Ivo Hlobil, Reflections on the Wroclaw Madonna Supérieur Public, Prague, 24. 5. 2013 of Jacob Beinhart, international conference Śląski
IAH — ANNUAL REPORT 2013 55
Vojtěch Lahoda, Cubism as a Worldview: Emil Milada Studničková, Bohemian Illuminators Filla´s appropriation of Picasso, interdisciplinární in Avignon at the Turn of the 14th and 15th sympozium The European Artistic Avant-garde c. Centuries, international conference Forum, 1910–1930: Formations, Network and Transnational Kunst des Mittelalters II., Deutscher Verein für Strategies, Södertörn University Stockholm, Kunstwissenschaft, Freiburg im Breisgau, 11.–13.9. 2013 18.–21. 9. 2013
Lenka Panušková, God the Creator of the Universe Milada Studničková, Die mittelalterliche with scales and pair of compasses as a Symptomatic Wappenbriefe in den Böhmischen Ländern Motif of Psalter Imagery: Example of Tiberius and und ihre Beziehung zur Buchmalerei, in- Bury Psalters, Psalm Culture and the Politics of ternational conference Wappenbriefe und Translation, Queen Mary University of London, Standeserhöhungsurkunden als Ausdruck 15.–17. 7 2013 europäischen Kulturtransfers? Beiträge zur diplomatischen Norm und sozialen Praxis im Lenka Panušková, Astrologische Handschriften späten Mittelalter, Silesian University in Opava – Wenzels IV. als Medium der Herrscherlegitimation, Institut für Geschichtsforschung, Österreichische Heilige, Helden, Wüteriche. Verflochtene Akademie der Wissenschaften Wien, Institut für Herrschaftsstile im langen Jahrhundert der Mittelalterforschung, Opava, 13.–15. 3. 2013 Luxemburger, Akademie der Wissenschaften Heidelberg gemeinsam mit der Gelehrten Milada Studničková, Musca, creatura minima. Gesellschaft der Tschechischen Republik, Possible meanings of a fly on a picture, international Heidelberg, 30. 9.–2. 10. 2013 conference on ‘Man and the animal world in the Middle Ages’, Topoľčianky, Institute of History, Lenka Panušková, Mühlenallegorie im Bild Slovak Academy of Sciences in Bratislava, und Wort, Geisteswissenschaftliche Zentrum 30. 9.–2. 10. 2013 Geschichte und Kultur Ostmitteleuropas Leipzig, 3. 7. 2013 Petra Trnková, A photographic collection managed by an art-history research institute (poster a prez- Jiří Roháček, Praga caput regni. Städtische entace), conference CoMa: Safeguarding Image Selbstdarstellung in Inschriften böhmischer Städte Collections, Issues in the management of photo- zwischen Glanz und Dürftigkeit, Inschriften in graphic collections, Brusel, Koninklijk Instituut der Stadt. 13. Internationale Fachtagung für voor het Kunstpatrimonium – Institut royal du mittelalterliche und neuzeitliche Epigraphik, Patrimoine artistique, Brusel, 31. 10. 2013. Kunsthalle Würth Schwäbisch Hall, 9.–11. 10. 2013
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Domestic
Klára Benešovská, ‘Court art at the time of the Helena Dáňová, Medieval architectural sculp- Přemyslids’ – a critical overview, Institute for Czech ture in the Cathedral of the Holy Spirit in Hradec History, Faculty of Arts of Charles University in Králové, international conference on Gothic and Prague, seminar by D. Dvořáčková and J. Zelenka Early Renaissance art in East Bohemia 1200–1550 Courts and residences: a definition of concepts, organised by the Institute for Art History of the 18. 3. 2013 Academy of Sciences of the Czech Republic and the Department of Art History of the Faculty of Arts of Klára Benešovská, Late Gothic architecture, Leisure Palacký University, Hradec Králové, 3.–5. 12. 2013 Time Academy: the visual arts in history, City of Prague Museum, 11. 4. 2013 Ivo Hlobil, Gothic sculpture in East Bohemia before the ‘krásný sloh’, conference on Gothic and Early Klára Benešovská, The Viscontis and Luxembourgs, Renaissance art in East Bohemia 1200–1550 of the Society of Friends of the National Gallery in Institute of Art History of the Academy of Sciences Prague, 16. 4. 2013 of the Czech Republic and the Department of Art History of the Faculty of Arts of Palacký University, Klára Benešovská, The history of art counted out? Hradec Králové, 3.–5. 12. 2013 On the periphery of interdisciplinarity in medieval studies, conference of the Centre for Medieval Helena Dáňová, Rediscovered heritage. On the new- Studies and the Archaeological Institute of the ly-identified provenance of north western Bohemia of Academy of Sciences of the Czech Republic The several carvings from the National Gallery in Prague, Czech state in the 10th century – origins, society, international conference on Josef Opitz and art culture, Žatec Discussion Forum, 7.–9. 10. 2013 in the Chomutov and Kadaň regions 1350–1580, Regional Museum in Chomutov, 17.–18. 2013 Klára Benešovská, ‘Foreign’ or ‘home-grown’ mas- ters? The transfer of works, thoughts and styles in Vendula Hnídková, Janák – Kotěra – Wagner. medieval art and in the Czech lands, Institute for Deconstructing the myth of the master, conference Czech History, Faculty of Arts, Charles University on Jan Kotěra: his times, teachers and students. in Prague, part of Martin Nejedlý’s Medieval Man Museum of East Bohemia, Hradec Králové, seminar, 22. 10. 2013 4.–5. 9. 2013
Klára Benešovká, All Saints’ Chapel at Prague Castle, Vendula Hnídková, What is ‘national’ about the Catholic Faculty of Theology of Charles University national style?, National Gallery in Prague, in Prague, part of Petr Kubín’s seminar Prague in 18. 5. 2013 the Middle Ages, 10. 11. 2013
IAH — ANNUAL REPORT 2013 57
Vendula Hnídková, The heyday of functionalism, Herrscherhöfen und Adelsresidenzen (16.–19. 4+4 days on the move, Prague, 15. 10. 2013 Jahrhundert), Universität Salzburg and the Institute of History of the Academy of Sciences of Ludmila Hůrková, Historical and building devel- the Czech Republic, Prague, 26.–28. 9. 2013 opment on the periphery of Prague in the second half of the 19th century against the background of Martin Krummholz, The Gallases were not created historical building surveys, Science and research from hops and barley, Regional Research Library in Week, Faculty of Architecture, Czech Technical Liberec, 9. 4. 2013 University, Prague, 30. 5. 2013 Martin Krummholz, How to read a Baroque palace, Lubomír Konečný, A handful of reflections on draw- Bar Krásný ztráty, Prague, 13. 6. 2013 ing B 9455 in the Moravian Gallery, ‘Ars Linearis’ colloquium, National Gallery in Prague, Martin Krummholz, The Theresian Valley and 25.–26. 3. 2013 Buquoy architecture in Nové Hrady, Nové Hrady Museum, Nové Hrady, 29. 11. 2013 Petr Kratochvíl, The public space and architecture, 18. 3. Faculty of Architecture, Czech Technical Martin Krummholz, Ambassadors and their rep- University, Prague, 23. 4. University of South resentation from an art historian’s point of view, Bohemia, České Budějovice, 1.10. Archdiocesan Sources on the history of Early Modern Habsburg museum, Olomouc, 5. 12. Academy of Arts, diplomacy 1600–1750, Institute of Historical Architecture and Design in Prague Sciences, University of Pardubice, 15. 11. 2013
Petr Kratochvíl, author’s reading on the publication Kateřina Kubínová, The Emmaus cycle, part of sem- of The public space and architecture, SERIUS book- inar by the Faculty of Arts of Charles University, shop, Jablonec nad Nisou, 22. 3. 2013 Prague, Na Slovanech Monastery, 22. 2. 2013
Martin Krummholz, The collaboration between Kateřina Kubínová, The Emmaus cycle, part of Jan Kotěra and Stanislav Sucharda, Jan Kotěra: student excursion from the Central European his times, teachers and students. Museum of East University Budapest (Balázs Nagy), Prague, Bohemia, Hradec Králové, 4.–5. 9. 2013 Na Slovanech Monastery, 17. 5. 2013
Martin Krummholz, Dispositionen der Vojtěch Lahoda, Photomontage and ‘cineography’, Barockresidenzen des böhmischen Adel, Innere lecture to mark the RED8 exhibition, Academy of und äussere Kommunikationsstrukturen von Arts, Architecture and Design, Prague, 9. 5. 2013
IAH — ANNUAL REPORT 2013 58
Vojtěch Lahoda, Images and archetypes, lecture for Jiří Roháček, Epigraphic and sepulchral miscellanea exhibition organised by the National Gallery in 2013. Justorum autem animae in manu dei sunt, 12th Prague, Prague, 17. 10. 2013 conference on the issues of sepulchral memorials, Institute of Art History of the Academy of Sciences Vojtěch Lahoda, Filla and Aleš, conference to mark of the Czech Republic, Prague, 31. 10.–1. 11. 2013 the 130th anniversary of the birth of Mikuláš Aleš, Mánes Union of Fine Arts and Kooperativa, Prague, Milada Studničková, Pilosus et hispidus. The wild 15. 10. 2013 man in the borders of manuscripts, Ars linearis, Prague, 25.–26. 3. 2013 Vojtěch Lahoda, lecture at Lion-cubs in a cage exhi- bition, Liberec Regional Gallery, 21. 11. 2013 Milada Studničková, supplementary paper for the presentation of František Šmahel’s book Wild people Pavla Machalíková, From restoration to forgery, in (the imagination of) the Late Middle Ages (organ- from forgery to inspired creation: František Horčička ised by the History Students’ Society of the Faculty and all the rest, Plzeň interdisciplinary symposium of Arts of Charles University), Prague, 22. 5. 2013 on the problem of the 19th century: historical myths and mystification, 21.–23. 2. 2013 Milada Studničková, Spectacles and flies in Krumlov necrology: joke or visualisation of a theological Klára Mezihoráková, The Dominican monas- metaphor?, lecture, part of the ‘Lustre and shadow tery church of St. Catherine in Olomouc, Palacký of the Luxembourg epoch’ (fundamental problems University in Olomouc, Department of Art History, in the study of Czech history in the Middle Ages) lecture (part of ‘Current Research in Postgraduate cycle, Faculty of Arts of Charles University, Prague, Studies in Art History’ cycle), 10. 4. 2013 10. 3. 2013
Lenka Panušková, Image versus text: the stone cross Rostislav Švácha, Protecting postwar architectural in Ruthwell and the Dream of the Cross, lecture for heritage, Crossroads in Architecture: conference students of the Medieval Seminar organised by on the protection of architectural heritage from the Institute of Art History of the Faculty of Arts of the years 1948–1989, ABF foundation, National Charles University, Prague, 7. 5. 2013 Museum in Prague, 13. 6. 2013
Taťána Petrasová, Mystification or serious game: the Rostislav Švácha, The desacralisation of sokolovny, Liběchov Slavín, Plzeň interdisciplinary symposi- Sports and Travelling in Interwar Czechoslovakia, um on the problem of the 19th century: historical international conference organised by the National myths and mystification, 21.–23. 2. 2013 Museum in Prague, 3.–4. 10. 2013
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Rostislav Švácha, Colloquium on the renewal of the Petra Trnková, Georg Johann Heinrich Buquoy Baťa memorial in Zlín, Zlín City Authority, 21. 8. 2013 and the first photographs of Rožmberk, National Heritage Institute, České Budějovice, 15. 4. 2013 Rostislav Švácha, Sport as a generator of culture and architecture, Serius bookshop, Jablonec nad Nisou, Kristina Uhlíková, Negotiations on the claims of 8. 2. 2013, Faculty of Architecture of the Czech the Czechoslovak Republic for works of art from the Technical University, Prague, 27. 2. 2013, Sokol Austrian collections following the First World War, Brno, 11. 6. 2013 Karel Kazbunda, cultural heritage and internation- al law, Jičín, 19.–20. 4. 2013 Rostislav Švácha, Protecting postwar architectural heritage, National Heritage Institute, Plzeň region- Tomáš Winter – Anna Pravdová, National Gallery al office, 12. 2. 2013 in Prague, The birth, death and lost illusions of a caricaturist. Three chapters in the life of of Antonín Rostislav Švácha, Brutalism in postwar architecture, Pelc, Ars linearis IV, National Gallery in Prague, Cheb Regional Gallery, 20. 2. 2013 25.–26. 3. 2013
Rostislav Švácha, Space in the architecture of Adolf Tomáš Winter, From popular entertainment to the Loos, Odry Municipal Museum, 28. 2. 2013 poetry of the physical and spatial senses: Sport and the interwar Czech avant-garde, sports and travelling Rostislav Švácha, Architecture of the Sial association, in Czechoslovakia, Náprstek Museum of Asian, Slovak Architects Society, Bratislava, 16. 10. 2013 African and American Cultures in Prague, 3.–4. 10. 2013 Rostislav Švácha, Photographing architecture, Leica Gallery, Prague, 21. 10. 2013 Tomáš Winter, African art through the lens of Czech photographers: archive, representation, imagination, Petra Trnková, The contribution of the nobility to Brno, Department of art history, Masaryk universi- Czech photography: Andreas Groll and others, work- ty, Brno, 3. 5. 2013 shop: Buquoy’s Rožmberk during the reign of Jiří Jan Jindřich, Rožmberk nad Vltavou, 23. 5. 2013. Tomáš Winter, ‘Savages’ through the eyes of Europeans: colonialism, primitivism and the fine Petra Trnková, lecture accompanying the exhibition art, Olomouc, Department of Art History, Palacký Mirror with memory: the first photographic portraits University, 23. 10. 2013 in Slovakia, 1840–1850, The Slovak National Museum, Bratislava, 19. 11. 2013
IAH — ANNUAL REPORT 2013 60 Pedagogical Activity
(SS – Summer semester; WS – Winter semester; Lubomír Konečný, Historiography and methodology Bc. – Bachelor degree course; Mgr. – Master’s of art history, Institute of Art History, Faculty of degree course) Arts of Charles University, Prague, lecture, WS
Tereza Cíglerová, supervisor of master’s thesis: Lubomír Konečný, Detail, Institute of Art History, Markéta Berdychová, Ambrotypes as one of the Faculty of Arts of Charles University, Prague, oldest photographic techniques, its degradation seminar, WS and restoration methods, Faculty of Restoration, Pardubice University Lubomír Konečný, master’s seminar, Institute of Art History, Faculty of Arts of Charles University, Helena Dáňová, lectures on Art history (HT2), Prague ARCHIP – Architectural Institute in Prague, Bc. Lubomír Konečný, doctoral seminar, Institute for Ivo Hlobil, supervisor of defended doctoral theses: Art History, Faculty of Arts of Charles University, Helena Dáňová, Ondřej Pavelec, Palacký University Prague, in Olomouc Supervisor of defended doctoral theses at the Vendula Hnídková, ARCHIP – Architectural Institute of Art History, Faculty of Arts of Charles Institute in Prague, Bc. University, Prague: Ivana Havlíková, Major levels of the Antique myth: Antique mythological themes in Jan Chlíbec, Medieval sculpture, Catholic Faculty of Czech fine arts of the 1930s, Marek Krejčí, Modern Theology, Charles University, Prague, lecture, SS art history and care for monuments in southeastern Europe, Eliška Zlatohlávková, The Iconography Lubomír Konečný, Historiography and methodology of Emperor Rudolf II., Tomáš Kleisner, Medals of of art history, Institute of Art History, Faculty of the Emperor Francis Stephen of Lorraine, Martin Arts of Charles University, Prague, lecture, SS Krummholz, The Gallases – Baroque knights and benefactors, 1630–1757 Lubomír Konečný, Iconographic seminar: Self- Supervisor of master’s theses: Anežka Bartlová, The portrait, or: How artists see themselves, Institute of crowd and masses in art: multiplicity in the works of Art History, Faculty of Arts of Charles University, Ivan Kafka, Zita Hájková, Caspar David Friedrich. Prague, lecture, SS Motif of the figure next to a window, its genesis and development, Tereza Johanidesová, Art historian Rudolf Chadraba and his scientific works Supervisor of bachelor’s theses: Tomáš Murár, The
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Baroque as a style as conceived by Vojtěch Birnbaum, Vojtěch Lahoda, Collage, installation, 3D collages: Kristina Němcová, Chapters from the history of theo- the fragment and ruins in modern art, 2013–2014, ries on the sublime and its depiction in the fine arts Institute of Art History, Faculty of Arts, Charles University, Prague, lecture, SS Petr Kratochvíl, Modern and contemporary archi- tecture, Faculty of Art and Architecture, Technical Vojtěch Lahoda, Art criticism: theory and practice. University of Liberec, lecture, WS, Bc. 2012–2013, Institute of Art History, Faculty of Arts, Charles University, Prague, Praha, seminar, WS Petr Kratochvíl, Modern and contemporary archi- tecture, Faculty of Art and Architecture, Technical Vojtěch Lahoda, Reflections on modern and con- University of Liberec, lecture, SS, Mgr. temporary art. 2013–2014, Institute of Art History, Faculty of Arts, Charles University, Prague, Praha, Petr Kratochvíl, Czech architecture, Faculty of Art seminar, SS and Architecture, Technical University of Liberec, seminar, WS, SS Vojtěch Lahoda, supervisor of bachelor’s theses: Klára Jarolímková, Pieta in Czech art of the first Petr Kratochvíl, external examiner’s assessment of half of the 20th century. Institute of Art History, doctoral dissertations: Faculty of Arts, Charles University, Prague, Praha, Jan Dostalík, Ecological tendencies in Czechoslovak 2012–2013 urbanism and city planning in the years 1918-1968, Faculty of Social Studies, Masaryk University, Vojtěch Lahoda, supervisor of master’s theses: Brno, Mgr. Zuzana Ježeková, Theoretical reflection (completed): Dana Christianová Relations between of Slovak architecture of the 1960s, Faculty of Arts of Art and Design in Interwar Czechoslovakia, Prague Trnava University, Veronika Šindlerová, The system 2013; Alois Micka, The Gallery of Vincenc Kramář, of public spaces, Faculty of Architecture, Czech 2013; Lucie Ševčíková, Czech architects in the field Technical University in Prague, Dipl. Ing. Barbora of political change 1989–1993, 2013; Adam Štěch Šajgalíková, Public Space – Architecture and the Zbyněk Hřivnáč and interior design of the 1950s to Public / The City of Add-ons, Academy of Fine Arts 1960s, Prague 2013, (ongoing): Tereza Donné, and Design, Bratislava, John Heartfield in Czechoslovakia, 2011–; Martina Martina Sedláková, The hermeneutics of space: a cri- Provazníková, Jakub Bauernfreund and Surrealism. tique of the concept of space in modern architecture, 2011–. Academy of Arts, Architecture and Design, Prague Supervisor of defended doctoral theses: Eva Krátká, Visual poetry within the network of inter- Martin Krummholz, Art in Prague. Czech Art national communication, 2013; Claudia Rajlich, from the Middle Ages to the 21th Century, Charles Fundamental painting, 2013. University in Prague, Faculty of Humanities, Supervisor of doctoral theses: Lucie Váchová, Jewish / Central European Studies Michaela Vávrová, Lucie Šiklová, Šárka Belšíková, Jitka Hlaváčková, Marcela Suchomelová, Mariana Martin Krummholz, external examiner’s assess- Holá. ment of bachelor’s thesis: Pavel Mrověc, The restoration of original plaster casts by Stanislav Martin Mádl, Introduction to Baroque Frescoes, Sucharda, University of Pardubice, Faculty of Institute of Art History, Faculty of Arts, Charles Restoration, 17. 9. 2013 University, Prague, lecture, 2013–2013, SS
Vojtěch Lahoda, Painting and film in the 20th centu- Lenka Panušková, Basic Themes of Christian ry, 2012–2013, Institute of Art History, Faculty of Iconography based on Examples from the Art of Arts of Charles University, Prague, lecture, SS Medieval England, seminar, Institute of the English
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Language and Didactics, Faculty of Arts of Charles Jiří Roháček, Epigraphics, Faculty of Arts of the University, Prague, 2013–2014, WS University of South Bohemia, České Budějovice, SS, Mgr. Dalibor Prix, History of the Fine Arts I., lecture, Faculty of Philosophy and Science, Institute of the Jiří Roháček, Epigraphics, Faculty of Arts, Jan Historical Sciences, Silesian University in Opava Evangelista Purkyně University, Ústí nad Labem, WS, Mgr. Dalibor Prix, Interpretation seminar II, Faculty of Philosophy and Science, Institute of the Historical Milada Studničková, supervisor of doctoral thesis: Sciences, Silesian University in Opava Barbora Holečková, Court Art in the Bohemian Lands and Hungary in the 14th Century, Palacký Dalibor Prix, Sacral architecture, lecture, Faculty of University in Olomouc Philosophy and Science, Institute of the Historical Sciences, Silesian University in Opava, SS Milada Studničková, opponent of master’s 2012–2013 thesis: Barbora Holečková, Iconography of Sacra Conversazione in Medieval Art 13th and 14th Dalibor Prix, Survey of historical architecture, lec- Century, Palacký University in Olomouc ture, Faculty of Philosophy and Science, Institute of the Historical Sciences, Silesian University in Opava Rostislav Švácha, Baroque architecture in Italy, Department of Art History, Faculty of Arts of Dalibor Prix, Interpretation seminar I, Faculty of Palacký University, Olomouc, lecture Philosophy and Science, Institute of the Historical Sciences, Silesian University in Opava Rostislav Švácha, Baroque Architecture in the Czech lands, Department of Art History, Faculty of Arts of Dalibor Prix, Castle and chateau architecture in Palacký University, Olomouc, lecture Central Europe, lecture, Faculty of Philosophy and Science, Institute of the Historical Sciences, Rostislav Švácha, World Architecture of the 20th Silesian University in Opava, WS 2013–2014 Century, Department of Art History, Faculty of Arts of Palacký University, Olomouc, lecture Dalibor Prix, supervisor of theses: bachelor’s theses: Pavla Křenková, Jiřina Paceltová, Lucie Rostislav Švácha, Postwar Architecture around the Málková; master’s theses: Ondřej Haničák, World, School of Architecture, Academy of Fine Faculty of Philosophy and Science, Institute of the Arts, Prague, lecture Historical Sciences, Silesian University in Opava Rostislav Švácha, supervisor of defended doctoral Dalibor Prix, Sacral architecture of the Middle Ages, theses, Faculty of Arts, Charles university, Prague, art history seminar of the Faculty of Arts of Masaryk Pavel Prouza, German social democratic architecture University Brno, lecture, WS 2013–2014, Mgr. for communal housing in Ústí nad Labem in the years 1918–1938, Radmila Veselá, Auguste Perret and his Ivo Purš – Ivan Muchka, The iconography of stucco reception in Czechoslovakia, Eva Bendová, Café ar- decorations of Letohrádek Hvězda, two lectures for chitecture: café in architecture studies and realisation the Seminar on Early Modern History, Faculty of in the first half of the 20th century Arts, Charles University, Prague, (organised by supervisor of defended master’s theses at the doc. PhDr. Marie Koldinská, Ph.D.), 17. 4. 2013 and Department of Art History of the Faculty of Arts of 23. 4. 2013 Palacký University, Olomouc: Tereza Kovaříková, Baťa department stores Jiří Roháček, Epigraphics, lecture, Faculty of Arts of Supervisor of defended bachelor’s theses at the Charles University, Prague, lecture, SS, Mgr. Department of Art History of the Faculty of Arts of
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Palacký University, Olomouc: Jana Kiesewetterová, Pavel Vlček, Tourism and culture II (history of archi- The Church of the Annunciation to the Virgin tecture), College of Tourism, Prague Mary in Litoměřice, Jana Trtíková, Prague bridges 1800–1950, Klára Vráželová, The architecture of Pavel Vlček, Tourism and culture II, (architectural crystalline Cubism in Moravia, Martina Vaverová, terminology), College of Tourism, Prague, seminar Architecture and urbanism in Jindřichův Hradec in the years 1900–1945, Pavla Hofmanová, The recep- Pavel Vlček, Tourism and culture III (typology of tion of English villa architecture by the Czech Modern architecture), College of Tourism, Prague (1890–1920) Pavel Vlček, supervisor of doctoral theses: Dana Michal Šroněk, Introduction to Christian and pro- Linhartová, Historical references in the work of the fane iconography II, Institute of Art History, Faculty Fellner and Helmer atelier, Faculty of Architecture, of Arts of the University of South Bohemia in České Czech Technical University in Prague Budějovice, lecture, seminar, SS, Bc. Pavel Vlček, Assessment of doctoral thesis: Lucie Michal Šroněk, Caravaggio and painting of his Augustinková, Sacral architecture of the second half time in Rome, Institute of Art History, Faculty of of the 16th century and the beginning of the 17th cen- Arts of the University of South Bohemia in České tury on the territory of the Moravia-Silesia Region, Budějovice, lecture, SS, Bc. Faculty of Architecture of the Czech Technical University in Prague Michal Šroněk, Introduction to the study of painting, drawing and graphic art, Institute of Art History, Pavel Vlček, supervisor of bachelor’s theses: Faculty of Arts of the University of South Bohemia Richard Böhm: Approaches to structural alterations in České Budějovice, lecture, SS, Bc. made to major sacral architectural heritage sites in Prague in the period following the Second World Michal Šroněk, Introduction to Christian and pro- War to the present, Institute for Musical Science – fane iconography I, seminar, Institute of Art History, Associated Art Sciences, Faculty of Arts of Masaryk Faculty of Arts of the University of South Bohemia University, Brno in České Budějovice, lecture, WS, Bc.
Michal Šroněk, European and Czech painting of Research Fellowships the 16th and 17th century, Institute of Art History, Faculty of Arts of the University of South Bohemia Tomáš Valeš in České Budějovice, lecture, WS, Bc. 2013/2014 – Francis Haskell Memorial Fund Scholarship 2013, Jakob Matthias Schmutzer Michal Šroněk, Methods and practice of art history, (1733–1811) Paris – Vienna – Bratislava. Print as Institute of Art History, Faculty of Arts of the Artistic and Communication Media at the end of University of South Bohemia in České Budějovice, the Eighteenth Century. lecture, WS, Bc.
Petra Trnková, History and theory of 20th-century Popularisation Activity photography, Art History Seminar, Faculty of Arts, Masaryk University, Brno, WS, Mgr. The members of staff of the Institute of Art History of the Academy of Sciences of the Czech Republic Tomáš Valeš, Painting in Austria 1650–1800, Art devote considerable attention, through public lec- History Seminar, Masaryk University, Brno, WS tures and radio and television programmes, to the popularisation of art history and the broadcasting of new scientific findings. Within the framework
IAH — ANNUAL REPORT 2013 64 of the presentation of the Academy of Sciences of in window displays of Institute of Art History of the Czech Republic the staff of the Institute of Art Academy of Sciences of the Czech Republic (prepa- History of the Academy of Sciences of the Czech ration of the exhibition – Milada Studničková) Republic organised Open Days on 2013, in the course of which there were a number of lectures 7 November: Face-to-face with art – Institute of Art and excursions for the public. History staff present works of art in their original environment Schedule of Open Days: Church of St. Giles: How we see it today, how we 5 November: Art history for all would have seen it before. Organised in coopera- Presentation of the field of art history and the tion with the Prague Dominican Monastery work of the institute, guided tour of the library, Martin Mádl: The Church of St. Giles in the Prague photographic workshop, documentation depart- Old Town, the Dominican Monastery and what we ment, including collection of plans, graphic art and see inside them today photography, and restoration workshop Klára Benešovská: What was there before the mod- Lectures: Art history through games, and others – ern Church of St. Giles: Circumstances of the origins series of short contributions on various themes and building of the Gothic church, its function and Tomáš Gaudek: What can you encounter in a medie- significance amongst other churches of the Prague val scriptorium? Old Town Klára Mezihoráková: The mystery of the Mozart Zuzana Všetečková: Torso of several saints with Room St. Lawrence, sacristy paintings (Legend of St. Lenka Bydžovká: The memorial as a film prop Catherine?) Štěpán Vácha: The Baroque image as a work of art Štěpán Vácha: Let us preach about Christ crucified. and subject of religious reverence Picture on the main altar in the Church of St. Giles by A walk through art history with Vendula Hnídková: Prague painter Antonín Stevens The modern palace of Pavel Janák Taťána Petrasová: Schwanthaler’s headstone of Johann Mraczek and the unrealised reform of the 6 November: Art history, a science like any other Prague Academy of Arts Presentation of the Institute of Art History as Jiří Roháček: Brief epigraphic excursion to finish a scientific centre of the Academy of Sciences of the Czech Republic Presentation of current research projects by insti- tute staff Klára Benešovská: Imago, imagines. The fine arts and changes in their function in the Czech lands from the 10th century to the first third of the 16th century Martin Mádl: The Benedictines in the Czech lands and Baroque frescoes Vendula Hnídková: Moscow 1937 – architecture and propaganda from a Western perspective Tomáš Winter: Antonín Pelc – his works as a reflec- tion of history, politics and ideology Live restoration with Tereza Cíglerová, meeting with participants Vojtěch Lahoda: Les Demoiselles de l’Avignon under- water. Picasso and film Milada Studničková: Art at a time of unrest. Czech book painting before Gutenberg (c. 1380–1450) Window Gallery 2013 – opening of exhibition
IAH — ANNUAL REPORT 2013 Book Publications 66 Books published by Artefactum publishing house idea of “tolerant” coexistence of confessions and the gradual growth of intolerant attitudes. — Praha: Artefactum, 2013. 264 s. ISBN 978-80-86890-57-9.
Buquoyský Rožmberk. Vizuální kultura šlech- In puncto religionis. Konfesní dimenze tického sídla v období romantického histor- předbělohorské kultury Čech a Moravy / ismu / Buquoys‘ Rožmberk. Visual Culture of Confessional dimension of pre-White Mountain an Aristocratic Seat in the Period of Romantic culture of Bohemia and Moravia Historicism Horníčková, Kateřina – Šroněk, Michal (eds.) Ivanega, Jan – Šámal, Petr – Trnková, Petra — — “In punctio religionis”, the an- The book Buquoys‘ thology of studies of pre-Refor- Rožmberk is dedi- mation and Reformation culture cated to a significant of Bohemia and Moravia, stems stage of Modern-Age from the idea to develop in structural history of detail the topic of confessional the Rožmberk castle culture of late medieval and and the life and art early Modern Age Bohemia patronage of its own- and Moravia. The anthology is divided in three ers, headed by Georg Johann Heinrich Buquoy topic-based sections introduced by a study of K. (1814–1882). Based on research of written and Horníčková on the confessional character of the of recently discovered visual sources, it traces work of art, difficulties of studying it and the the most important circumstances of formation different perception of the issue by historians of the so-called castle museum in mid- 19th cen- and art historians. The confessional dimension tury, which not only was to glorify the history of the work is understood here as a certain value of the Longueval de Buquoy family but also to originating in the intersection of current rela- present an extensive collection of artefacts and tionships between the ordering party, the creator antiquities to the general public. An integral and the audience. The first “New Frameworks” part of the highly complex ideological concept section contains three extensive studies treat- of the builder Georg Johann Heinrich covered ing general aspects of studying Reformation both architectural modifications of the castle culture in the Czech Lands. The following part complex and its surroundings, collection of its “Confessionality and its Manifestation” includes furnishings and its concurrent visual documen- analytical studies, each always of one phenom- tation. Apart from local creators, also authors enon or one field of creation. The last “Paths to operating in other regions, especially in the Intolerance” section perceives cultural media Austrian capital, contributed. as a place of intersection of two conflicting — tendencies related to the confessionalisation of Praha: Artefactum, 2013. 143 s. Reformation churches: The generally asserted ISBN 978-80-86890-48-7.
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Libellus amicorum Beket Bukovinská tory or literature. Some studies represent slightly Konečný, Lubomír – Slavíček, Lubomír (eds.) unexpected “close encounters of the third kind” — of poetry and science, fine arts and film; others An important book published reconstruct the social context of works of art and by the Institute of Art History of others “theorise” on their form. Along with editors, the Academy of Sciences of the authors of individual texts are Eva Bendová, Václav Czech Republic in 2013 is an Hájek, Martin Horáček, Vojtěch Lahoda, Anna extensive anthology prepared Pravdová, Ivo Purš and Tomáš Winter. on the occasion of anniversa- — ry of Ms Beket Bukovinská, Praha: Artefactum, 2013. 255 s. an internationally recognized ISBN 978-80-86890-58-6. specialist in arts and crafts in the period of Emperor Rudolf II and in issues of the Emperor‘s art cham- Kühn, K. F., Verzeichnis der ber. About twenty researchers from our country Kunstgeschichtlichen und Historischen (apart from both editors P. Bregantová, S. Dobalová, Denkmale im Landkreis Friedland. Edition of E. Fučíková, V. Lahoda, M. Mádl, I. P. Muchka, unfinished manuscript I. Purš, Š. Vácha, H. Seifertová, P. Wittlich) and from Uhlíková, Kristina (ed.). abroad (G. Irmscher, L. O. Larsson, D. Limouze, — S. Michalski, J. Müller, M. Simons, I. Veldman, This publication is the third T. Vignau-Wilberg, J. Zimmer) contributed to this in the series of, at the time of anthology. The contributions are mostly related to their publication, unpublished the period of Emperor Rudolf II and art of his time, art history registers of the therefore this book is going to become a vital part of Czech lands, published in the basic literature for future Rudolfine research. last few years as an historical — source in the Fontes historiae Praha: Artefactum, 2013. 335 s. artium edition. While the first ISBN 978-80-86890-62-3. two volumes, describing heritage sites in the Pardubice and Ledeč districts, were prepared Od kabaly k Titaniku. Deset studií nejen z dějin by the authors for the Academy of Sciences of umění / From Cabala to the Titanic. Ten studies the Czech Republic and Arts. Like the majority not only from art history of other Sudeten regions, the Frýdlant district Konečný, Lubomír – Rollová, Anna – Švácha, was to be published in editions by the Deutsche Rostislav (eds.) Gesellschaft der Wissenschaften und Künste für — die Tschechoslowakische Republik. Kühn’s reg- This small book brings ten studies ister of heritage sites in the Frýdlant region was of different extent on varied compiled to a very high professional standards topics from authors coming from due to the education, years of practical expe- different generations. Its aim is rience in heritage and wide-ranging research not to analyse a specific issue or activities of the author. The quality of the text topic but rather to present the and the uniqueness of the way in which the state diversity of interests of current art of heritage sites prior to the devastation of the history and the profusion of ap- last sixty years is captured are, in themselves, proaches to a work of art. From this perspective the sufficient justification for the publication of this, publication exceeds the normal scope of art-histori- almost miraculously preserved, manuscript, an work, trying to offer the reader a deeper insight whose author met a tragic fate. in the scientific cognitive process particularly, not — only in cases when the work and its issues echo Prague: Artefactum, 2013. 351 pp. richly in related fields as sociology, philosophy, his- ISBN 978-80-86890-59-3.
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Tvary – formy – ideje. Studie a eseje k dějinám in practice closely related, disciplines of sepulchral a teorii architektury / Shapes – forms – ideas. research and medieval and Early modern epigra- Studies and essays on the history and theory of phy. Apart from essays from the 10th conference architecture on issues surrounding sepulchral research, Contra Petrasová, Taťána – Platovská, Marie (eds.) vim mortis non estmedicamen in hortis, which — took place in Prague from 3-4 November 2011, the Seventeen original studies car- book also contains further essays on the aforemen- ried out in honour of the major tioned subject matter, making a total of twen- Czech architecture theorist and ty-one main essays and five materials, reports and historian, Rostislav Švácha in reviews. Apart from renowned authors from the the graphical interpretation of Czech Republic and abroad, the book also includes Rostislav Vaněk. The studies were high-quality essays by up-and-coming researchers, written by renowned historians of focusing on medieval and Early Modern themes. architecture Kenneth Frampton, — Monika Platzer, Jindřich Vybíral and their younger Prague: Artefactum, 2013. 571 pp. colleagues from the generation of colleagues and ISBN 978-80-86890-49-4. ISSN 2336-3363. students of Rostislav Švácha: Martin Horáček, Pavel Šopák, Ivana Panochová, Ludmila Hůrková, Krematorium v procesu sekularizace českých Richard Biegel and others. The studies are linked zemí 20. století. Ideové, stavební a typologické by three recurrent themes from Švácha’s works. proměny / The crematorium in the seculari- ‘Shapes’ refers to his book Lomené, hranaté a oblou- sation process in the Czech lands in the 20th kové tvary (‘Broken, angular and curved shapes’). century. Idea-based, structural and typological Česká kubistická architektura 1911–1923 (‘Czech changes Cubist architecture 1911-1923’) (2000), which Svobodová, Markéta dealt with his interest in classics of art history and — shape psychology. Rostislav Švácha’s consideration This book deals with the secular- of space, which is, at the same time, a specific form isation in a context in which it is and concept, follows an intellectual line leading evident how and when certain from a purely formal, stylistic interpretation to traditional structural types freed a deeper, idea-based understanding of works of art. themselves from the influence of — religious institutions, authorities Prague: Artefactum, 2013. 350 pp. and symbols. The crematorium ISBN 978-80-86890-47-0. is one modern type of structure whose origin is closely related to the promotion Epigraphica & Sepulcralia IV. Fórum epigra- of civic, non-confessional rights. The book also fických a sepulkrálních studií / Epigraphica examines the development of this type of structure & Sepulcralia IV. Forum for epigraphic and in the Czech lands in the 20th century. sepulchral studies — Roháček, Jiří (ed.) Prague: Artefactum, 2013. 182 pp. (Epigraphica & — Sepulcralia. Monographica: 2). A further volume in the ISBN 978-80-86890-51-7. Epigraphica et Sepulcralia series, now for the first time with a new concept of the periodic forum for epigraphic and sepulchral studies and with the task of mapping the current state of research of both,
IAH — ANNUAL REPORT 2013 69 Artefactum with other publishers / Other Publishers
Palmy na Vltavě. Primitivismus, mimoevropské Národní styl. Kultura a politika / The National kultury a české výtvarné umění 1850–1950 Style. Culture and Politics / Palms on the Vltava. Primitivism, Hnídková, Vendula non-European cultures and the Czech fine art — 1850–1950 The ‘National’ style entered the Winter, Tomáš scene at the end of the First — World War, when there was Primitivism is one of the sub- an ambition to build a Czech stantial themes of the history of national culture on a state fine art. The goal of the book is platform, motivated by efforts not to describe all phenomena to imprint a dominant Slavic that can be described as primi- character on the Czechoslovak tivism in the period in question. Republic. The chief protagonists of the National Emphasis is placed on primitiv- style were Pavel Janák, Josef Gočár and František ism with respect to the recep- Kysela, who tried to create specific expressive ele- tion of the native cultures of sub-Saharan Africa, ments inspired by natural, local phenomena. Oceania and America and their fine arts. Attention — chiefly focuses on the elucidation of stereotypes of Prague: Academy of Arts, Architecture and Design, the primitivist discourse. 2013. 187 pp. ISBN 978-80-86863-62-7. — Řevnice, Arbor vitae, ISBN 978-80-7467-022-0, Zapomenuté poklady. Výtvarné umění Plzeň, Gallery of East Bohemia, ISBN 978-80- na Dačicku v 17.–19. století / Forgotten treas- 86415-84-0, Prague, Artefactum ISBN 978-80- ures. The fine arts in the Dačice region in the 86890-43-2, 321 pp. 17th–19th centuries Mikeš, Jan – Valeš, Tomáš — Intended to accompany the ex- hibition, this book presents and re-evaluates artworks preserved in the town of Dačice and the surrounding area from the end of the 17th to the beginning of the 20th century. The book contains takes another look at
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creates the Uniqueness of a Work. Through case studies, art historians, theatrologists, historians of photography and other specialists look at techno- logical experiments in building and glassmaking, as well as 19th-century visual media such as stere- ophotography, panoramas, kinetoscopes, theatre the works of artists such as Peter Strudel, Franz machines and exhibition installations. Anton Maulbertsch and Josef Winterhalder the — Younger., addressing not only specific works, but Prague: Academia, 2013. 342 pp. also their creators (the Altmann and Kelbl families) ISBN 978-80-200-2232-5. and discoverers. A separate chapter is devoted to the Dalberg family and its role as collectors and Podle přírody! Fotografie a umění v 19. století / lovers of art. The opening texts are supplemented příklady z českých a moravských sbírek / After by brief catalogue numbers for items displayed Nature. 19th-century photography and art in and biographical texts on the Altmann family of Bohemian and Moravian collections painters, whose members became famous not only Trnková, Petra in the Dačice region, but also in Vienna. — — The book After Nature. Dačice: National Heritage Institute, 2013. 52 pp. 19th-century photography ISBN 978-80-85033-43-4. and art in Bohemian and Moravian collections eluci- Člověk a stroj v české kultuře 19. století. dates an important chapter Sborník příspěvků z 32. ročníku sympozia in the history of photography k problematice 19. století / Man and machine in and art that has, until re- Czech 19th-century culture. Collection of essays cently, stood outside the specialist public’s interest from the 32nd edition of the symposium on in Czech Republic. The publication draws almost issues surrounding the 19th century exclusively on local artworks, both in the sense of Petrasová, Taťána – Machalíková, Pavla (eds.) domestic output and material of local and foreign — provenance preserved in Czech (historical) collec- This publication gathers essays, tions that reflects the interests and knowledge of divided into five categories, from local art and photography makers, collectors and the interdisciplinary symposi- lovers. It demonstrates how close and remarkable um that has brought Czech and the ties between photography and art were in the foreign researchers together 19th century, also in this country, and that the pe- since 1980. The five categories riod discourse was far from limited to the dispute are: The World of Machines, The whether photography was or was not art. Idea of Technical Education, — Technology Decides Everything, The Fascination Brno: Barrister & Principal / Masarykova univerzi- of Functionality and the Reproducibility of Form ta, 2013. 176 pp. ISBN 978-80-7485-020-2
IAH — ANNUAL REPORT 2013 71 Bibliography of the Members of the Institute for 2013
Klára Benešovská Lendl: Alfons Mucha. Sbírka Ivana Lendla, — Emblematika olomouckých jezuitů, — Die Baukunst in der Königsaaler [Praha], Slovart, 2013, pp. 17–33. in: Jiří Fiala – Zdeněk Kašpar (ed.), Chronik: Dichtung und Wahrheit, in: ISBN 978-80-7391-705-0. Pamětihodnosti města Olomouce. 1. díl, Stefan Albrecht (Hrsg.), Chronicon Aulae — Jan Zrzavý: Božská hra, Prostor Zlín XX, Olomouc, Danal, 2013, Regiae – Die Königsaaler Chronik. Eine 2013, No. 2, pp. 10–12. ISSN 1212-1398. ISBN 978-80-85973-82-0. Bestandsaufnahme, — J. Toman – M. S. Witkovsky, Jindřich — Poutní areál na Svatém Kopečku, Frankfurt am Main 2013, s. 225–246. Heisler. Surrealism under Pressure, in: Jiří Fiala – Zdeněk Kašpar (ed.), ISBN 978-3631645352. 1938–1953, [Recenze], Umění LXI, 2013, Pamětihodnosti města Olomouce. 1. díl, No. 6, pp. 594–595. ISSN 0049-5123. Olomouc, Danal, 2013, Polana Bregantová ISBN 978-80-85973-82-0. — Životopis, in: Polana Bregantová (ed.), Helena Dáňová — P. Zelenková, Martin Antonín Lublinský Olbram Zoubek. Jízdárna Pražského hradu — Jacob Beinhart a Mistr olomouckých jako inventor grafických listů, [Recenze], 29. 11. 2013–2. 3. 2014, Praha, Filip Tomáš madon. Možnosti spolupráce a kulturní Umění LXI 2013, No. 4, pp. 374–377. – Akropolis, 2013, pp. 35–37. výměna mezi regiony v první třetině 16. ISSN 0049-5123. ISBN 978-80-7470-046-0. století, in: Radim Jež – David Pindur (ed.), — Seznam vystavených děl, in: Polana V dobách umění bez hranic / W czasach Tomáš Gaudek Bregantová (ed.), Olbram Zoubek. Jízdárna sztuki bez granic, Český Těšín, Muzeum — Zpráva ze studia českých iluminovaných Pražského hradu 29. 11. 2013–2. 3. 2014, Těšínska, 2013, pp. 87–98. rukopisů 14. století v Bodleian Library, Praha, Filip Tomáš – Akropolis, 2013, ISBN 978-80-86696-31-7. Studie o rukopisech XLII /2012/, 2013, pp. 38–45. pp. 145–159. ISSN 0585-5691. ISBN 978-80-7470-046-0. Sylva Dobalová — Životopis Olbrama Zoubka, in: Jakub — Hesperidky na zámcích a v zahradách: Ivo Hlobil Grec (ed.), Olbram Zoubek neznámý. Roudnice, Lnáře, Libochovice a Troja, in: — Pochází Madona Svatokopecká z Itálie?, Konírna, Museum Kampa 22. 2.–21. 4. Martin Mádl, Barokní nástěnná malba in: Ladislav Daniel – Filip Hradil (ed.), 2013, Praha, Olbram Zoubek a Museum v českých zemích. Tencalla I. Statě o životě Město v baroku, baroko ve městě, Olomouc, Kampa – Nadace Jana a Medy Mládkových, a díle ticinských freskařů, o objednavate- Univerzita Palackého v Olomouci, 2012, s. 2013, pp. 67–74. ISBN 978-80-87344-18-7. lích a o umělcích z jejich okruhu.., Praha, 130–135. ISBN 978-80-244-3373-8. — Bibliografie Beket Bukovinské 1970– Artefactum, 2012, pp. 195–225. — Úvahy o vratislavské Madoně Jakoba 2012, in: Lubomír Konečný – Lubomír ISBN 978-80-86890-41-8. Beinharta z roku 1499, in: Radim Jež – Slavíček (ed.), Libellus amicorum Beket — Zacharias Lesche, Salomon de Caus David Pindur (ed.), V dobách umění bez Bukovinská, Praha, Artefactum, 2013, z Ostrova nad Ohří?, in: Lubomír Konečný hranic / W czasach sztuki bez granic, Český pp. 22–35. ISBN 978-80-86890-62-3. – Lubomír Slavíček (ed.), Libellus amico- Těšín, Muzeum Těšínska, 2013, pp. 13–20. — Bibliografie Rostislava Šváchy rum Beket Bukovinská, Praha, Artefactum, ISBN 978-80-86696-31-7. 1977–2012, in: Taťána Petrasová – Marie 2013, pp. 288–297. — Der spätgotische Turmwächter des Platovská (ed.), Tvary – formy – ideje. ISBN 978-80-86890-62-3. Altstädter Turms der Karlsbrücke. Neue Studie a eseje k dějinám a teorii architektu- — Bitva obrazů se slovy, [Recenze], Art Fragen einer einzigartigen Statue, Umění ry, Praha, Artefactum, 2013, pp. 259–315. and antiques 2013, No. 12/1, pp. 70–71. LXI, 2013, No. 3, pp. 257–267. ISBN 978-80-86890-47-0. ISSN 1213-8398. ISSN 0049-5123. Dostupný z:
IAH — ANNUAL REPORT 2013 72 cí. Rozhovor s Ivo Hlobilem, Bulletin — Culture and politics, A10 – new Jan Ivanega Uměleckohistorické společnosti v Českých European architecture, 2013, No. 51, p. 19. — together with: Petr Šámal – Petra zemích XXV, 2013, No. 2, pp. 14–17. ISSN 1573-3815. Trnková, P. Buquoyský Rožmberk. Vizuální ISSN 0862-612X. Dostupný z: < — Laboratory for the living arts, Brno, A10 kultura šlechtického sídla v období roman- http://www.dejinyumeni.cz/bulletin/ – new European architecture, 2013, No. 51, tického historismu / Buquoys´ Rožmberk. UHS_2_2013.pdf>. pp. 34–36. ISSN 1573-3815. Visual Culture of an Aristocratic Seat in the — together with: Jan Klípa, Památková — Bus stop upgrade, A10 – new European Period of Romantic Historicism, 1, Praha, péče musí bojovat o názor veřejnosti. architecture, 2013, No. 54, p. 18. Artefactum, 2013, 143 pp. Rozhovor s předním českým teoretikem pa- ISSN 1573-3815. ISBN 978-80-86890-48-7. 1. mátkové péče, historikem Ivem Hlobilem, — Forest retreat, Sedlčany, A10 – new — Bamberské kolokvium o inscenaci ob- Dějiny a současnost XXXV, 2013, No. 10, European architecture, 2013, No. 55, razu vládce v architektonickém prostoru, pp. 26–28. ISSN 0418-5129. pp. 32–33. ISSN 1573-3815. Bulletin Uměleckohistorické společnosti — Sochy na mostě v Přerově?, Přerovské — A modern residence between castle v Českých zemích XXV, 2013, No. 2, p. 30. listy XII, 2013, No. 2, p. 7. and villa, Centropa XIII, 2013, No. 2, ISSN 0862-612X. Dostupný z: < pp. 146–161. ISSN 1532-5563. http://www.dejinyumeni.cz/bulletin/ Vendula Hnídková — Symbióza přírody a umění, Vesmír XCII, UHS_2_2013.pdf>. — Národní styl. Kultura a politika, Praha, 2013, No. 6, pp. 374–376. Vysoká škola uměleckoprůmyslová, 2013, ISSN 0042-4544. Lubomír Konečný 187 pp. ISBN 978-80-86863-62-7. — Betonová estetika, Vesmír XCII, 2013, — together with (ed.): Lubomír Slavíček — Die An- und Abwesenheit der Villa No. 12, pp. 714–716. ISSN 0042-4544. (ed.), Libellus amicorum Beket Bukovinská, Tugendhat im Kontext der tschechischen — Betonový organismus, Vesmír XCII, Praha, Artefactum, 2013, 335 pp. Architektur, in: Kerstin Plüm (ed.), Mies 2013, No. 10, pp. 586–588. ISBN 978-80-86890-62-3. van der Rohe im Diskurs. Innovationen – ISSN 0042-4544. — together with (ed.): Anna Rollová Haltungen – Werke. Aktuelle Positionen, — Mies v Brně, [Recenze], Era 21 XIII, – Rostislav Švácha (ed.), Od kabaly Bielefeld, Transcript, 2013, pp. 159–170. 2013, No. 1, p. 9. ISSN 1801-089X. k Titaniku. Deset studií nejen z dějin umění, ISBN 978-3-8376-2305-5. — together with: Rostislav Švácha. Praha, Artefactum, 2013, 255 pp. — Média 2012. Doporučené tituly, výběr Indikátory stavu společnosti. Rozhovor ISBN 978-80-86890-58-6. a komentář, in: Michal Kuzemenský (ed.), s Rostislavem Šváchou. Bulletin — Význam ve výtvarném umění, [Překlad], Česká architektura 2011–2012, Praha, Uměleckohistorické společnosti v Českých Praha, Malvern, Praha, Academia 2013, Prostor, 2013, pp. 191–200. zemích XXV, 2013, No. 1, pp. 16–19. 399 pp. ISBN 978-80-87580-37-0. 2. revid. ISBN 978-80-87064-13-9. ISSN 0862-612X. Dostupný z: < vydání, [Orig.: Erwin Panofsky, Meaning in — Pardubický chrám zasvěcený kremaci, http://www.dejinyumeni.cz/bulletin/ the visual arts]. in: Krematorium Pardubice. 1923–2013, UHS_1_2013.pdf>. — together with: Jaroslava Lencová, Pardubice, Služby města Pardubic, 2013, Hendrick Goltzius a ruka umělce, in: pp. 31–69. Ludmila Hůrková Lubomír Konečný – Lubomír Slavíček — Pavel Janák a (mezi)národní aspekty — Jan Patočka a hledání přirozeného světa (ed.), Libellus amicorum Beket Bukovinská, kubismu, in: Michal Novotný (ed.), v architektuře šedesátých let, in: Taťána Praha, Artefactum, 2013, pp. 100–111. Kubismus v české architektuře – Sto let poté, Petrasová – Marie Platovská (ed.), Tvary ISBN 978-80-86890-62-3. Praha, Národní technické muzeum, 2013, – formy – ideje. Studie a eseje k dějinám a te- — Jaroslav Róna, Franz Kafka a Bernard pp. 21–24. ISBN 978-80-7037-223-4. orii architektury, Praha, Artefactum, 2013, z Chartres, in: Taťána Petrasová – Marie — Prague Castle as a Symbol of Political pp. 201–215. ISBN 978-80-86890-47-0. Platovská (ed.), Tvary – formy – ideje. Representation, in: Georg Ulrich Studie a eseje k dějinám a teorii architektu- Großmann – Petra Krutisch (ed.), The Jan Chlíbec ry, Praha, Artefactum, 2013, pp. 67–71. challenge of the object: 33rd congress of the — Nový podnět k diskusi o náhrobním ISBN 978-80-86890-47-0. International Committee of the History of monumentu Viléma z Rožmberka, in: Jiří — Morgenstern, noc a košile. in: Lubomír Art / CIHA 2012, Nürnberg, Germanisches Roháček (ed.), Epigraphica & Sepulcralia Konečný – Anna Rollová – Rostislav Švácha Nationalmuseum, 2013, pp. 480–481. IV. Fórum epigrafických a sepulkrálních stu- (ed.), Od kabaly k Titaniku. Deset studií ne- ISBN 978-3-936688-64-1. dií, Praha, Artefactum, 2013, pp. 203–210. jen z dějin umění, Praha, Artefactum, 2013, — Dobývání Gettyho centra, Art and ISBN 978-80-86890-49-4. pp. 103–113. ISBN 978-80-86890-58-6. antiques, 2013, No. 11, p. 6. ISSN 2336-3363. — Na okraj Škrétova předtitulního listu ISSN 1213-8398. — Náhrobní monument Barbory Celské k Balbínově Epitome historica rerum — Bowieho kult, Art and antiques, 2013, ve Svatovítské katedrále v Praze, in: Jiří Bohemicarum – tentokrát poněkud jinak, No. 6, pp. 64–66. ISSN 1213-8398. Roháček (ed.), Epigraphica & Sepulcralia in: Lenka Stolárová – Kateřina Holečková — Supermarket sweep, Pec pod Sněžkou, IV. Fórum epigrafických a sepulkrálních stu- (ed.), Karel Škréta (1610–1674). Dílo A10 – new European architecture, 2013, No. dií, Praha, Artefactum, 2013, pp. 523–528. a doba. Studie, dokumenty, prameny, 49, pp. 12–13. ISSN 1573-3815. ISBN 978-80-86890-49-4. Praha, Národní galerie, 2013, pp. 217–222. — Wall gallery, A10 – new European archi- ISSN 2336-3363. ISBN 978-80-7035-518-3. tecture, 2013, No. 49, p. 11. — The Contest between the Utraquist — together with: Eliška Fučíková, Two ISSN 1573-3815. Chalice and the Bernardino Sun, Umění late paintings by Bartholomeus Spranger, — Conference and Education Centre, LXI, 2013, No. 6, pp. 494–519. Studia Rudolphina XII/XIII, 2013, Brno, A10 – new European architecture, ISSN 0049-5123. Dostupný z:
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Petr Kratochvíl (16.–19. Jahrhundert), Bulletin
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— Die Privatkrone Rudolfs II. und die der Tod“, Petersberg, M. Imhof, 2013, Ars Hungarica XXXIX, 2013, No. 1/2, Kabbala, Studia Rudolphina XII/XIII, 2013, pp. 386–389. ISBN 978-3-86568-921-4. pp. 195–201. ISSN 0133-1531. pp. 86–95. ISSN 1213-5372. — together with: Jan Hrdina, Illuminierte — together with: Jaroslava Kašparová – Sammelindulgenz für die Pfarrkirche zum Markéta Svobodová Alena Richterová – Lenka Veselá, Projekt Hl. Kreuz, das Spital und alle Filialkirchen — Krematorium v procesu sekularizace analýzy knihovny arcivévody Ferdinanda und -kapellen in Schwäbisch Gmünd. in: českých zemí 20. století. Ideové, stavební II. Tyrolského (1529–1595), Knihy a dějiny Hartmut Kühne – Enno Bünz – Thomas a typologické proměny, Praha, Artefactum, XVIII/IXX, 2013, 2011/2012, pp. 81–92. T. Müller (ed.), Alltag und Frömmigkeit 2013, 182 pp. (Epigraphica & Sepulcralia. ISSN 1210-8510. am Vorabend der Reformation in Monographica: 2). Mitteldeutschland. Katalog zur Ausstellung ISBN 978-80-86890-51-7. Jiří Roháček „Umsonst ist der Tod“, Petersberg, M. — (ed.), Epigraphica & Sepulcralia IV. Imhof, 2013, pp. 389–390. Michal Šroněk Fórum epigrafických a sepulkrálních studií, ISBN 978-3-86568-921-4. — together with (ed.): Kateřina Praha, Artefactum, 2013, 571 pp. — together with: Jan Hrdina, Illuminierte Horníčková (ed.), In puncto religionis. ISBN 978-80-86890-49-4. Sammelindulgenz für die Kirche St. Konfesní dimenze předbělohorské kultury ISSN 2336-3363. Johannes in Mühlhausen (7.3.5). in: Čech a Moravy, Praha, Artefactum, 2013, — together with: Jan Mařík, Ještě jednou Hartmut Kühne – Enno Bünz – Thomas 264 pp. ISBN 978-80-86890-57-9. a jistě ne naposledy k tzv. libickým stélám, T. Müller (ed.), Alltag und Frömmigkeit — Bratrská Bible z roku 1596. Příběh výz- in: Jiří Roháček (ed.), Epigraphica & am Vorabend der Reformation in doby a polemiky, in: Kateřina Horníčková Sepulcralia IV. Fórum epigrafických a sepul- Mitteldeutschland. Katalog zur Ausstellung – Michal Šroněk (ed.), In puncto religionis. králních studií, Praha, Artefactum, 2013, „Umsonst ist der Tod“, Petersberg, M. Konfesní dimenze předbělohorské kultury pp. 315–330. ISBN 978-80-86890-49-4. Imhof, 2013, pp. 390–391. Čech a Moravy, Praha, Artefactum, 2013, ISSN 2336-3363. ISBN 978-3-86568-921-4. pp. 217–232. ISBN 978-80-86890-57-9. — Justorum autem animae in manu dei — together with: Jan Hrdina, Illuminierte — Comput digital and Jan Hus as defender sunt, Akademický bulletin AV ČR, 2013, No. Sammelindulgenz für die Kirche der of the faith, Umění LXI, 2013, No. 1, 12, p. 22. ISSN 1210-9525. Heiligen Martin, Theobald (?) und pp. 2–22. ISSN 0049-5123. Dostupný z: Ursula vor dem Erfurter Tor der Stadt
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2013, pp. 181–201. 1800–1950: Chytil, Karel, Praha, Národní Epigraphica & Sepulcralia IV. Fórum ISBN 978-80-7037-223-4. památkový ústav, 2013. Dostupný z: epigrafických a sepulkrálních studií, Praha, — The Church of St. Michael in Olomouc
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Památková péče na Moravě, 2013, No. 15, Slovanská epopej ve Veletržním paláci, pp. 79–90. ISSN 1214-5327. Dějiny a současnost XXXV, 2013, No. 1, pp. 34–36. ISSN 0418-5129. Pavel Vlček — Rozpačitá cesta Kupkovými Salony, — Vrcholně barokní fara v Žebnici a typo- Dějiny a současnost XXXV, 2013, No. 4, logie farních budov z druhé poloviny 18. pp. 34–36. ISSN 0418-5129. století, Památky západních Čech. Studie — Sportování a cestování v mezi- a zprávy III, 2013, pp. 33–46 válečném Československu, Bulletin ISBN 978-80-85035-40-7. Uměleckohistorické společnosti v Českých ISSN 1805-8906. zemích XXV, 2013, No. 2, p. 29. — Praha 1606, Živá historie 2013, červen, ISSN 0862-612X. Dostupný z: < pp. 65–67. ISSN 1803-3326. http://www.dejinyumeni.cz/bulletin/ — Praha 1606, Živá historie, 2013, červen, UHS_2_2013.pdf>. pp. 68–70. ISSN 1803-3326. — Svazek výtvarných esejí a kritik Josefa Čapka, [Recenze], Slovo a smysl X, 2013, Tomáš Winter No. 20, pp. 310–313. — Palmy na Vltavě. Primitivismus, mimo- ISSN 1214-7915. evropské kultury a české výtvarné umění 1850–1950, 2013, 321 pp. Řevnice, Arbor vitae, ISBN 978-80-7467-022-0, Plzeň, Západočeská galerie, ISBN 978-80-86415-84-0, Praha, Artefactum ISBN 978-80-86890-43-2. — Obraz, který není, in: Lubomír Konečný – Anna Rollová – Rostislav Švácha (ed.), Od kabaly k Titaniku. Deset studií nejen z dějin umění, Praha, Artefactum, 2013, pp. 239–255. ISBN 978-80-86890-58-6. — Černoši a automobil, in: Taťána Petrasová – Pavla Machalíková (ed.), Člověk a stroj v české kultuře 19. století. Sborník příspěvků z 32. ročníku sympozia k problematice 19. století, Praha, Academia, 2013, pp. 145–154. ISBN 978-80-200-2232-5. — Ernst Ludwig Kirchner´s „Negerplastik“ and the mistake of Czech Cubists, Umění LXI, 2013, No. 4, pp. 356–361. ISSN 0049-5123. Dostupný z:
IAH — ANNUAL REPORT 2013 Ústav dějin umění Akademie věd České republiky, v. v. i. Husova 4, CZ – 110 00 Prague 1 T +420 222 222 144 F +420 222 221 654 [email protected] www.udu.cas.cz
Editor — Michal Šroněk Editorial Board — Vojtěch Lahoda, Martin Mádl, Taťána Petrasová Graphic layout — Michal Smejkal, Symbiont Translation — Joanne Patricia Domin and Markéta Hanelová Photographic Credits — Ústav dějin umění AV ČR, v.v.i.©
Detail of stucco decoration, Prague, Summer residence Hvězda (Star), 1556–1560 (cover); Bartholomeus Spranger, Cupid Carving His Bow, USA, Private Collection, 1605–1611, (p. 21); Gravestone of the Rožmberk family, Vyšší Brod abbey, Church of Assumption of the Virgin Mary, ca. 1470–1500 (p. 23); Carpoforo Tencalla, Personification of the Richness, fresco painting, chateau Náměšť nad Oslavou, ca. 1656–1657, (p. 25)
IAH — ANNUAL REPORT 2013
INSTITUTE OF ART HISTORY ASCR — ANNUAL REPORT 2013