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Ročenka ÚDU 2013 — ANNUAL REPORT 2013 REPORT — ANNUAL INSTITUTE OF ART HISTORY ASCR HISTORY OF ART INSTITUTE ANNUAL REPORT 2013 Ústav dějin umění Akademie věd České republiky, v. v. i. Institute of Art History, Academy of Sciences of the Czech Republic Ústav dějin umění Akademie věd České republiky, v. v. i. Husova 4, CZ – 110 00 Prague 1 T +420 222 222 144 F +420 222 221 654 [email protected] www.udu.cas.cz www.facebook.com/UDU.AVCR ID No.: 683 780 33 ISBN 978–80–86890–64–7 © 2014 Praha, Ústav dějin umění Akademie věd České republiky, v. v. i. ANNUAL REPORT 2013 Director of the Institute Secretariat and Public Relations Prof. PhDr. Rostislav Švácha, CSc. Prof. PhDr. Vojtěch Lahoda, CSc. Mgr. Václava Pštrossová PhDr. Tomáš Winter, Ph.D. Mgr. Lenka Vítková / Bc. Blanka Švédová First Deputy Director Department of Art-historical and Academic Secretary Financial Administration Topography PhDr. Martin Mádl, PhD. Ing. Jana Pánková, Head PhDr. Dalibor Prix, CSc., Head Jaroslava Ramešová Mgr. Kateřina Dolejší Second Deputy Director and Secretary Růžena Kotoučová Mgr. Vendula Hnídková, Ph.D. of the Department of Scientific Miroslava Novotná Mgr. Ludmila Hůrková Information Mgr. Klára Mezihoráková, Ph.D. PhDr. Taťána Petrasová, CSc. Department of Medieval Art PhDr. Marie Platovská PhDr. Klára Benešovská, CSc., Head Mgr. Markéta Svobodová, Ph.D. Board of the Institute Mgr. Helena Dáňová, Ph.D. Mgr. Tomáš Valeš, Ph.D. Prof. PhDr. Vojtěch Lahoda, CSc., PhDr. Tomáš Gaudek Prof. PhDr. Pavel Vlček Chairman Prof. PhDr. Ivo Hlobil, CSc. Prof. PhDr. Lubomír Slavíček, CSc. PhDr. Jan Chlíbec, Ph.D. Documentation Department (Masaryk University, Brno), PhDr. Kateřina Kubínová, Ph.D. PhDr. Jiří Roháček, CSc., Head Vice-chairman Mgr. Lenka Panušková, Ph.D. BcA. Markéta Berdychová PhDr. Lenka Bydžovská, CSc. Mgr. Petr Skalický Mgr. Tereza Cíglerová PhDr. Martin Mádl, Ph.D. PhDr. Milada Studničková Mgr. Jana Marešová, Ph.D. Prof. PhDr. Lubomír Konečný PhDr. Zuzana Všetečková Mgr. Petra Trnková, Ph.D. PhDr. Martin Krummholz, Ph.D. PhDr. Kristina Uhlíková, Ph.D. PhDr. Taťána Petrasová, CSc. Department of Early Modern Art Prof. PhDr. Jindřich Vybíral, CSc. PhDr. Ivan Muchka, Head Library / Bibliography (Academy of Arts, Architecture and PhDr. Beket Bukovinská PhDr. Sabina Adamczyková, Head Design in Prague) Mgr. Sylva Dobalová, Ph.D. PhDr. Polana Bregantová Prof. PhDr. Petr Wittlich, CSc. PhDr. Martin Mádl, Ph.D. Renata Medunová (Institute of Art History, Faculty of Arts, Prof. PhDr. Lubomír Konečný Markéta Staňková Charles University) PhDr. Martin Krummholz, Ph.D. PhDr. Věra Slámová Mgr. Ivo Purš, Ph.D. Supervisory Board Doc. PhDr. Michal Šroněk, CSc. Photographic Library Doc. PhDr. Lýdia Petráňová, CSc. PhDr. Štěpán Vácha, Ph.D. / Photographic Studio (Academic Board of ASCR), Chair Mgr. Eliška Zlatohlávková Dušana Barčová, Head Prof. PhDr. Ivo Hlobil, CSc., Vice-chair Mgr. Markéta Janotová Doc. PhDr. Jiří Kotalík, CSc. Department of Art Mgr. Martina Trojanová (Academy of Fine Arts) of the 19th to 21st Centuries Zdeněk Matyásko, Doc. PhDr. Josef Štulc PhDr. Lenka Bydžovská, CSc., Head Head of Photographic Studio (National Heritage Institute) Doc. PhDr. Petr Kratochvíl, CSc. MgA. Vlado Bohdan Mgr. Et Mgr. Klára Plecitá, Ph.D. Prof. PhDr. Vojtěch Lahoda, CSc. MgA. Petr Zinke (Institute of Sociology of ASCR) Mgr. Pavla Machalíková, Ph.D. MgA. Jitka Walterová PhDr. Dagmar Nárožníková PhDr. Mahulena Nešlehová PhDr. Taťána Petrasová, CSc. Contents Introduction / 6 Research Departments / 9 Research Centres / 19 Services Departments / 27 Periodicals / 35 Artefactum publishing house / 38 Projects / 39 Cooperation on projects / 44 Exhibitions / 49 Conferences / 51 Regular cycles / 51 Conferences and colloquia organised by the Institute of Art History / 52 Lectures at the Invitation of Other Institutions, Participation in Conferences and Scientific Meetings Prepared by other Organisers / 54 International / 54 Domestic / 56 Pedagogical Activity / 60 Research Fellowships / 63 Popularisation Activity / 63 Book Publications / 65 Books published by Artefactum publishing house / 66 Artefactum with other publishers / Other publishers /69 Bibliography of the Members of the Institute for 2013 / 71 6 Introduction 1953–2013 What does the age of sixty signify in terms of of Art History of the Academy of Sciences of the human life? Completion of the most active period Czech Republic administers material documenting in life, maturity of experience and knowledge, the activity of the Kondakov Institute and some of but also a clearer view of approaching retirement. the estate of some of its members, including N. P. For an institution it is not quite like that. For an Kondakov himself. institution sixty years is not a great deal, it is still The Institute of Art History also upholds the quite young, at the very most middle-aged. This tradition of the Czech Academy for Sciences, could be said of the Institute of Art History of Literature and Art, founded in 1890, in particular the Academy of Sciences of the Czech Republic, that of its Archaeological Commission, which was which in 2013 celebrated 60 years of activity. We established in 1895 and, like the Czech Academy, took this jubilee as a pledge to the continuity and thanks to the art patron architect Josef Hlávka. tradition of art-historical research and documenta- The work of the Archaeological Commission tion. The idea of the establishment of the Institute consisted of research and protection of artistic, of Art History of the Academy of Sciences of the historical, written and literary works and also Czech Republic is linked with the N. P. Kondakov of the compiling of lists of art treasures and the Archaeological Institute (1931–1952), which was publishing of these. This tradition is upheld by the founded in Prague in 1931 as the successor to the project of the Institute of Art History entitled Lists Seminarium Kondakovianum society and the ac- of Art Treasures in the Czech Lands. In 2013 the tivity of which was supported by the first President Department of Topography prepared the volume of Czechoslovakia, T. G. Masaryk. The activity Umělecké památky Prahy – Velká Praha II (Art of this institute ended in 1952. Up to this time it Treasures of Prague – Greater Prague II). associated art historians and archaeologists who Both the heritage of the Kondakov Institute and had emigrated from Russia after the 1917 revolu- the work of the Archaeological Commission were tion and formed a scientific community in Prague contributions, which the Institute of Art History of Byzantologists of European significance. They was endowed with on its establishment. What of were mainly the pupils and colleagues of Professor this is important for the present institute? In the Nikodim Pavlovich Kondakov (1844–1925), case of the Kondakov Institute it is the tremen- who wished to continue his work. The institute dous documentation, following in particular the amassed, among other things, a specialised library dialogue between the art of the medieval East and (10,000 volumes) and a collection of art objects West. In general it may be said that the institute (primarily coins, icons and Coptic textiles). The pe- created a platform for research, based on the recep- riodical entitled Seminarium Kondakovianum was tion of a work as the result of a constant dialogue one of the most important Byzantological period- between different cultural poles. This turns out to icals of the period between the wars. The Institute be highly topical today – and not only for medieval IAH — ANNUAL REPORT 2013 7 art. Exchange, migration and translocation of artis- ed by the Financial Mechanisms of the European tic ideas, opinions and experience have a far richer Economic Area and Norway (FMs EEA/Norway). map today than was ever considered at the end of It turned out that a large part of the collection is of last century and than is expressed by the one-way considerable historical and artistic quality and can influence from the centre to the periphery. It is initiate further research into the phenomenon of more a matrix of relationships than mechanical ra- photography of the 19th and first half of the 20th diation. A research example of such a focus on the century. The collection includes not only the work combination of differing cultural concepts was the of Jan Štenc, Jindřich Eckert or Rudolf Brunner- exhibition and catalogue of Tomáš Winter Palmy Dvořák, but also many photographs by Viennese na Vltavě. Primitivismus, mimoevropské kultury authors, including Andreas Groll, Des Granges, or a české umění (Palms on the Vltava. Primitivism, Ludwig Angerer. Together with large collections of Extra-European Culture and Czech Art) in the West the photographs of such figures as Josef Sudek and Bohemian Gallery in Plzen. Josef Ehm, the photographic archive is not only An important figure in the establishment of the a priceless source of documentation of monu- Institute of Art History in 1953 was Zdeněk Wirth ments and works of art, but also a rich reservoir of (1878–1961). This important Czech art historian photographic visuality from the middle of the 19th and preservationist, in 1953 head of the historical century to the middle of the 20th. section of the newly established Czechoslovak We are well aware that the administration of Academy of Sciences, had clearly envisaged, such a collection is both a privilege and a com- many years before his death, the handing over of mitment. Apart from the care of collections the his estate to a research institute working on the institute’s task is also to make them accessible. The extensive projects, without which the further de- documentation from the former Kondakov Institute velopment of art history in Czechoslovakia would and the collections of 19th-century photographs be unthinkable. After Wirth’s death everything, are of international significance. We therefore together with his own writings, under the heading believe that these collections will also attract, in of “personal estate”, became the property of the the near future, the attention of foreign researchers institute.
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