The Ukrainian Weekly 1985, No.35
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The Ukrainian Weekly 1990
Published by the Ukrainian National Association inc., a fraternal non-profit association rainian Weekly vol. LVIII No. 28 THE UKRAINIAN WEEKLY SUNDAY, JULY 15.1990 50 cents Weary of CPSU, economic conditions, lvashko resigns as Ukraine's president Soviet miners stage political strike elected CPSU deputy general secretary JERSEY C1TY, N.J. - Miners in the vorkuta fields inside the Arctic by Kathleen Mihaiisko throughout several major coal-mining Circle and in a few mines on Sakhalin Radio Liberty Research regions of the Soviet Union, including island far to the Pacific East took part the Donbas in Ukraine, staged a 24- in the daylong strike, notable for the MUN1CH - volodymyr lvashko, hour warning strike on July 11 to stronger emphasis on politics and not the former first secretary of the Com– demand the resignation of the Soviet just economic need, reported The New munist Party of Ukraine, was elected government, nationalization of Com– York Times. Wednesday, July 11, to the newly munist Party property and moreecono– "in the last year things have gotten created position of deputy general mic autonomy for the coal mines, worse," vasily Grinev, a miner from the secretary of the Communist Party of the reported various sources last week. Kuzbas, was quoted as saying. Last year Soviet Union. The miners' demands had been an– Soviet miners nearly crippled the He defeated conservative Yegor nounced at a conference of workers of economy with a strike pressing for Ligachev, often described as an ortho– the Donetske and Luhanske regions of economic reform, improvement in their dox Marxist who is Soviet President Ukraine, held on July 8 in the Shakhtar poor standard of living, improved Mikhail Gorbachev's most prominent stadium in Donetske, reported Rukh working conditions, more consumer opponent. -
Ukrainian Music and the Construction of Identity
University of Alberta Polkas on the Prairies: Ukrainian Music and the Construction of Identity Brian A. Cherwick 0C A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Ukrainian Folklore and Ethnornusicology Department of Modern Languages and Cultural Studies and Department of Music Edmonton, Alberta Spring 1999 National Library 8ibliothGque nationale 1+1 of,,, du Canada Acquisitions and Acquisitions et Bibliographic Services services bibliographiques 395 Wellington Street 395, rue Wellington Ottawa ON KIA ON4 Ottawa ON K1A ON4 Canada Canada your & Votre reference Our fi& Norre refer- The author has granted a Don- L'auteur a accorde me licence non exclusive licence allowing the exclusive pennettant a la National Library of Canada to Bibliotheque nationale du Canada de reproduce, loan, distribute or sell reproduire, prster, distribuer ou copies of this thesis in microfom, vendre des copies de cette these sous paper or electronic formats. la forme de microfiche/% de reproduction sur papier ou sur format Bectronique. The author retains ownership of the L'auteur conserve la propriPte du copyright in this thesis. Neither the droit d'auteur qui protege cette these. thesis nor substantial extracts &om it Ni Ia these ni des edtssubstantiels may be printed or othewise de celIe-ci ne doivent &e imprimes reproduced without the author's ou autrement reproduits sans son permission. autorisation. To Beth and Maria, and to all the musicians who inspired this journey Abstract This study looks at the a-ty of Ukrainian polka bands performing in the Canadian prairie provinces, with a specific concenaadon on one of these groups. -
The Ukrainian Weekly 1981, No.19
www.ukrweekly.com СВ ОБОДА Jb,SYOBODA TH” ” "^^E. Ж УКРАЇНСЬКИЙ ЩОАІННИК ^gBRP U К К k І N І AN О АЧ1 fr0f "" Д ІЛ CO ^ X9- -^fn X3D — O-iO -4 Z oo at-no OOT) nzn О 33 39- Ukrainian Week у ІЧО PUBLISHED BY THE UKRAINIAN NATIONAL ASSOCIATION INC.. A FRATERNAL NON-PROFIT ASSOCIATION vol. LXXXVIII No. 19 THE UKRAINIAN WEEKLY SUNDAY, MAY IO, 1981 25 cent? - Metropolitan Sulyk, Suslensky meet Plakhotniuk assaulted in Kiev by Dr. Walter Dusfanyck the Righteous of the World" in Tel NEW YORK - Mykola Plakhot– PH1LADELPH1A - Archbishop- Aviv. He said that Metropolitan Shep– niuk, a 45-year-old Ukrainian physi– Metropolitan Stephen Sulyk of the tytsky is one of those great Christian cian, who was released from confine– Ukrainian Catholic Church received, in Church leaders who, at the risk of losing ment in a psychiatric hospital on May a May 2 audience, Yakov Suslensky, his own life, tried to save Jewish men, 10, 1980, was assaulted by unknown teacher, journalist and a member of the women and children wherever he could. assailants on the streets of Kiev on April Society of Jewish-Ukrainian Relations On his secret instructions some 150 8, according to information received by in Jerusalem. He is on a tour in the Jews were sheltered and saved in his the press service of the Ukrainian United States. institutions. Over 400 Jewish children Supreme Liberation Council (abroad). survived in various Ukrainian Catholic The purpose of Mr. Suslensky's visit monasteries and convents, where they Dr. Plakhotniuk was confined to a with Metropolitan Sulyk was to apprise were supplied with false birth certifi– special psychiatric hospital in Dnipro– the head of the Ukrainian Catholic cates and other personal documents. -
ESSAY: Ukrainian Immigrant Theatre 1904-1923
ESSAY: Ukrainian Immigrant Theatre 1904-1923 From the turn of the twentieth century immigrant theatre played a central role in the life of Winnipeg's Ukrainian community. As the historian Robert Harney pointed out many years ago, immigrant theatre, more than any other institution, served to "affirm the existence of ethnic community." By performing in or simply by attending Ukrainian plays staged by Ukrainian drama societies, immigrants acknowledged and celebrated their common cultural inheritance, and asserted their membership in the Ukrainian community. In addition to providing entertainment and quenching the immigrants' nostalgia for the homeland, immigrant theatre was also "an effective vehicle for patriotic, ideological and moral education for those who wished to influence immigrant communities." Even illiterate, uneducated and physically exhausted immigrants could be instructed and influenced through plays with simple and direct plots. In an era before radio, television and motion pictures, the theatre monopolized the immigrant imagination, helped to shape popular opinion, and was utilized by those with cultural, religious and political agendas to advance various causes and reform programs. The First Drama Societies The first Ukrainian amateur theatrical performance in Winnipeg, a production of Hryhorii Tsehlynsky's comedy Argonavty (The Argonauts), took place on 14 May 1904. Directed by Ivan Antoniuk and featuring Apolinarii Novak, Dmytro Kyrstiuk and Jacob Makohin in the lead roles, it was staged at the Taras Shevchenko Reading Club, which was located in Cyril Genik's home at 109 Euclid Avenue (formerly the Ashdown residence). Produced by young radicals who were challenging the traditional authority of the Ukrainian Catholic clergy, the play satirized the efforts of Ukrainian Catholic theology graduates in Eastern Galicia to find wealthy brides prior to their ordination into the priesthood. -
The Ukrainian Weekly, 2021
INSIDE: l Ukraine loses appeal over forfeited national team soccer match – page 4 l MATI concert features works by Schumann, Prokofiev and Baley – page 12 l Ukrainian pro hockey update – page 29 THE UKRAINIAN WEEKLY Published by the Ukrainian National Association Inc., a fraternal non-profit association Vol. LXXXIX No. 13 THE UKRAINIAN WEEKLY SUNDAY, MARCH 28, 2021 $2.00 Former Ukrainian leaders, Russian Ukraine takes further step to seize crucial defense entities targeted in new sanctions firm Motor Sich, sparking ire of Chinese investors Security Service of Ukraine A Motor Sich exhibition stand features one of the company’s engines at an industry trade show. Office of the President of Ukraine President Volodymyr Zelenskyy speaks at a forum devoted to culture, media and by Mark Raczkiewycz Agency (ARMA), which manages assets tourism in Kyiv on March 9. obtained through corruption and other KYIV – Ukrainian President Volodymyr offenses. Meanwhile, state-run defense Zelenskyy on March 23 signed an order conglomerate Ukroboronprom has since by Mark Raczkiewycz Tabachnyk, ex-chief prosecutor Viktor Pshonka, ex-Defense Minister Dmytro that puts into effect a decision that the offered to take over control of the manufac- KYIV – Targeting dozens of legal entities Salamitin and oligarch Serhiy Kurchenko. National Security and Defense Council turer of engines for jets, helicopters and and individuals, including members of the “All are 99 percent Russian citizens” by (NSDC) made 12 days earlier to take over missiles. country’s former political leadership, now, National Security and Defense Council aero-engine maker Motor Sich. The SBU stated two investigations Ukraine over the past two weeks imposed a (NSDC) chief Oleksiy Danilov said the same The presidential move follows a court regarding Motor Sich stemming from 2017 fourth round of sanctions designed to day at a media briefing. -
Ukrainians in America: Contributions to America, Relationship to Homeland, Integration Into American Life, Retention of Ethnicity in America
DOCUMENT RESUME ED 130 983 95 SO 009 586 TITLE Ukrainians in America: Contributions to America, Relationship to Homeland, Integration into American life, Retention of Ethnicity in America. Ethnic Heritage in America: Curriculum Materials in Elementary School Social Studies on Greeks, Jews, Lithuanians, and Ukrainians. INSTITUTION Chicago Consortium for Inter-Ethnic Curriculum Development, Ill. SPONS AGENCY Bureau of Postsecondary Education (DHEW/OE), Washington, D.C. Div. of International Education. PUB DATE 76 NOTE 130p.; For related documents, see SO 009 582-585 ; Illustrations will reproduce poorly due to marginal quality of original EDRS PRICE MF-S0.83 HC-$7.35 Plus Postage. DESCRIPTORS Colonial History (United States).; Cultural Events; Cultural Interrelationships; Cultural Traits; Culture Conflict; Elementary Education; Ethnic Groups; Ethnic Status; *Ethnic Studies; *Ethnocentrism; European History; Global Approach; Humanism; Intermediate Grades; Migration; Religion; *Social Integration; Social Studies; *Social Studies Units; Ukrainian; United States History IDENTIFIERS Ethnic Heritage Studies Program; *Ukrainians ABSTRACT This ethnic heritage unit is about Ukrainians in the United States. The first section presents basic facts, such as a map of Ukraine, map of Eastern Europe, facts about Ukraine, principal dates in Ukrainian history, ten outstanding figures in modern Ukrainian history, milestones of Ukrainian communities in the United States, bibliography about Ukrainians, and a resource guide of community organizations in the United States. The second section discusses early Ukrainian settlement in North America, religious feasts, and celebration of family occasions. The third section presents Ukrainian immigration, musical instruments, easter eggs, Pysanka, and Christmas puppet theater "Vertep." Cultural patterns in Europe and USSR are presented in the next section in light of the Ukrainian-American artist named Archipenko, two adventurers from Ukraine, historical consciousness, aspirations to freedom, and the Modern and united Ukraine. -
Gogol's May Night As a Source of Inspiration and a Site of Intercultural
Gogol’s May Night as a Source of Inspiration and a Site of Intercultural Contact between Russian and Ukrainian Opera Composers HANA SHÁNĚLOVÁ UNIVERSITY OF PARDUBICE CZECH REPUBLIC Abstract: The study deals with the opera adaptation and the form of artistic conception of Gogol’s early story (skaz) “May Night, or the Drowned Maiden” in the works of Ukrainian and Russian composers with a particular focus on the national aspect, the intercultural relations, the use of folklore and the preservation of characteristic features typical of Gogol’s skaz. Keywords: N.V. Gogol, May Night, or the Drowned Maiden, opera, N. Rimsky-Korsakov, M. Lysenko, P. Sokalsky In spite of the fact that there is a vast array of scientific and popularizing publications dedicated to N. V. Gogol’s work, there is lack of a study that would systematically and comprehensively addressed the writer’s works set to music. This paper attempts to at least partially fill in this gap, concentrating on the opera adaptations of Gogol’s short story May Night, or the Drowned Maiden from his collection Evenings on a Farm near Dikanka. Several operas have been inspired by skaz (specific short story) May Night, or the Drowned Maiden of Nikolai Vasilievich Gogol, a Ukrainian author writing in Russian. However, not all the operas were successful (A. Serov), some of them were merely sketches (B. Martinů, V. Kaprálová), and only three of them were completed: the opera May Night by the Ukrainian composer Petro Sokalsky was finished in 1876, but has yet never been staged; May Night by the Russian author Nikolai Rimsky-Korsakov, which was premiered at the Mariinsky Theatre in St. -
RR No. 01 Film and the Ukrainians in Canada, 1921
Research Report No. 1 FILM AND THE UKRAINIANS IN CANADA 1921-1980 A Filmography Index of Film Titles and Bibliography With Supplementary Appendices Shirley Zaporzan and Robert B. Klymasz (Additional Entries by Jars Balan) The Canadian Institute of Ukrainian Studies The University of Alberta Edmonton 1982 The Canadian Institute of Ukrainian Studies The University of Alberta Occasional Research Reports Editorial Board Andrij J. Hornjatkevyc (Humanities) Bohdan Krawchenko (Social Sciences) Frances A Swyripa (Ukrainians in Canada) The Institute publishes research reports, including theses, periodically. Copies may be ordered from the Canadian institute of Ukrainian Studies, 352 Athabasca Hall, University of Alberta, Edmonton, Alberta, T6G 2E8. The name of the publication series and the substantive material in each issue (unless otherwise noted) are copyrighted by the Canadian institute of Ukrainian Studies. Occasional Research Reports FILM AND THE UKRAINIANS IN CANADA, 1921-1980 A Filmography Index of Film Titles and Bibliography With Supplementary Appendices by Shirley Zaporzan and Robert B. Klymasz (Additional entries by Jars Balan) Research Report No. 1 — 1982 The Canadian Institute of Ukrainian Studies The University of Alberta Edmonton, Alberta Digitized by the Internet Archive in 2016 https://archive.org/details/rrno01 filmukrainOI zapo 1 Table of Contents Preface Robert B. Klymasz v Introduction Shirley Zaporzan ix Abbreviations xiii Explanatory Note on Titles and Dates xv The Filmography 1 Index of Film Titles 55 Appendix A: Marginal Film Items 59 Appendix B: A Translated Excerpt from Istoriia Ukrainskoho Kina (History of Ukrainian Cinema) by Borys Berest 61 Appendix C: Filmstrips 69 Appendix D: Videotapes 7 Bibliography 73 Preface Stimulated by the recent discovery of ethnicity as an "unmeltable"^ and significant component of modern life, research in the humanities and social sciences has redoubled earlier efforts to investigate the role, impact and inner dynamics of this aspect of Canada's cultural identity. -
RICE UNIVERSITY Cultural Heritage in States of Transition: Authorities
RICE UNIVERSITY Cultural Heritage in States of Transition: Authorities, Entrepreneurs, and Sound Archives in Ukraine By Anthony G. Potoczniak A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE Doctor of Philosophy APPROVED, THESIS COMMITTEE: Ja n, Professor Department of Anthropology Houston, TX May, 2011 ii Abstract Cultural Heritage in States of Transition: Authorities, Entrepreneurs and Sound Archives in Ukraine by Anthony G. Potoczniak Since Ukraine's independence, a burgeoning private sector has been increasingly encroaching in cultural spaces that previously were conceived of as "property of the state." This dissertation is an ethnographic account of how objects of cultural heritage are being re-configured within the new post-Soviet economy. Specifically, it focuses on sound archive field recordings of traditional music and how they are being transformed into cultural commodities. Regarding the jurisdiction of culture -- who controls cultural heritage and how it is used to represent ethnic and national identity -- my research shows how these boundaries are increasingly being negotiated within structures of social, cultural and political power. Thus, culture becomes a contested object between competing ideological systems: cultural heritage as a means to salvage and reconstruct repressed histories and to revive former national traditions, on the one hand, and cultural heritage as a creative, future-oriented force to construct new identities in growmg consumer marketplaces. iii Acknowledgements I would like to express my sincerest gratitude to a great number of individuals, who played an important role in my graduate work and the completion of this research project. First and foremost, I want to thank my family, friends, and colleagues in Ukraine, who endured countless hours of conversation about cultural heritage collections in Ukraine. -
Ukrainian Dance This Page Intentionally Left Blank Ukrainian Dance a Cross-Cultural Approach
Ukrainian Dance This page intentionally left blank Ukrainian Dance A Cross-Cultural Approach ANDRIY NAHACHEWSKY McFarland & Company, Inc., Publishers Jefferson, North Carolina, and London LIBRARY OF CONGRESS CATALOGUING-IN-PUBLICATION DATA Nahachewsky, Andriy. Ukrainian dance : a cross-cultural approach / Andriy Nahachewsky. p. cm. Includes bibliographical references and index. ISBN 978-0-7864-6168-4 softcover : 50# alkaline paper 1. Dance—Ukraine—Cross-cultural studies. I. Title. GV1664.U4N35 2012 793.319477—dc23 2011033871 BRITISH LIBRARY CATALOGUING DATA ARE AVAILABLE © 2012 Andriy Nahachewsky. All rights reserved No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying or recording, or by any information storage and retrieval system, without permission in writing from the publisher. Front cover image: Dancers Ben Shank and John Onyschuk, Cheremosh Ukrainian Dance Company, Edmonton, Alberta, 2005 (photograph by Cindy Gannon) Manufactured in the United States of America McFarland & Company, Inc., Publishers Box 611, Je›erson, North Carolina 28640 www.mcfarlandpub.com Table of Contents Acknowledgments vi Preface 1 1. Basic Concepts 5 2. Purposes for Dancing 14 3. Ethnic Dance 24 4. Peasants Dancing 40 5. Geographic Zones 53 6. Historical Zones 67 7. Improvisation 73 8. Vival and Reflective Communities 83 9. National Dance Traditions 90 10. Typical Characteristics of National Dance 101 11. Variations in the National Paradigm 111 12. Recreational and Educational Dance 124 13. Spectacular Dance 143 14. Ballet and the Proscenium 157 15. Theatricalizing a Dance 168 16. Three Principles of Staging 192 17. Moiseyev and Virsky 202 18. First Versus Third Principles of Staging 213 19. -
Edited by Joanna Krakowska and Daria Odija
Edited by Joanna Krakowska and Daria Odija Adam Mickiewicz Institute Centre for Culture in Lublin Institute of Arts of the Polish Academy of Sciences City of Lublin Platform National Theatre Independent Theatre East Archives European Performing Arts Companion Edited by Joanna Krakowska and Daria Odija Adam Mickiewicz Institute Centre for Culture in Lublin Institute of Arts of the Polish Academy of Sciences City of Lublin Lublin – Warsaw 2016 Copyright by The Centre for Culture in Lublin, the City of Lublin and the Adam Mickiewicz Institute, 2016 English language editor Andrew Haydon Special thanks to Marta Keil, Marta Szymańska, Joanna Wichowska, Goran Injac, Iulia Popovici, Attila Szabó Layout kilku.com (Idalia Smyczyńska, Paweł Szarzyński, Robert Zając) Typesetting Karolina Zaborska Printed by Petit SK Set in PT Serif and PT Sans, printed on Alto 90 g/m2 First Edition — isbn 978-83-60263-46-4 — Lublin / Warszawa 2016 Contents 9 Introduction Part 1 National Theatre 16 National Theatre and the State Alexey Strelnikov – Belarus 28 Negotiating National Theatre Angelina Georgieva – Bulgaria 42 National Theatres Lada Čale-Feldman – Croatia 56 The National New Solutions Martina Pecková Černá – Czech Republic 82 Nation (National) Lives in the Past Anna Czékmány – Hungary 96 National Theatre: Characteristics, Influences, Distinguishing Features Sonja Zdravkova-Djeparoska – Macedonia 106 National Theatre: Idea and Institution Danuta Kuźnicka – Poland 116 On the Uses of a National Theatre Miruna Runcan – Romania 132 National People’s Theatre Playhouse -
Ukrainian Literature in English: Books and Pamphlets, 1890–1965
Research Report No. 19 UKRAINIAN LITERATURE IN ENGLISH: BOOKS AND PAMPHLETS, 1890-1965 An annotated bibliography Marta Tarnawsky Canadian Institute of Ukrainian Studies The University of Alberta Edmonton 1988 Canadian Institute of Ukrainian Studies University of Alberta Occasional Research Reports The Institute publishes research reports periodically. Copies may be ordered from the Canadian Institute of Ukrainian Studies, 352 Athabasca Hall, University of Alberta, Edmonton, Alberta, T6G 2E8. The name of the publication series and the substantive material in each issue (unless otherwise noted) are copyrighted by the Canadian Institute of Ukrainian Studies. This publication was funded by a grant from the Stephanie Bukachevska-Pastushenko Archival Endowment Fund. Occasional Research Reports UKRAINIAN LITERATURE IN ENGLISH: BOOKS AND PAMPHLETS, 1890-1965 An annotated bibliography MARTA TARNAWSKY Research Report No. 19 Canadian Institute of Ukrainian Studies University of Alberta Edmonton, Alberta 1988 Digitized by the Internet Archive in 2016 https ://arch i ve . org/detai Is/u krai n ian I iterat 1 9tarn UKRAINIAN LITERATURE IN ENGLISH: BOOKS AND PAMPHLETS, 1890-1965. An annotated bibliography by MARTA TARNAWSKY INTRODUCTION Articles and book reviews of Ukrainian folklore and "literature of the Cossacks" began to appear in English and American periodicals as early as the middle of the 19th century. The earliest book publication included in this bibliography dates from 1890: it is Marko Vovchok's novel Marusia, translated indirectly from a French version co-authored with P.J. Stahl and published in New York with no credit to the original author (see #B89). The first book of literary translations directly from the Ukrainian language was - as far as can be determined - a collection of folklore: R.N.