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Infinite Setlist: Analyzing Pioneer DJ's Catalogue Streaming Partnerships
Cybaris® Volume 12 Issue 1 Article 2 2021 Infinite Setlist: Analyzing Pioneer DJ’s Catalogue Streaming Partnerships with Beatport and SoundCloud Nicholas Rivera Follow this and additional works at: https://open.mitchellhamline.edu/cybaris Part of the Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Rivera, Nicholas (2021) "Infinite Setlist: Analyzing Pioneer DJ’s Catalogue Streaming Partnerships with Beatport and SoundCloud," Cybaris®: Vol. 12 : Iss. 1 , Article 2. Available at: https://open.mitchellhamline.edu/cybaris/vol12/iss1/2 This Article is brought to you for free and open access by the Law Reviews and Journals at Mitchell Hamline Open Access. It has been accepted for inclusion in Cybaris® by an authorized administrator of Mitchell Hamline Open Access. For more information, please contact [email protected]. © Mitchell Hamline School of Law CYBARIS®, AN INTELLECTUAL PROPERTY LAW REVIEW INFINITE SETLIST: ANALYZING PIONEER DJ’S CATALOGUE STREAMING PARTNERSHIPS WITH BEATPORT AND SOUNDCLOUD Nicholas Rivera1 Table of Contents Introduction ................................................................................................................................... 36 The Story Thus Far ................................................................................................................... 38 The Rise of Streaming .............................................................................................................. 39 Brief History of DJing -
The Spotify Paradox: How the Creation of a Compulsory License Scheme for Streaming On-Demand Music Platforms Can Save the Music Industry
UCLA UCLA Entertainment Law Review Title The Spotify Paradox: How the Creation of a Compulsory License Scheme for Streaming On-Demand Music Platforms Can Save the Music Industry Permalink https://escholarship.org/uc/item/7n4322vm Journal UCLA Entertainment Law Review, 22(1) ISSN 1073-2896 Author Richardson, James H. Publication Date 2014 DOI 10.5070/LR8221025203 Peer reviewed eScholarship.org Powered by the California Digital Library University of California The Spotify Paradox: How the Creation of a Compulsory License Scheme for Streaming On-Demand Music Platforms Can Save the Music Industry James H. Richardson* I. INTRODUCTION �����������������������������������������������������������������������������������������������������46 II. ILLEGAL DOWNLOADING LOCALLY STORED MEDIA, AND THE RISE OF STREAMING MUSIC ����������������������������������������������������������������������������������������������������������������47 A. The Digitalization of Music, and the Rise of Locally Stored Content. ......47 B. The Road to Legitimacy: Digital Media in Light of A&M Records, Inc. ..48 C. Legitimacy in a Sea of Piracy: The iTunes Music Store. ...........................49 D. Streaming and the Future of Digital Music Service. ���������������������������������50 III. THE COPYRIGHT AND DIGITALIZATION �������������������������������������������������������������������51 A. Statutory Background ................................................................................51 B. Digital Performance Right in Sound Recordings Act ................................52 -
Licensing Rules Repertoire Definition
CIS14-0091R40 Source language: English 30/06/2021 The most recent updates are marked in red Licensing Rules Repertoire Definition This document sets out the repertoire definitions claimed directly by European Licensors in Europe and in some cases outside Europe. the repertoires are defined per Licensor / territory / types of on-line exploitations and DSPs with starting dates when necessary. Differences with the last version of this document are written in red. The document is a snap shot of the current information available to the TOWGE and is updated on an ongoing basis. Please note that the repertoires are the repertoires applied by the Licensors and are not precedential nor can they bind other licensing entities. The applicable repertoire will always be the one set out in the respective representation agreement between Licensors. Towge best practices on repertoires update are: • to communicate an update preferably 3 months but no later than 1 month before the starting period of the repertoire in order to allow enough time for Towge to communicate a new "repertoire definition document" to both Licensors and Licensees, which will allow these to adapt their programs accordingly • to not re-process invoices that have already been generated by Licensors and processed by Licensees Date of Publication Repertoire Licensing Body Pan-European Repertoire Definition DSPs Use Type Start Date Notes End Date Contact licensing Apr-19 WCM Anglo-American ICE Warner Chappell Music Publishing repertoire (mechanical and CP rights) licensable under the PEDL arrangement where the 7 Digital Ltd all digital 01/01/2010 Steve.Meixner repertoire author/composer of the Musical Work (or part thereof as applicable) is non-society or a member of PRS, IMRO, ASCAP, BMI, Amazon Music Unlimited (Steve.Meixner@u SESAC, SOCAN, SAMRO or APRA. -
Algorithms and Curated Playlist Effect on Music Streaming Satisfaction
ALGORITHMS AND CURATED PLAYLIST EFFECT ON MUSIC STREAMING SATISFACTION by Johny Sanchez Submitted in partial fulfillment of the requirements for Departmental Honors in the Department of Business Information Systems Texas Christian University Fort Worth, Texas May 7, 2018 ii ALGORITHMS AND CURATED PLAYLIST EFFECT ON MUSIC STREAMING SATISFACTION Project Approved: Supervising Professor: Jeffrey Stratman, Ph.D. Department of Business Information Systems Wendy Williams, Ph.D. John V. Roach Honors College iii ABSTRACT This research attempts to better understand the use of algorithms by music streaming services Apple Music and Spotify, and determine if their use affects user satisfaction. Both Apple Music and Spotify have integrated algorithms into their service in order to provide individually curated playlist. These playlists are created based on a user’s musical taste gathered by interacting with the service. The playlists allow users to discover new music based on what they enjoy. The more a user provides information on the type of music they like, then the better at predicting the algorithms become. The research attempts to answer: does the use of algorithms, analytics, and curated playlists enhance customer satisfaction and music discovery in Apple Music and Spotify? Both companies have invested heavily into their algorithms and it is important to know if they benefit the user. To find the answer to the question, college aged (18-23) individuals were surveyed on their engagement and satisfaction with Apple Music and/or Spotify. Without access to either company’s algorithms a proxy for an input to them was used. Results show that for a one degree increase in engagement there was a 37.8% increase in user satisfaction. -
Songwriter Guide from Soundcloud to Spotify
Songwriting with Purpose Your complete guide from SoundCloud to Spotify Prepared by: David Senf SongSure Project 1 Tackle 3 top songwriter challenges Start taking the guess 1 2 3 work out of your music Audience Audience Focused creation, promotion and Triggers Engagement Time planning. The Likes How to How to How much Project is freely available consistently grow your time should “how to” guidance for write a song song plays, you spend musicians, songwriters, that triggers likes and on the tasks producers and the music audiences reach a that lead to industry. It’s based on to play and wider more plays deep, formal research like it audience and likes that is shared in plain language 2 Learn from your peers Learn from leaders of song plays and likes how to… ü get more plays, likes and purchases ü how much time to invest and in what ü appeal more to your audience ü engage an audience better 3 About us Our goal is to… ü analyze songs from the best to worst on SoundCloud / Spotify ü create actionable instructions for you ü reach out to creators on SoundCloud / Spotify to learn what works and doesn’t work ü freely share this content 4 Your success factors Your Success Brand As a creator who wants Creator level Plan to be successful, this is a step-by-step guide to Your Art help you achieve your goals. It is not daunting Audience Write Practice Audience when taken one piece at engagement Record profile a time. Notice that a Mix Master focus on “audience” plays strongly in success. -
Music Recommendation Algorithms: Discovering Weekly Or Discovering
MUSIC RECOMMENDATION ALGORITHMS Music Recommendation Algorithms: Discovering Weekly or Discovering Weakly? Jennie Silber Muhlenberg College, Allentown, PA, USA Media & Communication Department Undergraduate High Honors Thesis April 1, 2019 1 MUSIC RECOMMENDATION ALGORITHMS 2 MUSIC RECOMMENDATION ALGORITHMS Abstract This thesis analyzes and assesses the cultural impact and economic viability that the top music streaming platforms have on the consumption and discovery of music, with a specific focus on recommendation algorithms. Through the support of scholarly and journalistic research as well as my own user experience, I evaluate the known constructs that fuel algorithmic recommendations, but also make educated inferences about the variables concealed from public knowledge. One of the most significant variables delineated throughout this thesis is the power held by human curators and the way they interact with algorithms to frame and legitimize content. Additionally, I execute my own experiment by creating new user profiles on the two streaming platforms popularly used for the purpose of discovery, Spotify and SoundCloud, and record each step of the music discovery process experienced by a new user. After listening to an equal representation of all genre categories within each platform, I then compare the genre, release year, artist status, and content promotion gathered from my listening history to the algorithmically-generated songs listed in my ‘Discover Weekly’ and ‘SoundCloud Weekly’ personalized playlists. The results from this experiment demonstrate that the recommendation algorithms that power these discovery playlists intrinsically facilitate the perpetuation of a star- driven, “winner-take-all” marketplace, where new, popular, trendy, music is favored, despite how diverse of a selection the music being listened to is. -
Launch of Digital Music Europe
Launch of Digital Music Europe BRUSSELS, Belgium, November 8th 2017 - A group of leading European digital music companies today announce the launch of a new alliance, Digital Music Europe (DME). The alliance brings together Europe’s digital music leaders including 7digital, Deezer, Qobuz, SoundCloud, Soundcharts and Spotify. Digital Music Europe will showcase and promote the success of the European digital music industry, it will serve as a resource for policy-makers, media and the digital music industry, and will advocate for policies that shape a favourable business environment for digital music. “For a decade, European digital music companies have led the transformation of the music industry globally. Bringing these companies together to create DME is a great opportunity to highlight European leadership in this sector, inspire other European entrepreneurs and create a unique voice with policy-maKers.” says Hans-Holger Albrecht, President of Digital Music Europe and CEO of Deezer. “DME is eager to share the experience and vision of its members to contribute to policy debates shaping Europe’s Digital Single MarKet. We believe that policy-maKers have a Key role to play to support the growth of the entire music sector and enable more innovation in Europe“ says Olivia Regnier, Chair of DME and Director of EU Regulatory Affairs at Spotify Europe has - and continues to be - a hotbed of innovation for many of the global success stories in digital music. DME member companies have helped transform the digital music landscape, enabling artists to reach ever-wider audiences, and bringing consumers radically new and compelling digital music experiences. -
Download Soundcloud Free Soundcloud
download soundcloud free SoundCloud. SoundCloud is the best free way to listen, discover, and even record new audio and music on your Android device. Soundcloud isn’t just another internet radio – it’s a social network! Reach out to your favorite artists and bands, share songs you love and playlists you’ve made, “heart” tracks, and keep track of everything you like. One of the greatest features of the app is the ability to download songs, audiobooks, and podcasts for offline listening later. It’s important to remember that you’ll need either at least 3G speed on data or access to high-speed Wi-Fi to use the app and avoid buffering issues; some people have complained that certain carriers (T-Mobile, in particular) seem to have difficulty streaming. With so many features and millions of tracks to choose from it’s no mystery why SoundCloud is one of the most used social music apps! Check out a quick run-down of features below: SoundCloud Downloader. Ooops, there's a problem! Let's solve it right now: 1) You have entered the link of a private account. Try to use the link of a public account; 2) The link is "broken." Try to copy it once again. Failed to fix the problem? Ask the support team for help at [email protected]. Which songs may the SoundCloud music download service upload? SoundCloud ripper allows you to download SoundCloud tracks in high 128kbps 320kbps speed in excellent Mp3 format and songs lasting up to 2 hours. But take into account that not all song creators let others save their music. -
Stages Vol. 2
STAGESOfficial Magazine of the Englert Theatre Spring 2015 Featuring The Sound of Things to Social Brand Mission Creek Come from the Past Forum Festival SAVING MUSIC HISTORY ONE A PEEK INTO THE MIDWEST’S FATHER JOHN MISTY & MORE TO RECORD AT A TIME PREMIER DIGITAL MARKETING EVENT PLAY THE ENGLERT STAGE PAGE 10 PAGE 18 PAGE 28 M Y L A G O S M Y WAY CAVIAR COLLECTIONS 110 East Washington Street Iowa City, IA 52240 319.351.1700 www.mcginsberg.com lagos_coleco_bscene_8-5x11.indd 1 1/29/2015 2:06:05 PM Welcome to The Englert Theatre Dear Friends & Patrons, I am writing this letter as we face the long tunnel of winter. After a few quiet weeks around the holidays, winter is always a remarkably busy time at the theater as we prepare for Mission Creek Festival (full disclosure: I am a co-founder but many people have their hands in making this event work). This year marks the tenth installment of Mission Creek Festival in Iowa City, and we at the Englert are proud to be the producer of the festival. The lineup often reminds me of the programmatic vision that drives my work at the theater: to present the known and unknown side-by-side, to find a balance between the traditional and the experimental, to be reminded of a familiar feeling and to be rewarded by a new experience. Indeed, part of my job is to bring old favorites like Joan Baez, hot new bands like Lake Street Dive, or an institution of comedy like The Second City. -
October 2019 Newsletter .Pub
Sermons for October 2019 Oct 6th - Psalm 37 - World Communion Sunday (Season of Saints kickoff) Observed on the first Sunday in October, this day calls the Church to be the universal, inclusive Church. The day was first observed by Presbyterians in 1936, adopted by the Federal Council of Churches in 1940, and shortly thereaf- ter observed in Methodist and Evangelical United Brethren churches. This Sun- day also kicks off the season of the saints for our church. A season of honoring those involved in ministry and culminated in All Saints Day with a remem- brance for those saints whom have gone on in the previous year. Oct 13th - Children's Sunday Children's Sunday is a day set aside to celebrate children as active par- ticipants in the life of the church. Children serve throughout the service. Chil- dren's Sabbath is an ecumenically celebrated weekend committed to educating the congregation about the state of today’s children and families. Children pro- vide leadership for the future of our church. Oct 20th - Joel 2:23-32 “The Sermon is in the Congregation” Laity Sunday focuses on the celebration of the ministry of all lay Chris- tians. On Laity Sunday, we celebrate that we are all called, laity as well as clergy, to go and make disciples in a world so desperately in need of hope through our humble service. Jesus modeled the process for us. Therefore we all are to be ready to share the good news and make disciples. Are you ready to share? Today is also Consecration Sunday! Oct 27th - Psalm 65 - Reformation Sunday Today we continue that movement towards our All Saints Celebration as we celebrate Reformation Sunday. -
The LFM-1B Dataset for Music Retrieval and Recommendation
The LFM-1b Dataset for Music Retrieval and Recommendation Markus Schedl Department of Computational Perception Johannes Kepler University Linz, Austria [email protected] ABSTRACT However, researchers interested in conducting experiments We present the LFM-1b dataset of more than one billion in music retrieval and recommendation on a large scale — in music listening events created by more than 120,000 users particular those working in academia — are facing the chal- of Last.fm. Each listening event is characterized by artist, lenge that they frequently have to acquire the data for their album, and track name, and further includes a timestamp. experiments themselves, which results in non-standardized collections, hindering reproducibility . While online music On the (anonymous) user level, basic demographics and a 1 2 3 selection of more elaborate user descriptors are included. platforms such as Spotify, Last.fm, or Soundcloud of- The dataset is foremost intended for benchmarking in mu- fer convenient API endpoints that provide access to their sic information retrieval and recommendation. To facili- databases, it takes a considerable amount of time to build tate experimentation in a straightforward manner, it also collections of substantial size necessary for large-scale eval- includes a precomputed user-item-playcount matrix. In ad- uation. The few publicly available datasets for these pur- dition, sample Python scripts showing how to load the data poses, the most well-known of which is probably the Million and perform efficient computations are provided. An imple- Song Dataset (MSD) [2], might represent an alternative, but mentation of a simple collaborative filtering recommender come with certain restrictions. -
Recommended Tools for Podcast Listening
Chapter 2 Recommended Tools for Podcast Listening How to Find and Subscribe within the app for finding podcasts to subscribe to. to a Podcast Once you subscribe to a podcast, you can choose whether to automatically download the latest episode Podcasts can be found in many ways. If someone tells and whether to delete episodes you’ve finished. You you about an interesting podcast, you might start by can also choose from several other choices to cus- searching Google for the title, with the word podcast tomize your listening. We’ll look at both desktop and after it. You can usually find the website of the pod- mobile apps in the upcoming sections of this report. cast and from there find a link to subscribe. If you’re looking for a particular episode, you don’t actually need to subscribe. Most podcasts offer ways to listen Mobile Apps for iOS and Android to individual episodes in your web browser without subscribing.1 There are many options for listening to podcasts on Once you start subscribing to several podcasts, mobile devices. In this section, I’ll list some of the you’ll probably want to use a desktop or mobile app to highest-rated apps for iOS and Android. organize your subscriptions. Apple’s iTunes is the most One of the reasons to use a dedicated mobile app popular desktop app (for Mac or Windows).2 It also has for podcasts is that these apps have very useful fea- one of the largest directories of podcasts available, so tures, such as skipping ahead or back by a few seconds it’s a good place to search for and browse podcasts by (to skip introductions), a sleep timer, volume boost for topic.