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Understanding the Value of Arts & Culture | the AHRC Cultural Value
Understanding the value of arts & culture The AHRC Cultural Value Project Geoffrey Crossick & Patrycja Kaszynska 2 Understanding the value of arts & culture The AHRC Cultural Value Project Geoffrey Crossick & Patrycja Kaszynska THE AHRC CULTURAL VALUE PROJECT CONTENTS Foreword 3 4. The engaged citizen: civic agency 58 & civic engagement Executive summary 6 Preconditions for political engagement 59 Civic space and civic engagement: three case studies 61 Part 1 Introduction Creative challenge: cultural industries, digging 63 and climate change 1. Rethinking the terms of the cultural 12 Culture, conflict and post-conflict: 66 value debate a double-edged sword? The Cultural Value Project 12 Culture and art: a brief intellectual history 14 5. Communities, Regeneration and Space 71 Cultural policy and the many lives of cultural value 16 Place, identity and public art 71 Beyond dichotomies: the view from 19 Urban regeneration 74 Cultural Value Project awards Creative places, creative quarters 77 Prioritising experience and methodological diversity 21 Community arts 81 Coda: arts, culture and rural communities 83 2. Cross-cutting themes 25 Modes of cultural engagement 25 6. Economy: impact, innovation and ecology 86 Arts and culture in an unequal society 29 The economic benefits of what? 87 Digital transformations 34 Ways of counting 89 Wellbeing and capabilities 37 Agglomeration and attractiveness 91 The innovation economy 92 Part 2 Components of Cultural Value Ecologies of culture 95 3. The reflective individual 42 7. Health, ageing and wellbeing 100 Cultural engagement and the self 43 Therapeutic, clinical and environmental 101 Case study: arts, culture and the criminal 47 interventions justice system Community-based arts and health 104 Cultural engagement and the other 49 Longer-term health benefits and subjective 106 Case study: professional and informal carers 51 wellbeing Culture and international influence 54 Ageing and dementia 108 Two cultures? 110 8. -
Infinite Setlist: Analyzing Pioneer DJ's Catalogue Streaming Partnerships
Cybaris® Volume 12 Issue 1 Article 2 2021 Infinite Setlist: Analyzing Pioneer DJ’s Catalogue Streaming Partnerships with Beatport and SoundCloud Nicholas Rivera Follow this and additional works at: https://open.mitchellhamline.edu/cybaris Part of the Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Rivera, Nicholas (2021) "Infinite Setlist: Analyzing Pioneer DJ’s Catalogue Streaming Partnerships with Beatport and SoundCloud," Cybaris®: Vol. 12 : Iss. 1 , Article 2. Available at: https://open.mitchellhamline.edu/cybaris/vol12/iss1/2 This Article is brought to you for free and open access by the Law Reviews and Journals at Mitchell Hamline Open Access. It has been accepted for inclusion in Cybaris® by an authorized administrator of Mitchell Hamline Open Access. For more information, please contact [email protected]. © Mitchell Hamline School of Law CYBARIS®, AN INTELLECTUAL PROPERTY LAW REVIEW INFINITE SETLIST: ANALYZING PIONEER DJ’S CATALOGUE STREAMING PARTNERSHIPS WITH BEATPORT AND SOUNDCLOUD Nicholas Rivera1 Table of Contents Introduction ................................................................................................................................... 36 The Story Thus Far ................................................................................................................... 38 The Rise of Streaming .............................................................................................................. 39 Brief History of DJing -
Free Views Tiktok
Free Views Tiktok Free Views Tiktok CLICK HERE TO ACCESS TIKTOK GENERATOR tiktok auto liker hack In July 2021, "The Wall Street Journal" reported the company's annual revenue to be approximately $800 million with a loss of $70 million. By May 2021, it was reported that the video-sharing app generated $5.2 billion in revenue with more than 500 million users worldwide.", free vending machine code tiktok free pro tiktok likes and followers free tiktok fans without downloading any apps The primary difference between Tencent’s WeChat and ByteDance’s Toutiao is that the former has yet to capitalize on the addictive nature of short-form videos, whereas the latter has. TikTok — the latter’s new acquisition — is a comparatively more simple app than its parent company, but it does fit in well with Tencent’s previous acquisition of Meitu, which is perhaps better known for its beauty apps.", In an article published by The New York Times, it was claimed that "An app with more than 500 million users can’t seem to catch a break. From pornography to privacy concerns, there have been quite few controversies surrounding TikTok." It continued by saying that "A recent class-action lawsuit alleged that the app poses health and privacy risks to users because of its allegedly discriminatory algorithm, which restricts some content and promotes other content." This article was published on The New York Times.", The app has received criticism from users for not creating revenue and posting ads on videos which some see as annoying. The app has also been criticized for allowing children younger than age 13 to create videos. -
Who Pays for Music?
Who Pays For Music? The Honors Program Senior Capstone Project Meg Aman Professor Michael Roberto May 2015 Who Pays For Music Senior Capstone Project for Meg Aman TABLE OF CONTENTS ABSTRACT ....................................................................................................................... 3 LITERATURE REVIEW ................................................................................................ 4 INTRODUCTION ................................................................................................................. 4 MUSIC INDUSTRY BACKGROUND ...................................................................................... 6 THE PROBLEM .................................................................................................................. 8 THE MUSIC INDUSTRY ..................................................................................................... 9 THE CHANGING MUSIC MARKET .................................................................................... 10 HOW CAN MUSIC BE FREE? ........................................................................................... 11 MORE OR LESS MUSIC? .................................................................................................. 12 THE IMPORTANCE OF SAMPLING ..................................................................................... 14 THE NETWORK EFFECTS ................................................................................................. 16 WHY STREAMING AND DIGITAL MUSIC STORES ............................................................ -
A Jewinican (Re)Collection Roberto Alejandro Santos University of Texas at El Paso, [email protected]
University of Texas at El Paso DigitalCommons@UTEP Open Access Theses & Dissertations 2010-01-01 Exile in the Gramola: A Jewinican (Re)Collection Roberto Alejandro Santos University of Texas at El Paso, [email protected] Follow this and additional works at: https://digitalcommons.utep.edu/open_etd Part of the American Literature Commons, Ethnic Studies Commons, Fine Arts Commons, and the Literature in English, North America Commons Recommended Citation Santos, Roberto Alejandro, "Exile in the Gramola: A Jewinican (Re)Collection" (2010). Open Access Theses & Dissertations. 2777. https://digitalcommons.utep.edu/open_etd/2777 This is brought to you for free and open access by DigitalCommons@UTEP. It has been accepted for inclusion in Open Access Theses & Dissertations by an authorized administrator of DigitalCommons@UTEP. For more information, please contact [email protected]. EXILE IN THE GRAMOLA: A JEWINICAN (RE)COLLECTION ROBERTO ALEJANDRO SANTOS Department of Creative Writing APPROVED: _____________________________________________ Benjamin Alire Sáenz, Committee Chair _____________________________________________ Sasha Pimentel Chacón, M.F.A. _____________________________________________ Maceo Dailey, Ph.D. _____________________________________________ Patricia D. Witherspoon, Ph.D. Dean of the Graduate School Copyright © 2010 by Roberto Alejandro Santos All Rights Reserved. Livication For my family & friends EXILE IN THE GRAMOLA: A JEWINICAN (RE)COLLECTION by ROBERTO ALEJANDRO SANTOS, B.A., M.F.A. THESIS Presented to the Faculty of the Graduate School of The University of Texas at El Paso in Partial Fulfillment of the Requirements for the Degree of MASTER OF FINE ARTS Department of Creative Writing THE UNIVERSITY OF TEXAS AT EL PASO May 2010 Preface to Exile in the Gramola : A Jewinican (Re)Collection What is a book of poetry but a collection of words and lines, truths and lies, questions and almost-answers. -
WTX Microstream EN Manual-1
WTX MicroStream First Multiroom Plug & Play Audiophile Streamer What is the WTX-MicroStream The WTX-Microstream is an innovative wireless HiFi streamer which can be used with any amplier, HiFi sytem, soundbar, home theater into your home wi network. This system is multiroom. You can play your own music (PC/MAC, NAS), enjoy streaming services like Spotify, Tidal, Qobuz, etc... or radio service. The WTX-Microstream has an open interface with upgradable capability for future services and evolutions. Android and IOS apps will be available soon. What you will nd in the gift box - The WTX MicroStream x1 - The power adapter x1 - The EC plug x1 - The UK plug x1 - The US plug x1 Interface Wi-Fi led WPS button indicator for association Left channel Power supply To plug on your HiFi, active speaker, soundbar... Right channel Download your App / Android or Apple - To control your WTX-Microstreamer, please download on the App Store (if you are using Apple devices) or on Google Play (if you you are using an Android device). The name of the App is ADVANCE PLAYSTREAM How to connect your WTX MicroStream with WPS - Make sure your phone connect to your Wi-Fi home network. - Run ADVANCE PLAYSTREAM App and choose Add Device. - Type your password of your router in ADVANCE PLAYSTREAM App. - Press WPS button on WTX MicroStream How to connect your WTX MicroStream without WPS - Make sure your phone connect to your Wi-Fi home network. - Run ADVANCE PLAYSTREAM App and choose Add Device. - Enter “Setting” ->”WLAN” ->directly connect WTX MicroStreamer - Type your password of your router in ADVANCE PLAYSTREAM App. -
Spotify:Fast Facts
Spotify: Fast Facts A quick guide to Spotify What is Spotify? Play, discover and share for free Spotify is a new way to listen to music. We’re the Think of Spotify as the world’s music collection, free, world’s biggest music streaming service, giving you free legal, and at your fingertips. It’s how music should be. and instant access to over 18 million* tracks, any time you like. • Search for any track or album and hit play – it’s that simple. Now you can get all the music you’ll ever need, • Build your own library of playlists and share them wherever you are, on your computer, your mobile, your with friends with one click. iPad, and many more of your favourite devices. • Discover new music – check out your friends’ music collections, plus get inspired with great Spotify Apps like Last.fm, Rolling Stone and Spotify Radio. Choose how you listen There are three ways to enjoy Spotify: Spotify Free – millions of tracks for free, with ads to pay the music makers. Sign up at spotify.com Spotify Unlimited – ad-free, non- stop music to your computer. or Facebook Spotify Premium – the ultimate Spotify experience. Unlimited, ad-free music to your computer, iPad, mobile and favourite devices. Plus, store your playlists and listen offline – no connection needed. Better for artists, better for everyone Spotify is drawing people away from piracy. We’ve created a better, more convenient alternative where every single play results in revenue for artists and rights holders. It’s better for everyone. Give me some numbers Paying subscribers: Number of songs: -
Chart: Top50 AUDIO URBAN
Chart: Top50_AUDIO_URBAN Report Date (TW): 2012-11-18 --- Previous Report Date(LW): 2012-11-11 TW LW TITLE ARTIST GENRE RECORD LABEL 1 1 Ball (clean) T.i. Ft Lil Wayne Hip Hop Grand Hustle Records / Atlantic 2 3 Poetic Justice (dirty) Kendrick Lamar Ft Drake Hip Hop Interscope Records 3 2 Ball (dirty) T.i. Ft Lil Wayne Hip Hop Grand Hustle Records / Atlantic 4 4 Ball (instrumental) T.i. Ft Lil Wayne Hip Hop Grand Hustle Records / Atlantic 5 6 Adorn (dj Tedsmooth Remix) Miguel Ft Diddy & French Montana Hip Hop RCA Records 6 5 911 (clean) Rick Ross Ft 2 Chainz Hip Hop MayBach Music 7 7 Adorn (dj Tedsmooth Remix) (clean) Miguel Ft Puff Daddy And French Montana R&b RCA Records 8 8 Birthday Song Remix (clean) 2 Chainz Ft Diddy & Rick Ross Hip Hop Island Def Jam Records 9 13 Poetic Justice (clean) Kendrick Lamar Ft Drake Hip Hop Interscope Records 10 15 F_ckin Problems (dirty) Asap Rocky Ft Drake, 2 Chainz And Kendrick LamarHip Hop RCA Records 11 9 911 (dirty) Rick Ross Ft 2 Chainz Hip Hop MayBach Music 12 10 Birthday Song Remix (dirty) 2 Chainz Ft Diddy & Rick Ross Hip Hop Island Def Jam Records 13 11 Believe It (dirty) Meek Mill Ft Rick Ross Hip Hop Maybach Music Group 14 12 Dont Make Em Like You (clean) Neyo Ft Wiz Khalifa R&b Island Def Jam Records 15 17 Get Right (clean) Young Jeezy Hip Hop Island Def Jam Records 16 18 Bands A Make Her Dance (dirty) Trey Songz Hip Hop Atlantic Records 17 20 Dump Truck (clean) E 40 And Too Short Ft Travis Porter Hip Hop Sick Wit It Records 18 32 Guap (dirty) Big Sean Hip Hop island Def Jam Records 19 30 Poetic Justice (instrumental) Kendrick Lamar Ft Drake Hip Hop Interscope Records 20 22 Bandz A Make Her Dance (instrumental) Juicy J Ft Lil Wayne And 2 Chainz Hip Hop Hypnotize Minds 21 21 Compton (dirty) Kendrick Lamar Ft Dr. -
Jeezy All There Mp3 Download
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The Good 5 Cent Cigar (10/5/2012) University of Rhode Island
University of Rhode Island DigitalCommons@URI The Good 5 eC nt Cigar (Student Newspaper) University Archives 10-5-2012 The Good 5 Cent Cigar (10/5/2012) University of Rhode Island Follow this and additional works at: http://digitalcommons.uri.edu/cigar Recommended Citation University of Rhode Island, "The Good 5 eC nt Cigar (10/5/2012)" (2012). The Good 5 Cent Cigar (Student Newspaper). Book 10. http://digitalcommons.uri.edu/cigar/10http://digitalcommons.uri.edu/cigar/10 This Book is brought to you for free and open access by the University Archives at DigitalCommons@URI. It has been accepted for inclusion in The Good 5 Cent Cigar (Student Newspaper) by an authorized administrator of DigitalCommons@URI. For more information, please contact [email protected]. THE UNIVERSITY OF RHODE ISLAND STUDENT NEWSPAPER SINCE 1971 Volume62 © 'Just what this country needs ' Friday · Issue 16 www.ramcigar.com . October 5, 2012 Nursing. school names interim Political science ·class puts Dean, searches for replacement focus on election campaigns BY KIMBE;RLY DELANDE Island], we're making steady said the College of Nursing News Reporter BY GILDA CENTENO exactly how the system progress," Sullivan said. has made it their initiative to Contributing News Reporter · works," Pearson ~aid . "We're responding to the not just teach students, but University of Rhode · An interestiry~ fact in the IOM' s report by looking at ensure that they are getting Political science professor speCifics . of vote'r hi'rnout, is Island nursing professor, our eurriculum and working experience out on. the field: Shanna Pearson ~ Merkowitz the' difficulties that jlre in · nurse-scientist and scholar to increase the number of Nursing students currently Mary Sullivan has been challenge to Univers·i,ty of pface when voting in ( the · nurses with bachelor degrees gain these skills by learning Rhode Island students in her Unit~d States. -
Music Preferences: a Gateway to Where? by Delia Regan
Music Preferences: A Gateway to Where? Delia Regan Anna Maria College Author’s Note Delia Regan (‘21), Music Therapy Honor Student, Anna Maria College This thesis was prepared for HON 490-01 Seniors Honors Seminar under the instruction of Professor Travis Maruska, Associate Professor of Humanities, Anna Maria College. Correspondence concerning this article should be addressed by electronic mail. Contact: [email protected], [email protected] 1 Abstract This paper discusses the impact of peer pressure on shared music preferences which was conducted through a survey and group interviews. The information on the development of music preferences provides the reader with background on how the music preference process begins. Peer pressure is also discussed from early childhood into adulthood. The solidification of music preferences happens around the same age as college-aged individuals, which overlaps with a decrease in the impact of peer pressure. The research focuses on college-aged individuals who completed a survey on their music preferences in individual and group settings, and then were put into groups to determine if a social setting would influence their responses to the same questions. Overall, a distinct relationship between peer pressure and music preference could not be made. Keywords: College-Aged, Group Cohesion, Music, Music Preference, Peer Pressure, Social Consequence 2 Music Preferences What does music taste say about a person? Music is usually a part of daily life, whether people are aware of it or not. It can help people express themselves, regulate their emotions, and, when used clinically, can help a person regain the ability to walk. Music is powerful, but what draws people to it? Studies have been done to try and determine why people are attracted to music, and they have created multiple theories trying to answer this question. -
UNDERSTANDING PORTRAYALS of LAW ENFORCEMENT OFFICERS in HIP-HOP LYRICS SINCE 2009 By
ON THE BEAT: UNDERSTANDING PORTRAYALS OF LAW ENFORCEMENT OFFICERS IN HIP-HOP LYRICS SINCE 2009 by Francesca A. Keesee A Thesis Submitted to the Graduate Faculty of George Mason University in Partial Fulfillment of The Requirements for the Degrees of Master of Science Conflict Analysis and Resolution Master of Arts Conflict Resolution and Mediterranean Security Committee: ___________________________________________ Chair of Committee ___________________________________________ ___________________________________________ ___________________________________________ Graduate Program Director ___________________________________________ Dean, School for Conflict Analysis and Resolution Date: _____________________________________ Fall Semester 2017 George Mason University Fairfax, VA University of Malta Valletta, Malta On the Beat: Understanding Portrayals of Law Enforcement Officers in Hip-hop Lyrics Since 2009 A Thesis submitted in partial fulfillment of the requirements for the degrees of Master of Science at George Mason University and Master of Arts at the University of Malta by Francesca A. Keesee Bachelor of Arts University of Virginia, 2015 Director: Juliette Shedd, Professor School for Conflict Analysis and Resolution Fall Semester 2017 George Mason University Fairfax, Virginia University of Malta Valletta, Malta Copyright 2016 Francesca A. Keesee All Rights Reserved ii DEDICATION This is dedicated to all victims of police brutality. iii ACKNOWLEDGEMENTS I am forever grateful to my best friend, partner in crime, and husband, Patrick.