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A Jewinican (Re)Collection Roberto Alejandro Santos University of Texas at El Paso, [email protected]
University of Texas at El Paso DigitalCommons@UTEP Open Access Theses & Dissertations 2010-01-01 Exile in the Gramola: A Jewinican (Re)Collection Roberto Alejandro Santos University of Texas at El Paso, [email protected] Follow this and additional works at: https://digitalcommons.utep.edu/open_etd Part of the American Literature Commons, Ethnic Studies Commons, Fine Arts Commons, and the Literature in English, North America Commons Recommended Citation Santos, Roberto Alejandro, "Exile in the Gramola: A Jewinican (Re)Collection" (2010). Open Access Theses & Dissertations. 2777. https://digitalcommons.utep.edu/open_etd/2777 This is brought to you for free and open access by DigitalCommons@UTEP. It has been accepted for inclusion in Open Access Theses & Dissertations by an authorized administrator of DigitalCommons@UTEP. For more information, please contact [email protected]. EXILE IN THE GRAMOLA: A JEWINICAN (RE)COLLECTION ROBERTO ALEJANDRO SANTOS Department of Creative Writing APPROVED: _____________________________________________ Benjamin Alire Sáenz, Committee Chair _____________________________________________ Sasha Pimentel Chacón, M.F.A. _____________________________________________ Maceo Dailey, Ph.D. _____________________________________________ Patricia D. Witherspoon, Ph.D. Dean of the Graduate School Copyright © 2010 by Roberto Alejandro Santos All Rights Reserved. Livication For my family & friends EXILE IN THE GRAMOLA: A JEWINICAN (RE)COLLECTION by ROBERTO ALEJANDRO SANTOS, B.A., M.F.A. THESIS Presented to the Faculty of the Graduate School of The University of Texas at El Paso in Partial Fulfillment of the Requirements for the Degree of MASTER OF FINE ARTS Department of Creative Writing THE UNIVERSITY OF TEXAS AT EL PASO May 2010 Preface to Exile in the Gramola : A Jewinican (Re)Collection What is a book of poetry but a collection of words and lines, truths and lies, questions and almost-answers. -
In the Court of Appeal of the State of California
Filed 12/7/15 Certified for Publication 12/22/15 (order attached) IN THE COURT OF APPEAL OF THE STATE OF CALIFORNIA FOURTH APPELLATE DISTRICT DIVISION THREE THE PEOPLE, Plaintiff and Respondent, G050444 v. (Super. Ct. No. 13CF1958) RAPHAEL JARED SCALLY, O P I N I O N Defendant and Appellant. Appeal from a judgment of the Superior Court of Orange County, Michael J. Cassidy, Judge. Affirmed. David R. Greifinger, under appointment by the Court of Appeal, for Defendant and Appellant. Kamala D. Harris, Attorney General, Gerald A. Engler, Chief Assistant Attorney General, Julie L. Garland, Assistant Attorney General, Charles C. Ragland and Marvin E. Mizell, Deputy Attorneys General, for Plaintiff and Respondent. * * * The jury found defendant guilty of one count of pimping (Pen. Code, § 266h, subd. (a)) and one count of pandering (Pen. Code, § 266i, subd. (a)). The court held a bench trial and found it to be true that defendant committed the offenses while out on bail. (Pen. Code, § 12022.1, subd. (b).) The court sentenced defendant to the midterm of four years on the pimping count, stayed imposition of the sentence on the pandering count, and imposed, but stayed, a two year on-bail enhancement. On appeal, defendant raises a single issue: that the court erred by permitting the People’s expert to testify that certain text messages sent from defendant to individuals other than the particular prostitute at issue were consistent with pimping activity. Defendant contends this was improper character evidence under Evidence Code section 1101. We conclude the evidence was relevant to rebut the defense that the prostitute was merely defendant’s girlfriend — a nonpropensity basis for relevance — and thus we affirm. -
UNDERSTANDING PORTRAYALS of LAW ENFORCEMENT OFFICERS in HIP-HOP LYRICS SINCE 2009 By
ON THE BEAT: UNDERSTANDING PORTRAYALS OF LAW ENFORCEMENT OFFICERS IN HIP-HOP LYRICS SINCE 2009 by Francesca A. Keesee A Thesis Submitted to the Graduate Faculty of George Mason University in Partial Fulfillment of The Requirements for the Degrees of Master of Science Conflict Analysis and Resolution Master of Arts Conflict Resolution and Mediterranean Security Committee: ___________________________________________ Chair of Committee ___________________________________________ ___________________________________________ ___________________________________________ Graduate Program Director ___________________________________________ Dean, School for Conflict Analysis and Resolution Date: _____________________________________ Fall Semester 2017 George Mason University Fairfax, VA University of Malta Valletta, Malta On the Beat: Understanding Portrayals of Law Enforcement Officers in Hip-hop Lyrics Since 2009 A Thesis submitted in partial fulfillment of the requirements for the degrees of Master of Science at George Mason University and Master of Arts at the University of Malta by Francesca A. Keesee Bachelor of Arts University of Virginia, 2015 Director: Juliette Shedd, Professor School for Conflict Analysis and Resolution Fall Semester 2017 George Mason University Fairfax, Virginia University of Malta Valletta, Malta Copyright 2016 Francesca A. Keesee All Rights Reserved ii DEDICATION This is dedicated to all victims of police brutality. iii ACKNOWLEDGEMENTS I am forever grateful to my best friend, partner in crime, and husband, Patrick. -
The 4 Steps That Led 6 of Our Clients to Achieve 9-Figure Exits
The 4 Steps That Led 6 of Our Clients to Achieve 9-Figure Exits Steve Sanduski: Hi, everybody. Thanks for joining us today. I'm your host, Steve Sanduski, and our guest today is Mark Moses. Mark is the founding partner and CEO at CEO Coaching International, and he has successfully built and sold two companies. He's been the president of EO and YPO Orange County chapters. He's the author of the great book Make Big Happen. In his spare time, he's completed 12 full- distance IRONMAN triathlons, including the Hawaii IRONMAN World Championship five times. On today's show, we talk about what it takes to build a business and then exit with a nine-figure valuation. We're not talking theory here. CEO Coaching International already has six client firms complete these nine-figure exits, and there are even more in the pipeline. On the conversation, Mark and I pull back the curtain and we talk about what you, as the founder, the CEO, need to think and do to be able to make this big exit happen. We talk about the mindset you need, the blind spots you must avoid, the people you need to surround yourself with, and the courage you're going to need to make the tough decisions and overcome the challenges that you will, no doubt, face. Be sure to listen to the end, as Mark shares the type of exits these companies had and the key attribute the buyers were looking for in the companies they bought. I got to tell you, I was really surprised by this key attribute. -
Joint Discovery of Object States and Manipulation Actions: Additional Example of SVM Results
Joint Discovery of Object States and Manipulation Actions: Additional example of SVM results Jean-Baptiste Alayrac∗ Josef Sivic∗ Ivan Laptev∗ Simon Lacoste-Julieny This file contains additional examples of visualization of our text based clip retrieval. For each action we give the visu- alization for the top 5 scoring clips. Recall that these figures should be “read” as follows. We display the narration of the video that is obtained from Automatic Speech Recognition (ASR). The text is highlighted with different colors. These colors correspond to the score of the SVM that has been trained to detect sentences which refer to the action of interest. More precisely, for each word, we compute the average score over all the windows that contain it. Red indicates high score, blue indicates low score. Note also that the coloring range is normalized for the range of scores within each video. The shown frames correspond to the top scoring part of the narration. Contents A.Action: “put wheel on the car” 2 B. Action: “remove the wheel from the car”6 C.Action: “pour coffee inside a cup” 11 D.Action: “open an oyster” 15 E. Action: “place a plant inside a pot” 16 ∗WILLOW-SIERRA project-teams, Departement´ d’Informatique de l’Ecole Normale Superieure,´ ENS/INRIA/CNRS UMR 8548, Paris, France. yDepartment of CS & OR (DIRO), Universite´ de Montreal,´ Montreal.´ 1 A. Action: “put wheel on the car” 2013 toyota corolla the first thing you want to do is to make sure the cars in part to make sure the emergency brake is applied we do n’t want the car rolling away -
“THEY WASN't MAKIN' MY KINDA MUSIC”: HIP-HOP, SCHOOLING, and MUSIC EDUCATION by Adam J. Kruse a DISSERTATION Submitted T
“THEY WASN’T MAKIN’ MY KINDA MUSIC”: HIP-HOP, SCHOOLING, AND MUSIC EDUCATION By Adam J. Kruse A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of Music Education—Doctor of Philosophy 2014 ABSTRACT “THEY WASN’T MAKIN’ MY KINDA MUSIC”: HIP-HOP, SCHOOLING, AND MUSIC EDUCATION By Adam J. Kruse With the ambition of informing place consciousness in music education by better understanding the social contexts of hip-hop music education and illuminating potential applications of hip-hop to school music settings, the purpose of this research is to explore the sociocultural aspects of hip-hop musicians’ experiences in music education and music schooling. In particular, this study is informed by the following questions: 1. How do sociocultural contexts (particularly issues of race, space, place, and class) impact hip-hop musicians and their music? 2. What are hip-hop musicians’ perceptions of school and schooling? 3. Where, when, how, and with whom do hip-hop musicians develop and explore their musical skills and understandings? The use of an emergent design in this work allowed for the application of ethnographic techniques within the framework of a multiple case study. One case is an amateur hip-hop musician named Terrence (pseudonym), and the other is myself (previously inexperienced as a hip-hop musician) acting as participant observer. By placing Terrence and myself within our various contexts and exploring these contexts’ influences on our roles as hip-hop musicians, it is possible to understand better who we are, where and when our musical experiences exist(ed), and the complex relationships between our contexts, our experiences, and our perceptions. -
Live Tour of Ferdinand's Ice Cream Shoppe
Live Tour of Ferdinand's Ice Cream Shoppe [MUSIC PLAYING] REBECCA STULL: All right, welcome. Welcome to our tour of Ferdinand's. I'm Rebecca with Global Connections. I'm really glad that you're here joining us this morning. We joked about promoting this event as coffee and cheese because it's early in the morning. And the reason for that is because 9:30 is when some of the most exciting cheese making happens. So we wanted to make sure to show that to you guys. This is Nial Yager. He is with Ferdinand's WSU Creamery. He is the professional cheese maker here, certified professional cheese maker. NIAL YAGER: Certified professional cheese maker, yeah. REBECCA STULL: That's right. And so we're really lucky to have his expertise to demonstrate and talk to you today. He's going to be giving us a live tour of the floor. And while he's out on the floor, he won't be able to hear or see what you guys are typing in the chat box. But after he comes back up, we'll be able to take your questions and address any little curiosity that you have and get all of that addressed. So-- NIAL YAGER: Hi, my name's Nial Yager. I've already been introduced. But I'm going to be giving you a tour of the creamery. And of course, I'm going to start with stuff that you can't even see behind me. So we've actually been here for quite a few hours today. -
Flashback, Flash Forward: Re-Covering the Body and Id-Endtity in the Hip-Hop Experience
FLASHBACK, FLASH FORWARD: RE-COVERING THE BODY AND ID-ENDTITY IN THE HIP-HOP EXPERIENCE Submitted By Danicia R. Williams As part of a Tutorial in Cultural Studies and Communications May 04,2004 Chatham College Pittsburgh, Pennsylvania Tutor: Dr. Prajna Parasher Reader: Ms. Sandy Sterner Reader: Dr. Robert Cooley ACKNOWLEDGEMENTS I would like to thank Dr. Prajna Paramita Parasher, my tutor for her faith, patience and encouragement. Thank you for your friendship. Ms. Sandy Sterner for keeping me on my toes with her wit and humor, and Dr. Cooley for agreeing to serve on my board. Kathy Perrone for encouraging me always, seeing things in me I can only hope to fulfill and helping me to develop my writing. Dr. Anissa Wardi, you and Prajna have changed my life every time I attend your classes. My parent s for giving me life and being so encouraging and trusting in me even though they weren't sure what I was up to. My Godparents, Jerry and Sharon for assisting in the opportunity for me to come to Chatham. All of the tutorial students that came before me and all that will follow. I would like to give thanks for Hip-Hop and Sean Carter/Jay-Z, especially for The Black Album. With each revolution of the CD my motivation to complete this project was renewed. Whitney Brady, for your excitement and brainstorming sessions with me. Peace to Divine Culture for his electricity and Nabri Savior. Thank you both for always being around to talk about and live in Hip-Hop. Thanks to my friends, roommates and coworkers that were generally supportive. -
8123 Songs, 21 Days, 63.83 GB
Page 1 of 247 Music 8123 songs, 21 days, 63.83 GB Name Artist The A Team Ed Sheeran A-List (Radio Edit) XMIXR Sisqo feat. Waka Flocka Flame A.D.I.D.A.S. (Clean Edit) Killer Mike ft Big Boi Aaroma (Bonus Version) Pru About A Girl The Academy Is... About The Money (Radio Edit) XMIXR T.I. feat. Young Thug About The Money (Remix) (Radio Edit) XMIXR T.I. feat. Young Thug, Lil Wayne & Jeezy About Us [Pop Edit] Brooke Hogan ft. Paul Wall Absolute Zero (Radio Edit) XMIXR Stone Sour Absolutely (Story Of A Girl) Ninedays Absolution Calling (Radio Edit) XMIXR Incubus Acapella Karmin Acapella Kelis Acapella (Radio Edit) XMIXR Karmin Accidentally in Love Counting Crows According To You (Top 40 Edit) Orianthi Act Right (Promo Only Clean Edit) Yo Gotti Feat. Young Jeezy & YG Act Right (Radio Edit) XMIXR Yo Gotti ft Jeezy & YG Actin Crazy (Radio Edit) XMIXR Action Bronson Actin' Up (Clean) Wale & Meek Mill f./French Montana Actin' Up (Radio Edit) XMIXR Wale & Meek Mill ft French Montana Action Man Hafdís Huld Addicted Ace Young Addicted Enrique Iglsias Addicted Saving abel Addicted Simple Plan Addicted To Bass Puretone Addicted To Pain (Radio Edit) XMIXR Alter Bridge Addicted To You (Radio Edit) XMIXR Avicii Addiction Ryan Leslie Feat. Cassie & Fabolous Music Page 2 of 247 Name Artist Addresses (Radio Edit) XMIXR T.I. Adore You (Radio Edit) XMIXR Miley Cyrus Adorn Miguel Adorn Miguel Adorn (Radio Edit) XMIXR Miguel Adorn (Remix) Miguel f./Wiz Khalifa Adorn (Remix) (Radio Edit) XMIXR Miguel ft Wiz Khalifa Adrenaline (Radio Edit) XMIXR Shinedown Adrienne Calling, The Adult Swim (Radio Edit) XMIXR DJ Spinking feat. -
Chart: Top25 VIDEO HIP HOP
Chart: Top25_VIDEO_HIP HOP Report Date (TW): 2012-04-15 --- Previous Report Date(LW): 2012-04-08 TW LW TITLE ARTIST GENRE RECORD LABEL 1 1 Ayy Ladies Travis Porter Ft. Tyga Hip Hop RCA Records 2 3 Leave You Alone (explicit) Ft. Ne-yo Young Jeezy Hip Hop Island Records 3 2 Rack City (remix)-ymcmb Tyga Ft. Young Jeezy, Fabolous Meek Mill T.i. And Hip Hop YMCMB 4 4 Spend It (remix) 2 Chainz Ft Ti Hip Hop Def Jam Records 5 5 Freaky Tales (remix) (dirty) Too Short & Snoop Dogg Hip Hop Up All Nite Records 6 7 Round Of Applause Ft. Drake (dirty) Waka Flocka Flame Hip Hop Atlantic Records 7 8 Slight Work Ft. Big Sean (dirty) Wale Hip Hop MayBach Music 8 9 High Definition (dirty) Rick Ross Hip Hop MayBach Music 9 10 I Just Wanna Ft. Tony Yayo (dirty) 50 Cent Hip Hop G Unit Records 10 11 Function Ft. Yg, Problem & Iamsu E-40 Hip Hop SickWidItRecords / BME / Warner 11 6 Drank In My Cup Kirko Bangz Hip Hop Intoxication / Reprise Records 12 17 Im In Love With A White Girl Ft. Yo Gotti Gucci Mane Hip Hop Warner Bros 13 15 Got One (dirty) 2 Chainz Hip Hop Def Jam Records 14 21 So Good B.o.b Hip Hop Atlantic Records 15 18 Nobodys Perfect (explicit) Ft. Missy Elliott J. Cole Hip Hop RCA Records 16 22 Sabotage Ft. Lloyd Wale Hip Hop MayBach Music 17 20 Hard In Da Paint (freestyle) Tyga Hip Hop YMCMB 18 Fast Lane E-40 Hip Hop SickWit it Records / Warner Bros 19 Fuck Da City Up Ft. -
Parody and Pastiche
Evaluating the Impact of Parody on the Exploitation of Copyright Works: An Empirical Study of Music Video Content on YouTube Parody and Pastiche. Study I. January 2013 Kris Erickson This is an independent report commissioned by the Intellectual Property Office (IPO) Intellectual Property Office is an operating name of the Patent Office © Crown copyright 2013 2013/22 Dr. Kris Erickson is Senior Lecturer in Media Regulation at the Centre ISBN: 978-1-908908-63-6 for Excellence in Media Practice, Bournemouth University Evaluating the impact of parody on the exploitation of copyright works: An empirical study of music (www.cemp.ac.uk). E-mail: [email protected] video content on YouTube Published by The Intellectual Property Office This is the first in a sequence of three reports on Parody & Pastiche, 8th January 2013 commissioned to evaluate policy options in the implementation of the Hargreaves Review of Intellectual Property & Growth (2011). This study 1 2 3 4 5 6 7 8 9 10 presents new empirical data about music video parodies on the online © Crown Copyright 2013 platform YouTube; Study II offers a comparative legal review of the law of parody in seven jurisdictions; Study III provides a summary of the You may re-use this information (excluding logos) free of charge in any format or medium, under the findings of Studies I & II, and analyses their relevance for copyright terms of the Open Government Licence. To view policy. this licence, visit http://www.nationalarchives.gov. uk/doc/open-government-licence/ or email: [email protected] The author is grateful for input from Dr. -
Most Requested Songs of 2012
Top 200 Most Requested Songs Based on millions of requests made through the DJ Intelligence® music request system at weddings & parties in 2012 RANK ARTIST SONG 1 Journey Don't Stop Believin' 2 Black Eyed Peas I Gotta Feeling 3 Lmfao Feat. Lauren Bennett And Goon Rock Party Rock Anthem 4 Lmfao Sexy And I Know It 5 Cupid Cupid Shuffle 6 AC/DC You Shook Me All Night Long 7 Diamond, Neil Sweet Caroline (Good Times Never Seemed So Good) 8 Bon Jovi Livin' On A Prayer 9 Maroon 5 Feat. Christina Aguilera Moves Like Jagger 10 Morrison, Van Brown Eyed Girl 11 Beyonce Single Ladies (Put A Ring On It) 12 DJ Casper Cha Cha Slide 13 B-52's Love Shack 14 Rihanna Feat. Calvin Harris We Found Love 15 Pitbull Feat. Ne-Yo, Afrojack & Nayer Give Me Everything 16 Def Leppard Pour Some Sugar On Me 17 Jackson, Michael Billie Jean 18 Lady Gaga Feat. Colby O'donis Just Dance 19 Pink Raise Your Glass 20 Beatles Twist And Shout 21 Cruz, Taio Dynamite 22 Lynyrd Skynyrd Sweet Home Alabama 23 Sir Mix-A-Lot Baby Got Back 24 Jepsen, Carly Rae Call Me Maybe 25 Usher Feat. Ludacris & Lil' Jon Yeah 26 Outkast Hey Ya! 27 Isley Brothers Shout 28 Clapton, Eric Wonderful Tonight 29 Brooks, Garth Friends In Low Places 30 Sister Sledge We Are Family 31 Train Marry Me 32 Kool & The Gang Celebration 33 Sinatra, Frank The Way You Look Tonight 34 Temptations My Girl 35 ABBA Dancing Queen 36 Loggins, Kenny Footloose 37 Flo Rida Good Feeling 38 Perry, Katy Firework 39 Houston, Whitney I Wanna Dance With Somebody (Who Loves Me) 40 Jackson, Michael Thriller 41 James, Etta At Last 42 Timberlake, Justin Sexyback 43 Lopez, Jennifer Feat.