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Samsung Podcasts RSS Spec 060921
Samsung Podcasts RSS Spec June 2021 SAMSUNG C&S SAMSUNG CONFIDENTIAL Introduction The purpose of this document is to provide technical guidelines to podcasters for optimal exposure of their RSS feeds on Samsung Podcasts. Notes • Submitting feeds to Samsung Podcasts will not prevent submission to other platforms. • Samsung Podcasts will not re-cache or re-host audio content. • These guidelines are meant to reflect requirements used by other standard podcast platforms. • Some requirements are meant to support future V2 features, marked in red. Samsung Proprietary and Confidential 2 RSS Feed Requirements Samsung Proprietary and Confidential 3 Feed Requirements: Podcast “Podcast” is defined as an ordered collection of episodes. A podcast must: • Be described by a valid RSS feed that conforms to RSS 2.0 specifications • Be freely reachable, not requiring login, token, or similar information • Be uniquely defined by its <link> field (Samsung Podcasts will handle a podcast as a new podcast if this field changes) Samsung Podcasts will use podcast metadata accessed via the <link> field. Podcasters will need to ensure that artwork files are valid, reachable, and accurate. Samsung Podcasts may choose to cache artwork and metadata to optimize performance, but will not cache or re-host audio data. Unreachable or uninterpretable RSS feeds will be disabled by Samsung Podcasts. Please ensure that explicit words in Podcast titles and descriptions are censored in your metadata before submitting. Failure to censor explicit words could result in suspension of content from the platform. 4 Feed Requirements: Episode “Episode” is defined as an audio segment expressed through an audio file. Podcast episodes must: • Be uniquely defined by its <guid> field (Samsung Podcasts will handle an episode as new if the GUID is new or changed) • Be freely reachable, not requiring login, token, or similar information • Provide a supported audio file format (mp3, m4a, aac, wav, ogg) Samsung Podcasts will use episode metadata accessed via the <link> field and episode <guid> field. -
Infinite Setlist: Analyzing Pioneer DJ's Catalogue Streaming Partnerships
Cybaris® Volume 12 Issue 1 Article 2 2021 Infinite Setlist: Analyzing Pioneer DJ’s Catalogue Streaming Partnerships with Beatport and SoundCloud Nicholas Rivera Follow this and additional works at: https://open.mitchellhamline.edu/cybaris Part of the Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Rivera, Nicholas (2021) "Infinite Setlist: Analyzing Pioneer DJ’s Catalogue Streaming Partnerships with Beatport and SoundCloud," Cybaris®: Vol. 12 : Iss. 1 , Article 2. Available at: https://open.mitchellhamline.edu/cybaris/vol12/iss1/2 This Article is brought to you for free and open access by the Law Reviews and Journals at Mitchell Hamline Open Access. It has been accepted for inclusion in Cybaris® by an authorized administrator of Mitchell Hamline Open Access. For more information, please contact [email protected]. © Mitchell Hamline School of Law CYBARIS®, AN INTELLECTUAL PROPERTY LAW REVIEW INFINITE SETLIST: ANALYZING PIONEER DJ’S CATALOGUE STREAMING PARTNERSHIPS WITH BEATPORT AND SOUNDCLOUD Nicholas Rivera1 Table of Contents Introduction ................................................................................................................................... 36 The Story Thus Far ................................................................................................................... 38 The Rise of Streaming .............................................................................................................. 39 Brief History of DJing -
Reuters Institute Digital News Report 2020
Reuters Institute Digital News Report 2020 Reuters Institute Digital News Report 2020 Nic Newman with Richard Fletcher, Anne Schulz, Simge Andı, and Rasmus Kleis Nielsen Supported by Surveyed by © Reuters Institute for the Study of Journalism Reuters Institute for the Study of Journalism / Digital News Report 2020 4 Contents Foreword by Rasmus Kleis Nielsen 5 3.15 Netherlands 76 Methodology 6 3.16 Norway 77 Authorship and Research Acknowledgements 7 3.17 Poland 78 3.18 Portugal 79 SECTION 1 3.19 Romania 80 Executive Summary and Key Findings by Nic Newman 9 3.20 Slovakia 81 3.21 Spain 82 SECTION 2 3.22 Sweden 83 Further Analysis and International Comparison 33 3.23 Switzerland 84 2.1 How and Why People are Paying for Online News 34 3.24 Turkey 85 2.2 The Resurgence and Importance of Email Newsletters 38 AMERICAS 2.3 How Do People Want the Media to Cover Politics? 42 3.25 United States 88 2.4 Global Turmoil in the Neighbourhood: 3.26 Argentina 89 Problems Mount for Regional and Local News 47 3.27 Brazil 90 2.5 How People Access News about Climate Change 52 3.28 Canada 91 3.29 Chile 92 SECTION 3 3.30 Mexico 93 Country and Market Data 59 ASIA PACIFIC EUROPE 3.31 Australia 96 3.01 United Kingdom 62 3.32 Hong Kong 97 3.02 Austria 63 3.33 Japan 98 3.03 Belgium 64 3.34 Malaysia 99 3.04 Bulgaria 65 3.35 Philippines 100 3.05 Croatia 66 3.36 Singapore 101 3.06 Czech Republic 67 3.37 South Korea 102 3.07 Denmark 68 3.38 Taiwan 103 3.08 Finland 69 AFRICA 3.09 France 70 3.39 Kenya 106 3.10 Germany 71 3.40 South Africa 107 3.11 Greece 72 3.12 Hungary 73 SECTION 4 3.13 Ireland 74 References and Selected Publications 109 3.14 Italy 75 4 / 5 Foreword Professor Rasmus Kleis Nielsen Director, Reuters Institute for the Study of Journalism (RISJ) The coronavirus crisis is having a profound impact not just on Our main survey this year covered respondents in 40 markets, our health and our communities, but also on the news media. -
Legal-Process Guidelines for Law Enforcement
Legal Process Guidelines Government & Law Enforcement within the United States These guidelines are provided for use by government and law enforcement agencies within the United States when seeking information from Apple Inc. (“Apple”) about customers of Apple’s devices, products and services. Apple will update these Guidelines as necessary. All other requests for information regarding Apple customers, including customer questions about information disclosure, should be directed to https://www.apple.com/privacy/contact/. These Guidelines do not apply to requests made by government and law enforcement agencies outside the United States to Apple’s relevant local entities. For government and law enforcement information requests, Apple complies with the laws pertaining to global entities that control our data and we provide details as legally required. For all requests from government and law enforcement agencies within the United States for content, with the exception of emergency circumstances (defined in the Electronic Communications Privacy Act 1986, as amended), Apple will only provide content in response to a search issued upon a showing of probable cause, or customer consent. All requests from government and law enforcement agencies outside of the United States for content, with the exception of emergency circumstances (defined below in Emergency Requests), must comply with applicable laws, including the United States Electronic Communications Privacy Act (ECPA). A request under a Mutual Legal Assistance Treaty or the Clarifying Lawful Overseas Use of Data Act (“CLOUD Act”) is in compliance with ECPA. Apple will provide customer content, as it exists in the customer’s account, only in response to such legally valid process. -
Assessing the Quality of Mobile Graphical User Interfaces Using Multi-Objective Optimization
Noname manuscript No. (will be inserted by the editor) Assessing the Quality of Mobile Graphical User Interfaces using Multi-objective Optimization Makram Soui · Mabrouka Chouchane · Mohamed Wiem Mkaouer · Marouane Kessentini · Khaled Ghedira the date of receipt and acceptance should be inserted later Abstract Aesthetic defects are a violation of quality attributes that are symp-toms of bad interface design programming decisions. They lead to deteriorating the perceived usability of mobile user interfaces and negatively impact the Users eXperience (UX) with the mobile app. Most existing studies relied on a subjective evaluation of aesthetic defects depending on end-users feedback, which makes the manual evaluation of mobile user interfaces human-centric, time-consuming, and error-prone. Therefore, recent studies have dedicated their effort to focus on the definition of mathematical formulas that each targets a specific structural quality of the interface. As the UX is tightly dependent on the user profile, the combi-nation and calibration of quality attributes, formulas, and users characteristics, when defining a defect, is not straightforward. In this context, we propose a fully automated framework which combines literature quality attributes with the users profile to identify aesthetic defects of MUI. More precisely, we consider the mobile user interface evaluation as a multi-objective optimization problem where the goal is to maximize the number of detected violations while minimizing the detection complexity of detection rules and enhancing the interfaces overall quality in means M. Soui College of Computing and Informatics Saudi Electronic University, Saudi Arabia E-mail: [email protected] Mabrouka Chouchane School of computer science of Manouba, Tunisia E-mail: [email protected] Mohamed Wiem Mkaouer Rochester Institute of Technology E-mail: [email protected] Marouane Kessentini University of Michigan E-mail: [email protected] Khaled Ghedira Honoris United Universities E-mail: [email protected] 2 Makram Soui et al. -
INTRO to VOICEOVER COURSE SYLLABUS – Online Course
INTRO TO VOICEOVER COURSE SYLLABUS – Online Course Instructor: Cliff Miller, M.F.A. Voice, Speech, and Acting Faculty Email: [email protected] (email preferred) Office: online Course Description This online course provides an introduction to the field of voiceover for actors and curious individuals. We will cover acting for voiceover, home studio setup, mic technique, and recording and editing. Through analyzing, performing, and critiquing voiceover copy, we will explore two maJor areas of voiceover: commercial and audiobook narration. Leading figures in the field will be studied to uncover their technique and approach. Industry standard learning materials (including podcasts) will be reviewed and a plan will be built to continue voiceover work after the class. This online course will focus on preparing and sharing individual assignments. Through repeatedly sharing our work and learning from others, we will develop foundational voiceover skills and reinforce the course’s learning obJectives. Attendance for the full duration of the class time is mandatory. Course Objectives On the completion of this course students will: ● Gain an acting technique to bring voiceover copy to life ● Gather a knowledge of the types of voiceover, understand the differing demands for each type and identify key players in those fields ● Learn how to record and send industry acceptable auditions to potential clients, pay-to- play sites, and weekly workout groups. ● Build a voiceover plan to develop your voiceover skills, utilize industry standard resources, and begin to work toward entering the voiceover market. Reason for offering the course To provide an entry-level class for the growing field of voiceover. -
Episode 1: Food for Thought
The UMB Pulse Podcast: July - August 2021 Item Type Recording, oral Authors Schelle, Charles; Frick, Jena; Rampolla, Dana Publication Date 2021 Keywords University of Maryland, Baltimore Download date 25/09/2021 22:30:44 Link to Item http://hdl.handle.net/10713/16404 8/17/2021 Episode 1: Food For Thought ‹ All episodes The UMB Pulse Podcast Episode 1: Food For Thought July 13, 2021 University of Maryland, Baltimore Season 1 Episode 1 The UMB Pulse Podcast Episode 1: Food For Thought Audio Player 00:00 00:00 | 29:24 Rewind Speed Chapters Forward Info Share Chapters 0:28 Welcome to The UMB Pulse 2:43 Introduce Yourself 12:47 The Pulse Check 15:57 Food For Thought 18:12 On-Campus Dining 22:25 Off-Campus Dining 28:21 Episode 2 Preview The UMB Pulse Podcast Episode 1: Food For Thought Jul 13, 2021 Season 1 Episode 1 University of Maryland, Baltimore “The UMB Pulse” is a new podcast produced by the University of Maryland, Baltimore’s (UMB) Office of Communications and Public Affairs. Co-hosted by Charles Schelle, senior media relations specialist; Dana Rampolla, director of integrated marketing; and Jena Frick, senior media relations specialist, “The UMB Pulse” will help listeners stay up to date on changes and guidelines as we navigate our return to campus — a way to get back in touch with the heartbeat of UMB after more than a year of disruption caused by the COVID-19 pandemic. Get to know your co-hosts with two truths and a lie, and later on, we talk about on-campus and off-campus dining options are available as we transition for a return to UMB. -
Installing Mac OS X Developer Preview 2
LL0113.Book Page 1 Tuesday, October 12, 1999 1:09 PM Installing Mac OS X Developer Preview 2 LL0113.Book Page 2 Tuesday, October 12, 1999 1:09 PM K Apple Computer, Inc. © 1999 Apple Computer, Inc. All rights reserved. Under the copyright laws, this manual may not be copied, in whole or in part, without the written consent of Apple. Your rights to the software are governed by the accompanying software license agreement. The Apple logo is a trademark of Apple Computer, Inc., registered in the U.S. and other countries. Use of the “keyboard” Apple logo (Option-Shift-K) for commercial purposes without the prior written consent of Apple may constitute trademark infringement and unfair competition in violation of federal and state laws. Every effort has been made to ensure that the information in this manual is accurate. Apple is not responsible for printing or clerical errors. Apple Computer, Inc. 1 Infinite Loop Cupertino, CA 95014-2084 408-996-1010 http://www.apple.com Apple, the Apple logo, AppleTalk, AppleVision, FireWire, Mac, Macintosh, PowerBook, and Power Macintosh are trademarks of Apple Computer, Inc., registered in the U.S. and other countries. Disk First Aid, Finder, iMac, and Power Mac are trademarks of Apple Computer, Inc. PostScript is a trademark of Adobe Systems, Inc. OpenGL is a registered trademark of Silicon Graphics, Inc. Other company and product names mentioned herein are trademarks of their respective companies. Mention of third-party products is for informational purposes only and constitutes neither an endorsement nor a recommendation. Apple assumes no responsibility with regard to the performance or use of these products. -
Mac OS X: an Introduction for Support Providers
Mac OS X: An Introduction for Support Providers Course Information Purpose of Course Mac OS X is the next-generation Macintosh operating system, utilizing a highly robust UNIX core with a brand new simplified user experience. It is the first successful attempt to provide a fully-functional graphical user experience in such an implementation without requiring the user to know or understand UNIX. This course is designed to provide a theoretical foundation for support providers seeking to provide user support for Mac OS X. It assumes the student has performed this role for Mac OS 9, and seeks to ground the student in Mac OS X using Mac OS 9 terms and concepts. Author: Robert Dorsett, manager, AppleCare Product Training & Readiness. Module Length: 2 hours Audience: Phone support, Apple Solutions Experts, Service Providers. Prerequisites: Experience supporting Mac OS 9 Course map: Operating Systems 101 Mac OS 9 and Cooperative Multitasking Mac OS X: Pre-emptive Multitasking and Protected Memory. Mac OS X: Symmetric Multiprocessing Components of Mac OS X The Layered Approach Darwin Core Services Graphics Services Application Environments Aqua Useful Mac OS X Jargon Bundles Frameworks Umbrella Frameworks Mac OS X Installation Initialization Options Installation Options Version 1.0 Copyright © 2001 by Apple Computer, Inc. All Rights Reserved. 1 Startup Keys Mac OS X Setup Assistant Mac OS 9 and Classic Standard Directory Names Quick Answers: Where do my __________ go? More Directory Names A Word on Paths Security UNIX and security Multiple user implementation Root Old Stuff in New Terms INITs in Mac OS X Fonts FKEYs Printing from Mac OS X Disk First Aid and Drive Setup Startup Items Mac OS 9 Control Panels and Functionality mapped to Mac OS X New Stuff to Check Out Review Questions Review Answers Further Reading Change history: 3/19/01: Removed comment about UFS volumes not being selectable by Startup Disk. -
Facilitating One Patient One Record Access with Dr. Oleg Bess 4Medica an Empowered Patient Podcast Published August 17, 2021
Facilitating One Patient One Record Access with Dr. Oleg Bess 4medica An Empowered Patient Podcast Published August 17, 2021 Karen Jagoda: Welcome to the EmpoweredPatientPodcast.com show. I'm Karen Jagoda, and my guest today is Dr. Oleg Bess. He's the founder and CEO of 4medica. 4medica.com. I want to welcome you to the show today, Oleg. I know you're a busy doctor, and I really appreciate you taking a few minutes to be with us. Dr. Oleg Bess: Thank you. Thank you, Karen. It's a pleasure. Karen Jagoda: Thank you. Let's start with just giving us a sense of the mission of 4medica. Dr. Oleg Bess: Sure. 4medica's mission is really to formulate a one patient, one record paradigm, where we are able to access a number of data sources for a patient. We have the engine that is able to, on-the-fly, real-time actually, add these records into the correct chart. Even in this country where there's no unique identifier for patients, we're able to look at all kinds of demographics data for the patient and on-the-fly place that record into the correct chart. Karen Jagoda: Part of this mission is to give patients more access to their own data, isn't it? Dr. Oleg Bess: Absolutely. And that's how we started. We started with actually working for laboratories, transmitting data from a doctor to a lab and from lab to the doctor. What we realized was that we needed this type of engine to be able to put it all together into the same chart. -
Free Your Android! Not Free As in Free Beer About the FSFE This flyer Was Printed by the Free Software You Don't Have to Pay for the Apps from F-Droid
Free as in Freedom Free Your Android! Not Free as in Free Beer About the FSFE This flyer was printed by the Free Software You don't have to pay for the apps from F-Droid. A lot Foundation Europe (FSFE), a non-profit organi- of applications from Google Play or Apple's App Store sation dedicated to promoting Free Software Get a are also free of charge. However, Free Software is not and working to build a free digital society. about price, but liberty. Free App Store Access to software de- When you don't control a program, the program termines how we can take for Your Android controls you. Whoever controls the software therefore part in our society. There- controls you. fore, FSFE is dedicated to ensure equal access and For example, nobody is allowed to study how a non- participation in the infor- free app works and what it actually does on your mation age by fighting for phone. Sometimes it just doesn't do exactly what you digital freedom. want, but there are also apps that contain malicious features like leaking your data without your knowledge. Nobody should ever be forced to use software that does not grant the freedoms to use, Running exclusively Free Software on your device puts study, share and improve the software. You you in full control. Even though you may not have the should have the right to shape technology as skills to directly exercise all of your freedom, you you see fit. benefit from a vibrant community that is enabled by freedom and uses it collaboratively. -
Download the Podcast App for My PC Download the Podcast App for My PC
download the podcast app for my PC Download the podcast app for my PC. Download Anchor - Make your own podcast on PC. Anchor - Make your own podcast. Features of Anchor - Make your own podcast on PC. Stop worrying about overcharges when using Anchor - Make your own podcast on your cellphone, free yourself from the tiny screen and enjoy using the app on a much larger display. From now on, get a full-screen experience of your app with keyboard and mouse. MEmu offers you all the surprising features that you expected: quick install and easy setup, intuitive controls, no more limitations of battery, mobile data, and disturbing calls. The brand new MEmu 7 is the best choice of using Anchor - Make your own podcast on your computer. Coded with our absorption, the multi-instance manager makes opening 2 or more accounts at the same time possible. And the most important, our exclusive emulation engine can release the full potential of your PC, make everything smooth and enjoyable. Screenshots & Video of Anchor - Make your own podcast PC. Download Anchor - Make your own podcast on PC with MEmu Android Emulator. Enjoy playing on big screen. Anchor is the easiest way to make a podcast, brought to you by Spotify. Game Info. Anchor is the easiest way to make a podcast, brought to you by Spotify. Now you can create your podcast, host it online, distribute it to your favorite listening platforms, grow your audience, and monetize your episodes—all from your phone or tablet, for free. A RECORDING STUDIO IN YOUR POCKET: Record audio from anywhere, on any device.