NYPD Comprehensive Wellness Strategy Report
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THE D.A.P. CATALOG MID-SUMMER 2019 Pipilotti Rist, Die Geduld [The Patience], 2016
THE D.A.P. CATALOG MID-SUMMER 2019 Pipilotti Rist, Die Geduld [The Patience], 2016. Installation view from Kunsthaus Zürich. Photo: Lena Huber. Courtesy the artist, Hauser & Wirth and Luhring Augustine. From Pipilotti Rist: Open My Glade, published by Louisiana Museum of Modern Art. See page 20. Mid-Summer 2019 New Releases 2 CATALOG EDITOR Back in Stock 9 Thomas Evans DESIGNER Lower-Priced Books 10 Martha Ormiston PHOTOGRAPHY Books for Summer 12 Justin Lubliner, Carter Seddon COPY WRITING More New Books 14 Janine DeFeo, Thomas Evans, Megan Ashley DiNoia, Arthur Cañedo, Jack Patterson Recently Published by Steidl 26 FRONT COVER IMAGE Stefan Draschan. from Coincidences at Museums, published by Hatje Cantz. See page 5. SPRING/SUMMER ■ 2019 ■ Basquiat's "Defacement": The Untold Story Text by Chaédria LaBouvier, Nancy Spector, J. Faith Almiron. Police brutality, racism, graffiti and Jean-Michel Basquiat painted Defacement (The Death of Michael Stewart) on the wall of Keith the art world of the early-1980s Haring’s studio in 1983 to commemorate the death of a young black artist, who died from injuries sustained while in police custody after being arrested for allegedly tagging a New York City subway Lower East Side converge in one station. Defacement is the starting point for the present volume, which focuses on Basquiat’s response to anti-black racism and police brutality. Basquiat’s “Defacement” explores this chapter painting by Jean-Michel Basquiat in the artist’s career through both the lens of his identity and the Lower East Side as a nexus of activism in the early 1980s, an era marked by the rise of the art market, the AIDS crisis and ongoing racial tensions in the city. -
2016 Police Commissioner's Report
THE POLICE COMMISSIONER’S REPORT JANUARY 2016 THE NEW YORK CITY POLICE DEPARTMENT 22 40 58 INFORMATION HOUSING BUREAU RISK MANAGEMENT TECHNOLOGY BUREAU BUREAU TABLE OF CONTENTS 26 42 60 DETECTIVE BUREAU VIOLENCE- PERSONNEL REDUCTION TASK BUREAU / STAFFING FORCES 44 ORGANIZED CRIME 62 28 CONTROL BUREAU PERSONNEL COLLABORATIVE BUREAU / REFORM 4 POLICING 46 AND RECRUITMENT TRANSPORTATION LETTER FROM 30 BUREAU 64 THE MAYOR CRITICAL RESPONSE CIVILIAN MEMBERS 6 COMMAND 48 FIELD INTELLIGENCE 66 LETTER FROM 32 OFFICERS THE POLICE FACILITIES COMMISSIONER STRATEGIC RESPONSE GROUP 50 68 10 GRAND LARCENY 34 DIVISION CARS & EQUIPMENT NEIGHBORHOOD POLICING PLAN COMMUNITY AFFAIRS BUREAU / YOUTH PROGRAMS 52 70 14 ADMINISTRATION STRATEGIC COMMUNICATIONS COMPSTAT 36 COMMUNITY 54 AFFAIRS BUREAU / 72 16 SCHOOL SAFETY USE-OF-FORCE DIVISION POLICY 2014 / 2015 STATISTICAL TRAINING BUREAU ROUNDUP 20 38 56 76 TRANSIT BUREAU DISCIPLINE COMMUNITY NYPD HISTORICAL PARTNER PROGRAM TIMELINE SPRING 3100 ISSN #0038 8572 is published bimonthly by the New York City Police Department, One Police Plaza, New York, 10038. Periodicals postage paid at New York City, NY. “Ride-Along Enclosed” Postmaster: Send address changes to SPRING 3100 c/o New York City Police Department, One Police Plaza, New York, 10038. SPRING 3100 ©2014 BY NYPD. All rights reserved; No part of this publication may be reproduced without written consent of the Editor. L E T T ER FROM MAYOR BILL DE BLASIO appointed Bill Bratton to be New York City Police Department’s technological infrastructure; new use-of-force ICommissioner in January 2014, and, two years later, this policies and procedures; a more efficient and fairer internal report—about the sweeping changes in the NYPD— discipline system; 1,300 new officers; new technological underscores my reasons for doing so. -
OAG Hearing on Interactions Between NYPD and the General Public Submitted Written Testimony
OAG Hearing on Interactions Between NYPD and the General Public Submitted Written Testimony Tahanie Aboushi | New York, New York I am counsel for Dounya Zayer, the protestor who was violently shoved by officer D’Andraia and observed by Commander Edelman. I would like to appear with Dounya to testify at this hearing and I will submit written testimony at a later time but well before the June 15th deadline. Thank you. Marissa Abrahams | South Beach Psychiatric Center | Brooklyn, New York As a nurse, it has been disturbing to see first-hand how few NYPD officers (present en masse at ALL peaceful protests) are wearing the face masks that we know are preventing the spread of COVID-19. Demonstrators are taking this extremely seriously and I saw NYPD literally laugh in the face of a protester who asked why they do not. It is negligent and a blatant provocation -especially in the context of the over-policing of Black and Latinx communities for social distancing violations. The complete disregard of the NYPD for the safety of the people they purportedly protect and serve, the active attacks with tear gas and pepper spray in the midst of a respiratory pandemic, is appalling and unacceptable. Aaron Abrams | Brooklyn, New York I will try to keep these testimonies as precise as possible since I know your office likely has hundreds, if not thousands to go through. Three separate occasions highlighted below: First Incident - May 30th - Brooklyn - peaceful protestors were walking from Prospect Park through the streets early in the day. At one point, police stopped to block the street and asked that we back up. -
This Book Is a Compendium of New Wave Posters. It Is Organized Around the Designers (At Last!)
“This book is a compendium of new wave posters. It is organized around the designers (at last!). It emphasizes the key contribution of Eastern Europe as well as Western Europe, and beyond. And it is a very timely volume, assembled with R|A|P’s usual flair, style and understanding.” –CHRISTOPHER FRAYLING, FROM THE INTRODUCTION 2 artbook.com French New Wave A Revolution in Design Edited by Tony Nourmand. Introduction by Christopher Frayling. The French New Wave of the 1950s and 1960s is one of the most important movements in the history of film. Its fresh energy and vision changed the cinematic landscape, and its style has had a seminal impact on pop culture. The poster artists tasked with selling these Nouvelle Vague films to the masses—in France and internationally—helped to create this style, and in so doing found themselves at the forefront of a revolution in art, graphic design and photography. French New Wave: A Revolution in Design celebrates explosive and groundbreaking poster art that accompanied French New Wave films like The 400 Blows (1959), Jules and Jim (1962) and The Umbrellas of Cherbourg (1964). Featuring posters from over 20 countries, the imagery is accompanied by biographies on more than 100 artists, photographers and designers involved—the first time many of those responsible for promoting and portraying this movement have been properly recognized. This publication spotlights the poster designers who worked alongside directors, cinematographers and actors to define the look of the French New Wave. Artists presented in this volume include Jean-Michel Folon, Boris Grinsson, Waldemar Świerzy, Christian Broutin, Tomasz Rumiński, Hans Hillman, Georges Allard, René Ferracci, Bruno Rehak, Zdeněk Ziegler, Miroslav Vystrcil, Peter Strausfeld, Maciej Hibner, Andrzej Krajewski, Maciej Zbikowski, Josef Vylet’al, Sandro Simeoni, Averardo Ciriello, Marcello Colizzi and many more. -
The Failure of Local and Federal Prosecutors to Curb Police Brutality, 30 Fordham Urb
Fordham Urban Law Journal Volume 30 | Number 2 Article 7 2003 The aiF lure of Local and Federal Prosecutors to Curb Police Brutality Asit S. Panwala Follow this and additional works at: https://ir.lawnet.fordham.edu/ulj Part of the Criminal Law Commons Recommended Citation Asit S. Panwala, The Failure of Local and Federal Prosecutors to Curb Police Brutality, 30 Fordham Urb. L.J. 639 (2002). Available at: https://ir.lawnet.fordham.edu/ulj/vol30/iss2/7 This Article is brought to you for free and open access by FLASH: The orF dham Law Archive of Scholarship and History. It has been accepted for inclusion in Fordham Urban Law Journal by an authorized editor of FLASH: The orF dham Law Archive of Scholarship and History. For more information, please contact [email protected]. The aiF lure of Local and Federal Prosecutors to Curb Police Brutality Cover Page Footnote The Author ouldw like to thank Christine Chen, Anthony Thompson, and Ronald Goldstock for their support and help in this endeavor. This article is available in Fordham Urban Law Journal: https://ir.lawnet.fordham.edu/ulj/vol30/iss2/7 THE FAILURE OF LOCAL AND FEDERAL PROSECUTORS TO CURB POLICE BRUTALITY Asit S. Panwala* INTRODUCTION Excessive use of force by police officers undermines faith in the criminal justice system. Citizens expect those with badges and guns to follow the law as well as enforce it, but these two roles often come into conflict. Reporter Craig Horowitz recounted that one police officer justified his hitting a suspect in the stomach when the suspect tried to run away as being necessary to reestablish author- ity.1 Another police officer is quoted as saying, "[i]f someone disses you, you take him in an alley and slap him. -
Rarely Viewed Basquiat Exposes Timely Exploration of Racial Identity, Activism, and Police Brutality Natasha Gural Dec 13, 2018
Rarely Viewed Basquiat Exposes Timely Exploration Of Racial Identity, Activism, And Police Brutality Natasha Gural Dec 13, 2018 Jean-Michel Basquiat Defacement (The Death of Michael Stewart) 1983 Project code: BAS07299 25 x 30 1/2 inches (63.5 x 77.5 cm) Acrylic and marker on wood, framed Collection of Nina Clemente, New York Basquiat’s “Defacement”: The Untold Story on view June 21-November 6, 2019 ALLISON CHIPAK © SOLOMON R. GUGGENHEIM FOUNDATION, 2018 Trendy teens and twenty-somethings scoop up T-shirts featuring iconic images by Jean-Michel Basquiat at the Uniqlo store in Manhattan’s SoHo, a short walk from the artist’s NoHo studio where he was found dead three decades ago of a heroin overdose at age 27. Last year, Basquiat’s 1982 “Untitled,” a colorful and jarring painting of a skull, sold for a staggering $110.5 million at Sotheby’s. There’s no doubt the prolific neo-expressionist remains popular and relevant in today’s art and pop culture worlds, but digging deeper into his career and personal struggles reveals timely themes that continue to torment America. An American artist of Haitian and Puerto Rican descent, Basquiat exploded onto the art world as part of graffiti duo SAMO, tagging Manhattan’s Lower East Side with powerful epigrams (pithy, surprising, and sometimes satirical statements) in the late 1970s, empowering the intersection of hip hop, punk, and street art. By the 1980s, his paintings were on view at museums and galleries worldwide. The Solomon R. Guggenheim Museum in New York City will present Basquiat’s “Defacement”: The Untold Story, a thematic exhibition examining the work of Basquiat and his contemporaries from the lens of his cultural and racial identity and social activism. -
Evolving Strategy of Policing: Case Studies of Strategic Change
The author(s) shown below used Federal funds provided by the U.S. Department of Justice and prepared the following final report: Document Title: Evolving Strategy of Policing: Case Studies of Strategic Change Author(s): George L. Kelling ; Mary A. Wycoff Document No.: 198029 Date Received: December 2002 Award Number: 95-IJ-CX-0059 This report has not been published by the U.S. Department of Justice. To provide better customer service, NCJRS has made this Federally- funded grant final report available electronically in addition to traditional paper copies. Opinions or points of view expressed are those of the author(s) and do not necessarily reflect the official position or policies of the U.S. Department of Justice. Page 1 Prologue. Draft, not for circulation. 5/22/2001 e The Evolving Strategy of Policing: Case Studies of Strategic Change May 2001 George L. Kelling Mary Ann Wycoff Supported under Award # 95 zscy 0 5 9 fiom the National Institute of Justice, Ofice of Justice Programs, U. S. Department of Justice. Points ofview in this document are those ofthe authors and do not necessarily represent the official position ofthe U.S. Department of Justice. This document is a research report submitted to the U.S. Department of Justice. This report has not been published by the Department. Opinions or points of view expressed are those of the author(s) and do not necessarily reflect the official position or policies of the U.S. Department of Justice. Prologue. Draft, not for circulation. 5/22/2001 Page 2 PROLOGUE Orlando W. Wilson was the most important police leader of the 20thcentury. -
The Unprecedented Opioid Epidemic: AS OVERDOSES BECOME a LEADING CAUSE of DEATH, POLICE, SHERIFFS, and HEALTH AGENCIES MUST STEP up THEIR RESPONSE
The Unprecedented Opioid Epidemic: AS OVERDOSES BECOME A LEADING CAUSE OF DEATH, POLICE, SHERIFFS, AND HEALTH AGENCIES MUST STEP UP THEIR RESPONSE DEATHS IN THE UNITED STATES, PEAK YEAR 64,070 Drug Overdoses, 2016 54,589 Car Accidents, 1972 50,628 HIV/AIDS, 1995 44,193 Suicides, 2015 24,703 Homicides, 1991 16,899 Vietnam War, 1968 The Unprecedented Opioid Epidemic: AS OVERDOSES BECOME A LEADING CAUSE OF DEATH, POLICE, SHERIFFS, AND HEALTH AGENCIES MUST STEP UP THEIR RESPONSE SEPTEMBER 2017 This publication was supported by the Howard G. Buffett Foundation. The points of view expressed herein are the authors’ and do not necessarily represent the views of the Howard G. Buffett Foundation or of all Police Executive Research Forum members. Police Executive Research Forum, Washington, D.C. 20036 Copyright © 2017 by Police Executive Research Forum All rights reserved. Printed in the United States. ISBN: 978-1-934485-39-2 Graphic Design by Dave Williams. Photographs by Greg Dohler. CONTENTS Acknowledgments | PAGE 4 Summary: Police Agencies Are Rushing to Save Lives, Help Addicted Persons, and Reduce Drug Abuse | 8 10 Actions Police Chiefs and Sheriffs Can Take | 14 The Extent and Nature of the Opioid Epidemic | 15 PERF Survey Shows Dramatic Spike in Heroin and Fentanyl Deaths | 19 New York City Offers a Model for a Data-Driven, Collaborative Response | 22 How Do Police, Public Health Agencies, and Other Organizations Share Information about Overdoses? | 33 Federal Perspectives from ONDCP and DEA | 42 Police Are Increasingly Active in Getting Addicted Persons into Treatment | 46 Teaching Communities about the Addiction Risks of Opioid Medication | 67 Prosecutors Face Difficult Questions About Their Role in Reducing Overdose Deaths | 71 Conclusion: A Worsening National Crisis Requires a Stronger Response | 80 Participants: “Responding to the Opioids Epidemic” Conference | 84 ACKNOWLEDGMENTS In PERF’s 40-year history, we have taken on many are being undertaken to address the crisis with a difficult, sensitive issues: police use of force, racial Compstat-like approach. -
Solomon R. Guggenheim Museum to Host “Basquiat’S ‘Defacement’: the Untold Story”
Solomon R. Guggenheim Museum to host “Basquiat’s ‘Defacement’: The Untold Story” BY BLOUIN ARTINFO | APRIL 12, 2019 “Defacement (The Death of Michael Stewart),” 1983, Jean-Michel Basquiat, Acrylic and marker on wood, framed, 63.5 x 77.5 cm, Collection of Nina Clemente, New York (Photo: Allison Chipak, © Solomon R. Guggenheim Foundation, 2018) The Solomon R. Guggenheim Museum, New York, will be hosting “Basquiat’s ‘Defacement’: The Untold Story,” a focused and thematically organized exhibition of the works of late American artist Jean-Michel Basquiat. The exhibition opens on June 21, 2019, and will be on view through November 6, 2019. Jean-Michel Basquiat (December 22, 1960 – August 12, 1988), an artist of Haitian and Puerto Rican descent, was known for the social commentary he used in his paintings. Basquiat’s poetics were political and direct in their criticism of colonialism and class struggle; he used his paintings as a “springboard to deeper truths about the individual” as well as attacks on power structures and systems of racism. This exhibition, curated by guest curator Chaedria LaBouvier, in collaboration with Nancy Spector, explores a formative chapter in the artist’s career through the “lens of his identity and the role of cultural activism in New York City during the early 1980s.” The exhibition will also have on view, works by other artists of his generation. Basquiat’s 1983 painting “Defacement” a work he created to commemorate the fate of the young, black artist Michael Stewart is taken as the starting point of this exhibition. Stewart died allegedly at the hands of New York City transit police after tagging a wall in an East Village subway station. -
Electric Light: Automating the Carceral State During the Quantification of Ve Erything
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 5-2018 Electric Light: Automating the Carceral State During the Quantification of vE erything R. Joshua Scannell The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/2571 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Electric Light: Automating the Carceral State During the Quantification of Everything by R. Joshua Scannell A dissertation submitted to the Graduate Faculty in Sociology in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2018 i © 2018 R. Joshua Scannell All Rights Reserved ii Electric Light: Automating the Carceral State During the Quantification of Everything by R. Joshua Scannell This manuscript has been read and accepted for the Graduate Faculty in Sociology in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. ______________________ __________________________________________ Date Patricia Ticineto Clough Chair of Examining Committee ______________________ __________________________________________ Date Lynn Chancer Executive Officer Supervisory Committee: Victoria Pitts-Taylor, Department of Sociology Michael Jacobson, CUNY Institute for State and Local Governance Jasbir K. Puar, Department of Women’s and Gender Studies at Rutgers University The City University of New York iii ABSTRACT Electric Light: Automating the Carceral State During the Quantification of Everything Author: R. Joshua Scannell Advisor: Patricia T. -
NYPD CHANGE AGENDA Case 1:08-Cv-01034-AT Document 594-3 Filed 05/15/18 Page 2 of 34
Case 1:08-cv-01034-AT Document 594-3 Filed 05/15/18 Page 1 of 34 APPENDIX C NYPD CHANGE AGENDA Case 1:08-cv-01034-AT Document 594-3 Filed 05/15/18 Page 2 of 34 The Way Forward at the NYPD (2014-Present) Introduction The NYPD values innovation and historically has set the standards for policing nationwide. The past four years have been a transformative time at the NYPD. The Department has embarked on a journey rejecting what were once conventional norms and facilitating a paradigm shift towards neighborhood policing. To accomplish this, the Department has reimagined what it means to engage the community, provide oversight, train personnel and incentivize the workforce. The NYPD has moved forward with this series of initiatives that have touched virtually every aspect of its operations in a deliberate and coordinated way. In so doing, the Department has set the baseline for policing in the 21st century. The Department is committed to continuing to advance this agenda. We are grateful for the work of the Court-appointed Monitor and the Court- appointed Facilitator, Judge Ariel Belen. They have fostered frequent and open communications among the parties, and as a result, valuable information that was gathered during the Facilitator’s outreach was shared with the Department as the Joint Remedial Process progressed, enabling the Department to consider and include JRP feedback as it developed and implemented the new initiatives outlined in this report. While many of the suggestions offered by the Court-appointed Facilitator, Judge Belen, are extremely thoughtful and meritorious, the Department declines to consent to these reforms formally as “court-ordered Joint Remedial reforms” because the majority of them – in some form – are already underway in the Department. -
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Columbia University Graduate School of Arts and Sciences Human Rights Studies Master of Arts Program Our Vulnerable Privacy: The Effects of Ubiquitous Techno-Surveillance Programs on Sociological Expectations of Privacy Madiha Zahrah Choksi Thesis Advisor: Eben Moglen Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts January, 2019 This work is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. Abstract Our Vulnerable Privacy: The Effects of Ubiquitous Techno-Surveillance Programs on Sociological Expectations of Privacy Madiha Zahrah Choksi In the 21st century, ubiquitous technologies strengthen ubiquitous surveillance. Although the right to privacy is protected by the Constitution, challenges persist with respect to how it is interpreted in an age of data-rich technologies. This paper examines how the deficiencies of the Fourth Amendment in an age of techno-surveillance contribute to the widening scope and success of modern surveillance. The discussion outlines how modern communications technologies have coalesced with surveillance programs of the New York City Police Department, the National Security Agency, and commercial applications such as Facebook, and identifies how intractable institutional programs contribute to a lasting cultural effect in our society. The result is a snowballing effect of normalization: an identifiable cultural change in sociological expectations of privacy. On the one hand, state authorities such as the NSA can monitor and intercept all activity and interactions, with or without a warrant. Along the same lines, data collection on Facebook thrives through its commercialized “opt-out” or pseudo- participatory model, in which consent is assumed or obtained covertly. While technological advances and legal reality are the common denominators of all three institutional models considered in this paper, Facebook’s surveillance structure presents the best opportunity for sociocultural expectations to oscillate.