John Skelton: Courtly Maker/Popular Poet
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The Dredgings August 2021
August,2021 Volume 32,Issue 10AS LVI Being the Voiceofthe Barony ofLochmere in the KingdomofAtlantia, SCA,Inc. Inside thisissue ArtsandSciences .........................3 Foodfor Thought.........................5 Composerʼs Corner.....................7 HistoryHighlights.........................9 Table of Contents Their Excellencies..............................2 Lochmere Calendar of Events........2 Atlantia Calendar of Events ............2 Information on the Dredgings.......2 Attention Lochmere Officers..........2 This Month in History .......................3 Arts and Sciences...............................3 Their Excellencies Populace Meeting Minutes..............3 New Member Information ...............4 Baronial Reoccurring Activities ....4 Food for Thought...............................5 Greetings Lochmere, Composersʼ Corner...........................7 History Highlights..............................9 Lochmere Officers Listing............10 Lochmere Baronial Champions ..10 We are pleased to start seeing people in person again at practices, although summer is truly here and in full swing of hot! We urge Information of the Dredgings The Dredgings is a publication of everyone to stay hydrated! the Barony of Lochmere of the Society of Creative Anachronism, Inc. The Dredgings is a free Tuesdays Armor, Fencing, Art days have turned into quite the place publication and is available electronically. You may request a to be! copy from the Barony of Lochmere Chronicler at lochmere.chronicler @gmail.com This newsletter is not a corporate We also hear that archery practice is happening although it seems that publication of the Society of a bout of poorly timed rain has dampened that a few times. Creative Anachronism, Inc., and does not delineate SCA policies. ©2021, Society of Creative Anachronism, Inc We joined in on Eilionora’s online scriptorium, which is happening . every other week and were delighted to see faces from other kingdoms. For information on reprinting letter and artwork from this We were very impressed with everyone's talents and had a great time. -
England's Armor
ENGLAND’S ARMOR: HENRY VIII’S ARMOR AND HIS WARS by James Nobukichi Ito A thesis submitted in partial fulfillment of the requirements for the degree of Master of Art in Art History MONTANA STATE UNIVERSITY Bozeman, Montana April 2014 ©COPYRIGHT by James Nobukichi Ito 2014 All Rights Reserved ii DEDICATION I dedicate this Master’s Thesis to Donald La Rocca, Dr. Todd Larkin, and to Vaughan Judge for their support and guidance in helping me achieve my graduate goals. To Dede Taylor who gave me the Metropolitan Museum of Art Bulletin Of Arms and Men, which got me seriously interested in the topic of arms and armor as a Master’s Thesis. To my fellow graduate students; Kate Cottingham, Chelsea Higgins, Jackie Meade, and Jesine Munson. To the School of Art office staff. I dedicate the success of graduate school to my wife Stephanie, who tolerated me being away from home for these last two years researching and writing my thesis and for bringing our son Jefferson into this world while I was in graduate school. You are my greatest supporter, Stephanie. iii ACKNOWLEDGMENTS I have grown as a scholar and as a person in these last two years of graduate school and I have the art history faculty to thank for that. Todd Larkin was my committee chair and he has been my most involved mentor who pushed me to conduct active research and question all evidence of my findings to weave out any doubt that what I discovered was reliable information. He has also been an example to me as a scholar who is enthusiastic about his work and teaches in a way that keeps the class attentive and alive. -
Henry VIII and His Ministers 1509 – 40 Work Booklet – Topic 1 Thomas Wolsey
Henry VIII and his Ministers 1509 – 40 Work Booklet – Topic 1 Thomas Wolsey Name :____________________________ Class Teacher: ______________________ OPT: _____________________________ 1 How do I answer questions in ‘King Henry VIII and his Ministers, 1509-1540’? Paper 2 – Section B – Question 4a, 4b and either 4c (i) or 4c (ii) QUESTION WHAT TO WRITE MARK TIM S E Question 4a: Describe two features of … • You need to describe two features on one 2 x Paragraphs 4 5 aspect of Henry VIII’s reign. P – Point (Identify a min • You need to support your answer with feature) relevant information. AD– Add additional EXAM TIP: Keep your answer brief. This information to your question is only worth four marks feature to help your description Question 4b: Explain why … • You need to explain the reason why 3 x P.E.E.S. something happened Paragraphs 12 18- • You will be given two information points to P – Point 20 prompt you (you don’t have to use them). E - Evidence min • You must add a third point of your own E – Explanation (to • Link your explanation back to the question. directly answer the How does your explanation show ‘why’ question) your point is significant? S – Significance: EXAM TIP: Focus on explaining ‘why’. You must Explain the give three clear reasons to explain your answer significance of this factor in relation to the question Intro Question 4c(i) or (ii) How far do you agree? (16 marks) 3 x P.E.E.S. • You will be given a choice of two Paragraphs 24- statements P – Point 16 30 • You must choose a statement and say how E - Evidence min far you agree or disagree with this E – Explanation (to statement. -
A Spectacular Armor and Its Depictions in Early Modern Augsburg1
Memories in Steel and Paper: A Spectacular Armor and Its Depictions in Early Modern Augsburg1 Chassica Kirchhoff This article examines a lineage of retrospective images that portray Maximi lian I as armored Archduke of Austria and Duke of Burgundy, riding a horse that is clad in impressive plate armor from its head to its hooves. These art works, which span the sixteenth century, participate in the early modern cultures of remembrance that surround Maximilian’s knightly persona and posthumous mythos. The central image of the study is a drawing, created during the 1540s, that is bound into the socalled ThunHohenstein Album. This drawing synthesizes two earlier paintings, now in the Kunsthistorisches Museum in Vienna, that represent triumphal entries into the cities of Namur and Luxembourg in 1480. A later image, created in Augsburg around 1575, exactly parallels the drawing in the Thun album, which it may copy. Care ful consideration of these images, their meanings and their different con texts of creation and reception, as well as the equine armor that they depict, Empfohlene Zitierweise: demonstrates the persistent significance of armor in the early modern cul Kirchhoff, Chassica: Memories in tures of remembrance of the Holy Roman Empire. Steel and Paper: A Spectacular *** Armor and Its Depictions in Early Modern Augsburg, in Dieser Artikel untersucht eine Reihe von retrospektivischen Bildern, welche MEMO 4 (2019): Objekte der Maximilian I. als geharnischten Erzherzog von Österreich und Herzog von Erinnerung, S. 26–57. Burgund auf einem eindrucksvoll ausgerüsteten, von Kopf bis zu den Hufen Pdf-Format, doi: gepanzerten Pferd reitend zeigen. -
Tudor Rose Script
The Tudor Rose Junior Script by Gawen Robinson 4/031013/3 ISBN: 978 1 84237 036 0 Published by Musicline Publications P.O. Box 15632 Tamworth Staffordshire B78 2DP 01827 281 431 www.musiclinedirect.com Licences are always required when published musicals are performed. Licences for musicals are only available from the publishers of those musicals. There is no other source. All our Performing, Copying & Video Licences are valid for one year from the date of issue. If you are recycling a previously performed musical, NEW LICENCES MUST BE PURCHASED to comply with Copyright law required by mandatory contractual obligations to the composer. Prices of Licences and Order Form can be found on our website: www.musiclinedirect.com The Tudor Rose – Script 1 CONTENTS Cast List ................................................................................................................................ 2 Speaking Roles By Number Of Lines ................................................................................ 4 Cast List In Alphabetical Order (With Line Count) ........................................................... 5 Characters In Each Scene ................................................................................................... 6 List Of Properties ................................................................................................................. 7 Production Notes ................................................................................................................. 9 Act I: Henry VIII .......................................................................................... -
The Age of Wars of Religion, 1000-1650
THE AGE OF WARS OF RELIGION, 1000–1650 THE AGE OF WARS OF RELIGION, 1000–1650 AN ENCYCLOPEDIA OF GLOBAL WARFARE AND CIVILIZATION Volume 1, A–K Cathal J. Nolan Greenwood Encyclopedias of Modern World Wars GREENWOOD PRESS Westport, Connecticut London Library of Congress Cataloging-in-Publication Data Nolan, Cathal J. The age of wars of religion, 1000–1650 : an encyclopedia of global warfare and civilization / Cathal J. Nolan. p. cm.—(Greenwood encyclopedias of modern world wars) Includes bibliographical references and index. ISBN 0–313–33045–X (set)—ISBN 0–313–33733–0 (vol. 1)— ISBN 0–313–33734–9 (vol. 2) 1. Middle Ages—History—Encyclopedias. 2. History, Modern—17th century— Encyclopedias. 3. Military history, Medieval—Encyclopedias. 4. Military history, Modern—17th century—Encyclopedias. 5. Biography—Middle Ages, 500–1500— Encyclopedias. 6. Biography—17th century—Encyclopedias. I. Title. D114.N66 2006 909.0703—dc22 2005031626 British Library Cataloguing in Publication Data is available. Copyright # 2006 by Cathal J. Nolan All rights reserved. No portion of this book may be reproduced, by any process or technique, without the express written consent of the publisher. Library of Congress Catalog Card Number: 2005031626 ISBN: 0–313–33045–X (set) 0–313–33733–0 (vol. I) 0–313–33734–9 (vol. II) First published in 2006 Greenwood Press, 88 Post Road West, Westport, CT 06881 An imprint of Greenwood Publishing Group, Inc. www.greenwood.com Printed in the United States of America The paper used in this book complies with the Permanent Paper Standard issued by the National Information Standards Organization (Z39.48–1984). -
The Early Tudors : Henry VII.: Henry VIII
THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA LOS ANGELES ^^. A Epochs of Modern History EDITED BY EDWARD E. MORRIS, M.A., J. SURTEES PHILLPOTTS, B.C.L. AND C. COLBECK, M.A. THE EARLY TUDORS REV. C. E. MOBERLY EPOCHS OF MODERN HISTORY THE EARLY TUDORS HENRY VII.: HENRY VIII. BY THE REV. C. E. MOBERLY, M.A. LATE A MASTER IN RUGBY SCHOOL WITH MAPS AND PLANS NEW YORK CHARLES SCRIBNER'S SONS 1887 PA PREFACE As the plan of works in this Series does not allow of systematic references at the foot of the pages to larger and more detailed histories of the period, it may be well to mention here a few of the books which are likely to be most useful to those who wish to study it more fully. So far as these are complete histories, they must be chiefly modern, as the age was not fertile in contemporary narratives. Thus for Richard III.'s time Mr. Gairdner's excellent Life of that king should be studied, with its appendix on Warbeck; for Henry VII. Lord Bacon's Life, which has been carefully edited for the Cambridge Univer- sity Press by Mr. Lumby. The Stanhope Essay by Mr. Williamson on the ' Foreign Commerce of Eng- land under the Tudors ' gives ample details on this subject in very small compass; and the religious movement from 1485 to 1509 is described to perfec- tion in Mr. Seebohm's delightful work on Colet, Erasmus, and More, and in Cooper's Life of the Lady Margaret. For Henry VIII. -
Chivalry and Courtly Love: Cultural Shifts, Gender Relations, and Politics in Early Tudor Court Culture
Chivalry and Courtly Love: Cultural Shifts, Gender Relations, and Politics in early Tudor Court Culture Hilary Jane Locke M.Phil Candidate The University of Adelaide Department of History, School of Humanities February 2019 Contents Introduction 1 Chapter One ‘There Shalle Ye See Manhode’: Chivalric Culture and the Foundations of the Tudor Dynasty 1485-1509 13 Chapter Two ‘All Goodly Sport, For My Comfort’: Prince Arthur, King Henry, and the Chivalric Tudor Dynasty 33 Chapter Three ‘Yours as long as life endures’: Courtly Love and Chivalry, Gender and Politics in the Court of Henry VIII. 58 Conclusion 82 Bibliography 86 Abstract The aim of this thesis is to explore and uncover the strong presence chivalry had during the development of the early Tudor dynasty, particularly following the end of the Wars of the Roses and into the early modern era. It seeks to answer the questions of how prevalent the phenomena of chivalry and courtly love were during the transition from the medieval to the early modern period, as well as their importance in the political and dynastic foundations of the Tudor dynasty. Further, the work aims to examine what chivalry and courtly love reveals about gender, politics, and social dynamics during the reigns of Henry VII and Henry VIII. In the foundations of his reign, Henry VII craved dynastic stability, legitimacy, and monarchical power. In establishing his dynasty, Henry attempted to create a legacy that emphasised the conceptual ideals of chivalry, and courtly love, as critical for strength, courtly performance and politics. The thesis will argue that the early Tudor kings sought to drive cultural chivalric elements into the political, and dynastic foundations of the early Tudor public sphere. -
War of the League of Cambrai (1508–1516) Or War of the Holy League Or 16Th Century Game of Throne
War of the League of Cambrai (1508{1516) or War of the Holy League or 16th Century Game of Throne Daniel Ueltschi Department of Mathematics, University of Warwick Quantissima III, 23 August 2019 An intense conflict with fascinating characters, diplomacy and war, guided by chance/fate D. Ueltschi (Univ. Warwick) History of Venice 23 August 2019 1 / 17 Situation around 1500 Venice has 180,000 inhabitants and is the second largest city in Europe after Paris and probably the richest in the world. The Republic of Venice has 70,000 km2 (27,000 sq mi) with 2.1 million inhabitants (England has 3 million, the whole of Italy 11, France 13, Portugal 1.7, Spain 6, and Germany/Holy Roman Empire 10) D. Ueltschi (Univ. Warwick) History of Venice 23 August 2019 2 / 17 Pope Julius II Born Giuliano della Rovere, he was elected in 1503, succeeding Pius III (who was Pope only a few months) and Alexander VI (Borgia) created the Swiss Guards commissioned Michelangelo to paint Sistine chapel his main goal was to \free Italy from the Barbarians" nicknamed the Warrior Pope or the Fearsome Pope, he modelled himself after Julius Cæsar Machiavelli described Julius II as the ideal prince. Erasmus strongly despised him D. Ueltschi (Univ. Warwick) History of Venice 23 August 2019 3 / 17 The situation France (King Louis XII) occupies North Italy Ferdinand of Aragon is crowned King of Two Sicilies (Naples, South Italy, Sicily) Pope Alexander VI had conquered Romagna. It is not clear whether these lands belong to the Papacy or to the Borgia family The Lords of Romagna seek Venetian help in order to expel Cesare Borgia. -
Knowledge Organiser
Knowledge Organiser Henry VIII & His Chief Ministers 1509-1540 Unit #1 Key Terms Renaissance: Aims of Foreign Policies Transition period from the Middle th In 1509, Henry VIII (Henry the 8 ) became King. 1. Improve relationships with France and Habsburg empire Ages to Modernity 15th-16th Century. Aged only 18 in 1509, the young king now ruled 2. To play France and Habsburg empire off against each other Changes in literature and arts and a over 2.5 million people. His was mainly a rural 3. Increase England’s military glory and win land/ wars while new appreciation for learning. kingdom, with most people living and working on keeping the cost down the land. The religion of the whole of England was Roman Catholicism- a form of Christianity followed 4. To increase Henry’s prestige and power as a major Divine Right: rd throughout Western Europe during much of Henry peacemaker rather than 3 best The idea that the monarch was VIII’s rule. By the time Henry became king in chosen by God and acted as 1509, England had been a Catholic country for God’s representative. nearly 1000 years. Most people went to Church every Sunday and all the important rituals of their Salvation: going to heaven lives were linked to the Church. In Tudor England, the Roman Catholic Church was central to people’s Cardinal: A senior leader in lives. How did Thomas Wolsey Rise to Power? the Roman Catholic Church Henry had a clear vision for his kingship. He Thomas Wolsey was Henry VIII’s chief advisor from wanted to model his rule on the great Renaissance 1515 until 1529. -
Factsheet International Links for Henry VIII
Factsheet International links for Henry VIII: Dressed to Kill France • The exhibition includes loans from the Musee de l’Armee, Paris. Perhaps it is a little ironic that the national collection of France now includes items that Henry had bought for his English guards, eg a pollaxe and buckler. For about a quarter of Henry’s reign England was at war with France • Paris has also loaned the ‘Fleuranges armour’ which was made at Greenwich and is thought to have been a gift from Henry VIII to Fleuranges, one of his opponents at the 1520 tournament called the Field of Cloth of Gold • Henry visited France on several occasions and the second visit, the Field of the Cloth of Gold, features heavily in the exhibition • 1513: Henry was leading the English against France in war, and he always took great pride in the victory at Bomy, commonly called the ‘battle of the Spurs’ because the French knights turned and fled. Henry’s troops captured the towns of Therouanne and Tournai, but the campaign proved expensive • 1520: the Field of the Cloth of Gold super-tournament – this diplomatic and sporting event took place on the exact boundary between what was then England and France between Guisnes and Ardres in Northern France (England then held the area of France around Calais). Henry’s Foot Combat and Tonlet armours were both made in London for the Field of the Cloth of Gold. Only the latter was taken & used, because the changed rules of the competition disqualified the former! After the end of the event, the two kings said farewell to each other; then Henry VIII went to hold talks with Emperor Charles V, France’s enemy, at Gravelines and Calais • 1532: Henry went to meet Francis half way between Calais (English) and Boulogne (France). -
Fortune, Misfortune, and the Decline of the Machiavellian Heroic Model of Military Glory in Early-Modern Europe
DOI 10.6094/helden.heroes.heros./2018/01/02 Andrea Guidi 15 Fortune, Misfortune, and the Decline of the Machiavellian Heroic Model of Military Glory in Early-Modern Europe In Art of War, Niccolò Machiavelli set the foun- contemporary drawings and engravings share dations of a debate destined to influence military Machiavelli’s view on infantry as expressed in his thinking for centuries. The discussion of the rela- account of Ravenna, which contributed to shap- tionship between theory and practice in warfare ing the image of the foot soldier as a brutal yet preoccupied Renaissance and early modern powerful force that needs to be disciplined and military writers, as did the question of whether trained in order to be ‘heroic’. Secondly, Machia- or not the theories of the ancients are useful to velli’s writings present us with models of indi- military commanders.1 Machiavelli developed vidual heroism which are highly ambiguous. As his military theory as former Secretary of the an in-depth analysis of the character of Fabrizio Chancery of the Florentine Republic, and, in this Colonna in Art or War will demonstrate, the role, authored a project for the introduction of a Machiavellian notion of individual heroism is not peasant militia in Tuscany. According to his mili- essentialist, but context dependent. The Machia- tary theory and practice, the military and political vellian hero is not defined by well-established orders of the ancients are capable of stimulating military qualities such as fearlessness and cour- an interaction between the people, the state and age, but rather by the idea of ‘glory’ conceived the military institutions.