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Ordering Prints & Framing Available Photo Papers E-Surface Paper (Standard Photographic Finish) *Recommended E-Surface Paper is our most popular photographic paper. Accurate color, lifelike skin tones, archival quality and a traditional photo finish are just a few reasons why customers love E-Surface Prints. *No glass required as photo is backed with photo backing board. Great look! Fuji Pearl Paper (Smooth Metallic Finish) *Very metallic & shinny Fuji Pearl Paper uses a patented combination of film and laminate layers resulting in a striking metallic shine. Its ultra-bright backgrounds and smooth photo finish will make your special moments last a lifetime. *No glass is recommended with Fuji Pearl Paper. True B&W Paper (Classic Matte Finish) True Black & White offers rich black continuous-tone prints, avoiding any tints of color. Perfect for all of your black and white shots, this matte photo paper creates beautiful prints that will last for a lifetime. Fine-Art Paper Fine Art prints are printed on large format inkjet printers on Fine Art Paper. Fine Art paper is similar in look and feel to watercolor paper and is a great alternative to fiber-based printing. This paper is more fragile than traditional photographic prints and must be handled with care. Frames Choose from a large selection of frame styles and have your print custom-framed today! Choose from no glass, regular glass and non-glare glass. Black and White Mats come in 2" width and are optional. Adding mat to a framed print increases the width and height by 4", for example, an 8" x 10" print that is framed and has a mat will end up being 12" x 14" plus the width of the frame. With mat, glass is required and mounting option is not available. With no mat, mounting is required and glass is optional. Mpix frames require no glass unless you choose a mat border. Pictures have great durable finish! .

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Making a Pinhole Camera
Homework – Autumn 11 Making a Pinhole Camera Your task this week is to make a pinhole camera. You will need to do the following: Ensure you have the correct materials to make your camera (see below) Follow the step-by-step guide carefully. Take a photo of your finished creation for us to see. You DO NOT need to bring in your camera to school. Write a paragraph about the process of making your camera. You will need to include: o What materials you used. o Were the instructions easy to follow? o Was it a success? Were you able to create an image? o Would you do anything differently? -------------------------------------------------------------------------------------------------- ----------------------------------------------------------- What is a pinhole camera? The word “camera” comes from camera obscura, which simply means “dark chamber”. A pinhole camera is one of the most basic examples of this concept. Pinhole cameras are made from a lightproof box, some photographic paper and a tiny hole (often made with a pin, hence the name). The pinhole is just an aperture, not a true lens, but because it is so small it will still focus on an image on the opposite side of the box, exposing the photo paper placed there. How to make a pinhole camera You will need: A box with a lid – You can make your own or use a shoebox or similar, but then the lid is on it must not let any light inside. You could also use a wide cardboard tube instead. A roll of aluminium foil or sheet of black paper. Sticky tape. Scissors. A needle or drawing pin.
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Is There Child Labour in the Natural Stone Industry in Vietnam?
Is there Child Labour in the Natural Stone Industry in Vietnam? Research Report (Wissenschaftliches Gutachten zu § 4a des Gesetzes über das Friedhofs- und Bestattungswesen des Landes Nordrhein-Westfalen (Bestattungsgesetz – BestG NRW) im Auftrag des Ministeriums für Gesundheit, Emanzipation, Pflege und Alter des Landes Nordrhein-Westfalen MGEPA) Authors: Dr. Jörg Wischermann Dr. Dang Thi Viet Phuong Prof. Dr. Adam Fforde 30 September 2016 1 Contents Contents .................................................................................................................................................. 1 List of acronyms ...................................................................................................................................... 2 Summary ................................................................................................................................................. 4 Context ................................................................................................................................................ 4 Overview ............................................................................................................................................. 4 Core conclusions ................................................................................................................................. 5 Section 1 – Introduction .......................................................................................................................... 6 Section 2 - The current legal position
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Product Portfolio
Product portfolio 2020 1 Printing Turning pixels into prints. Printing is at the heart of everything we do. Using the latest wide format giclée technology, our expert team consistently produce exceptional prints on a range of fine art and photographic substrates. Printing highlights • Outsourced, on demand, white-label printing • 100+ year colour guarantee • Professional colour management • 12 colour giclée printers • Original brand name inks and substrates All backed up by the Prodigi promise. 13 Prints Photographic C-type (silver halide) Fine art 20 A complete range Printing is at the heart of everything we do and every product we create. We support a full range of branded & non-branded photographic, fine art and poster papers covering matte, of specialist papers lustre, gloss and metallic finishes. Each substrate is individually profiled for our printers, ensuring fantastically accurate and consistent reproductions. Colour profiles for each paper type can be downloaded for those wishing to soft-proof images. Colour management is a core principle , guaranteeing you always receive the best- quality prints. Photographic papers Fine art papers Budget • 170gsm, Budget Photo Paper (BPP) • 180gsm, Budget Art Paper (BAP) • 240gsm, Lustre Photo Paper (LPP) • 200gsm, Enhanced Matte Art (EMA) • 240gsm C-type (silver halide) • 240gsm, Smooth Art Paper (SAP) • 280gsm, Metallic Gloss (MG) • 280gsm, Museum Fine Art (MFA) • 285gsm, Smooth Photo Rag (SPR) • 315gsm, Cold Press Watercolour Paper (CPWP) • 300gsm Sticky Poster (STKY) Premium • 260gsm, Hahnemühle Photo Glossy (HPG) • 310gsm, Hahnemühle German Etching (HGE) • 260gsm, Hahnemühle Photo Lustre (HLP) • 308gsm, Hahnemühle Photo Rag (HPR) • 285gsm, Hahnemühle Fine Art Pearl (HFAP) 21 Budget photographic art prints Gloss, lustre & metallic.
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Inkjet Paper Database Version: 1.3 Last Updated: 6/20/2010
Inkjet Paper Database Version: 1.3 Last updated: 6/20/2010 This spreadsheet lists the data for each paper tested by Dane Creek Photography. All tests are printed on a Canon iPF 5100. dMax is measured after 24 hours with a Datacolor Spectrocolorimeter Model 1005. Test prints are done using the Outback Print standard test image which can be obtained from http://www.outbackprint.com/printinginsights/pi048/essay.html There are many other inkjet papers not included in this list, and that's simply because I haven't been able to purchase sample sheets. If you have sample paper you'd like to contribute, send me an e-mail. To view the test results, click on the Tested Paper Details tab below. Papers we samples of but haven't had a chance to test are listed on the Untested Paper Details tab. Updates? Corrections? Questions? Comments? Send them to [email protected]. Copyright © 2009-2010 Dane Creek Photography. Licensed under the Creative Commons Attribution Noncommercial Share Alike 3.0 license. Thanks to Jerry Fiddler for providing the Canson Baryta Photographique paper sample. Manufacturer Paper Weight (gsm) Thickness (µm) Paper Base Price/sq. in. Double-Sided OBAs Tone Finish Texture Media Profile Type Black White dMax Date Printed Rendering Intent Notes Bergger PN33 325 580 100% Cotton $ 0.0180 No No Warm Matte Heavy Premium Matte Paper Generic 16 251 1.65 8/17/2009 Relative Colorimetric Breathing Color Lyve (Uncoated) 450 533 65% Polyester / 35% Cotton $ 0.0113 No No Cool Matte Heavy Canvas Matte 2 Custom (729) 6 250 1.56 11/28/2009
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Press Release Discover the Canson® Infinity Range of Digital Darkroom
Press release Discover the Canson® Infinity range of digital darkroom papers, setting the benchmark for fine art inkjet papers Baryta Prestige, Baryta Photographique and Platine Fibre Rag are all prestigious references in the Canson® Infinity range of digital darkroom fine art papers Annonay, France xx March 2018 - Drawing on its experience in the world of paper and cutting-edge technologies, Canson® launched the Canson® Infinity range in 2008, encompassing a range of high- quality, age-resistant papers specially designed for fine art printing. Baryta Prestige – recognised by TIPA as the Best Inkjet Photographic paper In 2017, Canson® Infinity received the prestigious TIPA award for the best inkjet photographic paper for its Baryta Prestige, a 340g/m² inkjet paper, with the look and aesthetic feel of traditional darkroom paper. Made from acid-free cellulose and cotton, the paper has excellent durability with a fine, smooth semi-matt texture that leaves every print with defined detail and vibrant colour. With a 100% layer of Barium Sulphate (Baryta), Canson® Infinity has the characteristics and aesthetics expected from a traditional silver print paper. In addition, the paper has been designed to achieve maximum black density (high D-Max) and wide colour gamut, with excellent tonal range and depth for both colour and black & white prints. This innovative product, designed for the discerning photographer and printmaker looking to produce fine art black and white or colour archival prints, is compatible with all aqueous photo inkjet printers on the market. Canson Infinity Baryta Prestige Canson® Infinity Ambassador Robert Rodriguez Jr Robert Rodriguez Jr, landscape photographer, educator, author and Canson® Infinity Ambassador said: “This beautiful paper is intended for lovers of photography and those for whom the photographic object being printed is important.
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Photographic Printing Enlarger
Photographic printing From Wikipedia, the free encyclopedia Photographic printing is the process of producing a final image on paper for viewing, using chemically sensitized paper. The paper is exposed to a photographic negative, a positive transparency (or slide), or a digital image file projected using an enlarger or digital exposure unit such as a LightJet printer. Alternatively, the negative or transparency may be placed atop the paper and directly exposed, creating a contact print. Photographs are more commonly printed on plain paper, for example by a color printer, but this is not considered "photographic printing". Following exposure, the paper is processed to reveal and make permanent the latent image. Printing on black-and-white paper The process consists of four major steps, performed in a photographic darkroom or within an automated photo printing machine. These steps are: Exposure of the image onto the sensitized paper using a contact printer or enlarger; Processing of the latent image using the following chemical process: o Development of the exposed image reduces the silver halide in the latent image to metallic silver; o Stopping development by neutralising, diluting or removing the developing chemicals; o Fixing the image by dissolving undeveloped silver halide from the light-sensitive emulsion: o Washing thoroughly to remove processing chemicals protects the finished print from fading and deterioration. Optionally, after fixing, the print is treated with a hypo clearing agent to ensure complete removal of the fixer, which would otherwise compromise the long term stability of the image. Prints can be chemically toned or hand coloured after processing.[ Enlarger From Wikipedia, the free encyclopedia An enlarger is a specialized transparency projector used to produce photographic prints from film or glass negatives using the gelatin silver process, or from transparencies.
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Turning Digital Images Into Prints — Chapter 13 307 13 Images Enjoying & Sharing IV Part Turning Digital Images Into Prints
Turning Digital Images into Prints — Chapter 13 307 13 Part IV Sharing & Enjoying Images Turning Digital Images into Prints Do you have digital images that you want to print? Maybe you’ve received them as e-mail attachments, downloaded them from the Internet, taken them with a digital camera, or scanned them yourself with a desktop scanner—it doesn’t matter how you got the digital images—the task now is to get them printed. What options are there? What kind of printer should you use? If you don’t have a printer, how can you get prints made? Can you print your own prints if you don’t have a PC? What kinds of specialty papers are available? If you want the absolutely best print possible, where should you go? How can you make prints available to a friend who lives in another city? If you have these or similar questions, you are reading the right chapter! In this chapter, you will learn how you can turn your digital images into a print by: ᮣ Uploading them to an Internet-based printing service ᮣ Using the digital image services of a local photo lab ᮣ Using a desktop printer ᮣ Using the services of a custom photo lab Looking into the future By the end of 2000, the number of ways that you will be able to get photo-quality prints made from digital image files will increase considerably. Many companies are focused on introducing new printing services that will revolutionize the way we use, share, and print pictures.
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KODAK PROFESSIONAL Inkjet Photo Paper
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COLLODION Onpaper Art Kaplan © 2013 J
COLLODION ON PAPER Dusan C. Stulik | Art Kaplan The Atlas of Analytical Signatures of Photographic Processes Atlas of The © 2013 J. Paul Getty Trust. All rights reserved. The Getty Conservation Institute works internationally to advance conservation practice in the visual arts—broadly interpreted to include objects, collections, architecture, and sites. The GCI serves the conservation community through scientific research, education and training, model field projects, and the dissemination of the results of both its own work and the work of others in the field. In all its endeavors, the GCI focuses on the creation and delivery of knowledge that will benefit the professionals and organizations responsible for the conservation of the world’s cultural heritage. The Getty Conservation Institute 1200 Getty Center Drive, Suite 700 Los Angeles, CA 90049-1684 United States Telephone: 310 440-7325 Fax: 310 440-7702 Email: [email protected] www.getty.edu/conservation The Atlas of Analytical Signatures of Photographic Processes is intended for practicing photograph conservators and curators of collections who may need to identify more unusual photographs. The Atlas also aids individuals studying a photographer’s darkroom techniques or changes in these techniques brought on by new or different photographic technologies or by the outside influence of other photographers. For a complete list of photographic processes available as part of the Atlas and for more information on the Getty Conservation Institute’s research on the conservation of photographic materials, visit the GCI’s website at getty.edu/conservation. ISBN number: 978-1-937433-06-2 (online resource) Front cover: A. C. Vroman, An Arizona Sky and Twin Buttes, 1895, gold-toned, silver collodion photograph.
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Make Your Own Pinhole Camera
Make your own Pinhole Camera Materials required: When bringing people into your obscura it works best blackout fabric/ plastic the size of all windows, gaffe tape if you have a small cardboard flap (lens cap) over your and a pair of scissors. light hole and sit your audience in the total dark for 5-10 minutes first – you can use this time to tell them the history Before starting, consider what rooms you have available of the obscura or exchange ghost stories. When you lift and what views would make an interesting projected the flap and let the light enter – it will be spectacular image. Things to consider: Light: an open view with plenty of light works best Movement: an aspect of movement such as a road, river or footpath can add interest The interior of the room: white walls will show the view most clearly but furniture and wallpaper can add an interesting juxtaposition Remember your view will be projected upside down and back to front in your room. Select your room and the view you want to capture. Blackout the room, you can use heavy-duty black plastic or fabric blackout material. Cut a small hole approximately 10 - 15mm in diameter, central to the view you wish to have projected into your room. Allow your eyes to adjust for at least 10 minutes to view your obscura, if the image is too faint, make your hole a little larger. Note: the smaller the hole, the fainter and sharper your image will be while, a larger hole will produce a brighter but less focused image.
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Sodium Carbonate Or Soda Were Well Known in Early Times
Copyright © Tarek Kakhia. All rights reserved. http://tarek.kakhia.org Sodium Contents 1 Introduction 2 Characteristics o 2.1 Chemical properties o 2.2 Compounds o 2.3 Spectroscopy o 2.4 Isotopes 3 History 4 Occurrence 5 Commercial production 6 Applications 7 Biological role o 7.1 In maintenance of body fluid volume in animals o 7.2 In maintenance of resting electrical potential in excitable tissues in animals 8 Dietary uses 9 Precautions 1 - Introduction : Sodium is a metallic element with a symbol Na ( from Latin natrium or Arabic natrun) and atomic number 11 . It is a soft, silvery - white, highly reactive metal and is a member of the alkali metals within " group 1 " ( formerly known as ‘ group IA ’ ) . It has only one stable isotope , 23Na. Elemental sodium was first isolated by Sir Humphry Davy in 1806 by passing an electric current through molten sodium hydroxide. Elemental sodium does not occur naturally on Earth, but quickly oxidizes in air and is violently reactive with water, so it must be stored in an inert medium, such as a liquid hydro carbon. The free metal is used for some chemical synthesis and heat transfer applications. 1 Copyright © Tarek Kakhia. All rights reserved. http://tarek.kakhia.org Sodium ion is soluble in water in nearly all of its compounds, and is thus present in great quantities in the Earth's oceans and other stagnant bodies of water. In these bodies it is mostly counterbalanced by the chloride ion, causing evaporated ocean water solids to consist mostly of sodium chloride, or common table salt.
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