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2021 Lane County 4-H FFA Fair Book
1 Revised 5/19/2021 Table of Contents Schedules…………………………………………………………………………………………………………………………………………… 4-8 Small Animal Fair ............................................................................................................................. 4 Horse Fair…………………………………………………………………………………………………………………………………..4 Lane County Fair ............................................................................................................................. 4 Contact Information ...................................................................................................................................... 8 4H/FFA Rules ................................................................................................................................................. 9 Communication Flow Chart ………………………………………………………………………………………………………………..…10 Registration ................................................................................................................................................ 10 Live Stock Rules .......................................................................................................................................... 10 Exhibit and Facility Rules ....................................................................................................................... 11-14 Herdsmanship ............................................................................................................................................ 14 Animal Welfare Rules ................................................................................................................................ -
Boosting Business with Science the Human Factor Modern Bleaching
CURRENT awaRENESS FROM THE INNVENTIA GROUP #3/2010 Modern bleaching technology free of dioxin Norwegian collaboration improving bioenergy efficiency The human factor Research Seminar 2010 N O ANSS JOH ICE R Good team crucial for climate of innovation beat O: O: T HO P Boosting business with science Modern bleaching technology free of dioxin Elisabeth Bergnor at Innventia. Five years ago, reports came Concerns and discussions are still the ECF bleached pulp contains as low from the Swedish Environmental arising, such as in the case of the Baltic amount of dioxin as the unbleached Sea1 and where completely new mills are pulp and the TCF bleached pulp. The Protection Agency (SEPA) being built. Peter was in demand as an content of dioxin is thus at the same concerning increased levels of dioxin expert in the public debate surround- background level in the unbleached as in in the water outside forest industry ing the construction of a new mill in the bleached pulps.” plants along the Baltic Sea coast Uruguay a few years ago. The investigation also studied how in Sweden. There was concern “If you bleach using chlorine dioxide the formation of dioxin is affected by the that this rise in content could have and do it the right way, no increase in ‘purity’ of the chlorine dioxide, i.e. the the content of dioxin can be detected,” content of chlorine in the chlorine diox- connection with the utilisation of he states. ide. It showed that, when the chlorine chlorine dioxide (ClO2) in bleach To verify this thesis, Innventia content reaches 5% (calculated as active plants, so called ECF Bleaching recently carried out screening studies, chlorine) or higher, which occurred with (Elemental Chlorine Free), which in which pulp samples that had been the older techniques, a formation of is currently the normally preferred bleached using different methods were dioxin starts. -
Certain Stilbenic Optical Brightening Agents from China and Taiwan
Certain Stilbenic Optical Brightening Agents from China and Taiwan Investigation Nos. 731-TA-1186-1187 (Final) Publication 4322 May 2012 U.S. International Trade Commission Washington, DC 20436 U.S. International Trade Commission COMMISSIONERS Deanna Tanner Okun, Chairman Irving A. Williamson, Vice Chairman Daniel R. Pearson Shara L. Aranoff Dean A. Pinkert David S. Johanson Robert B. Koopman Acting Director of Operations Staff assigned Cynthia Trainor, Investigator Philip Stone, Industry Analyst Aimee Larsen, Economist Michele Breaux, Research Assistant Charles Yost, Accountant Steven Hudgens, Senior Statistician Charles St. Charles, Attorney James McClure, Supervisory Investigator Address all communications to Secretary to the Commission United States International Trade Commission Washington, DC 20436 U.S. International Trade Commission Washington, DC 20436 www.usitc.gov Certain Stilbenic Optical Brightening Agents from China and Taiwan Investigation Nos. 731-TA-1186-1187 (Final) Publication 4322 May 2012 CONTENTS Page Determinations ................................................................. 1 Views of the Commission ......................................................... 3 Part I: Introduction ............................................................ I-1 Background .................................................................. I-1 Summary data................................................................ I-1 Statutory criteria and organization of the report...................................... I-2 Statutory criteria -
Conference Papers, Edited by Ramesh C
Quantity Meets Quality: Towards a digital library. By Jasper Faase & Claus Gravenhorst (Koninklijke Bibliotheek, Netherland) Jasper Faase Koninklijke Bibliotheek, Netherland Jasper Faase is a historian and Project Manager Digitization at the Koninklijke Bibliotheek (National Library of the Netherlands). Since 1999 Jasper has been involved in large scale digitization projects concerning historical data. In 2008 he joined the KB as coordinator of ‘Heritage of the Second World War’, a digitization programme that generated the following national collections: war diaries, propaganda material and illegally printed literature. He currently heads the Databank Digital Daily Newspapers project at the Koninklijke Bibliotheek, as well as several other mass-digitization projects within the KB’s digitization department. Claus Gravenhorst CCS Content Conversion Specialists GmbH Claus Gravenhorst joined CCS Content Conversion Specialists GmbH in 1983, holds a diploma in Electrical Engineering (TU Braunschweig, 1983). Today he is the Director of Strategic Initiatives at CCS leading business development. For 10 years Claus was in charge of the product management of CCS products. During the METAe Project, sponsored by the European Union Framework 5, from 2000 to 2003 Claus collaborated with 16 international partners (Universities, Libraries and Research Institutions) to develop a conversion engine for books and journals. Claus was responsible for the project management, exploration and dissemination. The METAe Project was successfully completed in August 2003. Since 2003 he is engaged in Business Development and promoted docWORKS as a speaker on various international conferences and exhibitions. In 2006 Claus contributed as a co-author to “Digitalization - International Projects in Libraries and Archives”, published in June 2007 by BibSpider, Berlin. -
City Council Agenda
Mayor City Council Christine Lundberg City Council Agenda Sean VanGordon, Ward 1 City Manager: City Hall Steve Moe, Ward 2 Sheri Moore, Ward 3 Gino Grimaldi 225 Fifth Street Leonard Stoehr, Ward 4 City Recorder: Springfield, Oregon 97477 541.726.3700 Marilee Woodrow, Ward 5 AJ Ripka 541.726.3700 Joe Pishioneri, Ward 6 Online at www.springfield-or.gov The meeting location is wheelchair-accessible. For the hearing-impaired, an interpreter can be provided with 48 hours’ notice prior to the meeting. For meetings in the Council Meeting Room, a “Personal PA Receiver” for the hearing impaired is available, as well as an Induction Loop for the benefit of hearing aid users. To arrange for these services, call 541.726.3700. Meetings will end prior to 10:00 p.m. unless extended by a vote of the Council. All proceedings before the City Council are recorded. February 19, 2019 _____________________________ 6:00 p.m. Work Session Jesse Maine Room ______________________________ (Council work sessions are reserved for discussion between Council, staff and consultants; therefore, Council will not receive public input during work sessions. Opportunities for public input are given during all regular Council meetings) CALL TO ORDER ROLL CALL - Mayor Lundberg ___, Councilors VanGordon___, Moe___, Moore____, Stoehr___, Woodrow ___, and Pishioneri ___. 1. Transit Tomorrow Comprehensive Operations Analysis [Emma Newman] (25 Minutes) 2. Solid Waste Code Changes [Sandy Belson] (25 Minutes) ADJOURNMENT Council Agenda February 19, 2019 Page 2 ______________________________ 7:00 p.m. Regular Meeting Council Meeting Room ____________________________ CALL TO ORDER ROLL CALL - Mayor Lundberg ___, Councilors VanGordon___, Moe___, Moore____, Stoehr___, Woodrow ___, and Pishioneri ___. -
Making a Pinhole Camera
Homework – Autumn 11 Making a Pinhole Camera Your task this week is to make a pinhole camera. You will need to do the following: Ensure you have the correct materials to make your camera (see below) Follow the step-by-step guide carefully. Take a photo of your finished creation for us to see. You DO NOT need to bring in your camera to school. Write a paragraph about the process of making your camera. You will need to include: o What materials you used. o Were the instructions easy to follow? o Was it a success? Were you able to create an image? o Would you do anything differently? -------------------------------------------------------------------------------------------------- ----------------------------------------------------------- What is a pinhole camera? The word “camera” comes from camera obscura, which simply means “dark chamber”. A pinhole camera is one of the most basic examples of this concept. Pinhole cameras are made from a lightproof box, some photographic paper and a tiny hole (often made with a pin, hence the name). The pinhole is just an aperture, not a true lens, but because it is so small it will still focus on an image on the opposite side of the box, exposing the photo paper placed there. How to make a pinhole camera You will need: A box with a lid – You can make your own or use a shoebox or similar, but then the lid is on it must not let any light inside. You could also use a wide cardboard tube instead. A roll of aluminium foil or sheet of black paper. Sticky tape. Scissors. A needle or drawing pin. -
Is There Child Labour in the Natural Stone Industry in Vietnam?
Is there Child Labour in the Natural Stone Industry in Vietnam? Research Report (Wissenschaftliches Gutachten zu § 4a des Gesetzes über das Friedhofs- und Bestattungswesen des Landes Nordrhein-Westfalen (Bestattungsgesetz – BestG NRW) im Auftrag des Ministeriums für Gesundheit, Emanzipation, Pflege und Alter des Landes Nordrhein-Westfalen MGEPA) Authors: Dr. Jörg Wischermann Dr. Dang Thi Viet Phuong Prof. Dr. Adam Fforde 30 September 2016 1 Contents Contents .................................................................................................................................................. 1 List of acronyms ...................................................................................................................................... 2 Summary ................................................................................................................................................. 4 Context ................................................................................................................................................ 4 Overview ............................................................................................................................................. 4 Core conclusions ................................................................................................................................. 5 Section 1 – Introduction .......................................................................................................................... 6 Section 2 - The current legal position -
Kansas Curricular Standards for Visual Arts Are Aligned with the National Standards for the Visual Arts
Model Curricular Standards for Visual Arts State Board of Education May 2007 Kansas Curricular Standards for Visual Arts Joyce Huser Fine Arts Education Consultant Kansas State Department of Education 120 Southeast 10th Avenue, Topeka, Kansas, 66612-1182 [email protected] (785) 296-4932 Table of Contents Mission Statement ii Introduction iii Acknowledgements iv Document Usage v Major Objectives of Art Education vi What Constitutes a Quality Art Education? vii Standards, Benchmarks, Indicators, Instructional Samples 1 Basic 2 Intermediate 24 Proficient 46 Advanced 68 Exemplary 90 Scope and Sequence 112 Appendix I 128 Blooms Taxonomy 129 Assessments in Art 135 Kansas Art Teacher Licensure Standards 139 Competitions and Contests 142 Displaying Artwork 144 Shooting Slides of Student Work 145 Museums 146 Needs of Special Students 147 A Safe Work Environment 149 Stages of Artistic Development 151 Technology Time and Scheduling Standards 153 Appendix II 156 Resources/Books 157 Websites 159 Art Museums in Kansas with Educational Materials 162 Appendix III 165 Lesson Plans 166 Appendix IV 253 Glossary 254 i The Mission of the Kansas Curriculum Standards for the Visual Arts The visual arts are a vital part of every Kansas student’s comprehensive education. ii Introduction The Kansas Curricular Standards for the Visual Arts are designed for all visual art students and educators whether experienced or in the preservice years of their teaching career. A range of benchmarks engages students in reaching their greatest potential in the visual arts. Quality activities involve students in thoughtful, creative, and original expression of self. In all cases, students will learn life-skills including critical thinking, astute observation, viewing from multiple perspectives, higher order learning, and authentic problem-solving skills. -
Product Portfolio
Product portfolio 2020 1 Printing Turning pixels into prints. Printing is at the heart of everything we do. Using the latest wide format giclée technology, our expert team consistently produce exceptional prints on a range of fine art and photographic substrates. Printing highlights • Outsourced, on demand, white-label printing • 100+ year colour guarantee • Professional colour management • 12 colour giclée printers • Original brand name inks and substrates All backed up by the Prodigi promise. 13 Prints Photographic C-type (silver halide) Fine art 20 A complete range Printing is at the heart of everything we do and every product we create. We support a full range of branded & non-branded photographic, fine art and poster papers covering matte, of specialist papers lustre, gloss and metallic finishes. Each substrate is individually profiled for our printers, ensuring fantastically accurate and consistent reproductions. Colour profiles for each paper type can be downloaded for those wishing to soft-proof images. Colour management is a core principle , guaranteeing you always receive the best- quality prints. Photographic papers Fine art papers Budget • 170gsm, Budget Photo Paper (BPP) • 180gsm, Budget Art Paper (BAP) • 240gsm, Lustre Photo Paper (LPP) • 200gsm, Enhanced Matte Art (EMA) • 240gsm C-type (silver halide) • 240gsm, Smooth Art Paper (SAP) • 280gsm, Metallic Gloss (MG) • 280gsm, Museum Fine Art (MFA) • 285gsm, Smooth Photo Rag (SPR) • 315gsm, Cold Press Watercolour Paper (CPWP) • 300gsm Sticky Poster (STKY) Premium • 260gsm, Hahnemühle Photo Glossy (HPG) • 310gsm, Hahnemühle German Etching (HGE) • 260gsm, Hahnemühle Photo Lustre (HLP) • 308gsm, Hahnemühle Photo Rag (HPR) • 285gsm, Hahnemühle Fine Art Pearl (HFAP) 21 Budget photographic art prints Gloss, lustre & metallic. -
2008 Source Book
2008SourceBook ɉʄɿʃɳʍʐʆʏɼʌɻʍɻʎ &ʃɲɽɲʌɿʍʅʉʑ Conservation&CleaningMaterials&Supplies InnovativeArchival & PreservationSolution s thatgivePastaFuture ANACOMuseumsDiv.,117VouliagmenisAvenue,Glyfada16674,Attiki,Greece,Tel:+302109600915,Fax:+302109648128,Email:[email protected] Terms & conditions Suitability For Use Every care is taken to maintain the highest standard of quality. Our company wishes to make it clearly understood that it is the users responsibility to ensure that the goods purchased are suitable for the intended purpose. No guarantee is given or implied that any product we supply is fit for any particular purpose. Our liability is strictly limited to the invoice value of the items concerned. Product Coding System A coding reference number exists for all products.To avoid delay in order processing the product code number must be supplied. Customer Accounts We will allow credit to most archives, museums, libraries, colleges, universities, and other public institutions. Private institutions and business firms are also invited to open accounts with appropriate credit references. Prices Prices are subject to revision without notice and are exclusive of V.A.T. Our sales office will confirm all current prices upon request. Payments Cash with order, except for recognised institutions and approved accounts. Payment must be in € Euro with all bank charges paid.We do accept credit cards. V.A.T.at a rate of 19% is chargeable to all Europen Community customers unless your V.A.T. number is tax exempt. No V.A.T. is chargeable on exports outside of the European Community. Credit Cards We accept Visa cards. Shipment Claims Claims for damage caused in transit and incorrect deliveries must be in writing within 3 working days of delivery to facilitate co-ordination with freight companies. -
Inkjet Paper Database Version: 1.3 Last Updated: 6/20/2010
Inkjet Paper Database Version: 1.3 Last updated: 6/20/2010 This spreadsheet lists the data for each paper tested by Dane Creek Photography. All tests are printed on a Canon iPF 5100. dMax is measured after 24 hours with a Datacolor Spectrocolorimeter Model 1005. Test prints are done using the Outback Print standard test image which can be obtained from http://www.outbackprint.com/printinginsights/pi048/essay.html There are many other inkjet papers not included in this list, and that's simply because I haven't been able to purchase sample sheets. If you have sample paper you'd like to contribute, send me an e-mail. To view the test results, click on the Tested Paper Details tab below. Papers we samples of but haven't had a chance to test are listed on the Untested Paper Details tab. Updates? Corrections? Questions? Comments? Send them to [email protected]. Copyright © 2009-2010 Dane Creek Photography. Licensed under the Creative Commons Attribution Noncommercial Share Alike 3.0 license. Thanks to Jerry Fiddler for providing the Canson Baryta Photographique paper sample. Manufacturer Paper Weight (gsm) Thickness (µm) Paper Base Price/sq. in. Double-Sided OBAs Tone Finish Texture Media Profile Type Black White dMax Date Printed Rendering Intent Notes Bergger PN33 325 580 100% Cotton $ 0.0180 No No Warm Matte Heavy Premium Matte Paper Generic 16 251 1.65 8/17/2009 Relative Colorimetric Breathing Color Lyve (Uncoated) 450 533 65% Polyester / 35% Cotton $ 0.0113 No No Cool Matte Heavy Canvas Matte 2 Custom (729) 6 250 1.56 11/28/2009 -
Press Release Discover the Canson® Infinity Range of Digital Darkroom
Press release Discover the Canson® Infinity range of digital darkroom papers, setting the benchmark for fine art inkjet papers Baryta Prestige, Baryta Photographique and Platine Fibre Rag are all prestigious references in the Canson® Infinity range of digital darkroom fine art papers Annonay, France xx March 2018 - Drawing on its experience in the world of paper and cutting-edge technologies, Canson® launched the Canson® Infinity range in 2008, encompassing a range of high- quality, age-resistant papers specially designed for fine art printing. Baryta Prestige – recognised by TIPA as the Best Inkjet Photographic paper In 2017, Canson® Infinity received the prestigious TIPA award for the best inkjet photographic paper for its Baryta Prestige, a 340g/m² inkjet paper, with the look and aesthetic feel of traditional darkroom paper. Made from acid-free cellulose and cotton, the paper has excellent durability with a fine, smooth semi-matt texture that leaves every print with defined detail and vibrant colour. With a 100% layer of Barium Sulphate (Baryta), Canson® Infinity has the characteristics and aesthetics expected from a traditional silver print paper. In addition, the paper has been designed to achieve maximum black density (high D-Max) and wide colour gamut, with excellent tonal range and depth for both colour and black & white prints. This innovative product, designed for the discerning photographer and printmaker looking to produce fine art black and white or colour archival prints, is compatible with all aqueous photo inkjet printers on the market. Canson Infinity Baryta Prestige Canson® Infinity Ambassador Robert Rodriguez Jr Robert Rodriguez Jr, landscape photographer, educator, author and Canson® Infinity Ambassador said: “This beautiful paper is intended for lovers of photography and those for whom the photographic object being printed is important.