Photochemistry and Pinhole Photography: an Interdisciplinary Experiment
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Transient Luminous Events Observed with the Pinhole Camera from Sierra Negra Volcano in Mexico
International Journal of Modern Research in Engineering and Technology (IJMRET) www.ijmret.org Volume 4 Issue 1 ǁ January 2019. Transient Luminous Events observed with the pinhole camera from Sierra Negra Volcano in Mexico E. Ponce1, S. Hernandez1, H. Salazar1, O. Martinez1, R. Conde1. 1(Department of physics and Mathematics, Autonomous University of Puebla, Mexico) ABSTRACT: The next generation of experiments devoted to study extreme energy cosmic rays will be at space platforms. Recent satellite missions have shown that the UV light background is more complex than previous models. Therefore, the observation of transient luminous events TLEs at the upper atmosphere will be important, information about the time and space evolution of this very fast events may need to be recorded, this impose requirements of a wide field of view and the largest focus depth. The simplest optical design, a pinhole camera fulfills these characteristics. This pinhole camera have a multi anode photomultiplier, eight by eight pixels, that allow us to register 2d images of TLEs of about milliseconds. In this work, we present the observations of some events recorded from Sierra Negra Volcano in Mexico and its capabilities in order to use it as a monitoring device. KEYWORDS –UV light, atmosphere, pinhole, images, device. I. INTRODUCTION that may should trigger some TLE’s. This One of the important phenomena in night perturbation was considerate as background noise atmosphere, directly related to UHECR in the tracking of the cosmic ray original particle. measurement One of the important phenomena in night atmosphere, directly related to UHECR The high brightness of TLE may allow us measurement, are TLE (transient luminous events) to use the simplest pinhole optics for measuring the characterized by very bright (energy in UV up to image in pixels of UV detector. -
Making a Pinhole Camera
Homework – Autumn 11 Making a Pinhole Camera Your task this week is to make a pinhole camera. You will need to do the following: Ensure you have the correct materials to make your camera (see below) Follow the step-by-step guide carefully. Take a photo of your finished creation for us to see. You DO NOT need to bring in your camera to school. Write a paragraph about the process of making your camera. You will need to include: o What materials you used. o Were the instructions easy to follow? o Was it a success? Were you able to create an image? o Would you do anything differently? -------------------------------------------------------------------------------------------------- ----------------------------------------------------------- What is a pinhole camera? The word “camera” comes from camera obscura, which simply means “dark chamber”. A pinhole camera is one of the most basic examples of this concept. Pinhole cameras are made from a lightproof box, some photographic paper and a tiny hole (often made with a pin, hence the name). The pinhole is just an aperture, not a true lens, but because it is so small it will still focus on an image on the opposite side of the box, exposing the photo paper placed there. How to make a pinhole camera You will need: A box with a lid – You can make your own or use a shoebox or similar, but then the lid is on it must not let any light inside. You could also use a wide cardboard tube instead. A roll of aluminium foil or sheet of black paper. Sticky tape. Scissors. A needle or drawing pin. -
Is There Child Labour in the Natural Stone Industry in Vietnam?
Is there Child Labour in the Natural Stone Industry in Vietnam? Research Report (Wissenschaftliches Gutachten zu § 4a des Gesetzes über das Friedhofs- und Bestattungswesen des Landes Nordrhein-Westfalen (Bestattungsgesetz – BestG NRW) im Auftrag des Ministeriums für Gesundheit, Emanzipation, Pflege und Alter des Landes Nordrhein-Westfalen MGEPA) Authors: Dr. Jörg Wischermann Dr. Dang Thi Viet Phuong Prof. Dr. Adam Fforde 30 September 2016 1 Contents Contents .................................................................................................................................................. 1 List of acronyms ...................................................................................................................................... 2 Summary ................................................................................................................................................. 4 Context ................................................................................................................................................ 4 Overview ............................................................................................................................................. 4 Core conclusions ................................................................................................................................. 5 Section 1 – Introduction .......................................................................................................................... 6 Section 2 - The current legal position -
Product Portfolio
Product portfolio 2020 1 Printing Turning pixels into prints. Printing is at the heart of everything we do. Using the latest wide format giclée technology, our expert team consistently produce exceptional prints on a range of fine art and photographic substrates. Printing highlights • Outsourced, on demand, white-label printing • 100+ year colour guarantee • Professional colour management • 12 colour giclée printers • Original brand name inks and substrates All backed up by the Prodigi promise. 13 Prints Photographic C-type (silver halide) Fine art 20 A complete range Printing is at the heart of everything we do and every product we create. We support a full range of branded & non-branded photographic, fine art and poster papers covering matte, of specialist papers lustre, gloss and metallic finishes. Each substrate is individually profiled for our printers, ensuring fantastically accurate and consistent reproductions. Colour profiles for each paper type can be downloaded for those wishing to soft-proof images. Colour management is a core principle , guaranteeing you always receive the best- quality prints. Photographic papers Fine art papers Budget • 170gsm, Budget Photo Paper (BPP) • 180gsm, Budget Art Paper (BAP) • 240gsm, Lustre Photo Paper (LPP) • 200gsm, Enhanced Matte Art (EMA) • 240gsm C-type (silver halide) • 240gsm, Smooth Art Paper (SAP) • 280gsm, Metallic Gloss (MG) • 280gsm, Museum Fine Art (MFA) • 285gsm, Smooth Photo Rag (SPR) • 315gsm, Cold Press Watercolour Paper (CPWP) • 300gsm Sticky Poster (STKY) Premium • 260gsm, Hahnemühle Photo Glossy (HPG) • 310gsm, Hahnemühle German Etching (HGE) • 260gsm, Hahnemühle Photo Lustre (HLP) • 308gsm, Hahnemühle Photo Rag (HPR) • 285gsm, Hahnemühle Fine Art Pearl (HFAP) 21 Budget photographic art prints Gloss, lustre & metallic. -
Fresnel Zone Plate Imaging in Nuclear Medicine
FRESNEL ZONE PLATE IMAGING IN NUCLEAR MEDICINE Harrison H. Barrett Raytheon Research Division, Waltham, Massachusetts Considerable progress has been made in recent so that there is essentially no collimation. The zone years in detecting the scintillation pattern produced plate has a series of equi-area annular zones, alter by a gamma-ray image. Systems such as the Anger nately transparent and opaque to the gamma rays, camera (7) and Autoflouroscope (2) give efficient with the edges of the zones located at radii given by counting while an image intensifier camera (3,4) rn = n = 1,2, N. gives better spatial resolution at some sacrifice in (D efficiency. However, the common means of image To understand the operation of this aperture, con formation, the pinhole aperture and parallel-hole sider first a point source of gamma rays. Then collimator, are very inefficient. Only a tiny fraction the scintillation pattern on the crystal is a projected (~0.1-0.01%) of the gamma-ray photons emitted shadow of the zone plate, with the position of the by the source are transmitted to the detector plane shadow depending linearly on the position of the (scintillator crystal), and this fraction can be in source. The shadow thus contains the desired infor creased only by unacceptably degrading the spatial mation about the source location. It may be regarded resolution. It would be desirable, of course, to have as a coded image similar to a hologram. Indeed, a a large-aperture, gamma-ray lens so that good col Fresnel zone plate is simply the hologram of a point lection efficiency and good resolution could be ob source (9). -
VA 428 PINHOLE PHOTOGRAPHY Instructor: Stephanie Paine Email
VA 428 PINHOLE PHOTOGRAPHY Instructor: Stephanie Paine SUMMER 2013 FASS 1015 Email: [email protected] T 13:40-16:30, R 8:40-11:30 Office: FASS 2073 INTRODUCTION : The camera obscura, or literally dark room , was once considered a phenomenal device that was capable of projecting on its inside images of the outside world. Though upside-down and reversed, these projections were immediately recognized by 16th and 17th century draftsmen and artists as useful in creating more accurate representations of the world. The camera obscura also led to the birth of photography as it aided experimenters in their attempts to record an image onto a chemically sensitized surface. Even the mechanical photographic camera owes its basic structural design the camera obscura. Though developments in technology have made its use obsolete in the image-making process, a revival of similar devices has occurred throughout the 20th century. Lens-less, or pinhole, cameras were utilized by Pictorialist photographers who were interested in using its abilities to create soft focused, painterly-like images. And pinhole cameras continue to appeal to amateur, professional and fine art photographers as both an exciting novelty and a serious pursuit in artistic expression. DESCRIPTION : This studio course introduces the student to a variety of lens-less camera building techniques and photographic pinhole aesthetics. The course will discuss the uses of lens-less photography in historical and contemporary contexts. Students will be expected to work diligently during class hours. Each assignment will build upon the previous so it is crucial that the student attend each class session. The course will begin with a simple matchbox camera and advance to telephoto, wide-angle, panoramic and digital pinhole cameras. -
Inkjet Paper Database Version: 1.3 Last Updated: 6/20/2010
Inkjet Paper Database Version: 1.3 Last updated: 6/20/2010 This spreadsheet lists the data for each paper tested by Dane Creek Photography. All tests are printed on a Canon iPF 5100. dMax is measured after 24 hours with a Datacolor Spectrocolorimeter Model 1005. Test prints are done using the Outback Print standard test image which can be obtained from http://www.outbackprint.com/printinginsights/pi048/essay.html There are many other inkjet papers not included in this list, and that's simply because I haven't been able to purchase sample sheets. If you have sample paper you'd like to contribute, send me an e-mail. To view the test results, click on the Tested Paper Details tab below. Papers we samples of but haven't had a chance to test are listed on the Untested Paper Details tab. Updates? Corrections? Questions? Comments? Send them to [email protected]. Copyright © 2009-2010 Dane Creek Photography. Licensed under the Creative Commons Attribution Noncommercial Share Alike 3.0 license. Thanks to Jerry Fiddler for providing the Canson Baryta Photographique paper sample. Manufacturer Paper Weight (gsm) Thickness (µm) Paper Base Price/sq. in. Double-Sided OBAs Tone Finish Texture Media Profile Type Black White dMax Date Printed Rendering Intent Notes Bergger PN33 325 580 100% Cotton $ 0.0180 No No Warm Matte Heavy Premium Matte Paper Generic 16 251 1.65 8/17/2009 Relative Colorimetric Breathing Color Lyve (Uncoated) 450 533 65% Polyester / 35% Cotton $ 0.0113 No No Cool Matte Heavy Canvas Matte 2 Custom (729) 6 250 1.56 11/28/2009 -
Press Release Discover the Canson® Infinity Range of Digital Darkroom
Press release Discover the Canson® Infinity range of digital darkroom papers, setting the benchmark for fine art inkjet papers Baryta Prestige, Baryta Photographique and Platine Fibre Rag are all prestigious references in the Canson® Infinity range of digital darkroom fine art papers Annonay, France xx March 2018 - Drawing on its experience in the world of paper and cutting-edge technologies, Canson® launched the Canson® Infinity range in 2008, encompassing a range of high- quality, age-resistant papers specially designed for fine art printing. Baryta Prestige – recognised by TIPA as the Best Inkjet Photographic paper In 2017, Canson® Infinity received the prestigious TIPA award for the best inkjet photographic paper for its Baryta Prestige, a 340g/m² inkjet paper, with the look and aesthetic feel of traditional darkroom paper. Made from acid-free cellulose and cotton, the paper has excellent durability with a fine, smooth semi-matt texture that leaves every print with defined detail and vibrant colour. With a 100% layer of Barium Sulphate (Baryta), Canson® Infinity has the characteristics and aesthetics expected from a traditional silver print paper. In addition, the paper has been designed to achieve maximum black density (high D-Max) and wide colour gamut, with excellent tonal range and depth for both colour and black & white prints. This innovative product, designed for the discerning photographer and printmaker looking to produce fine art black and white or colour archival prints, is compatible with all aqueous photo inkjet printers on the market. Canson Infinity Baryta Prestige Canson® Infinity Ambassador Robert Rodriguez Jr Robert Rodriguez Jr, landscape photographer, educator, author and Canson® Infinity Ambassador said: “This beautiful paper is intended for lovers of photography and those for whom the photographic object being printed is important. -
GALEX: the Galaxy Evolution Explorer
National Aeronautics and Space Administration GALEX Galaxy Evolution Explorer This image of the Southern Pinwheel Galaxy, or M83, was taken in ultraviolet light by the Galaxy Evolution Explorer. Ultraviolet light traces populations of young stars. The image shows that new stars are forming at up to 140,000 light-years from the center of the galaxy. Taken at scheduled intervals between March 15 and May 20, 2007, this is one of the longest exposure images ever made of a nearby galaxy (at 15 million light-years away). New stars in the far-flung arms of the pinwheel www.nasa.gov National Aeronautics and Space Administration National Aeronautics and Space Administration National Aeronautics and Space Administration GALEX: The Galaxy Evolution Explorer About the Southern Pinwheel Galaxy Image Make a Pinhole Camera Many GALEX images have exposure times of several Therefore, the light we see from the Sun and other hours. GALEX is not only “seeing” a wavelength of light The Southern Pinwheel Galaxy, or M83, is shown stars—the visible light—tells only a small part of the story that is invisible to our eyes, but it is also seeing light that in ultraviolet light on this poster. The Galaxy Evolution of the stars. To get the complete picture, we must extend is much too dim to register on even its sensitive detectors Explorer spacecraft took this picture of M83 at intervals our vision to include other wavelengths or energies of without exposing them for a very long time. So GALEX’s between March 15 and May 20, for a total exposure time light. -
Make Your Own Pinhole Camera 2
KS2/3 ART SCIENCE RESOURCE MAKE YOUR OWN PINHOLE CAMERA 2 INTRODUCTION Photography is everywhere – magazines, Very early photography was discovered by gift cards, mugs, key rings, books, scientists. Joseph Nicéphore Niépce, created school pictures – and we’re very used the first recognised photographic image, which to seeing photographic reproductions took around 8 hours to expose. Louis Daguerre, everywhere we look. We’re used to who created the daguerreotype process of the instant results of digital cameras, photography, was in competition with William whether they are fancy digital SLR’s, Fox Talbot, who was creating the calotype easy to use ‘point-and-clicks’, or even process of photography at the same time. Most those on our mobile phones or tablets. of these early processes needed to use a number This technology means that we can of different chemicals to create the image, instantly see the photos we have taken. with silver iodine being the most common. Before this technology was developed, there Photography as we know it today is a were a number of different ways of making development of these early processes. photographic images. The most widespread It still relies on light and lenses, though technology from the last hundred years is that photographic film is now being used less and of photographic film, basically a sheet of plastic less. Digital photography uses the lens of a covered in a light sensitive emulsion covering camera to focus on light sensitive sensors, that when exposed to light through a lens, from which an image can be formed. can create a negative image on it’s surface. -
Pinhole Camera for Study of Atmospheric UV Flashes As a Source of Background in the TUS Experiment
Proceedings of the 30th International Cosmic Ray Conference ID 148 Rogelio Caballero, Juan Carlos D’Olivo, Gustavo Medina-Tanco, Lukas Nellen, Federico A. Sánchez, José F. Valdés-Galicia (eds.) Universidad Nacional Autónoma de México, Mexico City, Mexico, 2008 Vol. 5 (HE part 2), pages 877–880 30TH INTERNATIONAL COSMIC RAY CONFERENCE Pinhole camera for study of atmospheric UV flashes as a source of background in the TUS experiment E. PONCE 1, G. GARIPOV2, B. KHRENOV2, P. KLIMOV2, H. SALAZAR1 1BUAP, Puebla, Mexico 2Skobeltsyn Institute of Nuclear Physics, Moscow State University, Moscow, Russia [email protected] Abstract: The near UV glow of the night atmosphere and near UV transient events in the atmosphere are sources of the background atmosphere phenomena in search for ultra high energy cosmic ray fluo- rescence signals in the atmosphere. Nature of the UV atmospheric transient events is not known yet and more experimental data on them are needed. Study of space-time development of UV transient events is suggested with the help of a new fast imaging detector: pinhole camera with the multi anode photomultiplier tube. Design and construction of the pinhole camera to be installed at the satellite is presented. The camera mountain testing and calibration are suggested. Introduction Pinhole camera Importance of UV night atmosphere glow for The high brightness of TLE allows us to use the study of Ultra High Energy Cosmic Rays simplest pinhole optics for measuring the image (UHECR) by space-based fluorescence detectors in pixels of UV detector, Fig. 1. The hole window was underlined in many papers devoted to the is covered by the UV filter transparent to radia- instrumentation of UHECR measurements, see, tion with wavelength λ<400 nm. -
What Is a Camera?
A Brief History of the Camera Cameras have proven to be great tools for mass media, visual arts, and for that enjoyable past time of being able to capture moments to remember. Whether you’re a professional or an amateur photographer, knowing a bit more about the history of the camera can help you appreciate photography and the tools that you use a little more. The history of the camera has shown how today’s cameras are much different from what used to be fairly crude looking instruments. It has been dominated by modern inventions like digital single lens reflex cameras which are the improved versions of its more traditional single lens reflex siblings, digital point and shoot cameras which you can carry conveniently in your pocket, and even smartphone cameras which come as almost standard features of today’s many different smartphones. These digital innovations added to photography history and the fast, ever changing world of technology continues to improve the cameras that people use today. Let’s look at a brief history of the camera and see just how much this gadget has evolved. But first things first… What is a Camera? Before moving along to the details of the history of the camera, let’s understand what a camera is first. In the simplest terms, a camera is a device used to take photographs and is the main tool used for the art of photography. Photography comes from the Greek words “photos” which means light, and “graphein” which means “to draw”. This word in photography history was first used by Sir John F.W.