Specific Laws Targeting Sexual and Violent Content: First Proving Ha
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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Brief of Petitioner for FCC V. Fox Television Stations, 07-582
No. 07-582 In the Supreme Court of the United States ________________ FEDERAL COMMUNICATIONS COMMISSION AND UNITED STATES OF AMERICA, Petitioners, v. FOX TELEVISION STATIONS, INC., ET AL., Respondents. _________________ On Writ of Certiorari to the United States Court of Appeals for the Second Circuit _________________ AMICUS CURIAE BRIEF OF NATIONAL RELIGIOUS BROADCASTERS IN SUPPORT OF PETITIONERS ___________________ Craig L. Parshall Joseph C. Chautin III Counsel of Record Elise M. Stubbe General Counsel Mark A. Balkin National Religious Co-Counsel Broadcasters Hardy, Carey, Chautin 9510 Technology Dr. & Balkin, LLP Manassas, VA 20110 1080 West Causeway 703-331-4517 Approach Mandeville, LA 70471 985-629-0777 QUESTION PRESENTED FOR REVIEW Amicus adopts the question presented as presented by Petitioner. The question presented for review is as follows: Whether the court of appeals erred in striking down the Federal Communications Commission’s determination that the broadcast of vulgar expletives may violate federal restrictions on the broadcast of “any obscene, indecent, or profane language,” 18 U.S.C. § 1464, see 47 C.F.R. § 73.3999, when the expletives are not repeated. i TABLE OF CONTENTS QUESTION PRESENTED FOR REVIEW .................i TABLE OF AUTHORITIES .......................................v INTEREST OF AMICUS CURIAE ............................x STATEMENT OF THE CASE .................................xii SUMMARY OF ARGUMENT ..................................xii ARGUMENT ..............................................................1 I. THE FCC’S REASONS FOR ADJUSTING ITS INDECENCY POLICY WERE RATIONAL AND REASONABLE .....................1 A. The Court of Appeals Failed to Give the Required Deference and Latitude to the FCC ..................................................1 B. The FCC Gave Sufficient and Adequate Reasoning Why its Prior Indecency Policy Regarding Fleeting Expletives was Unworkable and Required Adjustment .................................3 1. -
(Anesthesia) Pulling Teeth Metallica
(Anesthesia) Pulling Teeth Metallica (How Sweet It Is) To Be Loved By You Marvin Gaye (Legend of the) Brown Mountain Light Country Gentlemen (Marie's the Name Of) His Latest Flame Elvis Presley (Now and Then There's) A Fool Such As I Elvis Presley (You Drive ME) Crazy Britney Spears (You're My) Sould and Inspiration Righteous Brothers (You've Got) The Magic Touch Platters 1, 2 Step Ciara and Missy Elliott 1, 2, 3 Gloria Estefan 10,000 Angels Mindy McCreedy 100 Years Five for Fighting 100% Pure Love Crystal Waters 100% Pure Love (Club Mix) Crystal Waters 1‐2‐3 Len Barry 1234 Coolio 157 Riverside Avenue REO Speedwagon 16 Candles Crests 18 and Life Skid Row 1812 Overture Tchaikovsky 19 Paul Hardcastle 1979 Smashing Pumpkins 1985 Bowling for Soup 1999 Prince 19th Nervous Breakdown Rolling Stones 1B Yo‐Yo Ma 2 Become 1 Spice Girls 2 Minutes to Midnight Iron Maiden 2001 Melissa Etheridge 2001 Space Odyssey Vangelis 2012 (It Ain't the End) Jay Sean 21 Guns Green Day 2112 Rush 21st Century Breakdown Green Day 21st Century Digital Boy Bad Religion 21st Century Kid Jamie Cullum 21st Century Schizoid Man April Wine 22 Acacia Avenue Iron Maiden 24‐7 Kevon Edmonds 25 or 6 to 4 Chicago 26 Miles (Santa Catalina) Four Preps 29 Palms Robert Plant 30 Days in the Hole Humble Pie 33 Smashing Pumpkins 33 (acoustic) Smashing Pumpkins 3am Matchbox 20 3am Eternal The KLF 3x5 John Mayer 4 in the Morning Gwen Stefani 4 Minutes to Save the World Madonna w/ Justin Timberlake 4 Seasons of Loneliness Boyz II Men 40 Hour Week Alabama 409 Beach Boys 5 Shots of Whiskey -
Audio + Video 6/8/10 Audio & Video Releases *Click on the Artist Names to Be Taken Directly to the Sell Sheet
New Releases WEA.CoM iSSUE 11 JUNE 8 + JUNE 15 , 2010 LABELS / PARTNERS Atlantic Records Asylum Bad Boy Records Bigger Picture Curb Records Elektra Fueled By Ramen Nonesuch Rhino Records Roadrunner Records Time Life Top Sail Warner Bros. Records Warner Music Latina Word audio + video 6/8/10 Audio & Video Releases *Click on the Artist Names to be taken directly to the Sell Sheet. Click on the Artist Name in the Order Due Date Sell Sheet to be taken back to the Recap Page Street Date CD- WB 522739 AGAINST ME! White Crosses $13.99 6/8/10 N/A CD- White Crosses (Limited WB 524438 AGAINST ME! Edition) $13.99 6/8/10 5/19/10 White Crosses (Vinyl WB A-522739 AGAINST ME! w/Download Card) $18.98 6/8/10 5/19/10 CD- CUR 78977 BRICE, LEE Love Like Crazy $18.98 6/8/10 5/19/10 DV- WRN 523924 CUMMINS, DAN Crazy With A Capital F (DVD) $16.95 6/8/10 5/12/10 WB A-46269 FAILURE Fantastic Planet (2LP) $24.98 6/8/10 5/19/10 Selections From The Original Broadway Cast Recording CD- 'American Idiot' Featuring REP 524521 GREEN DAY Green Day $18.98 6/8/10 5/19/10 CD- RRR 177972 HAIL THE VILLAIN Population: Declining $13.99 6/8/10 5/19/10 CD- REP 519905 IYAZ Replay $9.94 6/8/10 5/19/10 CD- FBY 524007 MCCOY, TRAVIE Lazarus $13.99 6/8/10 5/19/10 CD- FBY 524670 MCCOY, TRAVIE Lazarus (Amended) $13.99 6/8/10 5/19/10 CD- ATL 522495 PLIES Goon Affiliated $18.98 6/8/10 5/19/10 CD- ATL 522497 PLIES Goon Affiliated (Amended) $18.98 6/8/10 5/19/10 The Twilight Saga: Eclipse CD- Original Motion Picture ATL 523836 VARIOUS ARTISTS Soundtrack $18.98 6/8/10 5/19/10 The Twilight Saga: -
Song Lists and Suggestions
Song Lists and Suggestions 1. Ceremony 2. Cocktail Hour 3. Grand Entrance 4. Dinner 5. First Dance 6. Father Daughter Dance 7. Mother Son Dance 8. Bouquet Toss 9. Garter Toss 10. Cake Cutting 11. Wedding (Top 200) If you don’t see a song you want, I probably already have it or I will be happy to get it. Page 1 of 1 Ceremony CD 20 songs, 1.2 hours, 133.9 MB Name Time Album Artist 1 All of Me (In the Style of John Lege… 4:38 Modern Acoustic Music for Beautif… Acoustic Guitar Guy 2 At Last (String Quartet Tribute to E… 2:40 The Gay Wedding Collection Vitamin String Quartet 3 Bittersweet Symphony 3:40 Symphonic Rock Royal Philharmonic Orchestra 4 Bridal March 1:48 For a Lifetime Jonathan Cain 5 Can't Help Falling in Love 2:54 Can't Help Falling in Love - Single Haley Reinhart 6 Can't Help Falling In Love 4:32 Vitamin String Quartet Tribute to M… Vitamin String Quartet 7 Canon in D 5:24 Wedding Music: Instrumental Song… Wedding Music Experts: The O'Nei… 8 The Cello Song 3:17 The Piano Guys The Piano Guys 9 From This Moment On 4:34 Wedding Music: Instrumental Song… Wedding Music Experts: The O'Nei… 10 Here Comes the Sun 3:20 Instrumental Songs - Soft Rock Gu… Instrumental Songs Music 11 In My Life 2:27 In My Life - A Piano Tribute to the… TJR 12 Just The Way You Are 4:22 The Piano Guys 2 The Piano Guys 13 Just the Way You Are 3:14 The Modern Wedding Collection, V… Vitamin String Quartet 14 Latch (Acoustic) 3:41 Nirvana Sam Smith 15 Marry Me 3:25 Save Me, San Francisco (Bonus Tr… Train 16 Over The Rainbow, Simple Gifts 3:44 The Piano Guys The -
Supreme Court of the United States ______FEDERAL COMMUNICATIONS COMMISSION, Et Al., Petitioners, V
No. 10-1293 IN THE Supreme Court of the United States _________ FEDERAL COMMUNICATIONS COMMISSION, et al., Petitioners, v. FOX TELEVISION STATIONS, INC., et al., Respondents. _________ On Writ of Certiorari to the United States Court of Appeals for the Second Circuit _________ BRIEF OF RESPONDENTS CENTER FOR CREATIVE VOICES IN MEDIA AND THE FUTURE OF MUSIC COALITION _________ *Andrew Jay Schwartzman Chrystiane B. Pereira Media Access Project 1625 K Street, NW Suite 1000 Washington, DC 20006 (202) 232-4300 [email protected] November 3, 2011 * Counsel of Record i QUESTION PRESENTED Whether the court of appeals properly determined that the Federal Communications Commission‘s (FCC) context-based indecency policy is unconsti- tutionally vague and accordingly unenforceable. ii CORPORATE DISCLOSURE STATEMENT Pursuant to Rule 26.1 of the Federal Rules of Appellate Procedure, Center for Creative Voices in Media and Future of Music Coalition (jointly ―Cen- ter‖) respectfully submit this corporate disclosure statement. The Center of Creative Voices in Media does not have a parent company and no publicly held company owns 10 percent or more of stock therein. The Future of Music Coalition does not have a parent company and no publicly held company owns 10 percent or more of stock therein. iii TABLE OF CONTENTS QUESTION PRESENTED........................................... i CORPORATE DISCLOSURE STATEMENT ............ ii TABLE OF AUTHORITIES ....................................... iv STATEMENT .............................................................. 1 SUMMARY OF ARGUMENT ..................................... 6 ARGUMENT ............................................................... 8 I. Nothing in Pacifica Authorizes the FCC‘s New Indecency Policy ...................... 9 A. Pacifica Was A Narrow Ruling Proceeding From the Expecta- tion That The Commission Would Tread Cautiously ..................... 10 B. The FCC‘s Impermissibly Va- gue New Policy Has Had A Chilling Effect .................................... -
Songs by Title
Karaoke Song Book Songs by Title Title Artist Title Artist #1 Nelly 18 And Life Skid Row #1 Crush Garbage 18 'til I Die Adams, Bryan #Dream Lennon, John 18 Yellow Roses Darin, Bobby (doo Wop) That Thing Parody 19 2000 Gorillaz (I Hate) Everything About You Three Days Grace 19 2000 Gorrilaz (I Would Do) Anything For Love Meatloaf 19 Somethin' Mark Wills (If You're Not In It For Love) I'm Outta Here Twain, Shania 19 Somethin' Wills, Mark (I'm Not Your) Steppin' Stone Monkees, The 19 SOMETHING WILLS,MARK (Now & Then) There's A Fool Such As I Presley, Elvis 192000 Gorillaz (Our Love) Don't Throw It All Away Andy Gibb 1969 Stegall, Keith (Sitting On The) Dock Of The Bay Redding, Otis 1979 Smashing Pumpkins (Theme From) The Monkees Monkees, The 1982 Randy Travis (you Drive Me) Crazy Britney Spears 1982 Travis, Randy (Your Love Has Lifted Me) Higher And Higher Coolidge, Rita 1985 BOWLING FOR SOUP 03 Bonnie & Clyde Jay Z & Beyonce 1985 Bowling For Soup 03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 BOWLING FOR SOUP '03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 Bowling For Soup 03 Bonnie And Clyde Jay Z & Beyonce 1999 Prince 1 2 3 Estefan, Gloria 1999 Prince & Revolution 1 Thing Amerie 1999 Wilkinsons, The 1, 2, 3, 4, Sumpin' New Coolio 19Th Nervous Breakdown Rolling Stones, The 1,2 STEP CIARA & M. ELLIOTT 2 Become 1 Jewel 10 Days Late Third Eye Blind 2 Become 1 Spice Girls 10 Min Sorry We've Stopped Taking Requests 2 Become 1 Spice Girls, The 10 Min The Karaoke Show Is Over 2 Become One SPICE GIRLS 10 Min Welcome To Karaoke Show 2 Faced Louise 10 Out Of 10 Louchie Lou 2 Find U Jewel 10 Rounds With Jose Cuervo Byrd, Tracy 2 For The Show Trooper 10 Seconds Down Sugar Ray 2 Legit 2 Quit Hammer, M.C. -
Head Shoulders Knees & Toes 2 12
Index Good Short Total Song 1 130 0 130 OFENBACH & QUARTERHEAD FT. NORMA JEAN MARTINE - HEAD SHOULDERS KNEES & TOES 2 129 0 129 PURPLE DISCO MACHINE & SOPHIE AND THE GIANTS - HYPNOTIZED 3 128 0 128 JC STEWART - I NEED YOU TO HATE ME 4 128 0 128 KYGO, DONNA SUMMER - HOT STUFF 5 128 0 128 CLEAN BANDIT & MABEL FT. 24KGOLDN - TICK TOCK 6 127 0 127 JOEL CORRY FEAT. MNEK - HEAD & HEART 7 126 0 126 JAWSH 685 X JASON DERULO - SAVAGE LOVE (LAXED - SIREN BEAT) 8 125 0 125 TWOCOLORS - LOVEFOOL 9 110 1 111 ZOE WEES - CONTROL 10 100 0 100 TOPIC FT. A7S - BREAKING ME 11 97 0 97 JASON DERULO - TAKE YOU DANCING 12 96 0 96 MASTER KG FT. NOMCEBO ZIKODE - JERUSALEMA 13 95 0 95 MICHAEL PATRICK KELLY - BEAUTIFUL MADNESS 14 89 0 89 ED SHEERAN - AFTERGLOW 15 89 0 89 ROBIN SCHULZ FT. KIDDO - ALL WE GOT 16 89 0 89 AVA MAX - WHO'S LAUGHING NOW 17 88 0 88 LOST FREQUENCIES, ZONDERLING & KELVIN JONES - LOVE TO GO 18 87 1 88 SAM SMITH - DIAMONDS 19 86 0 86 AVA MAX - KINGS & QUEENS 20 85 0 85 JUBEL FT. NEIMY - DANCING IN THE MOONLIGHT 21 84 0 84 MILEY CYRUS FEAT. DUA LIPA - PRISONER 22 82 2 84 KLARA JAZBEC - NAJVEC 23 37 0 37 TONES AND I - DANCE MONKEY 24 33 0 33 JONAS BROTHERS - ONLY HUMAN 25 31 0 31 THE WEEKND - BLINDING LIGHTS 26 30 0 30 LEWIS CAPALDI - BEFORE YOU GO 27 30 0 30 PEDRO CAPO & FARRUKO - CALMA [REMIX] 28 30 0 30 DADDY YANKEE FT. -
Building a Better Mousetrap: Patenting
631 RICHARD & WEINERT 2/28/2013 3:57 PM PUNTING IN THE FIRST AMENDMENT‘S RED ZONE: THE SUPREME COURT‘S ―INDECISION‖ ON THE FCC‘S INDECENCY REGULATIONS LEAVES BROADCASTERS STILL SEARCHING FOR ANSWERS Robert D. Richards* & David J. Weinert** I. INTRODUCTION Just one week before rendering its controversial landmark decision on the Patient Protection and Affordable Care Act1— arguably the most anticipated ruling of the October 2011 Term—the U.S. Supreme Court sidestepped the longstanding question of whether the First Amendment, given today‘s multifaceted media landscape, no longer permits the Federal Communications Commission to regulate broadcast indecency on the nation‘s airwaves. The Court‘s narrow ruling in FCC v. Fox Television Stations, Inc.2 (―Fox II‖) let broadcasters off the hook for the specific on-air transgressions that brought the case to the Court‘s docket— twice3—but did little to resolve the larger looming issue of whether such content regulations have become obsolete. Justice Anthony Kennedy, writing for a unanimous Court, instead concluded that ―[t]he Commission failed to give Fox or ABC fair notice prior to the broadcasts in question that fleeting expletives and momentary nudity could be found actionably indecent.‖4 As a result of this lack of notice, ―the Commission‘s standards as applied * John & Ann Curley Professor of First Amendment Studies and Founding Director of the Pennsylvania Center for the First Amendment at The Pennsylvania State University. Member of the Pennsylvania Bar. ** Lecturer, Communication Arts & Sciences and Ph.D. candidate, Mass Communications, The Pennsylvania State University. 1 See Nat‘l Fed‘n of Indep. -
The Pennsylvania State University the Graduate School Donald P
The Pennsylvania State University The Graduate School Donald P. Bellisario College of Communications BROADCASTING, THE FCC, AND PROGRAMMING REGULATION: A NEW DIRECTION IN INDECENCY ENFORCEMENT A Dissertation in Mass Communications by David J. Weinert Ó 2018 David J. Weinert Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy May 2018 The dissertation of David J. Weinert was reviewed and approved* by the following: Robert D. Richards John and Ann Curley Distinguished Professor of First Amendment Studies Dissertation Advisor and Chair of Committee Robert M. Frieden Pioneer Chair and Professor of Telecommunications and Law Matthew S. Jackson Head, Department of Telecommunications and Associate Professor Thomas M. Place Professor of Law, The Dickinson School of Law at Penn State Matthew P. McAllister Chair of Graduate Programs and Professor *Signatures are on file in the Graduate School ABSTRACT The U.S. Supreme Court, in June 2012, left broadcasters in a “holding pattern” by dodging the longstanding question of whether the Federal Communications Commission’s broadcast indecency policy can survive constitutional scrutiny today given the vastly changed media landscape. The high court’s narrow ruling in FCC v. Fox Television Stations, Inc. exonerated broadcasters for the specific on-air improprieties that brought the case to its attention, but did little to resolve the larger and more salient issue of whether such content regulations have become archaic. As a result, the Commission continues to police the broadcast airwaves, recently sanctioning a Roanoke, Virginia television station $325,000 for alleged broadcast indecency. This dissertation yields an in-depth analysis and synthesis of the legal obstacles the FCC will encounter in attempting to establish any revamped policy governing broadcast indecency. -
The FCC, Indecency, and Regulatory Transformations in the Shadows, 65 Admin
University of Miami Law School University of Miami School of Law Institutional Repository Articles Faculty and Deans 2013 "Smut and Nothing But": The CF C, Indecency, and Regulatory Transformations in the Shadows Lili Levi University of Miami School of Law, [email protected] Follow this and additional works at: https://repository.law.miami.edu/fac_articles Part of the Entertainment, Arts, and Sports Law Commons, and the First Amendment Commons Recommended Citation Lili Levi, "Smut and Nothing But": The FCC, Indecency, and Regulatory Transformations in the Shadows, 65 Admin. L. Rev. 509 (2013). This Article is brought to you for free and open access by the Faculty and Deans at University of Miami School of Law Institutional Repository. It has been accepted for inclusion in Articles by an authorized administrator of University of Miami School of Law Institutional Repository. For more information, please contact [email protected]. ARTICLES "SMUT AND NOTHING BUT"*: THE FCC, INDECENCY, AND REGULATORY TRANSFORMATIONS IN THE SHADOWS LILI LEVI" TABLE OF CONTENTS Introduction .......................................... 511 I. The FCC's Indecency Regime ................................519 A. History of Indecency Regulation .............. ...... 520 B. The Indecency Policy in the Courts ................... 530 II. Beyond Fleeting Expletives-The Full Range of Changes to the FCC's Indecency Policy ................ ................... 536 A. Changes Regarding Remedies............. ................. 537 1. Fines..................... ............... -
Artist of the Year
THE 4 Trading Post Way Medford Lakes, New Jersey 08055 HARD REPORT' December 18, 1987 Issue #59 609-654-7272 ARTIST OF THE YEAR ZGI A a 112 MALE VOCAL ISLAND RADIO RATES THE BEST OF '87 COMEBACK BREAKTHROUGH GRATEFUL REM DEAD "DOCUMENT" "TOUCH OF GREY" IRS ARISTA FEMALE 6.vryttri,Vizer NEW FEMALE VOCAL SUZANNE VEGA ANN WILSON "SOLITUDE STANDING" "BAD ANIMALS" A&M CAPITOL IMAGE NEW MALE TURNAROUND RICHARD AEROSMITH MARX "PERMANENT EMI VACATION" GEFFEN WORLD PARTY NEW AMERICAN Private Revolution NEW IMPORT BAND ACT THE BRANDOS WORLD PARTY "HONOR AMONG "PRIVATE THIEVES" REVOLUTION" RELATIVITY CHRYSALIS AND NOW A WORD FROM OUR SPONSOR ... It's four in the morning and frcm where we sit, this Final Issue looks like a keeper. We've put a ton of time and energyinto this particular edition, and we think you'll have lots of fun with the overview. After all, with some 90 + stations responding to our sur- vey, it's basically your window on RockWorld as it went down this past year. The first year of any new business is hell on wheels, (Groanong, creaking, barking dog sound efx, please) and we've seen quite a parade in '87. When I look back over my final comments last year (after nine issues), it sounded as if we had moved mountains. And in a way we had, starting from scratch to a full service publication some 140 stations deep. But in the 12 months since, it has become readily apparent that we were barely walking then. We've extended our reporter roster well past the 200 mark; Our New Alternative and Hard Rock sections have inspired numerous imitators, and our combi- nation of high technology and people power has effectively re -defined what a tip sheet can and will be in the years to come.