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She Has Good Jeans: a History of Denim As Womenswear
Bard College Bard Digital Commons Senior Projects Spring 2018 Bard Undergraduate Senior Projects Spring 2018 She Has Good Jeans: A History of Denim as Womenswear Marisa S. Bach Bard College, [email protected] Follow this and additional works at: https://digitalcommons.bard.edu/senproj_s2018 Part of the Fashion Design Commons, and the Fiber, Textile, and Weaving Arts Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Bach, Marisa S., "She Has Good Jeans: A History of Denim as Womenswear" (2018). Senior Projects Spring 2018. 317. https://digitalcommons.bard.edu/senproj_s2018/317 This Open Access work is protected by copyright and/or related rights. It has been provided to you by Bard College's Stevenson Library with permission from the rights-holder(s). You are free to use this work in any way that is permitted by the copyright and related rights. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. She Has Good Jeans: A History of Denim as Womenswear Senior Project Submitted to The Division of Arts of Bard College by Marisa Bach Annandale-on-Hudson, New York May 2018 Acknowledgements To my parents, for always encouraging my curiosity. To my advisor Julia Rosenbaum, for guiding me through this process. You have helped me to become a better reader and writer. Finally, I would like to thank Leandra Medine for being a constant source of inspiration in both writing and personal style. -
Feature Films
NOMINATIONS AND AWARDS IN OTHER CATEGORIES FOR FOREIGN LANGUAGE (NON-ENGLISH) FEATURE FILMS [Updated thru 88th Awards (2/16)] [* indicates win] [FLF = Foreign Language Film category] NOTE: This document compiles statistics for foreign language (non-English) feature films (including documentaries) with nominations and awards in categories other than Foreign Language Film. A film's eligibility for and/or nomination in the Foreign Language Film category is not required for inclusion here. Award Category Noms Awards Actor – Leading Role ......................... 9 ........................... 1 Actress – Leading Role .................... 17 ........................... 2 Actress – Supporting Role .................. 1 ........................... 0 Animated Feature Film ....................... 8 ........................... 0 Art Direction .................................... 19 ........................... 3 Cinematography ............................... 19 ........................... 4 Costume Design ............................... 28 ........................... 6 Directing ........................................... 28 ........................... 0 Documentary (Feature) ..................... 30 ........................... 2 Film Editing ........................................ 7 ........................... 1 Makeup ............................................... 9 ........................... 3 Music – Scoring ............................... 16 ........................... 4 Music – Song ...................................... 6 .......................... -
PEN (Organization)
PEN (Organization): An Inventory of Its Records at the Harry Ransom Center Descriptive Summary Creator: PEN (Organization) Title: PEN (Organization) Records Dates: 1912-2008 (bulk 1926-1997) Extent: 352 document boxes, 5 card boxes (cb), 5 oversize boxes (osb) (153.29 linear feet), 4 oversize folders (osf) Abstract: The records of the London-based writers' organizations English PEN and PEN International, founded by Catharine Amy Dawson Scott in 1921, contain extensive correspondence with writer-members and other PEN centres around the world. Their records document campaigns, international congresses and other meetings, committees, finances, lectures and other programs, literary prizes awarded, membership, publications, and social events over several decades. Call Number: Manuscript Collection MS-03133 Language: The records are primarily written in English with sizeable amounts in French, German, and Spanish, and lesser amounts in numerous other languages. Non-English items are sometimes accompanied by translations. Note: The Ransom Center gratefully acknowledges the assistance of the National Endowment for the Humanities, which provided funds for the preservation, cataloging, and selective digitization of this collection. The PEN Digital Collection contains 3,500 images of newsletters, minutes, reports, scrapbooks, and ephemera selected from the PEN Records. An additional 900 images selected from the PEN Records and related Ransom Center collections now form five PEN Teaching Guides that highlight PEN's interactions with major political and historical trends across the twentieth century, exploring the organization's negotiation with questions surrounding free speech, political displacement, and human rights, and with global conflicts like World War II and the Cold War. Access: Open for research. Researchers must create an online Research Account and agree to the Materials Use Policy before using archival materials. -
Downloads of Technical Information
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2018 Nuclear Spaces: Simulations of Nuclear Warfare in Film, by the Numbers, and on the Atomic Battlefield Donald J. Kinney Follow this and additional works at the DigiNole: FSU's Digital Repository. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES NUCLEAR SPACES: SIMULATIONS OF NUCLEAR WARFARE IN FILM, BY THE NUMBERS, AND ON THE ATOMIC BATTLEFIELD By DONALD J KINNEY A Dissertation submitted to the Department of History in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2018 Donald J. Kinney defended this dissertation on October 15, 2018. The members of the supervisory committee were: Ronald E. Doel Professor Directing Dissertation Joseph R. Hellweg University Representative Jonathan A. Grant Committee Member Kristine C. Harper Committee Member Guenter Kurt Piehler Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the dissertation has been approved in accordance with university requirements. ii For Morgan, Nala, Sebastian, Eliza, John, James, and Annette, who all took their turns on watch as I worked. iii ACKNOWLEDGMENTS I would like to thank the members of my committee, Kris Harper, Jonathan Grant, Kurt Piehler, and Joseph Hellweg. I would especially like to thank Ron Doel, without whom none of this would have been possible. It has been a very long road since that afternoon in Powell's City of Books, but Ron made certain that I did not despair. Thank you. iv TABLE OF CONTENTS Abstract..............................................................................................................................................................vii 1. -
Oral History Center, the Bancroft Library, University of California Berkeley
Oral History Center, The Bancroft Library, University of California Berkeley Oral History Center University of California The Bancroft Library Berkeley, California Jeanne Rose Jeanne Rose: Rock and Roll Couturière, Herbalist, Aromatherapist, Author, and Ecologist Interviews conducted by Amanda Tewes in 2018 Interviews sponsored by Ann Ash and Christine Suppes Copyright © 2018 by The Regents of the University of California Oral History Center, The Bancroft Library, University of California Berkeley ii Since 1954 the Oral History Center of the Bancroft Library, formerly the Regional Oral History Office, has been interviewing leading participants in or well-placed witnesses to major events in the development of Northern California, the West, and the nation. Oral History is a method of collecting historical information through tape-recorded interviews between a narrator with firsthand knowledge of historically significant events and a well-informed interviewer, with the goal of preserving substantive additions to the historical record. The tape recording is transcribed, lightly edited for continuity and clarity, and reviewed by the interviewee. The corrected manuscript is bound with photographs and illustrative materials and placed in The Bancroft Library at the University of California, Berkeley, and in other research collections for scholarly use. Because it is primary material, oral history is not intended to present the final, verified, or complete narrative of events. It is a spoken account, offered by the interviewee in response to questioning, and as such it is reflective, partisan, deeply involved, and irreplaceable. ********************************* All uses of this manuscript are covered by a legal agreement between The Regents of the University of California and Jeanne Rose dated May 14, 2018. -
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S. -
2007 Lnstim D'hi,Stoire Du Temp
WORLD "TAR 1~WO STlIDIES ASSOCIATION (formerly American Committee on the History ofthe Second World War) Mark P. l'arilIo. Chai""an Jona:han Berhow Dl:pat1menlofHi«ory E1izavcla Zbeganioa 208 Eisenhower Hall Associare Editors KaDsas State University Dct>artment ofHistory Manhattan, Knnsas 66506-1002 208' Eisenhower HnJl 785-532-0374 Kansas Stale Univemty rax 785-532-7004 Manhattan, Kansas 66506-1002 parlllo@,'<su.edu Archives: Permanent Directors InstitlJle for Military History and 20" Cent'lly Studies a,arie, F. Delzell 22 J Eisenhower F.all Vandcrbijt Fai"ersity NEWSLETTER Kansas State Uoiversit'j Manhattan, Kansas 66506-1002 Donald S. Detwiler ISSN 0885·-5668 Southern Ulinoi' Va,,,,,,,sity The WWT&« is a.fIi!iilI.etf witJr: at Ccrbomlale American Riston:a1 A."-'iociatioG 400 I" Street, SE. T.!rms expiring 100(, Washingtoo, D.C. 20003 http://www.theah2.or9 Call Boyd Old Dominio" Uaiversity Comite internationa: dlli.loire de la Deuxii:me G""",, Mondiale AI"".nde< CochrnIl Nos. 77 & 78 Spring & Fall 2007 lnstiM d'Hi,stoire du Temp. PreSeDt. Carli5te D2I"n!-:'ks, Pa (Centre nat.onal de I. recberche ,sci,,,,tifiqu', [CNRSJ) Roj' K. I'M' Ecole Normale S<rpeneure de Cach411 v"U. Crucis, N.C. 61, avenue du Pr.~j~'>Ut WiJso~ 94235 Cacllan Cedex, ::'C3nce Jolm Lewis Gaddis Yale Universit}' h<mtlJletor MUitary HL'mry and 10'" CenJury Sllldie" lIt Robin HiRbam Contents KaIUa.r Stare Universjly which su!'prt. Kansas Sl.ll1e Uni ....ersity the WWTSA's w-'bs;te ":1 the !nero.. at the following ~ljjrlrcs:;: (URL;: Richa.il E. Kaun www.k··stare.eDu/his.tD.-y/instltu..:..; (luive,.,,)' of North Carolw. -
MUSIC 351: Psychedelic Rock of the 1960S Spring 2015, T 7:00–9:40 P.M., ENS-280
MUSIC 351: Psychedelic Rock of the 1960s Spring 2015, T 7:00–9:40 p.m., ENS-280 Instructor: Eric Smigel ([email protected]) M-235, office hours: Mondays & Tuesdays, 3:00–4:00 p.m. This is a lecture class that surveys psychedelic rock music and culture of the 1960s. Psychedelic music played an important role in the development of rock music as a predominant art form during one of the most formative decades in American history. Emerging along with the powerful counterculture of hippies in the mid-1960s, psychedelic rock reflects key elements of the “Love Generation,” including the peace movement, the sexual revolution, the pervasive use of recreational drugs (especially marijuana and LSD), and the growing awareness of Eastern philosophy. The main centers of countercultural activity—the Haight-Ashbury district of San Francisco and the London Underground—drew a high volume of media exposure, resulting in the famous “Summer of Love” and culminating in popular music festivals in Monterey, Woodstock, and Altamont. Students in this course will examine the music and lyrics of a selection of representative songs by The Grateful Dead, The Jefferson Airplane, Big Brother and the Holding Company, The Beatles, Pink Floyd, The Jimi Hendrix Experience, and other bands closely associated with the burgeoning psychedelic scene. Students will also consult primary source material—including interviews with several of the musicians, influential literature of the period, and essays by key figures of the movement—in order to gain insight into the social, political, -
2 Fotografen Bands Und Musiker in Der Ausstellung
Museum Folkwang Fotografen, Bands und Musiker in der Ausstellung Fotografen (A–Z) Fiona Adams; Richard Avedon; David Belisle; Wolfgang Burat; Ed Caraeff; Dean Chalkley; Edward Colver; Anton Corbijn; Joseph Cultice; Sante D’Orazio; Anno Dittmer; Bill Eppridge; Bruce Fleming; Lionel Flusin; Elfi Fröhlich; Jill Furmanovsky; Ron Galella + Betty Burke-Galella; Lynn Goldsmith; Bob Gruen; Steve Gullick; Hans Hansen; Ross Halfin; Harry Hammond; Olaf Heine; Dezo Hoffmann; Marvin Israel; Michael Joseph; George Kalinsky; Art Kane; Astrid Kirchherr; Daniel Kramer; David LaChapelle; John Launois; Annie Leibovitz; Laurie Lewis; David Magnus; Gered Mankowitz; Toby Melville; David Montgomery; Denis O’Regan; Patrick Pantano; Helga Paris; Norman Parkinson; Charles Peterson; Pierre & Gilles; Neal Preston; Jim Rakete; Rankin; Timm Rautert; David Redferns; Bent Rej; Ebet Roberts; Mick Rock; Sten M. Rosenlund; Sarahphotogirl; Roger Sargent; Francesco Scavullo; Steve Schapiro; Jerry Schatzberg; Max Scheler; Hannes Schmid; Ferdinando Scianna; Mark Seliger; Stephen Shore; Pennie Smith; Terence Spencer; Frank Stefanko; Emma Svensson; Christopher Simon Sykes; Juergen Teller; Ian Tilton; Philip Townsend; Burk Uzzle; Jürgen Vollmer; Albert Watson; Alfred Wertheimer; Kevin Westenberg; Jimmy Willis; Andrew Willisher; Baron Wolman; Richard Young; Didi Zill; Günther Zint Bands und Musiker (A–Z) AD/DC; Arctic Monkeys; Bob Dylan; Chuck Berry; Coldplay; David Bowie; Einstürzende Neubauten; Elvis Presley; Frank Zappa and Mothers of Invention; Franz Ferdinand; Iggy Pop; Janis Joplin; Jerry Lee Lewis; Jimi Hendrix; Kiss; Kreator; Marilyn Manson; Metallica; Nina Hagen; Nirvana; Prince; Queen; R.E.M.; Radiohead; Red Hot Chilli Peppers; Talking Heads; The Beatles; The Libertines; The Residents; The Rolling Stones; The Who; U2; Velvet Underground; White Stripes . -
13099 Stats Year Book 09 Re
The UK Film Council is the Government-backed lead agency for film in the UK ensuring that the economic, cultural and educational aspects of film are effectively represented at home and abroad. Our goal is to help make the UK a global hub for film in the digital age, with the world’s most imaginative, diverse and vibrant film culture, underpinned by a flourishing, competitive film industry. We want to ensure there are no barriers to accessing our printed materials. If you, or someone you know, would like a large print, Braille, disc or audiotape version of this report, please contact our Communications Department at the following address: UK Film Council 10 Little Portland Street London W1W 7JG T +44 (0)20 7861 7861 F +44 (0)20 7861 7863 [email protected] www.ukfilmcouncil.org.uk Welcome to the 2009 UK Film Council Statistical Yearbook. This yearbook, the seventh we have published, is a rich source of industry data and analysis on film in the UK. This publication is one of the ways we deliver on our commitment to evidence- based film policy. We hope you enjoy this yearbook and find it useful. Contents 2008 – the year in review ..................................................4 8.5 Box office performance of four types of UK production in the UK and Ireland...............58 Chapter 1: The box office ..................................................6 8.6 International release rate of UK films ...................59 1.1 Admissions...............................................................7 8.7 International release rate of four -
Prof Michael Turner 18.10.17
Wednesday 18 October 2017 Michael Turner UNESCO Chair in Urban Design and Conservation Studies Bezalel Academy of Arts and Design, Jerusalem 1945 - Why the conflict? • Utopias/visions • Values and interpretations • Generation gaps and changes • Competing interests • Process and project • Short-term / long-term • Lack of tools 1972 - Resolving/containing the conflict • Managing change • Accepting diversity • Sharing benefits • Participatory processes • Sustainable development • Inclusive, safe, resilient and sustainable Utopia Wikipedia Thomas More William Morris Ebenezer Howard Utopia News from Nowhere To-morrow: 1516 1890 A Peaceful Path to Real Reform 1898 Liverpool – 19th century Industrial visions Port Sunlight Village 1888 wikipedia wikipedia Pinterest Liverpool Museum Liverpool Liverpool utopias – 20th century Wavertree Garden Suburb Speke Estate Runcorn New Town 1910 1930 1964 Wikipedia http://www.liverpool-city-group.com/ Rebuilding post WWII - utopias Wars Socio-economic changes The devastation in Liverpool docks after the ammunition ship The Albert Dock fell into disuse in the 1970s, as shown in the 1975 'Malakand' blew up after catching fire on the night of 3rd May 1941. snap above. Part of the Albert Dock failed to be restored from the damage of the Liverpool Blitz 1941. Once welcoming ships into the port every day, the docks are derelict, with not a sign of life to be seen. A year later, the Albert Dock was a conservation area. Signature’s Liverpool - source: www.porterfolio.com World War II reconstruction East Europe - Warsaw -
EYLHS Newsletter 27 Summer / Autumn 2012
EYLHS Newsletter 27 Summer / autumn 2012 Newsletter of the East Yorkshire Local History Society Front cover: All Saints, Driffield, the VCH launch venue Contributions Based in Hull it is not always easy to keep track of events in other parts of the Riding; news that members could contribute on their town or village should be sent to the editor. Short articles, illustrated or unillustrated, news on libraries, archives, museums, societies or education, queries other people may be able to answer, etc. for inclusion in future newsletters should also be sent to the editor. Newsletter Edited by Robert Barnard 825 Anlaby Rd, Hull, HU4 6DJ Telephone 01482 506001 e-mail [email protected] Published by the East Yorkshire Local History Society Secretary Jenny Stanley 15 Southcote Close, South Cave, HU15 2BQ Telephone 01430 422833 e-mail [email protected] Printed by Kall Kwik, Hull News from the Society Programme A neat wall inset with blocks of Spanish This year we have arranged an extra tiles is the first clue to what the visitor visit in September. is about to see. The second is the name ‘Farrago’ on the gate, meaning PLEASE NOTE: Please make all cheques ‘hotchpotch’ or ‘eclectic mix’. Neither payable to the East Yorkshire Local prepares the visitor for the first sight of History Society. To book please contact the building itself. A meandering path Pam Martin using the details below. through an attractive garden leads to a narrow, three-storeyed villa, set in the Saturday, 22 September 2012 extreme left-hand corner of the site. Guided Tour of Barton Multi-coloured tiles cover the façade Guide: Richard Clarke in zig-zag or geometric patterns; to Meet at the Railway Station Car Park at one side, where one might expect a front door, a tiled gazebo juts out with 10am.