2 Fotografen Bands Und Musiker in Der Ausstellung

Total Page：16

File Type：pdf, Size：1020Kb

2 Fotografen Bands Und Musiker in Der Ausstellung

Museum Folkwang Fotografen, Bands und Musiker in der Ausstellung Fotografen (A–Z) Fiona Adams; Richard Avedon; David Belisle; Wolfgang Burat; Ed Caraeff; Dean Chalkley; Edward Colver; Anton Corbijn; Joseph Cultice; Sante D’Orazio; Anno Dittmer; Bill Eppridge; Bruce Fleming; Lionel Flusin; Elfi Fröhlich; Jill Furmanovsky; Ron Galella + Betty Burke-Galella; Lynn Goldsmith; Bob Gruen; Steve Gullick; Hans Hansen; Ross Halfin; Harry Hammond; Olaf Heine; Dezo Hoffmann; Marvin Israel; Michael Joseph; George Kalinsky; Art Kane; Astrid Kirchherr; Daniel Kramer; David LaChapelle; John Launois; Annie Leibovitz; Laurie Lewis; David Magnus; Gered Mankowitz; Toby Melville; David Montgomery; Denis O’Regan; Patrick Pantano; Helga Paris; Norman Parkinson; Charles Peterson; Pierre & Gilles; Neal Preston; Jim Rakete; Rankin; Timm Rautert; David Redferns; Bent Rej; Ebet Roberts; Mick Rock; Sten M. Rosenlund; Sarahphotogirl; Roger Sargent; Francesco Scavullo; Steve Schapiro; Jerry Schatzberg; Max Scheler; Hannes Schmid; Ferdinando Scianna; Mark Seliger; Stephen Shore; Pennie Smith; Terence Spencer; Frank Stefanko; Emma Svensson; Christopher Simon Sykes; Juergen Teller; Ian Tilton; Philip Townsend; Burk Uzzle; Jürgen Vollmer; Albert Watson; Alfred Wertheimer; Kevin Westenberg; Jimmy Willis; Andrew Willisher; Baron Wolman; Richard Young; Didi Zill; Günther Zint Bands und Musiker (A–Z) AD/DC; Arctic Monkeys; Bob Dylan; Chuck Berry; Coldplay; David Bowie; Einstürzende Neubauten; Elvis Presley; Frank Zappa and Mothers of Invention; Franz Ferdinand; Iggy Pop; Janis Joplin; Jerry Lee Lewis; Jimi Hendrix; Kiss; Kreator; Marilyn Manson; Metallica; Nina Hagen; Nirvana; Prince; Queen; R.E.M.; Radiohead; Red Hot Chilli Peppers; Talking Heads; The Beatles; The Libertines; The Residents; The Rolling Stones; The Who; U2; Velvet Underground; White Stripes .

Copy Link

Recommended publications

She Has Good Jeans: a History of Denim As Womenswear
Bard College Bard Digital Commons Senior Projects Spring 2018 Bard Undergraduate Senior Projects Spring 2018 She Has Good Jeans: A History of Denim as Womenswear Marisa S. Bach Bard College, [email protected] Follow this and additional works at: https://digitalcommons.bard.edu/senproj_s2018 Part of the Fashion Design Commons, and the Fiber, Textile, and Weaving Arts Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Bach, Marisa S., "She Has Good Jeans: A History of Denim as Womenswear" (2018). Senior Projects Spring 2018. 317. https://digitalcommons.bard.edu/senproj_s2018/317 This Open Access work is protected by copyright and/or related rights. It has been provided to you by Bard College's Stevenson Library with permission from the rights-holder(s). You are free to use this work in any way that is permitted by the copyright and related rights. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. She Has Good Jeans: A History of Denim as Womenswear Senior Project Submitted to The Division of Arts of Bard College by Marisa Bach Annandale-on-Hudson, New York May 2018 Acknowledgements To my parents, for always encouraging my curiosity. To my advisor Julia Rosenbaum, for guiding me through this process. You have helped me to become a better reader and writer. Finally, I would like to thank Leandra Medine for being a constant source of inspiration in both writing and personal style.
[Show full text]
BBC Music Booklet Celebrating 80 Years of Music.Pdf
Celebrating Years of Music A Serenade to Music “We are the music-makers And we are the dreamers of dreams…” (Arthur William Edgar O’Shaughnessy, Ode) The story of BBC Northern Ireland’s involvement in nurturing and broadcasting local musical talent is still in the making. This exhibition provides a revealing glimpse of work in progress at the BBC’s Community Archive in documenting the programmes and personalities who have brought music in all its different forms to life, and looks at how today’s broadcasters are responding to the musical styles and opportunities of a new century. It celebrates BBC NI’s role in supporting musical diversity and creative excellence and reflects changes in fashion, technology and society across 80 years of local broadcasting. “ Let us celebrate the way we were and the way we live now. Much has been achieved since 2BE’s first faltering (and scarcely heard) musical broadcast in 1924. Innovation has Let us celebrate the ways we will be... been a defining feature of every decade from early radio concerts in regional towns and country halls to the pioneering work of Sean O’Boyle in recording traditional music and Sam Hanna Bell’s 1950s programmes of Belfast’s Let us count the ways to celebrate. street songs.The broadcasts of the BBC Wireless Orchestra and its successors find their contemporary echo in the world-class performances of the Ulster Orchestra and BBC NI’s radio and television schedules continue to Let us celebrate.” reverberate to the diverse sounds of local jazz, traditional and country music, religious services, brass bands, choirs, (Roger McGough - Poems of Celebration) contemporary rock, pop and dance music.
[Show full text]
Oral History Center, the Bancroft Library, University of California Berkeley
Oral History Center, The Bancroft Library, University of California Berkeley Oral History Center University of California The Bancroft Library Berkeley, California Jeanne Rose Jeanne Rose: Rock and Roll Couturière, Herbalist, Aromatherapist, Author, and Ecologist Interviews conducted by Amanda Tewes in 2018 Interviews sponsored by Ann Ash and Christine Suppes Copyright © 2018 by The Regents of the University of California Oral History Center, The Bancroft Library, University of California Berkeley ii Since 1954 the Oral History Center of the Bancroft Library, formerly the Regional Oral History Office, has been interviewing leading participants in or well-placed witnesses to major events in the development of Northern California, the West, and the nation. Oral History is a method of collecting historical information through tape-recorded interviews between a narrator with firsthand knowledge of historically significant events and a well-informed interviewer, with the goal of preserving substantive additions to the historical record. The tape recording is transcribed, lightly edited for continuity and clarity, and reviewed by the interviewee. The corrected manuscript is bound with photographs and illustrative materials and placed in The Bancroft Library at the University of California, Berkeley, and in other research collections for scholarly use. Because it is primary material, oral history is not intended to present the final, verified, or complete narrative of events. It is a spoken account, offered by the interviewee in response to questioning, and as such it is reflective, partisan, deeply involved, and irreplaceable. ********************************* All uses of this manuscript are covered by a legal agreement between The Regents of the University of California and Jeanne Rose dated May 14, 2018.
[Show full text]
Nya Upplagan 047 Pennie Smith Björn Ranelid Mikael Wiehe Jan
Juli 2010 047 Nya Upplagan I detta nummer Jan Lundgren: I did It Steinway Chefredaktör: Redaktion: Illustration: Mikael Wiehe – in på bara skinnet Lars Yngve Eric Ericson Johan Björkhagen Warhol möter Munch H.C. Ericson Malin Biller Susanna Alakoski: Utan strumpor i Fisksätra Ekonomichef: Jimmy Wallin Johan Wanloo Bono: Tisdagens nåd i Irland Maria Yngve Thomas Millroth Gunnar Lundkvist Kalle Lind. Människor som gått till överdrift: Morgan Olofsson Tord Johnsson Olle Ljungström Thomas Millroth: Slår våra hjärtan i samma valstakt nu som förr? Max Gustafson Noam Chomsky: Det verkliga hotet ombord på Freedom Flotilla Art director: Nils Lind Kärlek, spiskummin och pickled lime: Från Gujarat till Glemmingebro Marcus Gärde AD assistent: Pennie Smith Pernilla Forsberg Björn Ranelid Mikael Wiehe Jan Lundgren Bono Jan Lundgren Noam Chomsky Susanna Alakoski Björn Ranelid Bono Joy Division. Foto av Pennie Smith Mikael Wiehe From The Jam with Bruce Foxton and Rick Buckler. Foto av Pennie Smith Noam Chomsky Medverkande Kalle Lind Zinat Pirzadeh Jonas Hallberg Jonas Jonasson Lars Halapi Elin Alvemark Jenny Tedjeza The Kransky Sisters C-J Charpentier Bo Åkerström Gunnar Danielsson Sophie Zelmani Lee Ranaldo Josefina Sanner Pidde Andersson Gunnar Lundkvist Malin Biller Sanna Persson-Halapi m.fl. The Clash. Foto av Pennie Smith Pennie av Foto Clash. The Nya Upplagan Juli 2010 Ledare 3 DANNY TUVA STEFAN PETER ULF GLOVER NOVOTNY SAUK GARDINER BRUNNBERG 047 Nya Upplagan Prenumerera på Nya Upplagan och få tidningen hemskickad varje månad för endast 400 kr. baktAkt Värmen gör mig konspiratoriskt svettig och jag kän- bipasserande. Alltså ett café av den typen som inte ner mig förföljd av de jamaicanska rytmerna.
[Show full text]
MUSIC 351: Psychedelic Rock of the 1960S Spring 2015, T 7:00–9:40 P.M., ENS-280
MUSIC 351: Psychedelic Rock of the 1960s Spring 2015, T 7:00–9:40 p.m., ENS-280 Instructor: Eric Smigel ([email protected]) M-235, office hours: Mondays & Tuesdays, 3:00–4:00 p.m. This is a lecture class that surveys psychedelic rock music and culture of the 1960s. Psychedelic music played an important role in the development of rock music as a predominant art form during one of the most formative decades in American history. Emerging along with the powerful counterculture of hippies in the mid-1960s, psychedelic rock reflects key elements of the “Love Generation,” including the peace movement, the sexual revolution, the pervasive use of recreational drugs (especially marijuana and LSD), and the growing awareness of Eastern philosophy. The main centers of countercultural activity—the Haight-Ashbury district of San Francisco and the London Underground—drew a high volume of media exposure, resulting in the famous “Summer of Love” and culminating in popular music festivals in Monterey, Woodstock, and Altamont. Students in this course will examine the music and lyrics of a selection of representative songs by The Grateful Dead, The Jefferson Airplane, Big Brother and the Holding Company, The Beatles, Pink Floyd, The Jimi Hendrix Experience, and other bands closely associated with the burgeoning psychedelic scene. Students will also consult primary source material—including interviews with several of the musicians, influential literature of the period, and essays by key figures of the movement—in order to gain insight into the social, political,
[Show full text]
The Clash and Mass Media Messages from the Only Band That Matters
THE CLASH AND MASS MEDIA MESSAGES FROM THE ONLY BAND THAT MATTERS Sean Xavier Ahern A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2012 Committee: Jeremy Wallach, Advisor Kristen Rudisill © 2012 Sean Xavier Ahern All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor This thesis analyzes the music of the British punk rock band The Clash through the use of media imagery in popular music in an effort to inform listeners of contemporary news items. I propose to look at the punk rock band The Clash not solely as a first wave English punk rock band but rather as a “news-giving” group as presented during their interview on the Tom Snyder show in 1981. I argue that the band’s use of communication metaphors and imagery in their songs and album art helped to communicate with their audience in a way that their contemporaries were unable to. Broken down into four chapters, I look at each of the major releases by the band in chronological order as they progressed from a London punk band to a globally known popular rock act. Viewing The Clash as a “news giving” punk rock band that inundated their lyrics, music videos and live performances with communication images, The Clash used their position as a popular act to inform their audience, asking them to question their surroundings and “know your rights.” iv For Pat and Zach Ahern Go Easy, Step Lightly, Stay Free. v ACKNOWLEDGMENTS This thesis would not have been possible without the help of many, many people.
[Show full text]
Randal Doane’S Stealing All Transmissions: a Secret History of the Clash Is Not the Story I Was Expecting from the Title
Praise “Stealing is a must-read for music fans of all varieties, for it’s much more than a book about The Clash. With a captivating narrative and well-written prose,Stealing makes sense of what happened to free-form radio and the DIY ethic of punk, and deftly connects that history to the era of file-sharing and satellite radio. Don’t miss this book. Steal it if you must!” —Michael Roberts, author of Tell Tchaikovsky the News: Rock ’n’ Roll, the Labor Question, and the Musicians’ Union, 1942–1968 “Randal Doane’s Stealing All Transmissions: A Secret History of The Clash is not the story I was expecting from the title. Thankfully. We have all read those books about artists of all stripes (and zippers), from which we learn only about misery, malfea- sance, and bad behavior. But this is not that book. The Clash is at the center of the story, but the heart of it belongs to other players. People drawn into the orbit who cared, who pushed both themselves and the band forward, who took risks because they felt and knew they were seeing and hearing a revolution. The people who were excited and inspired by the catalysts (The Clash), whose stories are integral to the core of the band’s American journey, and fascinating to finally read about, all in one place. I loved (and envied) The Clash—the gang of four who dressed better, who wore their hearts and mistakes on their zippered sleeves, and played songs with the force of racehorses bursting from the gate.
[Show full text]
Rock & Roll Hall of Fame Exhibits Iconic Rock Photos from Rolling
FOR IMMEDIATE RELEASE: Rock & Roll Hall of Fame Exhibits Iconic Rock Photos from Rolling Stone’s First Chief Photographer Baron Wolman th Iconic: Baron Wolman Images of an Era exhibit opens October 18 Grateful Dead pose outside 710 Ashbury Street, Jimi Hendrix onstage at Fillmore West, Joni Mitchell in her Laurel Canyon home, Grace Slick at Woodstock Festival, and more CLEVELAND, OH (October 7, 2020) – The Rock & Roll Hall of Fame is exhibiting iconic rock photographs of legendary musicians, including Janis Joplin, the Grateful Dead, Jimi Hendrix, Tina Turner, Pete Townshend, and many others, taken in the late Sixties and encapsulating an unparalleled time in American history. The photographs, captured by Baron Wolman, Rolling Stone’s first chief photographer, will be on display in the new exhibit Iconic: Baron Wolman Images of an Era, opening at the Rock Hall on October 18th. “Wolman documented the era and defined it in images for generations of music fans,” said Greg Harris, Rock & Roll Hall of Fame CEO and President. “Wolman’s iconic photographs are a window into a very important time in our country’s social history. His Rolling Stone covers made icons out of the musicians showcased on them.” During his tenure at Rolling Stone, Wolman’s lens captured the icons of Sixties rock and pop music, including Hendrix, Joplin, Turner, Joni Mitchell, the Rolling Stones, the Who, and many others. Wolman’s unique access to his subjects, combined with his keen eye, gave his photographs an up-close-and-personal quality that was rare and unprecedented. “The chance to be a part of the first days of Rolling Stone came out of the blue,” Wolman says.
[Show full text]
Fall 2019 C a Talogue
ACC ART ART BOOKS ACC ACC DISTRIBUTES FOR A WIDE RANGE OF PUBLISHERS: 5 Continents Editions Fine Arts Society/Atelier Books Orchid Press Floating World Editions Papadakis Publisher 13 Things Ltd. Forma Edizioni Pointed Leaf Press Foster + Partners 24 ORE Cultura Franco Cosimo Panini Quart Architektur ACC Art Books Gallimard Red Dot ACC Editions Gambero Rosso Richard Dennis ACR Edition Garden Art Press Ridgewood Publishing LLC America’s Greatest Brands Glitterati Editions River Books Andrea Monfried Editions Grayson Publishing Roli Books Antique Collectors’ Club Grupo Peñín Rovakada Archetype Books Guido Tomassi Editore Arnoldsche Art Publishers Scala Arts Publishers Inc. Art of Publishing Ltd. Hali Publications Scripta Maneant Editori Artpower International Publishers Heel Verlag Shannongrove Press ArtPostAsia Hoxton Mini Press ShareThatQuote.com Artmedia Hudson Hills Press Shinkenchiku-sha Co., Ltd Ashmolean Museum Publications Sieveking Astrostyle Publishing Images Publishing Group Spacemaker Press av edition GmbH Stichting Kunstboek Jaico Publishing House Bauer and Dean Publishers Johan & Levi The Artist Book Foundation 2019 CATALOGUE FALL Ben Uri Gallery & Museum John Adamson The Marg Foundation Beta-Plus Publishing Third Millennium Publishing/Profile Books & Projects KMW Studio Editions This Side Up Callwey Verlag Lannoo Publishers Tongji University Press Cannibal/Hannibal Lange Uhren Carlton Books Ltd. LACMA Urban Jürgensen Chameleon Books Luster Circa Lyon Artbooks Vadehra Art Gallery Congedo Vendange Press M. Shafik Gabr Verlag
[Show full text]
Press Release
Press Release May 2009 Brooklyn Museum Presents First Major Museum Exhibition Devoted Exclusively to Rock and Roll Photographers Who Shot Rock & Roll on View October 30, 2009, to January 31, 2010 Media Preview Thursday, October 29, 10 a.m. to 1 p.m. Who Shot Rock & Roll: A Photographic History, 1955 to the Present, the first major museum exhibition to acknowledge photographers for their creative and collaborative role in the history of rock and roll, will be on view at the Brooklyn Museum from October 30, 2009, through January 31, 2010. The exhibition is curated by photographic historian and author Gail Buckland and features many rare and never-before-exhibited photographs. From its earliest days, rock and roll was captured in photographs that personalized and frequently eroticized the musicians. Photographers were handmaidens to the rock-and-roll revolution, and their work communicates the social and cultural transformations that rock helped bring about from the 1950s to the present. This exhibition is a history not of rock and roll, but of the men and women who have photographed it and given the music its visual identity. Featuring approximately 175 works by 105 photographers, Who Shot Rock & Roll is organized in six sections: images taken behind the scenes; snapshots of young musicians at the beginning of their careers; photographs of live performances that display the energy of the bands on stage; images of the crowds and fans; portraits that go beyond the surface and celebrity of the musicians; and conceptual images and album covers highlighting the creative and collaborative efforts between the image makers and the subjects.
[Show full text]
U.S. Has More Jobs Than Jobless Chinese Companies Buying Stake in the Chinese Opera- More U.S
****** WEDNESDAY, JUNE 6, 2018 ~ VOL. CCLXXI NO. 131 WSJ.com HHHH $4.00 DJIA 24799.98 g 13.71 0.1% NASDAQ 7637.86 À 0.4% STOXX 600 386.89 g 0.3% 10-YR. TREAS. À 6/32 , yield 2.917% OIL $65.52 À $0.77 GOLD $1,297.50 À $4.40 EURO $1.1720 YEN 109.79 What’s It’s a Jungle Out There for California’s Gubernatorial Candidates Beijing News Proposes Business&Finance ADeal On Trade Job openings in the U.S. exceeded the number of China says it will buy job seekers this spring for the first time since such record- $70 billion in U.S. keeping began in 2000. A1 goods if Trump drops Facebook struck data threat of tariffs partnerships with Chinese companies, including Huawei, China offered to purchase a firm U.S. officials view as a nearly $70 billion of U.S. farm, potential tool for spying. A10 manufacturing and energy U.K. regulators approved products if the Trump admin- Comcast’s bid for Sky and istration abandons threatened gave a tentative green light tariffs, according to people to a rival offer from Fox. B1 briefed on the latest negotia- tions with American trade of- OPEC and its allies will ficials. consider China’s store of oil in deciding whether to continue By Lingling Wei in supply cuts, officials say. B1 Beijing and Bob Davis The Nasdaq rose 0.4% to in Washington 7637.86, a second consecu- CLOCKWISE FROM TOP LEFT: K.C. ALFRED/THE SAN DIEGO UNION-TRIBUNE/AP; JUSTIN SULLIVAN/GETTY; RICHARD VOGEL/AP tive record.
[Show full text]
Published by a Cc Art Books 2020 a C C Ar T Books
PUBLISHED BY ACC ART BOOKS 2020 ACC ART BOOKS PUBLISHED BY ACC ART BOOKS 2020 • Iconic portraits and contact sheets from Goldfinger, Diamonds are Forever, Live and Let Die, Golden Eye and the Bond spoof, Casino Royale • Contributions from actors including George Lazenby and Jane Seymour • Includes a foreword by Robert Wade and Neal Purvis, screenwriters for the latest Bond film, No Time to Die Bond Photographed by Terry O’Neill The Definitive Collection James Clarke Terry O’Neill was given his first chance to photograph Sean Connery as James Bond in the film Goldfinger. From that moment, O’Neill’s association with Bond was made: an enduring legacy that has carried through to the era of Daniel Craig. It was O’Neill who captured gritty and roguish pictures of Connery on set, and it was O’Neill who framed the super-suave Roger Moore in Live and Let Die. His images of Honor Blackman as Pussy Galore are also important, celebrating the vital role of women in the James Bond world. But it is Terry O’Neill’s casual, on- set photographs of a mischievous Connery walking around the casinos of Las Vegas or Roger Moore dancing on a bed with co-star Madeline Smith that show the other side of the world’s most recognisable spy. Terry O’Neill opens his archive to give readers - and viewers - the chance to enter the dazzling world of James Bond. Lavish colour and black and white images are complemented by insights from O’Neill, alongside a series of original essays on the world of James Bond by BAFTA-longlisted film writer, James Clarke; and newly-conducted interviews with a number of actors featured in O’Neill’s photographs.
[Show full text]