Tesis María Mondéjar 34806861H Neologismos En El Discurso Sobre Moda En La Prensa Femenina.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

Tesis María Mondéjar 34806861H Neologismos En El Discurso Sobre Moda En La Prensa Femenina.Pdf UNIVERSIDAD DE MURCIA ESCUELA INTERNACIONAL DE DOCTORADO Neologismos en el discurso sobre moda en la prensa femenina Dª. María Dolores Mondéjar Fuster 2019 UNIVERSIDAD DE MURCIA FACULTAD DE LETRAS Neologismos en el discurso sobre moda en la prensa femenina Tesis doctoral presentada por Dª. María Dolores Mondéjar Fuster, dirigida por la Dra. Dª. Carmen Sánchez Manzanares, para optar al Grado de Doctora. Murcia, 2019 A mis padres. Por todo. AGRADECIMIENTOS En primer lugar, me gustaría comenzar los agradecimientos dedicando este trabajo a mis padres. Ellos han sido las personas que a lo largo de mi vida más me han ayudado y acompañado en mis mejores y peores momentos. A ellos va dedicada esta tesis por su comprensión, infinita generosidad, amor y apoyo incondicional. En segundo lugar, me gustaría reconocer y agradecer enormemente la labor de la profesora Dra. Carmen Sánchez Manzanares, directora de esta investigación. Ella siempre me ha orientado, ha contestado mis dudas con amabilidad y profesionalidad y me ha guiado a lo largo del proceso desde el primer proyecto de esta investigación. Además, me introdujo en el apasionante mundo de la neología, del cual todavía me considero una neófita, a través de mi participación en el grupo de investigación de neología de la Universidad de Murcia, integrado en el Observatorio de Neología de la Universidad Pompeu Fabra (OBNEO), y de mi colaboración en el Diccionario de Neologismos del Español Actual, NEOMA (2016). Por otra parte, quiero dar las gracias a otra de las personas que han hecho que este trabajo llegue a su fin, Kevin Power. Sin ninguna duda su incansable entusiasmo, afabilidad, vitalidad, aliento, tesón y positividad han impregnado la última fase de esta tesis. Él ha contribuido a aplacar mi nostalgia por mi país y ha sabido iluminar mis días grises. Quisiera también agradecer y hacer una mención especial a la Universidad de Cork (University College Cork). En ella, desde que llegué a Irlanda el día 1 de octubre de 2015 y hasta la actualidad, siempre se me ofreció la posibilidad de impartir docencia lo que ha hecho que este proyecto pudiera finalizarse. En especial doy las gracias a las profesoras de idiomas Eugenia Bolado y Seána Ryan por sus muestras de cariño y empatía, por ayudarme siempre y por entender los momentos de mi adaptación a una nueva cultura, lengua, alumnado, y también a las directoras del Departamento de Español, Portugués y Estudios Latinoamericanos, Helena Buffery y Nuala Finnegan por mantenerme tres años después como parte del profesorado de esta prestigiosa universidad. Sin su ayuda, quizás sin ellas saberlo, este proyecto nunca hubiera visto la luz. Asimismo, agradezco en general a todos los profesores y miembros del Departamento de Relaciones Internacionales, Departamento de Idiomas y Departamento de Magisterio de la Universidad Católica de Murcia. A todos los colegas que me animaron a emprender mi nuevo proyecto de vida sin ninguna garantía y que desde la distancia siempre me han preguntado y me han ayudado a seguir adelante con entusiasmo para conseguir un poco más en la vida. En especial a Elena, Mª Ángeles, Ana, Isabel, Kasia, Miguel, Iñaki, Antonio, Curro, Marta, Carolina, Raquel, Lonneke, Alex, Sonia y Josefina. A todos ellos gracias porque los recuerdo en infinidad de ocasiones y con mucha nostalgia. Para terminar, no puedo dejar de agradecer a mis amigos de siempre, especialmente a mi amiga Ester que siempre ha estado, y a mis nuevos amigos, Marta, Martin, Fiona, Anne, Anne-Marie y Yalda, por todos los momentos buenos que me han hecho pasar y por todos aquellos que les he robado y que espero recuperar pronto. Gracias por vuestro interés, paciencia, apoyo y comprensión durante la realización de esta Tesis de Doctorado. No hay más que decir, solo gracias a todos y a tantos que están sin nombrar. Todas las instituciones establecidas por el hombre en la sociedad, una de ellas la lengua, están afectadas por el cambio. Emilio Alarcos Llorach (1992)1 1Alarcos, E. (1992). “Consideraciones sobre el neologismo” en EFE (1992:17). RESUMEN En la actualidad, el mundo cambia y evoluciona de forma constante. Este proceso se revela en el ámbito del léxico, produciéndose una incesante creación de nuevos términos. El presente trabajo estudia la lengua de las revistas femeninas, en concreto la lengua de la moda en cuatro cabeceras internacionales publicadas en España (Cosmopolitan, Elle, Marie Claire, Vogue) que, sin lugar a dudas, se ha convertido en un importante manantial de innovación lingüística y de adopción y de profusión de préstamos. A través del análisis del léxico nuevo presente en estas publicaciones, dejamos constancia del rol y de la representación de la mujer en la sociedad de hoy en día. Lo cierto es que los medios de comunicación por propia voluntad, o en virtud de su papel de intermediarios, transmiten ciertos modelos de conducta social. Y la lengua, más concretamente el léxico, no queda al margen de su influencia. Así, en este trabajo, vemos cómo sociología y lingüística se interrelacionan para abordar en este tipo de prensa femenina de alta gama el contexto social que motiva determinados usos lingüísticos que caracterizan el discurso de la moda, movido, además, por intereses comerciales. Por otra parte, los neologismos detectados en las revistas que constituyen nuestro corpus muestran la emergencia del léxico de la moda y su repercusión en la lengua general. Se han recogido estos neologismos en una base de datos que permite, por la información que recoge, su explotación como glosario de la moda actual; así, incluimos en el cuerpo de nuestra tesis un glosario de los préstamos del inglés, cuyo número está en mayor proporción que los otros tipos de neologismos, lo que da prueba, además, de la internacionalización del sector. Por último, hemos abordado la recepción del discurso de la moda mediante encuestas realizadas a universitarios, obteniendo datos significativos a propósito de la percepción y comprensión de neologismos. Finalmente, nuestro estudio muestra la difusión de un nuevo léxico de la moda que pretende dotar de exclusividad y encanto aquello que nombra. Palabras clave: neologismos, prensa femenina, discurso de la moda, diccionarios ABSTRACT Today, the world is constantly changing and evolving. This process is evident in our vocabulary, as new terms are created daily. This work examines the language of women´s magazines, and specifically the language of fashion in four international magazines published in Spain (Cosmopolitan, Elle, Marie Claire, Vogue). Fashion magazines have become an important medium of language innovation and of adoption and spreading of loanwords, thereby confirming their role and the role of women in society. The media, either willingly or as intermediates, transmit certain models of social conduct. Language, specifically vocabulary, is not excluded from its influence. In this work we see how sociology and linguistics intertwine in this type of press in the social context. This drives certain linguistic uses and defines the fashion discourse which is motivated by commercial interests. The identified neologisms in the magazines that make up our body of work show the emergence of fashion vocabulary and its influence in general parlance. The collected neologisms from the database allow it to be used as a real-time fashion glossary. Included in the glossary are English loanwords whose usage is more prevalent than other forms of neologisms. This proves the international scope of this field. We have addressed the readers reception of the fashion discourse through the use of surveys which were completed by the students. We obtained significant data regarding their perception and comprehension of neologisms thereby reaffirming their embedded existence in daily dialogue. Finally our study shows the diffusion of the new lexis and how it is self empowered through its own unique charm. Key words: neology, women press, women’s discourse, diccionaries Í NDICE | 15 ÍNDICE 1. INTRODUCCIÓN ............................................................................................................... 23 1.1. HIPÓTESIS .................................................................................................................... 30 1.2. OBJETIVOS ................................................................................................................... 33 1.3. CUESTIONES METODOLÓGICAS .......................................................................... 35 P A R T E I . APROXIMACIÓN TEÓRICA 2. NEOLOGÍA Y TIPOLOGÍA DE NEOLOGISMOS ....................................................... 41 2.1. EL NEOLOGISMO: definición, clasificación y otras consideraciones .................. 41 2.1.1. Definición de neologismo y criterios de neologicidad ................................. 41 2.1.2. Tipología de los neologismos .......................................................................... 49 2.1.3. Clasificación de neologismo por procedimiento de formación .................. 58 2.1.3.1. Neologismos formales por derivación y composición ......................... 58 2.1.3.2. Otros neologismos formales: abreviaciones, siglas, acrónimos y variaciones ortográficas. ........................................................................................ 78 2.1.3.3. Neologismos semánticos y sintáctico-semánticos ................................ 83 2.1.3.4. Neologismos por préstamo ...................................................................... 88 2.2. NEOLOGÍA POR PRÉSTAMO .................................................................................
Recommended publications
  • 2010/11 Edition 100
    Online Fashion 2010/11 edition 100 the people behind British fashion websites BY LEON BAILEY-GREEN FEATURING BRENT HOBERMAN, HILARY ALEXANDER, KATE RUSSELL & DENIZE HEWITT Online Fashion 100 2010/11 About Online Fashion 100 2010/11... “It is estimated that Britons will spend £4.27bn* on fashion online this year, but who are the people behind our fashion website businesses? You’re about to find out who they are, what they do and how they impact the industry. Online Fashion 100 is your guide to the buyers, bloggers, directors, entrepreneurs, editors, investors, politicians and even celebrities that influence the business of online fashion. As the founder of The Online Fashion Agency, a fashion website communications company, it is noticeable how much the fashion sector of the UK’s digital economy is evolving. Whether you’re a consumer, eager to become savvy LEON BAILEY-GREEN to the workings behind the online fashion scenes, or an online fashion professional, interested WWW.LEONBAILEYGREEN.COM in learning about others in the industry, I’m @LEONBAILEYGREEN sure you’ll find Online Fashion 100 useful. [email protected] THE ONLINE FASHION AGENCY To keep up with industry developments sign up for WWW.THEONLINEFASHIONAGENCY.COM email updates at The Online Fashion Agency @THEONLINEFASH and visit LEON BAILEY-GREEN regularly to rate [email protected] British websites and the people behind them. I would like to thank Brent Hoberman, Hilary Alexander, Kate Russell and Denize Hewitt for their input into Online Fashion 100 2010/11. You’ll find the list is in alphabetical order by surname, plus, a very special entrant closing at number 100.
    [Show full text]
  • Fashion Galore, India’S Premium Fashion & Lifestyle Platform
    Tuesday, July 31, 2012 THE GRAND, NEW DELHI SHOWCASING THE HOTTEST LIFESTYLE TRENDS IN: Designer Homes, Furnishings, Home Décor, Travel, Wellness, Apparel, Jewellery, Beauty, Watches, Gadgets & Hot Wheels Who are we ? We are Fashion Galore, India’s Premium Fashion & Lifestyle Platform. Fashion Galore, a combination platform (B2B & B2C) is an initiative by Exotic Multimedia, a media and lifestyle conglomerate with 3 verticals on-board :- • Events (Fashion Galore, Bridal Fashion Fair) • Brand Management (FTV Yacht, DLF IPL) • Publishing (fashioncurry.com) Objective “To offer participating Lifestyle Brands a holistic opportunity to showcase their products, engage the potential consumer in the experiential workshops and help them develop on-the-spot bookings” Target Audience Statistics CATEGORY NAMES AGE INCOME GROUP BRACKET 200 High Net-worth Burmans, Ruias, Sahnis, 30+ 2cr+ (annual) Individuals from Top Goenkas, Mittals etc Business Families 200 Top Corporate BMR,Consulting Firms, 30+ 1000cr+ (annual) Houses American Express, Grant Thornton,Audi, Jot Impex, BMW, Nissan, Natuzzi, BNP Paribas, Samsung etc 200 Prominent Ramola Bachchan, Tanisha 30+ 60lakh+ (annual) Personalities Mohan, Vandana Vadehra, Rajan Madhu, Vandana Luthra etc.), 200 Style Connoisseur Ridhhima Kapoor Sahni, 30+ 1cr+ (annual) Naveen Ansal, Gurinder Sahni, Peter Punj etc. 200 Seasoned P3Ps Feroze Gujral, Ala Madhu, 30+ 60lakh+ (annual) Rashmi Virmani, Vandana Singh etc Market Segmentation DELHI & NCR PUNJAB (Chandigarh & Ludhiana) RAJASTHAN(Jaipur) MP (Bhopal, Gwalior,
    [Show full text]
  • Nature's Remedy
    DIAne STARTInG GUn vOn GOLDen GLOBe nOmInATIOnS FURSTenBeRG WeRe ReveALeD THURSDAY — PRe-FALL, AnD THe HOLLYWOOD PAGe 12 ReD cARPeT FASHIOn RAce BeGAn. PAGe 11 WFRIDAY, DECEMBER 16,W 2011 ■ $3.00 ■ WoMEn’sD WEAR DAIlY Nat u re’s Remedy This winter, Aveda and Ojon are aiming to provide natural solutions for hair issues that have traditionally required heavy chemicals: Aveda, with its Invati line for thinning hair, and Ojon, with Super Sleek, a collection designed to deliver smooth hair without chemicals like formaldehyde. Both collections bow next month. For more, see page 6. PHOTO BY THOmAS IAnnAccOne in WWD ToDaY Kors Goes Ka-ChinG Ralph Lauren names Lalonde PAGE 2 NEWS: Ralph Lauren Corp. named former LVMH executive Daniel Lalonde head of its international operations. s Designer’s Shares Leap Beauty Sales Strong for Holiday PAGE 6 BEAUTY: While stores’ performance has been patchy, retailers expect to see growth in their On Wall Street Debut beauty sales at holiday, driven by celebrity were traded. given the more than 190 million fragrances. By lIsA loCkWooD shares outstanding, the closing price left kors with a market capitalization of $3.82 billion. Proenza Schouler Said Opening Store PAGE 12 “I’M FEElIng gREAt, ” said an exuberant, After the stock was priced, a press-wary FASHION SCOOP: The designers are said to be and newly flush Michael kors, after ring- Idol whisked kors and the team away, saying eyeing a spot on Madison Avenue for their first ing the opening bell of the new York stock securities and Exchange Commission rules freestanding store.
    [Show full text]
  • A Study on the Red Carpet Dress of Film Festivals in the Great China Region
    J. fash. bus. Vol. 18, No. 3:148-166, Jul. 2014 ISSN 1229-3350(Print) http://dx.doi.org/10.12940/jfb.2014.18.3.148 ISSN 2288-1867(Online) A Study on the Red Carpet Dress of Film Festivals in the Great China Region Wang Ling · Lee Misuk⁺ Dept. of Clothing and Textiles, Chonnam National University Dept. of Clothing and Textiles, Chonnam National University, Human Ecology Research Institute, Chonnam National University Abstract The purpose of this study is to establish the basic materials necessary for red carpet fashion design by examining the formativeness and fashion images of red carpet dresses at film festivals in the Great China Region. For the purpose of this study, research methods include a literature review on the origin and significance of red carpet dresses, the characteristics of film festivals in the Great China Region and their red carpet dresses as well as an analysis of the formative features and images of 615 red carpet dresses collected from each film festival official homepage, diverse media articles, and online search sites (www.google.com, www.hao123.com). The research finding can be summarized as follows: First, the formative features of red carpet dress designs were analyzed herein. It was found that the most frequently appearing type of silhouette was straight followed by hourglass and bulk in order. More specifically these included fit and flare, mermaid, trapeze, and slim in order. For the neckline styles, strapless was the most frequently seen followed by camisole, jewel, and one shoulder. Solid colors were more often seen than multiple colors.
    [Show full text]
  • Neonyt Gets Ready for Take-Off at Tempelhof Airport
    Press Release 13 January 2020 Neonyt gets ready for take-off at Tempelhof Lilliffer Seiler Tel. +49 69 75 75-6738 airport [email protected] www.messefrankfurt.com www.neonyt.com With more than 210 sustainable fashion labels, exclusive product launches, an accompanying line-up of over 50 events, a sensational fashion show and numerous new partners, Neonyt is opening its doors for the first time at Tempelhof Airport tomorrow. More space, more brands, an even bigger line-up: During Berlin Fashion Week from 14-16 January 2020, Neonyt, taking place at the now decommissioned Tempelhof Airport, is once again raising the bar when it comes to sustainability and innovation in fashion. With more than 210 sustainable fashion brands from 22 countries, this edition of Neonyt has the highest number of exhibitors yet and is even more international. And in keynotes, discussion panels and masterclasses, an extensive line-up of accompanying events will be shedding light on the most important sustainability and innovation topics, as well as providing answers and facts about the future of fashion. Messe Frankfurt Exhibition GmbH Green Carpet Collection: Lanius will be launching sustainable red carpet fashion at Neonyt / Source: : Ludwig-Erhard-Anlage 1 Lanius 60327 Frankfurt am Main “With a multifaceted and interdisciplinary line-up of side events and selected Showcases, Neonyt, as a real hub for retailers, is once again encouraging people to take action for more sustainability in fashion,” says Olaf Schmidt, Vice President of Textiles and Textile Technologies at Messe Frankfurt. “Neonyt sees sustainability not just as a mere fashion trend, but as a complete innovation process for the entire industry.” One hangar, one hall – A huge selection of sustainable fashion For three days, Berlin Fashion Week visitors can also look forward to discovering sustainable streetwear and casualwear, high fashion and accessories such as shoes, bags, jewellery and home textiles in Hangar 4 and Hall X.
    [Show full text]
  • Working Towards Sustainable Fashion
    La revue officielle des fonctionnaires Internationaux – The official magazine of international civil servants © DAMIANO ANDREOTTI / COLLECTION CITTADELLARTE / FONDAZIONE PISTOLETTO WORKING TOWARDS SUSTAINABLE JULY-AUGUST 2020 JULY-AUGUST / FASHION JUILLET-AOÛT Interview with UNDP Retour au Palais Que faire à Genève 801 # Goodwill Ambassador des Nations après cet été ? Michelle Yeoh le déconfinement University of Geneva Discover our programs dedicated to International & Non-Governmental Organizations Discover the wide range of GSEM Executive Education programs from business-oriented to non-profit organizations that will help develop your management skills. Our non-profit programs are designed for professionals in IOs, NGOs, NPOs or Social Enterprise in managerial positions as well as professionals from the private sector looking for a career shift. DAS Effective Leadership of IOs DAS Gestion et management dans les organismes sans but lucratif (OSBL) • Master advanced management skills and practices applicable • Maîtriser, innover et mener des projets dans un to intergovernmental, public, and non-profit organizations domaine en évolution • Strengthen your skills in leadership, communication, and • Comprendre et analyser les enjeux et défis des OSBL team management • Comprendre et maîtriser les principales problématiques • Access an extensive network of professionals and build comptables, budgétaires, financières et fiscales strategic connections in a competitive international • Savoir communiquer, développer des capacités environment de
    [Show full text]
  • LUXURY for the MASSES: WHY WE CAN't ALL HAVE IT ALL By
    LUXURY FOR THE MASSES: WHY WE CAN’T ALL HAVE IT ALL by Kelly Allen Submitted in partial fulfillment of the requirements for Departmental Honors in the Department of Interior Design and Merchandising Texas Christian University Fort Worth, Texas May 4, 2015 2 LUXURY FOR THE MASSES: WHY WE CAN’T ALL HAVE IT ALL Project Approved: Supervising Professor: Patricia Warrington, Ph.D. Department of Interior Design and Merchandising Stephanie Bailey Department of Interior Design and Merchandising Stacy Landreth Grau, Ph.D. Department of Business 3 ABSTRACT This study focused on the growth of luxury fashion brands and the impact of this growth on the rest of the fashion industry. Specifically, I examine how luxury brands introduced the commodification of fashion and laid the groundwork for the entrance of fast fashion retailers. Furthermore, I discuss how this transformation affected not only the fashion industry, but also the consumer and the environment. After evaluating each of these elements, I present the slow fashion movement as a sustainable and viable alternative to the current state of the fashion industry. Through theoretical support, an analysis of consumer demographics and psychographics, and a thorough investigation of current trends in the fashion industry, slow fashion emerges as the best solution for reinventing the fashion industry and amending the distortion that has occurred within it. 4 TABLE OF CONTENTS INTRODUCTION ...............................................................................................................5
    [Show full text]
  • Medpoint Fashion Show Profile
    ALWAYS IN THE MIDDLE Shaikha Noora Bint Khalifa A.Aziz Al Kalifa Chairwomen & CEO Medpoint Design & Event Management Shaikha Noora Bint Khalifa AlKhalifa is the CEO & Chairwomen of Medpoint Design, a leading design company based in Kingdom of Bahrain. H.E. holds a Bachelor Degree in Mass Communication from New York University and Masters in Mass Communication & Public Relation from Ahlia University. Along with, she was awarded with "Emerging Women CEO of the year" twice in a row in 2014 & 2015. Group of Companies Her Royal Highness Princess Sabeeka bint Ibrahim Al Khalifa. Hongrin An award for the "Young Bahraini Entrepreneurs" from Supreme Council of Women (SCW)'s President to Shiakha Noora Bint Khalifa Al Khalifa Nada Alshomali Managing Director for Women and Fahion Event (Public Event Section) Nada AlShomeli Managing Director of Women & Fashion Events Department, she established her first Department store in Moda Mall which is one of the most luxurious malls in our Kingdom and home to the largest portfolio of high-end brands. Therefore, she has expanded to work with Medpoint Design in order to be closer to the designers and promote them locally and internationally. WHO WE ARE Medpoint Design & Event Management Company was founded in 2008 which specializes in advertising, media activities, and hosting highly beneficial Seminars by International Speakers and Authors of great repute. Our main focus of attention is on Women Exhibitions, Workshops, Fashion shows, Seminars and Events that helps them to develop their businesses and to provide them the opportunity to take their work to the next level. Medpoint strives to exceed the expectation of its clients by bringing together concepts and hosting prestigious events that educate and entertain its clients while promoting and supporting the Kingdom of Bahrain.
    [Show full text]
  • The-Knockoff-Economy-Excerpt-Raustiala-Sprigman.Pdf
    THE KNOCKOFF ECONOMY HOW IMITATION SPARKS INNOVATION KAL RAUSTIALA AND CHRISTOPHER JON SPRIGMAN 3 RAUSTIALA-titlepage-Revised Proof iii June 1, 2012 9:11 PM Oxford University Press, Inc., publishes works that further Oxford University’s objective of excellence in research, scholarship, and education. Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Copyright © 2012 by Kal Raustiala and Christopher Jon Sprigman Published by Oxford University Press, Inc. 198 Madison Avenue, New York, NY 10016 www.oup.com Oxford is a registered trademark of Oxford University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. CIP to come ISBN-13: 9780195399783 1 3 5 7 9 8 6 4 2 Printed in the United States of America on acid-free paper RAUSTIALA-copyright-Revised Proof iv May 31, 2012 5:48 AM THE KNOCKOFF ECONOMY RAUSTIALA-halftitle2-Revised Proof 1 June 1, 2012 9:11 PM INTRODUCTION Every spring, millions of viewers around the world tune in to watch the Academy Awards. Ostensibly, the Oscars are about recognizing the year’s best movies. But for many people the Oscars are really about fashion. Fans and paparazzi press against the rope line to see Hollywood stars pose on the red carpet in expensive designer gowns.
    [Show full text]
  • Surprise and Seduction: Theorising Fashion Via the Sociology of Wit Dita
    Surprise and seduction: Theorising fashion via the sociology of wit Dita Svelte A thesis in fulfilment of the requirements for the degree of Doctor of Philosophy School of Social Sciences Faculty of Arts and Social Sciences UNSW Sydney 12 September 2019 THE UNIVERSITY OF NEW SOUTH WALES Thesis/Dissertation Sheet Surname or Family name: SVELTE First name: DITA Other name/s: ISHTAR ARTEMIS Abbreviation for degree as given in the University calendar: Doctor of Philosophy (PhD) School: School of Social Sciences Faculty: Arts and Social Sciences Title: Surprise and seduction: Theorising fashion via the sociology of wit Abstract 350 words maximum: What insights might a sociology of wit as applied to the phenomenon of fashion generate? This thesis applies the sociology of humour to fashion to develop a concept of wit that contributes to further understanding fashion. The thesis argues that this concept of wit is characterised by qualities of surprise and seduction. Surprise is defined as the experience of an unexpected, creative intellectual insight expressed in a pithy manner; seduction is the experience of being led astray, and also the desire of the subject to be led astray. The thesis demonstrates the presence of empirical sites of wit within fashion in the form of the dandy and glamour. It utilises Thomas Carlyle’s Sartor Resartus [2000] (1836) to further conceptualise the wit of fashion at the intersection of theories of humour and theories of fashion. The contribution of the wit of fashion to classical texts in the sociology of fashion
    [Show full text]
  • The Oscars Red Carpet Pre-Show
    Networking Knowledge 7(4) All About Oscar An Educational and Inspirational Broadcast: The Oscars Red Carpet Pre-Show LUKASZ SWIATEK, The University of Sydney ABSTRACT The annual Academy Awards pre-show, currently titled The Oscars: Red Carpet Live, has become an integral part of Hollywood’s ‘night of nights’. Produced by the Academy of Motion Picture Arts and Sciences, the show captures a media event or media spectacle that has strong commercial imperatives. The pre-show is often perceived to be nothing more than an insipid commentary about stars, their personal lives and, of course, the clothes that they wear on Oscar night. However, this article argues that the pre-show is much more informative and richer than simplistic criticisms suggest. Specifically, the broadcast educates viewers about filmmaking and the field of cinema, as well as social norms and customs, presenting behaviours and attitudes that are considered to be acceptable and unacceptable. A detailed analysis of the 2013 show confirms this argument; it also finds that parts of the broadcast are inspirational – intentionally and unintentionally so – providing viewers with motivational stories and stimulating ideas. KEYWORDS Academy Awards; Oscars; red carpet; fashion; film industry; education; inspiration; marketing; media spectacle; media event 1 Networking Knowledge 7(4) All About Oscar Introduction The Oscars red carpet pre-show is eagerly anticipated and attentively watched each year by millions of viewers around the world. Red carpet moments are often unforgettable, as Bronwyn Cosgrave (2007, vii) reminds us: ‘Oscars after Oscars, since the ceremony’s inception in 1929, it is a red-carpet look memorably modelled by an actress great that’s proved the preeminent showstopper, consistently upstaging other definitive aspects of the ceremony from the opening monologue to the speeches’.
    [Show full text]
  • Spring/Summer 2020 Collection Runway Show Issue
    SPRING/SUMMER 2020 COLLECTION RUNWAY SHOW ISSUE SEPTEMBER 2019 DISTRICT OF FASHION SS20 3 Q&A WITH NEIL ALBERT Q: HOW DO YOU FEEL ABOUT THE SUCCESS OF THE DISTRICT OF FASHION RUNWAY SHOW THUS FAR? District of Fashion has been a huge success. From its initial launch and show in September 2018 which had around 400 attendees, to its most recent event at the National Museum of Women in the Arts, which had over 600 attendees, and the September 2019 event, where over 1,100 people asked to be put on the list, it shows the growth of the event and the popularity of the event. It, of course, displays how hard [Creative Directors] Remi and Roquois have worked, as well as their partners—the DC government, OCTFME, 202Creates and the Mayor’s Commission on Fashion Arts & Events. Q: WHAT ARE YOUR THOUGHTS ON THE DISTRICT Q: WHAT ABOUT THE FUTURE OF FASHION IN DC? OF FASHION? WHERE DO YOU THINK WE ARE HEADED? The District of Fashion has become the premier I think District of Fashion has catalyzed the runway event in the District of Columbia. The event fashion industry in DC and the future is bright. and concept have only been around for a year, but In the region, the country, and hopefully around its popularity has grown exponentially during that the world, people will see DC as a fashion capital, time. The popularity is not just recognized by the much like Paris and Milan. Hopefully, we’ll begin attendees, but the fashion industry in the DC area to see the inclusion and participation of higher has been paying attention.
    [Show full text]