2020 Season Brochure Spread

Total Page:16

File Type:pdf, Size:1020Kb

2020 Season Brochure Spread A Message Welcome to from our Patron our Silver Jubilee Season! I am thrilled to invite you to join Southern Cross Soloists for our 25th Anniversary (Season). 2020 promises to be a year-long celebration, dedicated to the exquisite chamber music, fond memories and wonderful friends – both old and new – that we have made along the way. Southern Cross Soloists’ journey began 25 years ago as a group of friends coming together to play chamber music and promote the genre in a unique format. The It is an honour to be Patron of one of ensemble has grown and developed over the Australia’s oldest and most-loved chamber years, and now sits at the forefront of the music ensembles, the Southern Cross Soloists. Australian classical music industry. We plan Twenty-five years is a major milestone for an to celebrate this incredible milestone with ensemble, as it is for any organisation. I see Someone who needs no introduction – one you, our wonderful supporters, as we present this quarter-century milestone as not only a of our closest friends from the early days of memorable and magical performances chance to celebrate, but also an opportunity Southern Cross Soloists – is superb guitar throughout the year. to pause and reflect on the journey taken to soloist, Slava Grigoryan. I’m very excited reach it. Our 25th anniversary celebration will explore that he is able to join us for a sublime a theme that is close to the heart of Southern program of guitar masterworks in October, Over the many years I have been attending Cross Soloists: our friends. Over the last 25 including the iconic Rodrigo guitar concerto; Southern Cross Soloists events, I have always years we have collaborated with so many it is sure to melt hearts. felt a sense of awe at their ability to reimagine incredible and inspiring artists, who have classical music in a way that transports We also welcome an outstanding lineup since become our dearest friends, and we are the listener to another place and time. The of Associate Artists in 2020, who will be honoured to have many of them joining us for commitment of the core musicians to their performing with us throughout the season. our 2020 concert season. craft shows in their ability to continually deliver So join us in 2020 as we celebrate this soul-stirring, invigorating concerts to their I am delighted that Miroslav Petkov will momentous achievement – 25 outstanding appreciative audiences. return to perform with us again, after his years of music-making! We look forward to electrifying Australian debut in 2018. As the As the Southern Cross Soloists enter their performing for you this year, and the next 25 Principal Trumpet of the Royal Concertgebouw Silver Jubilee year, having withstood the test of years to come! Orchestra, we can definitely expect some time, they have reached their full maturity as dazzling virtuosity from Miroslav in February. an internationally renowned chamber music ensemble. I look forward to sharing in this Our July concert will be a pinnacle of TANIA FRAZER next sophisticated chapter with them, and I celebrations, as we commemorate Southern Artistic Director welcome you to celebrate with me during their Cross Soloists’ quarter-century milestone 2020 Concert Season. alongside the 250th birthday of Ludwig van Beethoven, one of the greatest musical THE HONOURABLE DAME QUENTIN BRYCE AD CVO geniuses of all time. Patron of Southern Cross Soloists 2 3 The Trumpet Unleashed with Miroslav Petkov After a sell-out performance in 2018, Southern Cross Soloists are delighted to welcome back Miroslav Petkov, Principal Trumpet of the Royal Concertgebouw Orchestra to kick off our 25th year. Unleashing a potent mix of virtuosity and supreme artistry, this concert features Maurice Andre’s iconic arrangement of Vivaldi’s Trumpet Concerto, Rachmaninov’s stunning Romances arranged for trumpet solo and Stravinsky’s ballet masterpiece Petrushka, featuring the heroic trumpet in one of the instrument’s most challenging works of all time. Finishing with the quintessential La Virgen de la Macarena by legendary Mexican trumpet virtuoso, Rafael Mendez, this concert is a rare chance to hear one of the most exciting trumpet soloists in the world today. VIVALDI Trumpet Concerto in A flat Major, RV 20 JABRA LATHAM Solo for Clarinet DOBRINKA TABAKOVA Frozen River Flows RACHMANINOV Romances – selections STRAVINSKY Petrushka RAFAEL MÉNDEZ La Virgen de La Macarena WHEN Sunday, 23 February 2020 at 3pm WHERE Concert Hall, Reverse Mode, QPAC DURATION 90 minutes (no interval) 4 5 MOZART Oboe Quartet in F KV370 BERLIOZ Harold in Italy: Harold in the Mountains Op. 16 In the Footsteps BRUCH Kol Nidrei, Op. 47 NICHIFOR Two Dances for solo clarinet of Giants DEBUSSY Prélude à l’après-midi d’un faune GERSHWIN Rhapsody in Blue Join Southern Cross Soloists for a special performance to commemorate our silver jubilee anniversary. Southern Cross Soloists celebrates in style with a program of masterworks by composers renowned for WHEN Sunday, 19 July 2020 at 3pm their bold risks, brazen originality, and unusual sounds and textures. These musical mavericks pushed boundaries like never before, leaving their distinctive mark on all those who followed. From Berlioz’s WHERE Concert Hall, Reverse Mode, QPAC quirky viola showpiece (possibly composed during an opium haze), to Bruch’s evocative Kol Nidrei and DURATION 90 minutes (no interval) Debussy’s risqué Prélude à l’après-midi d’un faune, this program shares some of our favourite works and highlights the outstanding virtuosity of the Southern Cross Soloists. The concert concludes with a piece that has become a signature work for Southern Cross soloists, Gershwin’s daring and fearless hybrid piano concerto, Rhapsody in Blue. We continue the festivities after the performance with a special toast in QPAC’s Concert Hall foyer to celebrate 25 years of exquisite music-making. 7 Souvenirs de Aranjuez with Slava Grigoryan ARIA Award-winning virtuoso guitarist and longtime friend of the Southern Cross Soloists, Slava Grigoryan headlines our final concert of 2020. Celebrating a quarter-century of chamber music with a program of Spanish and French masterworks, we traverse through European musical history, moving from the sizzling guitar works of the Spanish Baroque to the evocative masterpieces of Belle Époque greats, Debussy and Ravel. This exotic program briefly visits Australian shores with the world premiere of a new work by Sydney composer Natalie Nicholas before culminating with the sultry, intoxicating beauty of Joaquin Rodrigo’s Concierto de Aranjuez. VARIOUS The Spanish Baroque – works by De Ribayaz, De Murcia and Matteis DEBUSSY Préludes (selections) NATALIE NICHOLAS ‘Their Secrets’ World Premiere RAVEL Piano Concerto in G major RODRIGO Concierto de Aranjuez WHEN Sunday, 18 October 2020 at 3pm WHERE Concert Hall, Reverse Mode, QPAC DURATION 90 minutes (no interval) 8 9 Coffee Conversations Enjoy aromatic coffee and fascinating conversation at Brisbane’s favourite book nook, Avid Reader BOOK YOUR FREE TICKETS West End, with the 2020 SXS Coffee Conversations Series. This intimate event featuring music, avidreader.com.au interviews, and behind-the-scenes insights into the world of our 25th anniversary guest virtuosos, composers, and Southern Cross Soloists is the perfect Friday pre-dinner event. (07) 3846 3422 Friday, February 21: In Conversation with international trumpet soloist, Miroslav Petkov Friday, July 17: Meet The Soloists: SXS turns 25 [email protected] Friday, October 16: In Conversation with Slava Grigoryan, award-winning classical guitar soloist From 5.30–6.15pm at Avid Reader, 193 Boundary St, West End, Qld, 4101 Seating is limited; pre-booking advised. BOOK YOUR FREE TICKETS avidreader.com.au (07) 3846 3422 [email protected] SXS Next Gen Artists Program The SXS Next Gen Artists program offers outstanding mentorship, professional development, and performance opportunities to exceptional young Queensland February 21 In Conversation with international trumpet soloist, Miroslav Petkov musicians on the cusp of their professional careers. The recipients of the program are provided with opportunities to perform professionally alongside July 17 Meet The Soloists: Southern Cross Solists turns 25 leading Australian and international performers, while receiving valuable October 16 In Conversation with Slava Grigoryan, award winning classical guitar soloist mentoring. WHEN 21 February, 17 July and 16 October 2020 at 5:30pm WHERE Avid Reader Books, 193 Boundary Street, West End, QLD 4101 DURATION 45 minutes Bangalow Music Festival 2020 WHEN 13–16 August 2020 WHERE A & I Hall, Station St, Bangalow, NSW This August, we continue our 2020 theme of ‘music with friends’ at the Bangalow Music Festival. In its 19th year, the 2020 festival program will once again feature a glittering line-up of acclaimed chamber music ensembles and leading Australian and international soloists in a cornucopia of music works and genres inspired by friendships. 11 Tania Frazer Ashley Smith Blair Harris Alex Raineri Artistic Director, Oboe Clarinet Cello Piano Artistic Director of Southern Cross Soloists Described as ‘Incandescent…a masterly Blair is a highly regarded solo cellist and Twenty-four year old Australian pianist Alex since 2011, Tania Frazer completed her display of skill and insight…as an apologist for chamber musician, known particularly for Raineri, described by Limelight Magazine as degrees at the Guildhall School of Music contemporary music-making, you would search his strikingly individual interpretations and ‘a soloist of superb skill and musicality’, is a in London on full scholarship. Tania has hard to find this young clarinettist’s equal’ (The innovative collaborative projects. Passionate sought-after recitalist, concerto soloist and performed as Principal Oboe with the Age), Ashley is an internationally acclaimed about the creation and performance of chamber musician. International performances Schleswig-Holstein Orchestra under Maazel, clarinet soloist, recitalist, and chamber new music, Blair is a member of Ensemble include tours of California, South-East Asia, Rostropovich and Solti; the Israel Philharmonic musician.
Recommended publications
  • Speeches Given Elsewhere Mike Mansfield 1903-2001
    University of Montana ScholarWorks at University of Montana Mike Mansfield Speeches Mike Mansfield Papers 1967 Speeches Given Elsewhere Mike Mansfield 1903-2001 Let us know how access to this document benefits ouy . Follow this and additional works at: https://scholarworks.umt.edu/mansfield_speeches Recommended Citation Mansfield, Mike 1903-2001, "Speeches Given Elsewhere" (1967). Mike Mansfield Speeches. 1357. https://scholarworks.umt.edu/mansfield_speeches/1357 This Speech is brought to you for free and open access by the Mike Mansfield Papers at ScholarWorks at University of Montana. It has been accepted for inclusion in Mike Mansfield Speeches by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. 1967 cc g p )f Juzy 20, STA'mMniT OF SENA'IDR MIKE MAMSP'IELD (D., l«lt'l'ABA) It is ley' privilege at this tt.me to have the honor to introduce Dr. Michael E. DeBakey, vho 1n turn v1ll introduce h1s colleagues for briet remarks. Dr. DeBakey is--as we all know--one of the nation's outstanding surgeons and because ot h1s work in research of the heart, he has achieved a brilliant and well earned reputation. Dr. DeBakey tollowa in the great trad1tion of John Hunter who is considered by medical historians u the real father of surgery. A graduate of Tulane University, Dr. DeBakey has not been one to sit on his haunches, so to speak, but has );iungecl ahead 1n new areas, deVeloped new technlquea, and in reality practices what he preaches. He bas given ot h1s time and his energy to advance medical knovle4ge to appear before Congressional camrd.
    [Show full text]
  • Art and Performing Arts Recommended Reading List
    Read Around the Subject Art and Performing Arts Recommended Reading List The Poet X by Elizabeth Acevedo – Performing and Poetry A young girl in Harlem discovers slam poetry as a way to understand her mother's religion and her own relationship to the world. Debut novel of renowned slam poet Elizabeth Acevedo. Xiomara Batista feels unheard and unable to hide in her Harlem neighborhood. Ever since her body grew into curves, she has learned to let her fists and her fierceness do the talking. But Xiomara has plenty she wants to say, and she pours all her frustration and passion onto the pages of a leather notebook, reciting the words to herself like prayers, especially after she catches feelings for a boy in her bio class named Aman, who her family can never know about. With Mami's determination to force her daughter to obey the laws of the church, Xiomara understands that her thoughts are best kept to herself. So, when she is invited to join her school' s slam poetry club, she doesn't know how she could ever attend without her mami finding out, much less speak her words out loud. But still, she can't stop thinking about performing her poems. Because in the face of a world that may not want to hear her, Xiomara refuses to be silent Slog's Dad by David Almond - Art Do you believe there's life after death? Slog does. He reckons that the scruffy bloke sitting outside the pork shop is his dad who has come back to visit him for one last time.
    [Show full text]
  • Through Romany Songland. [With Musical Notes.]
    BkhhP 1 rais mMBit mm THE GLEN COLLECTION OF SCOTTISH MUSIC Presented by Lady Dorothea Ruggles- Brise to the National Library of Scotland, in memory of her brother, Major Lord George Stewart Murray, Black Watch, killed in action in France in 1914. 28th January 1927. THROUGH ROMANY SONGLAND Digitized by the Internet Archive in 2011 with funding from National Library of Scotland http://www.archive.org/details/throughromanysonOOsmit THROUGH ROMANY SONGLAND BY LAURA ALEXANDRINE SMITH Authoress 0/""The Music of the Waters." " Only in the Land of Dreams is Freedom, Only blooms the beautiful in Song." "In ancient Germany there was a town known by the name of Sing-one, and referred to by Ptolemy ; it is believed that in all probability our English word "sing," in Dutch "zingen," and its various forms in other languages, were derived from the habit of singing of the gypsies." —Henry Kilgour. DAVID STOTT, 370, OXFORD STREET, W. 1! : LONDON HENDERSON & SPALDING, GENERAL PRINTERS 3 & 5, MARYLEBONE LANE, W. Deoicateb by special permission MR WILSON BARRETT CONTENTS. PAGE Gypsy Song .. ... i x Introduction xi Magyar or Hungarian Gypsy Songs ; or, Songs of the Tzigani I Songs of the Gitanos or Spanish Gypsies 47 Russian Romany Songs ; or, Songs of the Tziggani 89 Anglo- Romany Songs ... - 107 Scotch Gypsy or Tinkler Songs ... 157 Songs of the Bohemiens; or, French Gypsy Songs 1S1 The Zigeuner or Gypsies of the Vaterland ... 205 Indian Gypsy Songs and Dance Tjnes 211 Finale 225 : You ask, what is the gypsy life ? Hark, then, and I will tell GYPSY SONG. gg^iSgg± Tra la la la.Tra la la la, A gj'p-sy gay and free, Tra liiliiiillll^ la la la, Tra la la la, A rov-inglife for me— Tra -J£=ZJK=WZ^^^^^^m.
    [Show full text]
  • My Latin Heart Program
    RIVERSIDE THEATRES PRESENTS MY LATIN HEART JOSÉ CARBÓ WITH SLAVA & LEONARD GRIGORYAN MUSIC FRIDAY 18 MARCH AT 8PM northern region of Galicia. José made his La MUSICIANS Scala debut in 2009 in Il viaggio a Reims and his American debut in 2011 as Rossini’s The JOSÉ CARBÓ BARITONE Marriage of Figaro in Seattle. SLAVA GRIGORYAN Most recently, he has sung Count Almaviva in GUITAR The Marriage of Figaro, Rossini’s The Barber of Seville, Enrico in Lucia di Lammermoor, LEONARD GRIGORYAN GUITAR Marcello in La Bohème, Silvio in Pagliacci, Lescaut in Manon, Don Alfonso in Così fan Tutte and First Officer inMadeline Lee for Opera CREW Australia. For Opera Queensland he played REUBEN ZYLBERSZPIC the title roles in Don Giovanni and Il Barbiere, PRODUCER Belcore in L’elisir d’amore and Sonora in La Fanciulla del West and for State Opera of South Australia he performed in Rossini’s The Marriage of Figaro. BIOGRAPHIES José Carbó has extensive experience performing in concerts. His repertoire includes JOSÉ Beethoven’s Symphony No. 9, Mass in C and Choral Symphony, Carl Orff’s Carmina CARBÓ Burana, Rachmaninoff’s The Bells, Fauré’s Baritone Requiem, Brahms’ Eines Deutsches Requiem, Australian baritone José Carbó was born in Ralph Vaughan-Williams’ Mass in C minor Argentina and is of Spanish and Italian descent. and Mendelssohn’s Paulus with the major He moved with his family to Australia at an orchestras of Australia and New Zealand. In early age. José has studied under the tutelage October 2006, José undertook a tour as the of Thais Taras, Arax Mansourian and Margaret baritone soloist with the Sydney Symphony Baker Genovesi in Rome.
    [Show full text]
  • GCSE, AS and a Level Music Difficulty Levels Booklet
    GCSE, AS and A level Music Difficulty Levels Booklet Pearson Edexcel Level 1/Level 2 GCSE (9 - 1) in Music (1MU0) Pearson Edexcel Level 3 Advanced Subsidiary GCE in Music (8MU0) Pearson Edexcel Level 3 Advanced GCE in Music (9MU0) First teaching from September 2016 First certification from 2017 (AS) 2018 (GCSE and A level) Issue 1 Contents Introduction 1 Difficulty Levels 3 Piano 3 Violin 48 Cello 71 Flute 90 Oboe 125 Cla rinet 146 Saxophone 179 Trumpet 217 Voic e 240 Voic e (popula r) 301 Guitar (c lassic al) 313 Guitar (popula r) 330 Elec tronic keyboa rd 338 Drum kit 344 Bass Guitar 354 Percussion 358 Introduction This guide relates to the Pearson Edexcel Level 1/Level 2 GCSE (9-1) in Music (1MU0), Pearson Edexcel Level 3 Advanced Subsidiary GCE in Music (8MU0) and Pearson Edexcel Level 3 Advanced GCE in Music (9MU0) qualifications for first teaching from 2016. This guide must be read and used in conjunction with the relevant specifications. The music listed in this guide is designed to help students, teachers, moderators and examiners accurately judge the difficulty level of music submitted for the Performing components of the Pearson Edexcel GCSE, AS and A level Music qualifications. Examples of solo pieces are provided for the most commonly presented instruments across the full range of levels. Using these difficult y levels For GCSE, teachers will need to use the book to determine the difficulty level(s) of piece(s) performed and apply these when marking performances. For AS and A Level, this book can be used as a guide to assist in choosing pieces to perform, as performances are externally marked.
    [Show full text]
  • Impact Report 2019 Impact Report
    2019 Impact Report 2019 Impact Report 1 Sydney Symphony Orchestra 2019 Impact Report “ Simone Young and the Sydney Symphony Orchestra’s outstanding interpretation captured its distinctive structure and imaginative folkloric atmosphere. The sumptuous string sonorities, evocative woodwind calls and polished brass chords highlighted the young Mahler’s distinctive orchestral sound-world.” The Australian, December 2019 Mahler’s Das klagende Lied with (L–R) Brett Weymark, Simone Young, Andrew Collis, Steve Davislim, Eleanor Lyons and Michaela Schuster. (Sydney Opera House, December 2019) Photo: Jay Patel Sydney Symphony Orchestra 2019 Impact Report Table of Contents 2019 at a Glance 06 Critical Acclaim 08 Chair’s Report 10 CEO’s Report 12 2019 Artistic Highlights 14 The Orchestra 18 Farewelling David Robertson 20 Welcome, Simone Young 22 50 Fanfares 24 Sydney Symphony Orchestra Fellowship 28 Building Audiences for Orchestral Music 30 Serving Our State 34 Acknowledging Your Support 38 Business Performance 40 2019 Annual Fund Donors 42 Sponsor Salute 46 Sydney Symphony Under the Stars. (Parramatta Park, January 2019) Photo: Victor Frankowski 4 5 Sydney Symphony Orchestra 2019 Impact Report 2019 at a Glance 146 Schools participated in Sydney Symphony Orchestra education programs 33,000 Students and Teachers 19,700 engaged in Sydney Symphony Students 234 Orchestra education programs attended Sydney Symphony $19.5 performances Orchestra concerts 64% in Australia of revenue Million self-generated in box office revenue 3,100 Hours of livestream concerts
    [Show full text]
  • Dramas with Music: Tennessee Williams' a Streetcar
    Edinburgh Research Explorer Dramas with Music: Tennessee Williams’ A Streetcar Named Desire and the Challenges of Music for the Postwar Stage Citation for published version: Davison, A 2011, 'Dramas with Music: Tennessee Williams’ A Streetcar Named Desire and the Challenges of Music for the Postwar Stage', American Music, vol. 29, no. 4, pp. 401-442. https://doi.org/10.5406/americanmusic.29.4.0401 Digital Object Identifier (DOI): 10.5406/americanmusic.29.4.0401 Link: Link to publication record in Edinburgh Research Explorer Document Version: Peer reviewed version Published In: American Music Publisher Rights Statement: © Davison, A. (2011). Dramas with Music: Tennessee Williams’ A Streetcar Named Desire and the Challenges of Music for the Postwar Stage. American Music, 29(4), 401-442. 10.5406/americanmusic.29.4.0401 General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 25. Sep. 2021 Dramas with Music: Tennessee Williams’ A Streetcar Named Desire and the Challenges of Music for the Post-War Stage Annette Davison, University of Edinburgh The music created for theatrical productions is notoriously ephemeral.
    [Show full text]
  • Abc Music Wins Three Awards at the 2020 Aria Awards Abc Music Lifetime Award Wins Now at 188
    THURSDAY, NOVEMBER 26 FOR IMMEDIATE RELEASE ABC MUSIC WINS THREE AWARDS AT THE 2020 ARIA AWARDS ABC MUSIC LIFETIME AWARD WINS NOW AT 188 Following the 2020 ARIA Awards last night, ABC Music has collected three awards across the Best Children’s Album, Best World Music Album & Best Classical Album categories. The awards were won by Teeny Tiny Stevies ‘Thoughtful Songs for Little People’ (Best Children’s Album), Joseph Tawadros ‘Live at the Sydney Opera House’ (Best World Music Album) and Richard Tognetti & Erin Helyard ‘Beethoven & Mozart Violin Sonatas’ (Best Classical Album). Last night’s event saw Teeny Tiny Stevies win their first-ever ARIA Award. “We’ve been working musicians for so long now, this nod from the industry is definitely a proud moment. If I’m lucky I’ll get a few high fives from other parents at school drop off today,” said Byll Stephen, half of the sister duo. The night marked the fifth ARIA win for Tawadros and Tognetti. “It’s been a hard year for musicians everywhere - like me, most have had no live shows and it’s devastating. This recognition of my music is extra special, especially as it’s a live concert recording with a lively audience. I want to thank everyone who was involved in making it happen. It’s some much-needed light in a very challenging year,” said Joseph. On winning Best Classical Album with Richard Tognetti, Erin Helyard said, “Richard & I are old mates and are delighted to have won. We wanted to present a kind of history of the evolution of the eighteenth-century violin sonata, and the city of Vienna.
    [Show full text]
  • Patrick Stump
    PATRICK STUMP BIOGRAPHY Patrick Stump is the lead vocalist, songwriter and rhythm guitarist for Grammy-nominated artist Fall Out Boy, with chart-topping albums, global hits, and credits for platinum Artists including Blink 182, Bruno Mars, Timbaland and others, as well as Film and TV Projects including Scoring, Voiceover work and Acting. FEATURE FILMS MOST LIKELY TO SUCCEED Pamela Littky, prod. Level 33 Entertainment Pamela Littky, dir. CHANGELAND Corey Moosa, prod. Stoopid Buddy Stoodios Seth Green, dir. EVERYBODY’S EVERYTHING Benjamin Soley, prod. Gunpowder & Sky Sebastian Jones, Ramez Silyan, dir. TELEVISION DEADENDIA Hamish Steele, exec prod. (single untitled musical episode) Mystery Q Ltd. *Songwriter / Producer / Composer SPIDEY AND HIS AMAZING FRIENDS Dan Buckley, Alan Fine, Marsha Friffin, Disney Junior Cort Lane, Joe Quesada, Eric Radomski, exec prods. DISCOGRAPHY LAKE EFFECT KID Fall Out Boy Writer / Producer MANIA Fall Out Boy Writer / Producer SAN DIEGO Blink-182 Writer “SOBER” Blink-182 Writer “RUN AWAY WITH ME Carly Rae Jepsen Producer REMIX” AMERICAN BEAUTY / Fall Out Boy Writer / Producer AMERICAN PSYCHO “GIBBERISH” MAX Writer The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 PATRICK STUMP “10 VICTORIA’S MAX Writer SECRET MODELS” “BOTTOM OF THE Itch Writer GLASS” “HOMELESS Itch Writer ROMANTIC” “I STAND ALONE” Robert Glasper Writer “DANCING WITH THE Krewalla Writer DEVIL” SAVE ROCK AND Fall Out Boy Writer / Producer ROLL “OUTLINES” All Time Low Writer SOUL PUNK Patrick Stump (Album) Writer / Producer TRUANT WAVE Patrick Stump (EP) Writer / Producer “THE OTHER SIDE” Bruno Mars Writer “YOU’RE NOT IN ON Cobra Starship Writer THE JOKE” “OPEN HAPPINESS” The Coca Cola Company Writer *with Brendan Urie & Cee Lo Green “LITTLE THINGS” Good Charlotte Producer (REMIX) THE QUILT Gym Class Heroes Writer / Producer *Guilty as Charged", "Drnk Txt Rmeo", "Like Father Like Son", "Blinded by the Sun", "Catch Me If You Can", "Live a Little", "No Place To Run" NO INTRODUCTION Tyga Producer *”Supersize Me”, “Don’t Regret it Now”, “Woww”, “Est.
    [Show full text]
  • Most Popular Classical Melodies for Easy Classical Guitar Pdf, Epub, Ebook
    MOST POPULAR CLASSICAL MELODIES FOR EASY CLASSICAL GUITAR PDF, EPUB, EBOOK Mark Phillips | 64 pages | 07 Dec 2009 | Cherry Lane Music Co ,U.S. | 9781603781480 | English | United States Top 10 Easy Classical Guitar Songs For Beginners - The Guitar Journal Now you can add this piece to your collection of easy classical guitar songs! Here is Ultimate-Guitar. With this in mind, we created a cheat-sheet; a key and scale-finder that you can use again and again. This is another of the easy classical guitar songs that was not composed specifically for the guitar. He reportedly refused to give George Gershwin piano lessons! This lovely crossover hit is the first Latin pop song to reach the Billboard Hot since the Macarena! Have fun with this one! Learning classical guitar in the sense of learning classical music frequently involves studying with a teacher. If pursuing this lovely instrument in that way is what pleases you, make sure you pick a teacher who is familiar with the technical skills and unique features involved in classical music. Join over , other guitar learners and subscribe to our guitar-tips-by-email service. It's free. We'll send you a series of lessons that will move you to the next level of your guitar journey. Villa-Lobos is one of the most important composers for classical guitar. His music seamlessly combines Brazillian folk music with contempory classical music. Made famous by the film "the Deer Hunter," the Cavatina by Stanley Yates is heart-wrenchingly beautiful. I could easily listen to this song times without getting tired of it! Each movement of the piece suggests an entirely different mood The overall effect is absolutely incredible! The theme then develops through several variations and climaxes with a big Finale.
    [Show full text]
  • Nigel Westlake and Grigoryan Brothers in Concert with the Adelaide Symphony Orchestra
    Nigel Westlake and Grigoryan Brothers in Concert with the Adelaide Symphony Orchestra April Saturday 24 Festival Theatre SPECIAL EVENT Nigel Westlake and Sat 24 Apr, 7.30pm Festival Theatre Grigoryan Brothers Nigel Westlake Conductor in Concert Slava & Leonard Grigoryan Guitars Jack Buckskin Pudnanthi Padninthi [2I30II] & Jamie Goldsmith (‘The Coming and the Going’) (arr./orch. Ferguson) Nigel Westlake WORLD PREMIERE Toward Takayna: Concerto for Two Guitars [20I] In three movements Slava & Leonard Grigoryan Guitars Interval Nigel Westlake Antarctica – Suite for Guitar and Orchestra [23I] The Last Place on Earth Wooden Ships Penguin Ballet The Ice Core – Cadenza – Finale Slava Grigoryan Guitar Nigel Westlake The Glass Soldier – Suite [20I] The Glass Soldier Symphonies of Glass White Birds Fly Over the Valley of the Somme I Was Blinded – But Now I See Duration This concert will run for approximately 110 minutes, including a 20 minute interval. We acknowledge that the land we make music on is the traditional country of the Kaurna people of the Adelaide Plains. We pay respect to Elders past and present and recognise and respect their cultural heritage, beliefs and relationship with the land. We acknowledge that this is of continuing importance to the Kaurna people living today. We extend this respect to all Aboriginal and Torres Strait Islander people who are with us for this performance today. WELCOME While Adelaide’s resilience and community spirit over the last 12 months have been exceptional, it was still hard to forego so many of the cultural events that define us as a city – and the postponement of the 2020 Adelaide Guitar Festival was pretty devastating.
    [Show full text]
  • Ba Chelor Thesis
    Bachelor's Programme in Linguistics, 180 credits BACHELOR BACHELOR Pragmatics, Newspapers and Context A Study of How British Tabloid Newspapers Construct Context THESIS Ninni Nilsson Bachelor Thesis, 15 credits Halmstad 2017-02-03 Abstract While the original focus of pragmatics was spoken conversation, this approach has been increasingly used in the analysis of written and monological texts, e.g. advertisements (Tanaka, 1994), as a means of explaining how the meanings within them are generated and recovered through context. The range of texts subjected to pragmatics has thus far been somewhat limited and there is scope for applying pragmatics in other genres. The research for this essay was designed to explain the generation of implicatures in newspapers by relating a sample of articles to theoretical approaches offered within pragmatics, such as Relevance Theory and deixis. A number of semantic and stylistic devices are used in such articles, such as anaphora, metaphor and metonymy. These depend upon an expectation of reader familiarity with them and they are thus able to contribute to brevity and comprehension. While newspapers have been examined by scholars to some extent, the focus of these studies has been on headlines and not on entire articles. In this current study, three articles from different British tabloid papers were examined. The examination showed that the articles had many features in common and what was the most salient was that they require the reader to rely heavily on encyclopaedic knowledge. It turned out that writers keep their articles brief by withholding details or clarifying information from the reader, as they assume the reader are familiar with the phenomena mentioned.
    [Show full text]