Shadow Dances Booklet
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Nigel Westlake
NIGEL WESTLAKE SELECTED CREDITS ALI’S WEDDING (2017) PAPER PLANES (2014) MISS POTER (2006) (Nigel won APRA MusiC Award, nominated for IFMCA Award & World SoundtraCk Award) THE NUGGET(2002) (Nigel won SCreen MusiC Award) BIOGRAPHY Nigel Westlake's Career in musiC has spanned more than four deCades. As a Composer for the sCreen, his film Credits inClude the feature film ‘Ali’s Wedding’, ‘Paper Planes’, ‘Miss Potter’, ‘Babe’, ‘Babe: Pig in the CitY’, ‘Children of the Revolution’, ‘The Nugget’, plus the Imax films ‘AntarCtiCa’, ‘Imagine’, ‘The Edge and Solarmax’ and numerous others. His television Credits include doCumentaries, telemovies, news themes and station idents. His Compositions have earned numerous aCColades, inCluding the Gold Medal at the New York International Radio Festival and 15 APRA awards (Australasian Performing Right assoC.) in the sCreen & art musiC Categories. The feature film ‘Babe’ won the Golden Globe Award in 1996 for Best Feature MusiCal/ ComedY. He studied the Clarinet with his father, Donald Westlake, and left sChool earlY to pursue a performanCe Career in musiC. His earlY Career as a freelanCe clarinettist, bass clarinettist and saxophonist was spent touring Australia and the world performing with ballet companies, a circus troupe, Chamber musiC ensembles, fusion bands and orChestras. Nigel’s interest in Composition dates from the late 1970s, when he formed a Classical / jazz-roCk / world-musiC / fusion band to perform original Compositions. During this time he started to reCeive offers to Compose for radio, CirCus, TV & film. In 1983 he furthered his studies of ContemporarY music in the Netherlands, studYing bass Clarinet with HarrY SparnaaY and Composition with Theo Leovendie. -
Korngold Violin Concerto String Sextet
KORNGOLD VIOLIN CONCERTO STRING SEXTET ANDREW HAVERON VIOLIN SINFONIA OF LONDON CHAMBER ENSEMBLE RTÉ CONCERT ORCHESTRA JOHN WILSON The Brendan G. Carroll Collection Erich Wolfgang Korngold, 1914, aged seventeen Erich Wolfgang Korngold (1897 – 1957) Violin Concerto, Op. 35 (1937, revised 1945)* 24:48 in D major • in D-Dur • en ré majeur Dedicated to Alma Mahler-Werfel 1 I Moderato nobile – Poco più mosso – Meno – Meno mosso, cantabile – Più – Più – Tempo I – Poco meno – Tempo I – [Cadenza] – Pesante / Ritenuto – Poco più mosso – Tempo I – Meno, cantabile – Più – Più – Tempo I – Meno – Più mosso 9:00 2 II Romanze. Andante – Meno – Poco meno – Mosso – Poco meno (misterioso) – Avanti! – Tranquillo – Molto cantabile – Poco meno – Tranquillo (poco meno) – Più mosso – Adagio 8:29 3 III Finale. Allegro assai vivace – [ ] – Tempo I – [ ] – Tempo I – Poco meno (maestoso) – Fließend – Più tranquillo – Più mosso. Allegro – Più mosso – Poco meno 7:13 String Sextet, Op. 10 (1914 – 16)† 31:31 in D major • in D-Dur • en ré majeur Herrn Präsidenten Dr. Carl Ritter von Wiener gewidmet 3 4 I Tempo I. Moderato (mäßige ) – Tempo II (ruhig fließende – Festes Zeitmaß – Tempo III. Allegro – Tempo II – Etwas rascher (Tempo III) – Tempo II – Allmählich fließender – Tempo III – Wieder Tempo II – Tempo III – Drängend – Tempo I – Tempo III – Subito Tempo I (Doppelt so langsam) – Allmählich fließender werdend – Festes Zeitmaß – Tempo I – Tempo II (fließend) – Festes Zeitmaß – Tempo III – Ruhigere (Tempo II) – Etwas rascher (Tempo III) – Sehr breit – Tempo II – Subito Tempo III 9:50 5 II Adagio. Langsam – Etwas bewegter – Steigernd – Steigernd – Wieder nachlassend – Drängend – Steigernd – Sehr langsam – Noch ruhiger – Langsam steigernd – Etwas bewegter – Langsam – Sehr breit 8:27 6 III Intermezzo. -
Compassion Booklet
481 0678 Compassion – Symphony of Songs Song cycle for voice and orchestra by Lior and Nigel Westlake based on a collection of ancient Hebrew and Arabic texts 1 Sim Shalom – Grant Peace 7’28 2 Eize Hu Chacham? – Who is Wise? 5’25 3 La Yu’minu – Until You Love Your Brother 4’18 4 Inna Rifqa – The Beauty Within 4’55 5 Al Takshu L’vavchem – Don’t Harden Your Hearts 4’45 6 Ma Wadani Ahadun – Until the End of Time 7’57 7 Avinu Malkeinu – Hymn of Compassion 5’57 Total Playing Time 40’46 Lior vocals Sydney Symphony Orchestra Nigel Westlake conductor Compassion was commissioned by the Sydney Symphony Orchestra, for the SSO and the other Australian symphony orchestras, with the support of Symphony Services International. 3 The Genesis of Compassion In stark contrast to what had preceded, here was another side to Lior’s artistry, his keening and emotionally charged voice allowing us an intimate glimpse into the rich vein of middle eastern heritage The catalyst for Compassion can be traced to a single watershed moment: the occurrence of my first that is his birthright. Lior concert. It was the winter of 2009 in the tiny rural village of St Albans NSW, the occasion being the inaugural fundraising event for the Smugglers of Light, a foundation formed by our family in The power and spirituality of the song struck a deep resonance amongst the crowd, all of whom were memory of my son Eli. captivated in spellbound rapture. For my own part, I had just experienced a small taste of a tantalising and exotic sound world and was overcome by a strange yearning to be a part of it. -
My Latin Heart Program
RIVERSIDE THEATRES PRESENTS MY LATIN HEART JOSÉ CARBÓ WITH SLAVA & LEONARD GRIGORYAN MUSIC FRIDAY 18 MARCH AT 8PM northern region of Galicia. José made his La MUSICIANS Scala debut in 2009 in Il viaggio a Reims and his American debut in 2011 as Rossini’s The JOSÉ CARBÓ BARITONE Marriage of Figaro in Seattle. SLAVA GRIGORYAN Most recently, he has sung Count Almaviva in GUITAR The Marriage of Figaro, Rossini’s The Barber of Seville, Enrico in Lucia di Lammermoor, LEONARD GRIGORYAN GUITAR Marcello in La Bohème, Silvio in Pagliacci, Lescaut in Manon, Don Alfonso in Così fan Tutte and First Officer inMadeline Lee for Opera CREW Australia. For Opera Queensland he played REUBEN ZYLBERSZPIC the title roles in Don Giovanni and Il Barbiere, PRODUCER Belcore in L’elisir d’amore and Sonora in La Fanciulla del West and for State Opera of South Australia he performed in Rossini’s The Marriage of Figaro. BIOGRAPHIES José Carbó has extensive experience performing in concerts. His repertoire includes JOSÉ Beethoven’s Symphony No. 9, Mass in C and Choral Symphony, Carl Orff’s Carmina CARBÓ Burana, Rachmaninoff’s The Bells, Fauré’s Baritone Requiem, Brahms’ Eines Deutsches Requiem, Australian baritone José Carbó was born in Ralph Vaughan-Williams’ Mass in C minor Argentina and is of Spanish and Italian descent. and Mendelssohn’s Paulus with the major He moved with his family to Australia at an orchestras of Australia and New Zealand. In early age. José has studied under the tutelage October 2006, José undertook a tour as the of Thais Taras, Arax Mansourian and Margaret baritone soloist with the Sydney Symphony Baker Genovesi in Rome. -
Fne Music Magazne
February 2013 MAGAZINE VLADIMIR ASHKENAZY The Mystery of Music CORRALLING THE MASSES Sydney Philharmonia Choirs THE MUSIC- MATH MYTH Simon Tedeschi MASTER OF MODERNISM - Elliott Carter BIRTH OF AN OPERA Un Ballo in Maschera FROM THE ROYAL OPERA LA BOHEME MARCH 1, 2, 3 & 6 www.palaceoperaandballet.com.au CONTENTS EDITOR’S DESK In our cover story there’s a classic master-meets- Vol 40 No 2 apprentice moment as Robert Clark endeavours 4 COVER STORY to find some insights into how the great Vladimir Vladimir Ashkenazy, Principal Conductor of Ashkenazy achieves what he does. Clark finds however, that the practice of making music in the the Sydney Symphony, talks with Robert Clark maestro’s realm is more spiritual than tangible. and ponders the mysteries of making music Just one month into the Wagner anniversary year 3 Simon Says and we appear to be pleasantly awash with all things 6 Brett Weymark Interview Wagnerian. In a one page special review, Randolph Magri-Overend lifts the lid on a commemorative 8 Un Ballo in Maschera – Solti Ring cycle 14 CD Box set limited edition and the Wagner Society in NSW unveils a Birth of an Opera packed calendar of events. 11 Presenter Profile – Tom Zelinka Over at the Sydney Symphony, Chief Conductor and Artistic Director designate David Robertson is set to mark the 200th anniversaries of Verdi and Wagner with two July 12 Young Virtuosi events - Verdi’s Requiem and a concert version of Wagner’s Flying Dutchman. 13 Meet Kathryn Selby These two concerts are among seven this year where the Sydney Symphony teams up with the Brett Weymark-led Sydney Philharmonia Choirs. -
The Life and Times of the Remarkable Alf Pollard
1 FROM FARMBOY TO SUPERSTAR: THE LIFE AND TIMES OF THE REMARKABLE ALF POLLARD John S. Croucher B.A. (Hons) (Macq) MSc PhD (Minn) PhD (Macq) PhD (Hon) (DWU) FRSA FAustMS A dissertation submitted for the degree of Doctor of Philosophy University of Technology, Sydney Faculty of Arts and Social Sciences August 2014 2 CERTIFICATE OF ORIGINAL AUTHORSHIP I certify that the work in this thesis has not previously been submitted for a degree nor has it been submitted as part of requirements for a degree except as fully acknowledged within the text. I also certify that the thesis has been written by me. Any help that I have received in my research work and the preparation of the thesis itself has been acknowledged. In addition, I certify that all information sources and literature used are indicated in the thesis. Signature of Student: Date: 12 August 2014 3 INTRODUCTION Alf Pollard’s contribution to the business history of Australia is as yet unwritten—both as a biography of the man himself, but also his singular, albeit often quiet, achievements. He helped to shape the business world in which he operated and, in parallel, made outstanding contributions to Australian society. Cultural deprivation theory tells us that people who are working class have themselves to blame for the failure of their children in education1 and Alf was certainly from a low socio-economic, indeed extremely poor, family. He fitted such a child to the letter, although he later turned out to be an outstanding counter-example despite having no ‘built-in’ advantage as he not been socialised in a dominant wealthy culture. -
A Little Bit Soul Music Credits
Original Music composed & conducted by Nigel Westlake Music Supervisor Christine Woodruff Score Composed & Orchestrated by Nigel Westlake Score Recording Engineer & Editor Christo Curtis Score Librarian & Composer's Assistant Jan Loquet Westlake Score Copiest Karl Vyzard Performed by the Tasmanian Symphony Orchestra Conducted by Nigel Westlake Orchestral Leader/Violin Soloist Barbara Jane Gilby Piano Soloist Ian Munro Orchestral Manager Siobhan Lenihen T.S.O. Manager Julie Warn Recorded at Government House, Hobart, Tasmania MUSIC Ain't Nobody Here But Us Chickens written by Alex Kramer/Joan Whitney Bourne Co (for USA) & MCA Music Publishing, a Division of Universal Studios Inc Administered by MCA Music Australia Pty Ltd performed by Louis Jordan & His Tympany Five, courtesy of MCA Records Inc by arrangement with Universal Music Special Markets Choo Choo Ch'Boogie written by Vaughn Horton/Denver Darling/Milton Gabler Rytvoc Inc performed by Louis Jordan & His Tympany Five, courtesy of MCA Records Inc by arrangement with Universal Music Special Markets If You're So Smart, How Come You Ain't Rich written by Fred Norman/William Friedman/Walter Bishop Festival Music Pty Ltd o/b/o Hollybrook Music performed by Louis Jordan & His Tympany Five, courtesy of MCA Records Inc by arrangement with Universal Music Special Markets Open The Door, Richard! written by Dusty Fletcher/jack McVea/John Mason/Dan Howell MCA - Duchess Music Corporation, administered by MCA Music Australia Pty Ltd performed by Louis Jordan & His Tympany Five, courtesy of MCA Records -
Impact Report 2019 Impact Report
2019 Impact Report 2019 Impact Report 1 Sydney Symphony Orchestra 2019 Impact Report “ Simone Young and the Sydney Symphony Orchestra’s outstanding interpretation captured its distinctive structure and imaginative folkloric atmosphere. The sumptuous string sonorities, evocative woodwind calls and polished brass chords highlighted the young Mahler’s distinctive orchestral sound-world.” The Australian, December 2019 Mahler’s Das klagende Lied with (L–R) Brett Weymark, Simone Young, Andrew Collis, Steve Davislim, Eleanor Lyons and Michaela Schuster. (Sydney Opera House, December 2019) Photo: Jay Patel Sydney Symphony Orchestra 2019 Impact Report Table of Contents 2019 at a Glance 06 Critical Acclaim 08 Chair’s Report 10 CEO’s Report 12 2019 Artistic Highlights 14 The Orchestra 18 Farewelling David Robertson 20 Welcome, Simone Young 22 50 Fanfares 24 Sydney Symphony Orchestra Fellowship 28 Building Audiences for Orchestral Music 30 Serving Our State 34 Acknowledging Your Support 38 Business Performance 40 2019 Annual Fund Donors 42 Sponsor Salute 46 Sydney Symphony Under the Stars. (Parramatta Park, January 2019) Photo: Victor Frankowski 4 5 Sydney Symphony Orchestra 2019 Impact Report 2019 at a Glance 146 Schools participated in Sydney Symphony Orchestra education programs 33,000 Students and Teachers 19,700 engaged in Sydney Symphony Students 234 Orchestra education programs attended Sydney Symphony $19.5 performances Orchestra concerts 64% in Australia of revenue Million self-generated in box office revenue 3,100 Hours of livestream concerts -
Simon Tedeschi & Nick Parnell – “Virtuosi” MEDIA KIT Www
Simon Tedeschi & Nick Parnell – “Virtuosi” MEDIA KIT www.nickparnell.com For more information contact Chris Bull on 8463 5015 MEDIA RELEASE Simon Tedeschi & Nick Parnell – “Virtuosi” Two of Australia’s most celebrated classical music virtuosos will take to the stage together for the first time during the 2012 Adelaide Fringe Festival. Sparks will fly as acclaimed pianist Simon Tedeschi joins forces with Adelaide percussionist Nick Parnell in a musical celebration of rhythm, colour and vitality. Blurring the lines between classical and jazz, this spectacular show will include Simon’s signature work - Gershwin’s Rhapsody in Blue - and the dazzling, Brazilian-inspired Bem-Vindo. “This collaboration came about after Simon and I met in Sydney more than a year ago. It wasn’t long before we realised that we both have a passion for not only classical music, but for jazz as well,” Nick explains. “We decided it would be fun to play music together because we both share the same sense of adventure in exploring different styles of music. It’s going to be exciting to see what happens in the performance!” Virtuosi will be the very first time Nick and Simon have collaborated on stage and the performance is set to be explosive! Both artists have recently returned from extended overseas performances tours. Nick is fresh from a performance and research tour of the USA, France and the UK after winning the prestigious “Dame Roma Churchill Fellowship”. Simon just recently got back to Australia after spending some time living and performing in the USA. “Nick Parnell is a complete and utter star. -
The University of Newcastle Uninews, August, 2001
Vice-Chancellor's Column between academic areas of the staff and business services; University; • sUpJXlrting inCIe'dSed • meeting the emerging numbers of both Australian areas of teaching and leaming over (particularly postgrdduate) and the next 10-15 years, with intemationalstudents; particular inunediate emphasis on • developing a stronger multinledia and IT, as well as new entrepreneurial culture within the are-as in health, business, the University, and promoting stronger envirorunental sciences, and links with and support from professional education and alumni, business and indus\Jy; and training; • gaining increased public • fanning marc flexible and and private sector funded research penneable groups for teaching, for the University. research, research training and nle new Central Divisions service activities which tramcend will suppOtt these attributes ancl traditional academic boundaries; objectives, and play strong • providing solutions to suit facilitating roles for the faculties. I new jobs, industries and social am particularly keen to ensure that needs of the future, particularly for we have a high level of ownership the Hunter and Central Coast; of the new strucnlre by staff and • improving the quality of snldents of the University, and will services and teaching to our most do all that I can to assist. I am inlportant clients, our students; happy to meet with snldent and Discussions about the consultation prior to consideration • removing duplication of staff groups to discuss the University 'restmcture' are of the structure of the University courses across degree structure<;, underlying philosophy of the continuing following the 10 August by the Resources and and promoting cross-school and ciunges, as well as the impottant release on the University's web site Administration Committee (12 cross-faculty arrangements for details and timetable for of submissions relating to the October), and subsequently by degree programs; inlplementation. -
Children of the Revolution Music Credits
Original Music Nigel Westlake Music Co-ordinator Christine Woodruff Original Music Composed, Orchestrated & Produced by Nigel Westlake Orchestral Recording Engineer Christo Curtis Original Music Performed By The Victorian Philharmonic Orchestra Orchestra Leader Rudolph Osadnik Orchestral Manager Ron Layton Conducted By David Stanhope Original Music Recorded At ABC Southbank Studios, Melbourne Computer Scoring & Copying of Music Carl Vine Assitant (sic) to the Composer Jan Loquet Westlake MUSIC TRACKS Alexander Nevsky Cantata Written By Sergei Prokofiev © Boosey & Hawkes Music Publishers Performed by "Latvija" Chorus/Gewandhausorchester Leipzig Conducted by Kurt Masur Courtesy Teldec International By arrangement with Warner Music Australia Pty Ltd and Performed by Rundfunksolisten-Vereinigung Berlin/ Rundfunkchoir Berlin/RSB Conducted by Wolf-Dieter Hauschild Courtesy Berlin Classics/"Edel" Company Hamburg, Germany Lieutenant Kije Suite Written by Sergei Prokofiev © Boosey & Hawkes Music Publishers Performed by Armenian Philharmonic Orchestra Conducted by Loris Tjeknavorian Courtesy ASV Records Ltd and Performed by Czecho-Slovak Philharmonic Orchestra (Kosice) Conducted by Andrew Mogrelia Courtesy HNH International L'Internationale Written by Eugene Pottier/Pierre Degeyter © Le Chant Du Monde Performed by The Bolshoi Theatre Choir Courtesy of Melodiya under licence from BMG Australia Limited "The Ghost" from Hamlet Written by Dmitri Shostakovich © Boosey & Hawkes Music Publishers Performed by Belgian Radio Symphony Orchestra Conducted by Jose Serebrier Courtesy of RCA Victor Red Seal Under licence from BMG Australia Limited Le Chant Des Partisans Written by Atourov/Alimov/Alexandrov Performed by Red Army Choir Courtesy 7 Productions Planett Begin The Beguine Written by Cole Porter © Harms Inc Performed by The Paul Grabowsky Orchestra When Your Lover Has Gone Written by E. -
Abc Music Wins Three Awards at the 2020 Aria Awards Abc Music Lifetime Award Wins Now at 188
THURSDAY, NOVEMBER 26 FOR IMMEDIATE RELEASE ABC MUSIC WINS THREE AWARDS AT THE 2020 ARIA AWARDS ABC MUSIC LIFETIME AWARD WINS NOW AT 188 Following the 2020 ARIA Awards last night, ABC Music has collected three awards across the Best Children’s Album, Best World Music Album & Best Classical Album categories. The awards were won by Teeny Tiny Stevies ‘Thoughtful Songs for Little People’ (Best Children’s Album), Joseph Tawadros ‘Live at the Sydney Opera House’ (Best World Music Album) and Richard Tognetti & Erin Helyard ‘Beethoven & Mozart Violin Sonatas’ (Best Classical Album). Last night’s event saw Teeny Tiny Stevies win their first-ever ARIA Award. “We’ve been working musicians for so long now, this nod from the industry is definitely a proud moment. If I’m lucky I’ll get a few high fives from other parents at school drop off today,” said Byll Stephen, half of the sister duo. The night marked the fifth ARIA win for Tawadros and Tognetti. “It’s been a hard year for musicians everywhere - like me, most have had no live shows and it’s devastating. This recognition of my music is extra special, especially as it’s a live concert recording with a lively audience. I want to thank everyone who was involved in making it happen. It’s some much-needed light in a very challenging year,” said Joseph. On winning Best Classical Album with Richard Tognetti, Erin Helyard said, “Richard & I are old mates and are delighted to have won. We wanted to present a kind of history of the evolution of the eighteenth-century violin sonata, and the city of Vienna.