Hallett Arendt Rajar Topline Results - Wave 4 2017/Last Published Data
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Pocketbook for You, in Any Print Style: Including Updated and Filtered Data, However You Want It
Hello Since 1994, Media UK - www.mediauk.com - has contained a full media directory. We now contain media news from over 50 sources, RAJAR and playlist information, the industry's widest selection of radio jobs, and much more - and it's all free. From our directory, we're proud to be able to produce a new edition of the Radio Pocket Book. We've based this on the Radio Authority version that was available when we launched 17 years ago. We hope you find it useful. Enjoy this return of an old favourite: and set mediauk.com on your browser favourites list. James Cridland Managing Director Media UK First published in Great Britain in September 2011 Copyright © 1994-2011 Not At All Bad Ltd. All Rights Reserved. mediauk.com/terms This edition produced October 18, 2011 Set in Book Antiqua Printed on dead trees Published by Not At All Bad Ltd (t/a Media UK) Registered in England, No 6312072 Registered Office (not for correspondence): 96a Curtain Road, London EC2A 3AA 020 7100 1811 [email protected] @mediauk www.mediauk.com Foreword In 1975, when I was 13, I wrote to the IBA to ask for a copy of their latest publication grandly titled Transmitting stations: a Pocket Guide. The year before I had listened with excitement to the launch of our local commercial station, Liverpool's Radio City, and wanted to find out what other stations I might be able to pick up. In those days the Guide covered TV as well as radio, which could only manage to fill two pages – but then there were only 19 “ILR” stations. -
Hallett Arendt Rajar Topline Results - Wave 3 2019/Last Published Data
HALLETT ARENDT RAJAR TOPLINE RESULTS - WAVE 3 2019/LAST PUBLISHED DATA Population 15+ Change Weekly Reach 000's Change Weekly Reach % Total Hours 000's Change Average Hours Market Share STATION/GROUP Last Pub W3 2019 000's % Last Pub W3 2019 000's % Last Pub W3 2019 Last Pub W3 2019 000's % Last Pub W3 2019 Last Pub W3 2019 Bauer Radio - Total 55032 55032 0 0% 18083 18371 288 2% 33% 33% 156216 158995 2779 2% 8.6 8.7 15.3% 15.9% Absolute Radio Network 55032 55032 0 0% 4743 4921 178 4% 9% 9% 35474 35522 48 0% 7.5 7.2 3.5% 3.6% Absolute Radio 55032 55032 0 0% 2151 2447 296 14% 4% 4% 16402 17626 1224 7% 7.6 7.2 1.6% 1.8% Absolute Radio (London) 12260 12260 0 0% 729 821 92 13% 6% 7% 4279 4370 91 2% 5.9 5.3 2.1% 2.2% Absolute Radio 60s n/p 55032 n/a n/a n/p 125 n/a n/a n/p *% n/p 298 n/a n/a n/p 2.4 n/p *% Absolute Radio 70s 55032 55032 0 0% 206 208 2 1% *% *% 699 712 13 2% 3.4 3.4 0.1% 0.1% Absolute 80s 55032 55032 0 0% 1779 1824 45 3% 3% 3% 9294 9435 141 2% 5.2 5.2 0.9% 1.0% Absolute Radio 90s 55032 55032 0 0% 907 856 -51 -6% 2% 2% 4008 3661 -347 -9% 4.4 4.3 0.4% 0.4% Absolute Radio 00s n/p 55032 n/a n/a n/p 209 n/a n/a n/p *% n/p 540 n/a n/a n/p 2.6 n/p 0.1% Absolute Radio Classic Rock 55032 55032 0 0% 741 721 -20 -3% 1% 1% 3438 3703 265 8% 4.6 5.1 0.3% 0.4% Hits Radio Brand 55032 55032 0 0% 6491 6684 193 3% 12% 12% 53184 54489 1305 2% 8.2 8.2 5.2% 5.5% Greatest Hits Network 55032 55032 0 0% 1103 1209 106 10% 2% 2% 8070 8435 365 5% 7.3 7.0 0.8% 0.8% Greatest Hits Radio 55032 55032 0 0% 715 818 103 14% 1% 1% 5281 5870 589 11% 7.4 7.2 0.5% -
Statement: Global Radio Approved Area Requests
Global Radio approved area requests For the east, south and west of England STATEMENT Publication Date: 26 February 2019 Contents Section 1. Overview 1 2. The approved area requests 2 3. Assessment and decision 5 Annex Map of Anglia approved area 9 Map of Meridian approved area 10 Map of South West & Westcountry approved area 11 Global Radio approved area requests 1. Overview Most local analogue commercial radio stations are required to produce a certain number of hours of locally-made programming. Under legislation passed in 2010, these stations are not only able to broadcast their locally-made hours from within their licence area, but may instead broadcast from studios based elsewhere within a larger area approved by Ofcom. These wider areas are known as ‘approved areas’. Stations can also share their local hours of programming with other stations located in the same approved area. In October 2018, Ofcom published a statement1 (the ‘October 2018 Statement’) that introduced, following consultation, a new set of approved areas in England2 to give stations more flexibility in their broadcasting arrangements. We also said that we would consider requests from licensees to create new, bespoke, approved areas, since the statutory framework allows for an approved area in relation to each local analogue service. What we have decided Following consultation, Ofcom has approved three new approved areas which Global Radio has asked Ofcom to create for a number of FM local radio licences it owns. These new approved areas for Global Radio are as follows: • Anglia • Meridian • South West & Westcountry Following this decision, we have also approved a number of Format change requests submitted by Global Radio enabling stations located within these new approved areas to co-locate and share their local programming hours. -
Hallett Arendt Rajar Topline Results - Wave 1 2020/Last Published Data
HALLETT ARENDT RAJAR TOPLINE RESULTS - WAVE 1 2020/LAST PUBLISHED DATA Population 15+ Change Weekly Reach 000's Change Weekly Reach % Total Hours 000's Change Average Hours Market Share STATION/GROUP Last Pub W1 2020 000's % Last Pub W1 2020 000's % Last Pub W1 2020 Last Pub W1 2020 000's % Last Pub W1 2020 Last Pub W1 2020 Bauer Radio - Total 55032 55032 0 0% 18160 17986 -174 -1% 33% 33% 155537 154249 -1288 -1% 8.6 8.6 15.9% 15.7% Absolute Radio Network 55032 55032 0 0% 4908 4716 -192 -4% 9% 9% 34837 33647 -1190 -3% 7.1 7.1 3.6% 3.4% Absolute Radio 55032 55032 0 0% 2309 2416 107 5% 4% 4% 16739 18365 1626 10% 7.3 7.6 1.7% 1.9% Absolute Radio (London) 12260 12260 0 0% 715 743 28 4% 6% 6% 5344 5586 242 5% 7.5 7.5 2.7% 2.8% Absolute Radio 60s 55032 55032 0 0% 136 119 -17 -13% *% *% 359 345 -14 -4% 2.6 2.9 *% *% Absolute Radio 70s 55032 55032 0 0% 212 230 18 8% *% *% 804 867 63 8% 3.8 3.8 0.1% 0.1% Absolute 80s 55032 55032 0 0% 1420 1459 39 3% 3% 3% 7020 7088 68 1% 4.9 4.9 0.7% 0.7% Absolute Radio 90s 55032 55032 0 0% 851 837 -14 -2% 2% 2% 3518 3593 75 2% 4.1 4.3 0.4% 0.4% Absolute Radio 00s 55032 55032 0 0% 217 186 -31 -14% *% *% 584 540 -44 -8% 2.7 2.9 0.1% 0.1% Absolute Radio Classic Rock 55032 55032 0 0% 740 813 73 10% 1% 1% 4028 4209 181 4% 5.4 5.2 0.4% 0.4% Hits Radio Brand 55032 55032 0 0% 6657 6619 -38 -1% 12% 12% 52607 52863 256 0% 7.9 8.0 5.4% 5.4% Greatest Hits Network 55032 55032 0 0% 1264 1295 31 2% 2% 2% 9347 10538 1191 13% 7.4 8.1 1.0% 1.1% Greatest Hits Radio 55032 55032 0 0% 845 892 47 6% 2% 2% 6449 7146 697 11% 7.6 8.0 0.7% -
Digital Journalism Studies the Key Concepts
Digital Journalism Studies The Key Concepts FRANKLIN, Bob and CANTER, Lily <http://orcid.org/0000-0001-5708-2420> Available from Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/26994/ This document is the author deposited version. You are advised to consult the publisher's version if you wish to cite from it. Published version FRANKLIN, Bob and CANTER, Lily (2019). Digital Journalism Studies The Key Concepts. Routledge key guides . Routledge. Copyright and re-use policy See http://shura.shu.ac.uk/information.html Sheffield Hallam University Research Archive http://shura.shu.ac.uk <BOOK-PART><BOOK-PART-META><TITLE>The key concepts</TITLE></BOOK- PART-META></BOOK-PART> <BOOK-PART><BOOK-PART-META><TITLE>Actants</TITLE></BOOK-PART- META> <BODY>In a special issue of the journal Digital Journalism, focused on reconceptualizsing key theoretical changes reflecting the development of Digital Journalism Studies, Seth Lewis and Oscar Westlund seek to clarify the role of what they term the “four A’s” – namely the human actors, non-human technological actants, audiences and the involvement of all three groups in the activities of news production (Lewis and Westlund, 2014). Like Primo and Zago, Lewis and Westlund argue that innovations in computational software require scholars of digital journalism to interrogate not simply who but what is involved in news production and to establish how non-human actants are disrupting established journalism practices (Primo and Zago, 2015: 38). The examples of technological actants -
Bauer Media Group Phase 1 Decision
Completed acquisitions by Bauer Media Group of certain businesses of Celador Entertainment Limited, Lincs FM Group Limited and Wireless Group Limited, as well as the entire business of UKRD Group Limited Decision on relevant merger situation and substantial lessening of competition ME/6809/19; ME/6810/19; ME/6811/19; and ME/6812/19 The CMA’s decision on reference under section 22(1) of the Enterprise Act 2002 given on 24 July 2019. Full text of the decision published on 30 August 2019. Please note that [] indicates figures or text which have been deleted or replaced in ranges at the request of the parties or third parties for reasons of commercial confidentiality. SUMMARY 1. Between 31 January 2019 and 31 March 2019 Heinrich Bauer Verlag KG (trading as Bauer Media Group (Bauer)), through subsidiaries, bought: (a) From Celador Entertainment Limited (Celador), 16 local radio stations and associated local FM radio licences (the Celador Acquisition); (b) From Lincs FM Group Limited (Lincs), nine local radio stations and associated local FM radio licences, a [] interest in an additional local radio station and associated licences, and interests in the Lincolnshire [] and Suffolk [] digital multiplexes (the Lincs Acquisition); (c) From The Wireless Group Limited (Wireless), 12 local radio stations and associated local FM radio licences, as well as digital multiplexes in Stoke, Swansea and Bradford (the Wireless Acquisition); and (d) The entire issued share capital of UKRD Group Limited (UKRD) and all of UKRD’s assets, namely ten local radio stations and the associated local 1 FM radio licences, interests in local multiplexes, and UKRD’s 50% interest in First Radio Sales (FRS) (the UKRD Acquisition). -
Annual Report 2020-2021 About This Document
Annual Report 2020-2021 About this document This report summarises the activities of the Audio Content Fund from April 2020 – March 2021. It breaks down the bids received, and details the successful projects and their intended outcomes. This edition is labelled an Interim Report since, at the time of writing, several of the later projects have not yet entered production or been broadcast. It will be superseded by a Final Report once the final project has been broadcast. Author: Sam Bailey, Managing Director, Audio Content Fund Date: 15 June 2021 Contents 4 Executive Summary 5 Sam Bailey, Managing Director of the ACF 5 Helen Boaden, Chair of the Independent Funding Panel 6 Background to the Audio Content Fund 6 Summary of Payments 7 Summary of Successful Bids 8 Companies with Successful Bids 11 Bidding Guidelines 11 Independent Funding Panel 12 Assessment Process 12 Evaluation Criteria 14 Details of Funded Projects 16 Funded Projects 76 Projects still to be completed 88 References 89 Closing Statement Executive Summary 1. The Audio Content Fund (ACF) exists 8. 74% of the funded projects were from to finance the creation of original, high suppliers based outside of London. quality, crafted, public-service material for Projects were funded for broadcast on broadcast on commercial and community local stations in all four nations of the UK, radio. It is part of a pilot Contestable Fund, with content produced in English, Gaelic, funded by the UK Government. Irish and Ulster Scots. 2. The industry trade bodies AudioUK and 9. All bids are assessed for the diversity of Radiocentre set up the ACF in 2018, and their representation, and 1 in 5 of the it distributed grant funding totalling funded projects were primarily focused £655,898 in financial year 2019-2020. -
Business Wire Catalog
UK/Ireland Media Distribution to key consumer and general media with coverage of newspapers, television, radio, news agencies, news portals and Web sites via PA Media, the national news agency of the UK and Ireland. UK/Ireland Media Asian Leader Barrow Advertiser Black Country Bugle UK/Ireland Media Asian Voice Barry and District News Blackburn Citizen Newspapers Associated Newspapers Basildon Recorder Blackpool and Fylde Citizen A & N Media Associated Newspapers Limited Basildon Yellow Advertiser Blackpool Reporter Aberdeen Citizen Atherstone Herald Basingstoke Extra Blairgowrie Advertiser Aberdeen Evening Express Athlone Voice Basingstoke Gazette Blythe and Forsbrook Times Abergavenny Chronicle Australian Times Basingstoke Observer Bo'ness Journal Abingdon Herald Avon Advertiser - Ringwood, Bath Chronicle Bognor Regis Guardian Accrington Observer Verwood & Fordingbridge Batley & Birstall News Bognor Regis Observer Addlestone and Byfleet Review Avon Advertiser - Salisbury & Battle Observer Bolsover Advertiser Aintree & Maghull Champion Amesbury Beaconsfield Advertiser Bolton Journal Airdrie and Coatbridge Avon Advertiser - Wimborne & Bearsden, Milngavie & Glasgow Bootle Times Advertiser Ferndown West Extra Border Telegraph Alcester Chronicle Ayr Advertiser Bebington and Bromborough Bordon Herald Aldershot News & Mail Ayrshire Post News Bordon Post Alfreton Chad Bala - Y Cyfnod Beccles and Bungay Journal Borehamwood and Elstree Times Alloa and Hillfoots Advertiser Ballycastle Chronicle Bedford Times and Citizen Boston Standard Alsager -
“Reaching 79% of Commercial Radio's Weekly Listeners…” National Coverage
2019 GTN UK is the British division of Global Traffic Network; the leading provider of custom traffic reports to commercial radio and television stations. GTN has similar operations in Australia, Brazil and Canada. GTN is the largest Independent radio network in the UK We offer advertisers access to over 240 radio stations across the country, covering every major conurbation with a solus opportunity enabling your brand to stand out with up to 48% higher ad recall than that of a standard ad break. With both a Traffic & Travel offering, as well as an Entertainment News package, we reach over 28 million adults each week, 80% of all commercial radio’s listeners, during peak listening times only, 0530- 0000. Are your brands global? So are we. Talk to us about a global partnership. Source: Clark Chapman research 2017 RADIO “REACHING 79% OF COMMERCIAL RADIO’S WEEKLY LISTENERS…” NATIONAL COVERAGE 240 radio stations across the UK covering all major conurbations REACH & FREQUENCY Reaching 28 million adults each week, 620 ratings. That’s 79% of commercial radio’s weekly listening. HIGHER ENGAGEMENT With 48% higher ad recall this is the stand-out your brand needs, directly next to “appointment-to-listen” content. BREAKFAST, MORNING, AFTERNOON, DRIVE All advertising is positioned within key radio listening times for maximum reach. 48% HIGHER AD RECALL THAN THAT OF A STANDARD AD BREAK Source: Clark Chapman research NATIONAL/DIGITAL LONDON NORTH EAST Absolute Radio Absolute Radio Capital North East Absolute Radio 70s Kiss Classic FM (North) Absolute -
Independent Radio (Alphabetical Order) Frequency Finder
Independent Radio (Alphabetical order) Frequency Finder Commercial and community radio stations are listed together in alphabetical order. National, local and multi-city stations A ABSOLUTE RADIO CLASSIC ROCK are listed together as there is no longer a clear distinction Format: Classic Rock Hits Broadcaster: Bauer between them. ABBEY 104 London area, Surrey, W Kent, Herts, Luton (Mx 3) DABm 11B For maps and transmitter details see: Mixed Format Community Swansea, Neath Port Talbot and Carmarthenshire DABm 12A • Digital Multiplexes Sherborne, Dorset FM 104.7 Shropshire, Wolverhampton, Black Country b DABm 11B • FM Transmitters by Region Birmingham area, West Midlands, SE Staffs a DABm 11C • AM Transmitters by Region ABC Coventry and Warwickshire DABm 12D FM and AM transmitter details are also included in the Mixed Format Community Stoke-on-Trent, West Staffordshire, South Cheshire DABm 12D frequency-order lists. Portadown, County Down FM 100.2 South Yorkshire, North Notts, Chesterfield DABm 11C Leeds and Wakefield Districts DABm 12D Most stations broadcast 24 hours. Bradford, Calderdale and Kirklees Districts DABm 11B Stations will often put separate adverts, and sometimes news ABSOLUTE RADIO East Yorkshire and North Lincolnshire DABm 10D and information, on different DAB multiplexes or FM/AM Format: Rock Music Tees Valley and County Durham DABm 11B transmitters carrying the same programmes. These are not Broadcaster: Bauer Tyne and Wear, North Durham, Northumberland DABm 11C listed separately. England, Wales and Northern Ireland (D1 Mux) DABm 11D Greater Manchester and North East Cheshire DABm 12C Local stations owned by the same broadcaster often share Scotland (D1 Mux) DABm 12A Central and East Lancashire DABm 12A overnight, evening and weekend, programming. -
THE VOICE of UK COMMERCIAL Annual Review 2011
Annual Review 2011 THE VOICE OF UK COMMERCIAL Contents 03 CHAIRMAN’S REVIEW 04 CEO’S REVIEW RADIO 06 12 18 REVENUE DIGITAL ORGANISATION 10 14 AUDIENCE INFLUENCE RadioCentre | Annual Review 2011 01 // 2011 has been a year where radio has continued to buck the trend and confound its critics as the only traditional medium to grow revenue. // 02 RadioCentre | Annual Review 2011 Chairman’s Review Welcome to the RadioCentre Review of An industry-wide marketing campaign was When I meet with my colleagues on the 2011. The last twelve months have been an launched by the RAB under the umbrella RadioCentre board each quarter, we are impressive year for commercial radio, with theme of Britain Loves Radio, with a mindful of the importance of all these continuing record audiences and strong national advertising campaign helping to services and the need to balance both the revenue growth, especially against the deliver this message. differing priorities of different members, and recessionary backdrop for all businesses. work for a secure and prosperous future for RAB also tackled the historic challenge of a the sector. I hope that 2012 proves It has been a year where radio has lack of creativity in radio advertising, with successful for you and for everyone involved continued to buck the trend and confound an important partnership with D&AD, the in our industry. its critics, as the only traditional medium to membership organisation which represents grow revenue. And if the forecasts are to be excellence in the creative, design and believed there could be more good news in advertising communities. -
THE VOICE of UK COMMERCIAL RADIO Review2012 210Sq V12 RC 25/03/2013 16:52 Page 2 Review2012 210Sq V12 RC 25/03/2013 16:53 Page 3
Review2012_210sq_V12_RC 25/03/2013 16:52 Page 1 ANNUAL REVIEW2012 THE VOICE OF UK COMMERCIAL RADIO Review2012_210sq_V12_RC 25/03/2013 16:52 Page 2 Review2012_210sq_V12_RC 25/03/2013 16:53 Page 3 Contents BRITAIN LOVES RADIO 02 CHAIRMAN’S REVIEW 04 CEO’S REVIEW R A D I O 06 09 12 14 17 REVENUE AUDIENCE DIGITAL INFLUENCE ORGANISATION RadioCentre | Annual Review 2012 01 Review2012_210sq_V12_RC 25/03/2013 16:53 Page 4 // 2012 has seen the market consolidate and evolve, as well as the introduction of new ways of connecting with our listeners and advertisers. // Dianne Thompson CBE presenting the RadioCentre Chairman‘s Award 02 RadioCentre | Annual Review 2012 to Real Radio Scotland’s, Jay Crawford, at the Arqiva Commercial Radio Awards Review2012_210sq_V12_RC 25/03/2013 16:53 Page 5 Chairman’s BRITAIN Review LOVES RADIO Welcome to the RadioCentre Review of Absolute Radio continued to build on its When I meet with my colleagues on the 2012. The last 12 months have been “decades” stations, as well as running RadioCentre Board each quarter, we are another remarkable year for commercial Olympic programming in 2012. mindful of the need to balance both the radio. We have seen the market consolidate differing priorities of members, and work Radioplayer, the collaboration between and evolve, as well as the introduction of for a secure and prosperous future for the commercial radio and the BBC, celebrated new ways of connecting with our listeners sector. I hope that 2013 proves successful its first birthday in March, and in October and advertisers. for you and for everyone involved in our launched the first industry-backed app, industry.