CURTIS TOWNSHIP LIBRARY When You Can Borrow FRIENDS of the LIBRARY NEWSLETTER
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Cowboys, Postmodern Heroes, and Anti-Heroes: the Many Faces
COWBOYS, POSTMODERN HEROES, AND ANTI-HEROES: THE MANY FACES OF THE ALTERIZED WHITE MAN Hyon Joo Yoo Murphree, B.A. Thesis Prepared for the Degree of MASTER OF ARTS UNIVERSITY OF NORTH TEXAS August 2000 APPROVED: Diane Negra, Major Professor Olaf Hoerschelmann, Committee Member Diana York Blaine, Committee Member C. Melinda Levin, Graduate Coordinator of the Department of Radio, TV and Film Steve Craig, Chair of the Department of Radio, TV and Film C. Neal Tate, Dean of the Robert B. Toulouse School of Graduate Studies Murphree, Hyon Joo Yoo, Cowboys, Postmodern Heroes, and Anti-heroes: The Many Faces of the Alterized White Man. Master of Arts (Radio, Television and Film), August 2000, 131 pp., references, 48 titles. This thesis investigates how hegemonic white masculinity adopts a new mode of material accumulation by entering into an ambivalent existence as a historical agent and metahistory at the same time and continues to function as a performative identity that offers a point of identification for the working class white man suggesting that bourgeois identity is obtainable through the performance of bourgeois ethics. The thesis postulates that the phenomenal transitions brought on by industrialization and deindustrialization of 50’s through 90’s coincide with the representational changes of white masculinity from paradigmatic cowboy incarnations to the postmodern action heroes, specifically as embodied by Bruce Willis. The thesis also examines how postmodern heroes’ “intero-alterity” is further problematized by antiheroes in Tim Burton’s films. TABLE OF CONTENTS INTRODUCTION...........................................................................................................................................3 1. Reading a Dynamic Connection between the 1950’s and 1990’s..........................................................6 2. -
Newsletter 14/12 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 14/12 DIGITAL EDITION Nr. 318 - August 2012 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 11 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 14/12 (Nr. 318) August 2012 editorial Hallo Laserdisc- und DVD-Fans, liebe Filmfreunde! Mit ein paar Impressionen von der Premiere des Kinofilms DIE KIR- CHE BLEIBT IM DORF, zu der wir am vergangenen Mittwoch ein- geladen waren, möchten wir uns in den Sommerurlaub verabschieden. S ist wie fast jedes Jahr: erst wenn alle Anderen ihren Urlaub schon absolviert haben, sind wir dran. Aber so ein richtiger Urlaub ist das eigentlich gar nicht. Nichts von we- gen faul am Strand liegen und sich Filme in HD auf dem Smartphone reinziehen! Das Fantasy Filmfest Fotos (c) 2012 by Wolfram Hannemann steht bereits vor der Tür und wird uns wieder eine ganze Woche lang von morgens bis spät in die Nacht hinein mit aktueller Filmware ver- sorgen. Wie immer werden wir be- müht sein, möglichst viele der prä- sentierten Filme auch tatsächlich zu sehen. Schließlich wird eine Groß- zahl der Produktionen bereits kurze Zeit nach Ende des Festivals auf DVD und BD verfügbar sein. Und da möchte man natürlich schon vor- her wissen, ob sich ein Kauf lohnen wird. Nach unserer Sommerpause werden wir in einem der Newsletter wieder ein Resümee des Festivals ziehen. Es wird sich also lohnen weiter am Ball zu blei- ben. Ab Montag, den 17. -
October 4, 2016 (XXXIII:6) Joseph L. Mankiewicz: ALL ABOUT EVE (1950), 138 Min
October 4, 2016 (XXXIII:6) Joseph L. Mankiewicz: ALL ABOUT EVE (1950), 138 min All About Eve received 14 Academy Award nominations and won 6 of them: picture, director, supporting actor, sound, screenplay, costume design. It probably would have won two more if four members of the cast hasn’t been in direct competition with one another: Davis and Baxter for Best Actress and Celeste Holm and Thelma Ritter for Best Supporting Actress. The story is that the studio tried to get Baxter to go for Supporting but she refused because she already had one of those and wanted to move up. Years later, the same story goes, she allowed as maybe she made a bad career move there and Bette David allowed as she was finally right about something. Directed by Joseph L. Mankiewicz Written by Joseph L. Mankiewicz (screenplay) Mary Orr (story "The Wisdom of Eve", uncredited) Produced by Darryl F. Zanuck Music Alfred Newman Cinematography Milton R. Krasner Film Editing Barbara McLean Art Direction George W. Davis and Lyle R. Wheeler Eddie Fisher…Stage Manager Set Decoration Thomas Little and Walter M. Scott William Pullen…Clerk Claude Stroud…Pianist Cast Eugene Borden…Frenchman Bette Davis…Margo Channing Helen Mowery…Reporter Anne Baxter…Eve Harrington Steven Geray…Captain of Waiters George Sanders…Addison DeWitt Celeste Holm…Karen Richards Joseph L. Mankiewicz (b. February 11, 1909 in Wilkes- Gary Merrill…Bill Simpson Barre, Pennsylvania—d. February 5, 1993, age 83, in Hugh Marlowe…Lloyd Richards Bedford, New York) started in the film industry Gregory Ratoff…Max Fabian translating intertitle cards for Paramount in Berlin. -
Read Ebook {PDF EPUB} Shirley Jones: a Memoir by Shirley Jones “You Are Going to Meet the Real Flesh-And-Blood Shirley Jones, Not Just the Movie Star Or Mrs
Read Ebook {PDF EPUB} Shirley Jones: A Memoir by Shirley Jones “You are going to meet the real flesh-and-blood Shirley Jones, not just the movie star or Mrs. Partridge,” says the beloved film, television, and stage actress and singer of her long-awaited memoir, an account as shockingly direct, deliciously juicy, and delightfully frank as the performer herself.3.8/5(891)Shirley Jones : a memoir : Jones, Shirley, 1934 March 31 ...https://archive.org/details/shirleyjonesmemo0000joneSep 23, 2019 · Shirley Jones : a memoir by Jones, Shirley, 1934 March 31- author. Publication date 2013 Topics Jones, Shirley, 1934 March 31-, Actors -- United States -- Biography, Singers -- United States -- Biography Publisher New York, NY : Gallery Books Collection inlibrary; printdisabled; internetarchivebooksPages: 330Shirley Jones : a memoir : Jones, Shirley, 1934 March 31 ...https://archive.org/details/shirleyjonesmemo0000jone_y1i4291 pages, 16 unnumbered pages of plates : 24 cm. The actress and singer explores her life and career, examining "the real flesh-and-blood Shirley Jones, not just the movie star or Mrs. Partridge"--Dust jacket flap. Introduction -- a beautiful morning -- A beautiful day -- A wonderful feeling -- Everything's going my way -- If he's good or if he's bad -- April love -- Elmer Gantry -- The music man -- Out of my dreams -- …Pages: 330People also askWhat is Shirley Jones autobiography?What is Shirley Jones autobiography?So begins Shirley Jones‘s new autobiography. And it’s an apt introduction to a shockingly frank memoir that’s raising eyebrows— and turning Jones’s reputation as the wholesome mother Mrs. Partridge on the 1970s TV show The Partridge Family on its head.5 Shockers from The Partridge Family Star Shirley Jones's .. -
American Heritage Center
UNIVERSITY OF WYOMING AMERICAN HERITAGE CENTER GUIDE TO ENTERTAINMENT INDUSTRY RESOURCES Child actress Mary Jane Irving with Bessie Barriscale and Ben Alexander in the 1918 silent film Heart of Rachel. Mary Jane Irving papers, American Heritage Center. Compiled by D. Claudia Thompson and Shaun A. Hayes 2009 PREFACE When the University of Wyoming began collecting the papers of national entertainment figures in the 1970s, it was one of only a handful of repositories actively engaged in the field. Business and industry, science, family history, even print literature were all recognized as legitimate fields of study while prejudice remained against mere entertainment as a source of scholarship. There are two arguments to be made against this narrow vision. In the first place, entertainment is very much an industry. It employs thousands. It requires vast capital expenditure, and it lives or dies on profit. In the second place, popular culture is more universal than any other field. Each individual’s experience is unique, but one common thread running throughout humanity is the desire to be taken out of ourselves, to share with our neighbors some story of humor or adventure. This is the basis for entertainment. The Entertainment Industry collections at the American Heritage Center focus on the twentieth century. During the twentieth century, entertainment in the United States changed radically due to advances in communications technology. The development of radio made it possible for the first time for people on both coasts to listen to a performance simultaneously. The delivery of entertainment thus became immensely cheaper and, at the same time, the fame of individual performers grew. -
Vincent Mceveety Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨)
Vincent McEveety 电影 串行 (大全) Blood Sport https://zh.listvote.com/lists/film/movies/blood-sport-21869189/actors Gunsmoke: Return https://zh.listvote.com/lists/film/movies/gunsmoke%3A-return-to-dodge-10510909/actors to Dodge The Strongest https://zh.listvote.com/lists/film/movies/the-strongest-man-in-the-world-1196485/actors Man in the World Herbie Goes to https://zh.listvote.com/lists/film/movies/herbie-goes-to-monte-carlo-1199687/actors Monte Carlo Firecreek https://zh.listvote.com/lists/film/movies/firecreek-1218281/actors McClain's Law https://zh.listvote.com/lists/film/movies/mcclain%27s-law-1635069/actors Sweet, Sweet https://zh.listvote.com/lists/film/movies/sweet%2C-sweet-blues-16745132/actors Blues Cutter's Trail https://zh.listvote.com/lists/film/movies/cutter%27s-trail-18914925/actors Herbie, the Love https://zh.listvote.com/lists/film/movies/herbie%2C-the-love-bug-2113675/actors Bug Superdad https://zh.listvote.com/lists/film/movies/superdad-2367448/actors The Castaway https://zh.listvote.com/lists/film/movies/the-castaway-cowboy-3019554/actors Cowboy Dagger of the https://zh.listvote.com/lists/film/movies/dagger-of-the-mind-3107459/actors Mind Gus https://zh.listvote.com/lists/film/movies/gus-3120992/actors The Greatest https://zh.listvote.com/lists/film/movies/the-greatest-show-on-earth-3225700/actors Show on Earth Spectre of the Gun https://zh.listvote.com/lists/film/movies/spectre-of-the-gun-3487385/actors The Apple Dumpling Gang https://zh.listvote.com/lists/film/movies/the-apple-dumpling-gang-rides-again-3821386/actors -
Sam Peckinpah Killed Randolph Scott (But Somehow the Duke Survived)
Sam Peckinpah Killed Randolph Scott (But Somehow the Duke Survived) Regeneration and Genre Tradition in the Final Westerns of John Wayne Andrew Patrick Nelson Hon.B.A. (Toronto) A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Master of Arts in Film Studies Carleton University Ottawa, Ontario, Canada August 2007 © 2007 Andrew Patrick Nelson Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Library and Bibliotheque et Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-33755-4 Our file Notre reference ISBN: 978-0-494-33755-4 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library permettant a la Bibliotheque et Archives and Archives Canada to reproduce,Canada de reproduire, publier, archiver, publish, archive, preserve, conserve,sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet,distribuer et vendre des theses partout dans loan, distribute and sell theses le monde, a des fins commerciales ou autres, worldwide, for commercial or non sur support microforme, papier, electronique commercial purposes, in microform,et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in et des droits moraux qui protege cette these. -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
132Nd Brigade Conducts Annua Toy Drive
u' ' Volume 1 Number 40 Published in the interest of personnel at Fort Leonard Wood. Thursday, October 22, 1987 132nd Brigade conducts annua toy drive By Jeffrey Peyton to the back of the closet, now "Before we give any toy to any year, but the project is a brigade given to needy families. we get the toys, the sooner they can restuffed, with eyes sewn on. The child, we make it safe," he said. effort. The entire brigade lends a be repaired and palnted, but we'll Imagine what it would be like for a 132nd Engineer Brigade imagines "For instance, a bicycle may need a hand in dressing the dolls when they "If anyone living off-post wishes to take toys as long as someone is child to awaken Christmas morning come in. And that each year. And every year, one new tire, or it may be rusty so it may Quartermaster donate to the toy drive, they can willing to donate." and find nothing under the Christ- battalion within the brigade spon- need a paint job." Laundry has agreed to clean all leave their toys at the Commissary, mas tree. Imagine the look on a sors a "Toy Drive" to collect enough SSgt. Daniel J. Campbell, a drill cloth toys for us free of charge. Main Exchange, or PX gas station Anyone wishing to donate to the child's face to find his stocking toys to give every child an exciting "When we turn the toys over to sergeant in the battalion, has Saturday and we'll pick them up 132nd Brigade Toy Drive can call empty. -
Cantando Bajo La Lluvia TÍTULO Singin' in the Rain ORIGINAL AÑO 1952
Cantando bajo la lluvia TÍTULO Singin' in the Rain ORIGINAL AÑO 1952 DURACIÓN 102 min. PAÍS DIRECTOR Stanley Donen, Gene Kelly GUIÓN Betty Comden, Adolph Green MÚSICA Nacio Herb Brown, Arthur Freed FOTOGRAFÍA Harold Rosson & John Alton REPARTO Gene Kelly, Donald O'Connor, Debbie Reynolds, Jean Hagen, Millard Mitchell, Cyd Charisse, Rita Moreno, Douglas Fowley PRODUCTORA MGM. Productor: Arthur Freed PREMIOS 1952: 2 nominaciones al Oscar: Actriz sec. (Jean Hagen), bso (Musical) GÉNERO Musical. Comedia. Romance | Cine dentro del cine. Años 20. Baile SINOPSIS Antes de conocer a la aspirante a actriz Kathy Selden (Debbie Reynolds), el ídolo del cine mudo Don Lockwood (Gene Kelly) pensaba que lo tenía todo: fama, fortuna y éxito. Pero, tras conocerla, se da cuenta de que ella es lo que realmente faltaba en su vida. Con el nacimiento del cine sonoro, Don quiere filmar los musicales con Kathy, pero entre ambos se interpone la reina del cine mudo Lina Lamont (Jean Hagen). (FILMAFFINITY) ---------------------------------------- CRÍTICAS ¿El mejor musical del cine? Probablemente. En cualquier caso, "Singin' in the Rain" tiene algunos de los bailes más maravillosos y cinematográficos de la historia del séptimo arte; Gene Kelly canta enamorado bajo la lluvia... y el mundo se detiene. Genial y vitalista, una imperecedera obra maestra. (Pablo Kurt: FILMAFFINITY) ---------------------------------------- "Simplemente perfecta. Lo más admirable es que su acumulación de números musicales (que aislados son magistrales) resulte una unidad coherente y fluida (...) Una obra maestra" (Francisco Marinero: Diario El Mundo) Curiosidades de Cantando bajo la lluvia El rodaje de la canción "Good Morning" fue catastrófico. Llegando a ser rodada ocho veces en una misma sesión. -
Rewriting High Noon: Transformations in American Popular Political Culture During the Cold War
Costello | Rewriting High Noon: Transformations in American Popular Political Culture During the Cold War Rewriting High Noon: Transformations in American Popular Political Culture During the Cold War by Matthew Costello Saint Xavier University High Noon (1952) was a land- movement, a politics of gender, and mark artifact of American popular early signs of a youth movement sug- political culture of the high Cold gested by the fear of juvenile delin- War. 1 Screenwriter Carl Foreman quents and the literary rebellion of the intended it as a commentary on Hol- beats. lywood capitulation to HUAC. Di- In this context of social and po- rector Fred Zinneman and star Gary litical change, citizens, government, Cooper saw it as a film about the no- business, and cultural agents at- bility of the individual in the face of tempted almost desperately to cling a failure of public morality. John to a notion of consensus around a Wayne, the film star and conserva- “vital center.” Cast in a variety of tive archetype of the period declared contexts—ideological, economic and the film Un-American.2 One scholar cultural—the key element was a no- has characterized the film as cater- tion of consensus across the political ing to ideological extremists and spectrum, fueled by unparalleled con- Courtesy of National Screen Service 3 challenging the “vital center.” The Sheriff Will Kane (Gary Cooper) and his new wife (Grace Kelly.) sumer power, uniting disparate varied readings of the film, coupled former ideological combatants into a with its critical and commercial success, spawned a sub-genre of centrist coalition against the extremist forces of communism and politically self-conscious westerns, treating the nature of the fascism. -
The Inventory Ofthe Gene Kelly Collection #401
The Inventory ofthe Gene Kelly Collection #401 Howard Gotlieb Archival Research Center Kelly, Gene #401 Gift of 1968 I. Subject Files. Box 1 A. SINGING IN THE RAIN, 1953. GK co-director. [F. 1] 1. Working script of film. T 2. TS with many holograph notes and additions, 120 p. 3. Production schedule, cast list, props, etc., TS, 45 p. [Returned to Mr. Kelly, 8/28/72]. B. THE TUNNEL OF LOVE, film, 1956. GK director. [F. 2] 1. Production notes, TS with holograph correspondence, 19 p. 2. First preview report (poll ofreaction to movie from 158 poll cards), TS, 10 p. 3. 4 reviews of film from The Film Daily, Motion Picture Daily, The Hollywood, Reporter, Variety. 4. "The Do-It-Yourself Director," printed article (magazine) re: GK. 5. Notes on film, holograph, 3 p. C. PAS DE DEUX, Ballet for Paris Opera. GK choreographer. [F. 3] 1. Correspondence. a. Julien, A. M. To GK, TLS, Sept. 10, 1959. b. Bretty, Beatrice to GK, TLS, Sept. 10, 1959. c. Julien. A. M. To GK, TLS, Sept. 11, 1959. d. Kelly, Gene to A. M. Julien, TL (carbon), Sept. 29, 1959. e. Julien, A. M. To GK, Sept. 23, 1959. f. Bretty, Beatrice to GK, ALS, Oct. 15, 1959. g. Gershwin, Ira to GK, TLS, May 16, 1960. ............ h. GKto BeatriceBretty,TL(carbon) with.holograph correspondence. 2. Draft of agreement for GK to sign, re: ballet, holograph. 3. Program synopsis, holograph. 4. Ballet Synopsis: English typescript, 3 p. French typescript, 3 p. 5. Direction ideas for ballet, holograph notes, 1 p.