Inherit the Wind; and the Foolish Shall Be Servant to the Wise of Heart." Proverbs 11:29
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JOHN J. ROSS–WILLIAM C. BLAKLEY LAW LIBRARY NEW ACQUISITIONS LIST: February 2009
JOHN J. ROSS–WILLIAM C. BLAKLEY LAW LIBRARY NEW ACQUISITIONS LIST: February 2009 Annotations and citations (Law) -- Arizona. SHEPARD'S ARIZONA CITATIONS : EVERY STATE & FEDERAL CITATION. 5th ed. Colorado Springs, Colo. : LexisNexis, 2008. CORE. LOCATION = LAW CORE. KFA2459 .S53 2008 Online. LOCATION = LAW ONLINE ACCESS. Antitrust law -- European Union countries -- Congresses. EUROPEAN COMPETITION LAW ANNUAL 2007 : A REFORMED APPROACH TO ARTICLE 82 EC / EDITED BY CLAUS-DIETER EHLERMANN AND MEL MARQUIS. Oxford : Hart, 2008. KJE6456 .E88 2007. LOCATION = LAW FOREIGN & INTERNAT. Consolidation and merger of corporations -- Law and legislation -- United States. ACQUISITIONS UNDER THE HART-SCOTT-RODINO ANTITRUST IMPROVEMENTS ACT / STEPHEN M. AXINN ... [ET AL.]. 3rd ed. New York, N.Y. : Law Journal Press, c2008- KF1655 .A74 2008. LOCATION = LAW TREATISES. Consumer credit -- Law and legislation -- United States -- Popular works. THE AMERICAN BAR ASSOCIATION GUIDE TO CREDIT & BANKRUPTCY. 1st ed. New York : Random House Reference, c2006. KF1524.6 .A46 2006. LOCATION = LAW TREATISES. Construction industry -- Law and legislation -- Arizona. ARIZONA CONSTRUCTION LAW ANNOTATED : ARIZONA CONSTITUTION, STATUTES, AND REGULATIONS WITH ANNOTATIONS AND COMMENTARY. [Eagan, Minn.] : Thomson/West, c2008- KFA2469 .A75. LOCATION = LAW RESERVE. 1 Court administration -- United States. THE USE OF COURTROOMS IN U.S. DISTRICT COURTS : A REPORT TO THE JUDICIAL CONFERENCE COMMITTEE ON COURT ADMINISTRATION & CASE MANAGEMENT. Washington, DC : Federal Judicial Center, [2008] JU 13.2:C 83/9. LOCATION = LAW GOV DOCS STACKS. Discrimination in employment -- Law and legislation -- United States. EMPLOYMENT DISCRIMINATION : LAW AND PRACTICE / CHARLES A. SULLIVAN, LAUREN M. WALTER. 4th ed. Austin : Wolters Kluwer Law & Business ; Frederick, MD : Aspen Pub., c2009. KF3464 .S84 2009. LOCATION = LAW TREATISES. -
Teaching Social Issues with Film
Teaching Social Issues with Film Teaching Social Issues with Film William Benedict Russell III University of Central Florida INFORMATION AGE PUBLISHING, INC. Charlotte, NC • www.infoagepub.com Library of Congress Cataloging-in-Publication Data Russell, William B. Teaching social issues with film / William Benedict Russell. p. cm. Includes bibliographical references and index. ISBN 978-1-60752-116-7 (pbk.) -- ISBN 978-1-60752-117-4 (hardcover) 1. Social sciences--Study and teaching (Secondary)--Audio-visual aids. 2. Social sciences--Study and teaching (Secondary)--Research. 3. Motion pictures in education. I. Title. H62.2.R86 2009 361.0071’2--dc22 2009024393 Copyright © 2009 Information Age Publishing Inc. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, microfilming, recording or otherwise, without written permission from the publisher. Printed in the United States of America Contents Preface and Overview .......................................................................xiii Acknowledgments ............................................................................. xvii 1 Teaching with Film ................................................................................ 1 The Russell Model for Using Film ..................................................... 2 2 Legal Issues ............................................................................................ 7 3 Teaching Social Issues with Film -
Neuerwerbungen Noten
NEUERWERBUNGSLISTE JUNI 2018 FILM Cinemathek in der Amerika-Gedenkbibliothek (aktuelle Medienempfehlungen siehe auch im Webauftritt unter www.zlb.de/fachinformation/spezialbereiche/cinemathek) © Eva Kietzmann, ZLB Zentral- und Landesbibliothek Berlin Stiftung des öffentlichen Rechts Inhaltsverzeichnis Film 5 Stummfilme 3 Film 7 Fernsehserien 3 Film 10 Tonspielfilme 11 Film 20 Animationsfilme 39 Film 27 Animation/Anime Serien 40 Film 30 Experimentalfilme 40 Film 40 Dokumentarfilme 40 Musi Musikdarbietungen/ Musikvideos 40 K 400 Kinderfilme 42 Ju 400 Jugendfilme 45 Sachfilme nach Fachgebiet 46 Seite 2 von 52 Stand vom: 02.07.2018 Neuerwerbungen im Fachbereich Film Film 5 Stummfilme Film 5 Dupo 3 ¬Das¬ Alte Gesetz / Ewald A. Dupont Regie ; Paul Reno Dreh- a:DVD buchautor/in ; Theodor Sparkuhl Kamera ; Henny Porten Schau- spieler/in ; Ernst Deutsch Schauspieler/in ; Ruth Weyher Schau- spieler/in ; Heinrich Laube ; Philippe Schoeller [Komponist/in]. - 2018 Film 7 Fernsehserien Film 7/19- 19-2. - 4. Staffel. ¬Die¬ komplette vierte Staffel. - 2018 2/1:4.DVD 112/000 033 016 American Gods : [DVD-Video]. - 1. Staffel, Episoden 1-8.. - 2017 (Film 7 AmeGods 1 e:1.DVD) Film 7 Androme 1 Andromeda : [DVD-Video]. - Staffel 4, Episoden 1-22. / Jorge Mon- a:4.DVD tesi Regie ... Ashley Miller Drehbuchautor/in ... Gordon Verheul Kamera ... Kevin Sorbo Schauspieler/in ; Lisa Ryder Schauspieler/in ; Laura Bertram Schauspieler/in ... Gene Roddenberry ; Matthew MacCauley Komponist/in. - 2017 112/000 032 535 Ascencion : die komplette Serie / Adrian A. Cruz Drehbuchautor/in (Film 7 Ascenci 1 ; Philip Levens Drehbuchautor/in ; Tricia Helfer Schauspieler/in ; Gil c:DVD) Bellows Schauspieler/in ; Brian P. Holt Schauspieler/in. - 2016 112/000 034 515 Mit Schirm, Charme und Melone : wie alles begann ; [DVD-Video]. -
Boxoffice Barometer (March 6, 1961)
MARCH 6, 1961 IN TWO SECTIONS SECTION TWO Metro-Goldwyn-Mayer presents William Wyler’s production of “BEN-HUR” starring CHARLTON HESTON • JACK HAWKINS • Haya Harareet • Stephen Boyd • Hugh Griffith • Martha Scott • with Cathy O’Donnell • Sam Jaffe • Screen Play by Karl Tunberg • Music by Miklos Rozsa • Produced by Sam Zimbalist. M-G-M . EVEN GREATER IN Continuing its success story with current and coming attractions like these! ...and this is only the beginning! "GO NAKED IN THE WORLD” c ( 'KSX'i "THE Metro-Goldwyn-Mayer presents GINA LOLLOBRIGIDA • ANTHONY FRANCIOSA • ERNEST BORGNINE in An Areola Production “GO SPINSTER” • • — Metrocolor) NAKED IN THE WORLD” with Luana Patten Will Kuluva Philip Ober ( CinemaScope John Kellogg • Nancy R. Pollock • Tracey Roberts • Screen Play by Ranald Metro-Goldwyn-Mayer pre- MacDougall • Based on the Book by Tom T. Chamales • Directed by sents SHIRLEY MacLAINE Ranald MacDougall • Produced by Aaron Rosenberg. LAURENCE HARVEY JACK HAWKINS in A Julian Blaustein Production “SPINSTER" with Nobu McCarthy • Screen Play by Ben Maddow • Based on the Novel by Sylvia Ashton- Warner • Directed by Charles Walters. Metro-Goldwyn-Mayer presents David O. Selznick's Production of Margaret Mitchell’s Story of the Old South "GONE WITH THE WIND” starring CLARK GABLE • VIVIEN LEIGH • LESLIE HOWARD • OLIVIA deHAVILLAND • A Selznick International Picture • Screen Play by Sidney Howard • Music by Max Steiner Directed by Victor Fleming Technicolor ’) "GORGO ( Metro-Goldwyn-Mayer presents “GORGO” star- ring Bill Travers • William Sylvester • Vincent "THE SECRET PARTNER” Winter • Bruce Seton • Joseph O'Conor • Martin Metro-Goldwyn-Mayer presents STEWART GRANGER Benson • Barry Keegan • Dervis Ward • Christopher HAYA HARAREET in “THE SECRET PARTNER” with Rhodes • Screen Play by John Loring and Daniel Bernard Lee • Screen Play by David Pursall and Jack Seddon Hyatt • Directed by Eugene Lourie • Executive Directed by Basil Dearden • Produced by Michael Relph. -
The Night of the Hunter: Noirish Or Film Noir?
The Night of the Hunter Noirish or film noir? Sigurd Enge A Thesis presented to the Department of Literature, Area Studies and European Languages, the University of Oslo, in Partial Fulfillment to the Requirements for the MA degree in North American Studies ENG4970 Masterspesialisering i engelsk, LAP Thesis advisor: Mark Luccarelli Autumn 2009 Table of Contents Introduction 3 Chapter 1: The Novel and the Film 6 A Short Synopsis of the Book 6 The Film as a Critical Text 7 The Film as Work of Art 11 Reception 13 Chapter 2: What Is Film Noir Anyway? 18 A Short Synopsis of the Film Noir Debate 20 The Noirish Aspects of the Night of the Hunter 25 The Malaise and Social Criticism of The Night of the Hunter 33 “A Faith Deformed” 35 Chapter 3: Further Analysis 44 The Stylistics of The Night of the Hunter 44 The Mixture of Expressionism and Realism in Hunter 53 Harry Powell – Urban psychopath, Frontiersman or Demon? 57 Conclusion 61 Bibliography 64 2 Introduction The first time I saw Charles Laughton’s The Night of the Hunter was at Riverside Studios in London in 2004. It was on a double bill with Jacques Tourneur’s acknowledged film noir classic Out of the Past, which I liked a lot more than Hunter. The latter seemed over acted and strange to me, and I found it much easier to enjoy a film about a private detective who was lured into violence and crime by a beautiful femme fatale. Out of the Past seemed more realistic and cooler, because it had people smoking cigarettes in dimly lit rooms and because it was full of banter with sexual innuendo. -
THE STANLEY KRAMER COLLECTION at UCLA FILM & TELEVISION ARCHIVE As of July 2013
THE STANLEY KRAMER COLLECTION at UCLA FILM & TELEVISION ARCHIVE as of July 2013 For more information, please e-mail the Archive Research & Study Center [ARSC] at [email protected] TITLE YEAR INV # FORMAT TYPE 1989 SIMON WIESENTHAL CENTER ANNUAL BANQUET 1989 M160341 1/2 IN. VHS VIDEOCASSETTE #2: TWELVE (12) ORIGINAL COMMENTARIES SENT TO US BY KRAMER IN 1977 M159949 1/4 IN. AUDIO REEL EARLY OCTOBER 34TH ANNUAL ACADEMY AWARDS SHOW: STANLEY KRAMER RECEIVING M160350 1/2 IN. BETACAM SP THE THALBERG AWARD #4: TWO (2) ADDITIONAL COMMENTARIES RECEIVED BY NORMAN 1977 M160250 1/4 IN. AUDIO REEL GLADNEY ON DECEMBER 5, 1977 5,000 FINGERS OF DR. T. 1953 M14494 16 SAFETY 5000 FINGERS OF DR. T -- CLIP REEL M160356 1/2 IN. BETACAM SP A.M. AMERICA: LT. CALLEY SEGMENT, STANLEY KRAMER 1/8/1975 M159434 3/4 IN. VIDEOCASSETTE ABC LATE NIGHT: THE COMEDIANS 1974 M159426 3/4 IN. VIDEOCASSETTE AMERICAN MASTERS -- SIDNEY POITER: ONE BRIGHT LIGHT M160331 1/2 IN. VHS VIDEOCASSETTE BIRTHDAY SEGMENT: CNN 9/29/2000, SHOWBIZ TODAY, KCBS 2000 M160334 1/2 IN. VHS VIDEOCASSETTE ENTERTAINMENT TONIGHT BLESS THE BEASTS AND CHILDREN 1971 M6544 16 SAFETY BLESS THE BEASTS AND CHILDREN 1971 M6544 16 SAFETY BLESS THE BEASTS AND CHILDREN 1971 M19442 35 SAFETY [BLESS THE BEASTS AND CHILDREN -- EXCERPTS]. 1971 M14716 16 SAFETY [BLESS THE BEASTS AND CHILDREN -- TRAILER. TEASER NO. 2]. 1971 M48224 35 SAFETY CAINE MUTINY 1954 M6276 16 SAFETY CAMERA 4 REPORTS. STANLEY KRAMER, THE MOVIES, AND B.Y.U. 1972 T7412 2 IN. VIDEOREEL CARY GRANT: THE LEADING MAN M160347 1/2 IN. -
Ruth Prawer Jhabvala's Adapted Screenplays
Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone. -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
Read Ebook {PDF EPUB} Shirley Jones: a Memoir by Shirley Jones “You Are Going to Meet the Real Flesh-And-Blood Shirley Jones, Not Just the Movie Star Or Mrs
Read Ebook {PDF EPUB} Shirley Jones: A Memoir by Shirley Jones “You are going to meet the real flesh-and-blood Shirley Jones, not just the movie star or Mrs. Partridge,” says the beloved film, television, and stage actress and singer of her long-awaited memoir, an account as shockingly direct, deliciously juicy, and delightfully frank as the performer herself.3.8/5(891)Shirley Jones : a memoir : Jones, Shirley, 1934 March 31 ...https://archive.org/details/shirleyjonesmemo0000joneSep 23, 2019 · Shirley Jones : a memoir by Jones, Shirley, 1934 March 31- author. Publication date 2013 Topics Jones, Shirley, 1934 March 31-, Actors -- United States -- Biography, Singers -- United States -- Biography Publisher New York, NY : Gallery Books Collection inlibrary; printdisabled; internetarchivebooksPages: 330Shirley Jones : a memoir : Jones, Shirley, 1934 March 31 ...https://archive.org/details/shirleyjonesmemo0000jone_y1i4291 pages, 16 unnumbered pages of plates : 24 cm. The actress and singer explores her life and career, examining "the real flesh-and-blood Shirley Jones, not just the movie star or Mrs. Partridge"--Dust jacket flap. Introduction -- a beautiful morning -- A beautiful day -- A wonderful feeling -- Everything's going my way -- If he's good or if he's bad -- April love -- Elmer Gantry -- The music man -- Out of my dreams -- …Pages: 330People also askWhat is Shirley Jones autobiography?What is Shirley Jones autobiography?So begins Shirley Jones‘s new autobiography. And it’s an apt introduction to a shockingly frank memoir that’s raising eyebrows— and turning Jones’s reputation as the wholesome mother Mrs. Partridge on the 1970s TV show The Partridge Family on its head.5 Shockers from The Partridge Family Star Shirley Jones's .. -
Pdgrave Yy^Urt II Houti
THE STAR, Washington, D. c. ** EVENIT'O '» C-6 rtIBAT. JILT M. 10SS Life With Lewis and Clark THE PASSING SHOW One Cliche After Another I *jrf By HARRY lUeAKTHUR good thing "THX VAR HORIZONS "a Part- Medicine Is X-rayed It is. or wm, of R oount picture, produced by WUUsn H \ >int ud WtllUm C. TboißMi dlriettd ¦PF for Merriwether Lewi* and BUI ir Rodelpb Mote. icrecDplxr by Win*ton Siller cod Edmund Hr North, from the Clark that the movie* had not lord, "SocSovco of the Shothonec." il DcllA Oould Emmoni. At tbo CopltU In an Exciting Film yet become popular entertain- 1 Tho on that Cut By JAY CARMODY ment when they set out Ifcrrlwothcr Lowlx Vrtd MirMnmy expedition. they had, it BUI Clerk Charlton Heaton Stranger.” top If ioenjnvcn Donna Reed "Not As A which shot ta the of the best-seller would been a dull trip for Julia Hancock Barbara Hale a nagnMi t < have -WW7 list as a novel, should be equally popular as a film, despite the B flk Everything that occurred Sertaant Can William Demareit them. ebaiboneon . Aim Rood fact of sturdier competition. given them the feel- Cameahwalt Eduardo Norleca Thompson’s by would have Wild Bade Larry Pennell Morton work has been translated to the screen s #-¦¦-. ing that they had been here be- Le Borne Ralph Moody Producer-Director Stanley Kramer with not merely fidelity to its ¦ - ?a« -^:;> fore. Prealdent Jeffcraon Herbert Herea original tart flavor but with a- '~TOri. listen, » *-- can, you ;; 1 You if hear post. Despite them, high-powered cast. -
Bill Wrobel's DVD Collection, Review & Music Analysis
Bill Wrobel’s DVD Collection, Review & Music Analysis A man is often known by the company he keeps. I suppose this applies not only to people routinely around him but also to the specific kinds of music and dvds he purchases as a personal collection to enjoy. As John Burroughs wrote in his poem, Waiting : “My own shall come to me.” This is the law of attraction (like attracts like). Now: Food for the soul to me includes music. Music for most people is obviously a pleasure, refined or not, ridiculous or sublime. Music can calm ones nerves in the stresses of life; reminds you of the heavenly; reminds you of beauty while sometimes involved in the ugliness or drudgery of daily life; helps you feel better when life gets you down, and restores harmony and peace (if only temporarily). I happen to love Golden Age and Silver Age music (music that I grew up with), and of course this includes Romantic era classical music especially (Tchaikovsky, Delibes, Wagner, etc.). As most people who read my site already know, my top favorite film composers are Bernard Herrmann and Max Steiner. Then I like Jerry Goldsmith in most cases, Miklos Rozsa, Dimitri Tiomkin, John Barry, and so forth. So obviously I will buy dvds (and cds) that contain their music. I tend to buy more dvds than cds because the music was intended to be paired with the images on the screen. I enjoy both mediums but music married with film is the best or most effective expression since it was meant for that particular art medium. -
American Heritage Center
UNIVERSITY OF WYOMING AMERICAN HERITAGE CENTER GUIDE TO ENTERTAINMENT INDUSTRY RESOURCES Child actress Mary Jane Irving with Bessie Barriscale and Ben Alexander in the 1918 silent film Heart of Rachel. Mary Jane Irving papers, American Heritage Center. Compiled by D. Claudia Thompson and Shaun A. Hayes 2009 PREFACE When the University of Wyoming began collecting the papers of national entertainment figures in the 1970s, it was one of only a handful of repositories actively engaged in the field. Business and industry, science, family history, even print literature were all recognized as legitimate fields of study while prejudice remained against mere entertainment as a source of scholarship. There are two arguments to be made against this narrow vision. In the first place, entertainment is very much an industry. It employs thousands. It requires vast capital expenditure, and it lives or dies on profit. In the second place, popular culture is more universal than any other field. Each individual’s experience is unique, but one common thread running throughout humanity is the desire to be taken out of ourselves, to share with our neighbors some story of humor or adventure. This is the basis for entertainment. The Entertainment Industry collections at the American Heritage Center focus on the twentieth century. During the twentieth century, entertainment in the United States changed radically due to advances in communications technology. The development of radio made it possible for the first time for people on both coasts to listen to a performance simultaneously. The delivery of entertainment thus became immensely cheaper and, at the same time, the fame of individual performers grew.