Fall 2009 Teacher’S Guide Educational Supplement to the Youth Magazine of Seeds of Peace

Total Page:16

File Type:pdf, Size:1020Kb

Fall 2009 Teacher’S Guide Educational Supplement to the Youth Magazine of Seeds of Peace THE OLIVE BRANCH Fall 2009 Teacher’s Guide Educational Supplement to the Youth Magazine of Seeds of Peace Tools for Educators From the editors Daniel Noah Moses & Inessa Shishmanyan elcome to the third issue of The Olive ulty members include the core faculty of the Palestinian Branch Teacher’s Guide. If you are Model Schools Initiative, along with special guests. For reading this, you probably value edu- example, Fatma Elshobokshy, the Delegation Leader cation. The editors and contributors to summer program coordinator, and Ajay Noronha, Indian this Guide do, too. We believe that by Delegation Leader (Session I, ’08), traveled to Ramallah Wworking together in communities and across lines of con- to do a film-making workshop for 25 Palestinian educa- flict, educators will make the difference. We believe that tors from across Jerusalem and the West Bank. education is essential if there is to be a better future. In this current issue, Fatma writes about the Camp ex- To work for a better future, education must encourage perience that motivated her to make her visit; Ajay writes respect for one another and for our diversity; it must about his visit with Israeli and Palestinian Delegation encourage communication skills, leadership skills, civic Leaders. engagement, cross-cultural understanding, and the Winter & Summer Camps for West Bank Children peaceful transformation of conflict. To put it another way, For a short essay about the first camp, held in Jericho we need to figure out better ways to live together on what in January 2008, see Karen AbuZant’s piece in the first often feels like a shrinking planet. issue of The Olive Branch Teacher’s Guide. This Guide is part of a range of projects started in Sep- tember 2007 with the support of USAID. These projects Cross-Border Educators’ Workshops build on the foundation of the Seeds of Peace Delegation These workshops are precious opportunities for Pales- Leaders summer program—the intense program for adult tinian and Israeli (and sometimes Jordanian) Seeds of educators from regions of conflict. Peace educators to meet, to share experience and knowl- Together these USAID programs strengthen and enlarge edge, to make friends, to be reenergized with hope. the circle of Seeds of Peace Educators, while also reach- Workshops have been held in Wadi Rum, Jordan, in ing out to youth and to the broader public. Tiberius, and outside of Jerusalem. The second issue of The Olive Branch Teacher’s Guide focuses on the work- USAID-Supported Educational Projects shop held in Tiberius in June 2009. for Palestinians & Israelis Seeds Café Teaching Tolerance in Palestinian Schools: Each month, Seeds of Peace organizes a forum in Jeru- A Model Schools Initiative salem to present and discuss cultural and political issues The idea behind this, and its Israeli counterpart, is to relevant to Palestinians, Israelis and the international nurture centers of Seeds of Peace activity—learning envi- public. These cafés are a rare opportunity to engage in ronments that encourage the values and skills embodied this kind of dialogue with such a range of people. by Seeds of Peace. On page 12, we feature an in-depth article about this The Olive Branch & Olive Branch Teacher’s Guide The final project funded by USAID: two types of educa- project by faculty members. On page 16, American tional material. The Olive Branch is a magazine produced faculty member Deb Bicknell interviews her Palestinian by “Seeds” (graduates of the Seeds of Peace Camp for colleagues, Oraib Waari and Jihad Sirhan. teenagers in the US). The Olive Branch Teachers Guides Teaching Tolerance in Israeli Schools: are … well, take a look. As always, we welcome your A Model Schools Initiative comments, suggestions, ideas, and connections. Look for an essay by Tali, an Israeli Model Schools par- ticipant, in the fourth issue of The Olive Branch Teacher’s For additional information about the Delegation Lead- Guide. ers Program and its various projects for Seeds of Peace Workshops on Peaceful Learning Environments Educators, including older issues of The Olive Branch With the support of USAID, Seeds of Peace has orga- and Teacher’s Guide, as well as wonderful short film nized six workshops a year across the West Bank; in about the Delegation Leaders summer program, visit our August 2009, we organized a workshop in Gaza. Fac- website at www.seedsofpeace.org. 2 The Olive Branch Teacher’s Guide Fall 2009 TOP Delegation Leaders at the Seeds of Peace Camp. BELOW A Model Schools Initiative classroom in Hebron. Fall 2009 Volume II, Issue II The Olive Branch Teacher’s Guide is a magazine written, edited and produced by members of the Seeds of Peace program. All opinions expressed on these pages are those of the individual writers and are not necessarily shared by Seeds of Peace, any government, The Olive Branch or its staff, or USAID. Teacher’s Guide Staff Managing Editor Daniel Noah Moses, Ph.D. Deputy Managing Editor Inessa Shishmanyan Editors/Consultants Walid Muhammad Abed Errahman Rachel Brophy Myra Small Ben Mueller Fatma Elshobokshy Contributors Bobbie Gottschalk Sarah Norton Steven Brion-Meisels Sonia Linda Brion-Meisels Pious Ali Sumaya & Faten Guy Mendilow Carol Daniel Kasbari Deb Bicknell Zoe Marinkovich Ajay Noronha Ismail Mukbil Margie Arsham Orly Kalinsky Elisabeth Mallin Amany & Daniel Danny Metzl The Olive Branch Teacher’s Guide is designed by Eric Kapenga and printed by V&V Communications. It is made possible by a grant from the US Agency for International Development and the American people. COVER PHOTOS (CLOCKWISE, TOP LEFT): BOBBIE GOTTSCHALK, AJAY NORONHA, RACHEL BROPHY, BOBBIE GOTTSCHALK. BACK COVER: AJAY NORONHA. ABOVE: BOBBIE GOTTSCHALK. LEFT: STEVEN BRION-MEISELS The Olive Branch Teacher’s Guide Fall 2009 3 Collective memory Camp & empathy at Camp By Fatma Elshobokshy Camp. I told myself: I am an Egyptian, an Arab and a Muslim, so I am aware of I WILL ALWAYS REMEMBER THE Arab culture. Likewise I am aware of summer of 2008. It was intense, full Jewish culture because I received my BA of emotion, hesitation, and challenges. in Hebrew Literature. In addition, I have When I started at the Seeds of Peace lived in the US for the last four years, so I International Camp, I thought that being am able to interact with Jews and Israelis. there wouldn’t affect me. I had just received my Masters in Inter- But it did, because I am drawn to, and cultural Relations, so I’ve had experience intrigued by, collective memory. with cross-cultural understanding. “I think we need to do some affirma- The mission of Seeds of Peace matches My motivation to work with Seeds of tions,” I said, in true camp counselor my passion for promoting coexistence Peace was simply to use my background fashion. My sister and I were returning among Arabs and Israelis. Through Seeds to help both sides get the best experience from a weekend in Tahoe. It had been of Peace, people from conflict regions out of Camp. I was also curious to watch a year since my father had died and we work together to explore their common how the three weeks at Camp might decided to spend some time together to humanity and to further cross-cultural simulate coexistence—something that honor and to reflect. understanding. took me years to reach. And we did. It left us, though, with Therefore, when I accepted the posi- In short, I thought that while I would incredible anxiety. tion of Program Coordinator for the participate in the process, I would not The car ride down the mountain was Delegation Leader program, I thought it discover anything new that would change full of nervous energy and stress, driven by internal pressures to accomplish, to would be a “piece of cake.” I thought that my views. achieve. Living up to a father’s expecta- the Camp mission did not apply to me Over the summer, I not only interacted tions when those expectations are frozen because my life experiences had allowed with Israelis and Palestinians, but also in time, no longer able to adjust with me to live this mission before arriving at listened to their everyday dialogue, which the changes that dictate life, is ... well ... difficult. “OK, what are you most proud of?” she asked me. “My work at Seeds of Peace,” I said Seeds of Peace facilitation: without hesitation. “Me too,” she responded. A perspective for educators I am a better person for my experi- ‘ences at Seeds of Peace. I am a better listener, a better friend, a better leader, By Danny Metzl a better citizen of this planet. And I realize (again) that this is all my father FAciLITATioN IS THE SKILL of AidiNG, ever really asked of me: “Be a good rendering, bringing from latent to fore- person, Zoe. And lead others to be bet- front. Facilitation is usually much more ter people.” than mere dialogue. Dialogue, which is Seeds of Peace is the best way I know how to do this. so often lacking between conflicting so- — Zoe (Counselor) cieties and its peoples, is viewed as the primary goal to be reached, and, in most groups, it is viewed as a basis from which further growth can be achieved. Most of the group work done by Seeds of Peace facilitators is of the encounter group type: Participants encounter their own and others’ ideas, emotions, and be- haviors, as well as the concepts and reali- ties of conflict, peace, cultures, identities, alternative to violent conflict and an roles, etc. of the conflicting societies. equally firm belief that peace cannot be This type of facilitation is a specific ap- reached by psychological change alone. plication of psychology.
Recommended publications
  • Virgil, Aeneid 11 (Pallas & Camilla) 1–224, 498–521, 532–96, 648–89, 725–835 G
    Virgil, Aeneid 11 (Pallas & Camilla) 1–224, 498–521, 532–96, 648–89, 725–835 G Latin text, study aids with vocabulary, and commentary ILDENHARD INGO GILDENHARD AND JOHN HENDERSON A dead boy (Pallas) and the death of a girl (Camilla) loom over the opening and the closing part of the eleventh book of the Aeneid. Following the savage slaughter in Aeneid 10, the AND book opens in a mournful mood as the warring parti es revisit yesterday’s killing fi elds to att end to their dead. One casualty in parti cular commands att enti on: Aeneas’ protégé H Pallas, killed and despoiled by Turnus in the previous book. His death plunges his father ENDERSON Evander and his surrogate father Aeneas into heart-rending despair – and helps set up the foundati onal act of sacrifi cial brutality that caps the poem, when Aeneas seeks to avenge Pallas by slaying Turnus in wrathful fury. Turnus’ departure from the living is prefi gured by that of his ally Camilla, a maiden schooled in the marti al arts, who sets the mold for warrior princesses such as Xena and Wonder Woman. In the fi nal third of Aeneid 11, she wreaks havoc not just on the batt lefi eld but on gender stereotypes and the conventi ons of the epic genre, before she too succumbs to a premature death. In the porti ons of the book selected for discussion here, Virgil off ers some of his most emoti ve (and disturbing) meditati ons on the tragic nature of human existence – but also knows how to lighten the mood with a bit of drag.
    [Show full text]
  • The Greeks Had Numerous Gods and Many Stories and Myths That Surrounded Them
    Year 4, Week 2, Tuesday English grammar - To use paragraphs correctly As we will be writing an information text this week, today we will be revisiting using paragraphs correctly. We need to use paragraphs for cohesion. This means all related facts are together so the text as a whole makes sense. For example, we would not write about Zeus’ life and Athena’s temple in the same paragraph. In your Home Learning book, sort the sentences below into paragraphs and give each paragraph a subheading. The answers and possible subheadings are on the next page. Extension: Can you add any sentences of your own to include in the paragraphs? The Greeks had numerous gods and many stories and myths that surrounded them. The Titans were the first or elder gods. There were twelve of them including the parents of Zeus, Cronus and Rhea. They ruled during what was called the golden age. Athena was worshipped near the Parthenon as she was victorious in war. Greek mythology consists of all the stories and tales about the Greek gods, goddesses, and heroes. Athena was the Greek goddess of wisdom, defense and war. Her symbols are the owl and the olive branch. She is the patron god of Athens. The twelve Olympian gods were the major gods of the Greeks and lived on Mount Olympus. The Titans were overthrown by their children, led by Zeus. Zeus was the leader of the Olympians and god of the sky and lightning. His symbol is the lightning bolt. A temple, named the Parthenon, was built in 438BC on the Acropolis of Athens.
    [Show full text]
  • Greece and Olives the Olive Has Been a Huge Part of Life in Greece Since the Ancient Years
    Greece and Olives The Olive has been a huge part of life in Greece since the ancient years. Indeed, one could reasonably assert that the whole of Greek civilization was established upon the branches of this humble tree. Its nourishment has kept people alive, its oil used in lanterns illuminated the dark, its bark –when burned – kept people warm and even its twigs and leaves provided people with mattresses. In Ancient times olive wood was used for architectural purposes and to make tools. The Oil as a commodity had a major economic importance too; it was what the whole Greek trade was based upon - it is a historic fact that when at war, the first thing the Spartans did was to burn the olive groves of Athens, sometimes fatally weakening their opponents. Another historical example of this importance - is when Athens’ own crop failed, the Athenians voted to honour a foreign merchant who sold them 56.000 litres of oil. Aside from (and because of) its practical aspects, the olive tree gained a mythical dimension. The Goddess ‘Athena’ was believed to have gifted an olive tree to the Athenians which grew next to the Acropolis, presumably in honour of the city state’s devotion to her. Another myth states that it was Hercules who brought the first olive tree from the heavens. Homer refers to olive oil as ‘liquid gold’ and Aristotle argued that the cultivation of olive trees is a science. According to Hippocrates, olive oil was used in ancient Greece for more than 60 pharmaceutical applications, including the healing of skin problems, of stomach pains and of ear infections.
    [Show full text]
  • Origin and Historical Evolution of Sports As a Common European Cultural Activity
    ORIGIN AND HISTORICAL EVOLUTION OF SPORTS AS A COMMON EUROPEAN CULTURAL ACTIVITY CONTENT 1. Greece: the birth of the Olympic Games.....................................................................3 2. Rome: sport as a show and a social event...............................................................11 3. Middle Ages: tournaments, the Knight ideal, sports as a way to train skillful warriors..................................................................................................................................18 4. Thomas Arnold, the education reformer who highlighted values of sports......................................................................................................................................22 5. Pierre de Coubertin, the creator of the modern Olympic Games....................26 6. Modern sport after the Second World War............................................................39 HISTORICAL EVOLUTION OF SPORTS 2 The Olympic Games in Ancient Greece HISTORICAL EVOLUTION OF SPORTS 3 The sporting events at Olympia were the oldest and most important of the four national Greek athletic festivals. The games were held on an official basis every four years from 776 BC, but they probably originated much earlier. Greek myth credited the hero Herakles with devising the running races at Olympia to celebrate the completion of one of his twelve labours. Olympia was the most important sanctuary of the god Zeus, and the Games were held in his honour. Sacrifices and gifts were offered, and athletes took oaths to
    [Show full text]
  • Augustine Sermons 306-340
    This is a reproduction of a library book that was digitized by Google as part of an ongoing effort to preserve the information in books and make it universally accessible. https://books.google.com A^ck^ *£ SERMONS A UG USTINIAN HERITAGE INSTITUTE Board of Advisors: Gerald Bonner, Maria Boulding, O.S.B. Gervase Corcoran, O.S.A., Robert Dodaro, O.S.A. Allan D. Fitzgerald, O.S.A., Edmund Hill, O.P. John Page, Joseph McGowan John Oldfield, O.A.R., Boniface Ramsey, O.P., Director: John E. Rotelle, O.S.A. THE WORKS OF SAINT A UGUSTINE A Translation for the 21st Century Part III — Sermons Volume 9: Sermons 306-340A The English translation of the works of Saint Augustine has been made possible with contributions from the following: Order of Saint Augustine Province of Saint Thomas of Villanova (East) Province of Our Mother of Good Counsel (Midwest) Province of Saint Augustine (California) Province of Saint Joseph (Canada) Vice Province of Our Mother of Good Counsel Province of Our Mother of Good Counsel (Ireland) Province of Saint John Stone (England and Scotland) Province of Our Mother of Good Counsel (Australia) The Augustinians of the Assumption (North America) The Sisters of Saint Thomas of Villanova Order of Augustinian Recollects Province of Saint Augustine Mr. and Mrs. James C. Crouse Mr. and Mrs. Paul Henkels Mr. and Mrs. Francis E. McGill, Jr. Mr. and Mrs. Mariano J. Rotelle THE WORKS OF SAINT AUGUSTINE A Translation for the 21st Century SERMONS III/9 (306-340A) on the Saints translation and notes Edmund Hill, O.P.
    [Show full text]
  • The Olive Tree the Gift of God Starting Our Project We Gathered Information About the Olive Tree in Our Books and Our Lessons
    Vartholomio Ilias, Hellas “Language and Literature” The olive tree the gift of God Starting our project we gathered information about the olive tree in our books and our lessons. The olive tree is tied to the life of the Greeks and all the peoples of the Mediterranean. From ancient times it appears in myths, religious ceremonies and daily life of Greeks. It is a symbol of prosperity, peace, purity, fertility and euphoria. The olive or olive tree is a fruit tree of the Olive family. Its fruit is the olive and from it the olive oil is produced. The olive tree was the symbol of the goddess Athena. The olive has been known since ancient times and probably originates from the area of ​​the eastern Mediterranean. According to mythology, the homeland of the olive tree is Athens and the first olive tree was planted by the goddess Athena on the Acropolis. The Greeks were the first people to cultivate olives in the European Mediterranean area. It is an evergreen tree, it has lanceolate, dark green leaves. Its flowers are white. The fruit of the olive tree ripens in the middle and at the end of autumn, when the harvest begins, or the ‘liomazoma’. The olive is picked by hand, and the picking of the olive is significant agricultural activity in many parts of the Mediterranean. Nowadays, the traditional method of harvesting still thrives, but with the help of tools and machines. The branches are passed with the "comb" to detach the fruit, while the soil under the olive tree is paved with oilcloths or a special net.
    [Show full text]
  • Olive, the Symbol of Resistance in Contemporary Arabic Poetry
    Special Issue 1 INTERNATIONAL JOURNAL OF HUMANITIES AND February 2016 CULTURAL STUDIES ISSN 2356-5926 Olive, The symbol of Resistance in Contemporary Arabic poetry Ebrahim Namdari Assistant professor of Arabic Language and Literature Payam-e-Noor University, Iran Hadiseh Motavali Ph.D. student in Arabic literature, Department of Arabic and Literature, Islamic Azad University, Garmsar Branch, Iran Masoud Bavan Pouri M.A. in Arabic literature and Member of Young Researchers and Elite Club, Eslam Abade-E- Gharb Branch, Isalmic Azad University, Eslam Abade-E-Gharb, Kermanshah, Iran Abstract Symbol has had prominent artistic role in contemporary Arabic literature and especially resistance poetry. Poets have benefited from symbols in difficult conditions to express people`s pain and suffering in the form of poetry. Olive is one of these symbols which emerged in Arab poetry. It indicates Palestine, encouragement for fight, and rich Arab culture, etc. Olive is a symbol of resistance and endurance. This analytic-descriptive article aims to study olive as a symbol in Arab contemporary poetry. Keywords: Symbolism, olives, resistance poetry, contemporary Arab poets. http://www.ijhcs.com/index.php/ijhcs/index Page 880 Special Issue 1 INTERNATIONAL JOURNAL OF HUMANITIES AND February 2016 CULTURAL STUDIES ISSN 2356-5926 Introduction Resistance Literature Seyed Ahmad Parsa defines Resistance Literature as “movement to cope with oppression, invasion, and occupation” and Resistance Literature is a literature which is committed to reflect the heroic resistance of a nation against oppression and occupation. (Parsa, 2009: 2). Proponents of freedom and patriotism have always resisted against enemies and bullying. This is a natural fact since human beings are created in a way that they cannot tolerate oppression and invasion.
    [Show full text]
  • Apodexis Historı́as
    Apode as An Aggregate Primary Source Account of Greek History xis Historı́ Edited by E. Edward Garvin, ©2014 The purpose of a sourcebook is to allow the subjects to speak their own history and to allow the student, the reader, to gain an understanding of Greek literary works through a selective sampling. The key word is ‘selective.’ Contained herein are passages excerpted from their contexts. Without exception, this very process produces a falsehood because both the narrative and meta-narrative are destroyed when the continuity of the composition is interrupted. Nevertheless, this seems the most expedient way to expose students to a wide range of primary source material without an onerous reading list. I have tried to keep my voice out of it as much as possible and will intervene as editor (in Times New Roman font) only to give background or exegesis to the text. All of the texts contained in frames and in Goudy Old Style font are excerpts from Greek or Latin texts (primary sources) that have been translated into English. These translations were published as print books but have since fallen into Public Domain - which means that the copyright has expired. As editor of this volume, I have copied, edited and partially retranslated these texts to bring the translations up to date. The title of this collection is adapted from the opening line of Herodotus' Histories: "The results of the research (historías) of Herodotus of Halicarnassus are herein presented for public display (apodexis)." The Greek apodexis means a 'display' or 'public presentation': The word historía, when Herodotus used it, referred to a process of rational pragmatic inquiry.
    [Show full text]
  • What Did the Dove Bring to Noah?
    WHAT DID THE DOVE BRING TO NOAH? GILAD J. J. GEVARYAHU The Book of Genesis tells how the dove returned to Noah, and there in its bill was a plucked-off olive leaf (Gen. 8:11). Early interpreters wondered how to resolve the mixing of male and female genders in this verse. The dove is referred to in the feminine gender, va-tavo (and she came), be-fiha (in her mouth), like every other dove in the Bible. However the word taraf (plucked) is in the masculine instead of the feminine (tarefah), as one would have ex- pected. Explaining this unusual usage, Rashi writes: "I am of the opinion that it [the dove] was a male and that therefore it [the text] speaks of it sometimes as masculine and sometimes as feminine, because really wherever yonah [dove] occurs in the Scriptures it is spoken of as feminine . ". In contrast, Targum Onkelos, Pseudo-Jonathan, Ibn Ezra, and Radak suggest that the word taraf is an adjective describing the leaf as torn off, not a verb referring to the action of the dove. Both Onkelos and Pseudo-Jonathan translate the Hebrew words aleh zayit (olive leaf) as teraf zeita in Aramaic and the Hebrew word taraf as tevir, "broken". Taraf is similarly translated as "cut off" by Saadiah Gaon. This approach led to the JPS translation, a plucked-off olive leaf. Ibn Ezra brings multiple options to explain the word taraf. According to the first, taraf is a synonym of "olive leaf." Sometimes the Bible uses two adja- cent terms to describe the same thing.
    [Show full text]
  • Rites of Initiation in the Early Irish Church: the Evidence of the High Crosses
    religions Article Rites of Initiation in the Early Irish Church: The Evidence of the High Crosses Megan Henvey Department of the History of Art, University of York, York YO10 5DD, UK; [email protected] Abstract: Rites of Initiation in early medieval Ireland have been studied only with reference to contemporary texts; recourse to other sources, most notably the substantial corpus of extant high crosses, has not been made. Here it will be demonstrated that the iconography and programmatic arrangement of the depictions of Noah’s Ark, the Baptism of Christ, and the Three Hebrews in the Fiery Furnace can significantly advance theological and liturgical understanding of the early medieval rites of baptism and ordination in this region, indicating the central role of these biblical events and their associated literatures in these contexts. It will be further suggested that this relationship between text, image, and ritual points to the role of the high crosses in facilitating the liturgical rites of the early medieval Irish Church. Keywords: early medieval Ireland; Christian rites of initiation; high cross; sculpture; iconography 1. Introduction Writing on the rites of initiation in the early Roman Liturgy, G.G. Willis lamented the deficiency of the sources for this subject (Willis 1994, pp. 129–30); the situation is little different in the Insular context. Writers such as Bede (672/3–735) and Adomnán (c. 624–704) Citation: Henvey, Megan. 2021. recorded certain baptismal events, including the people and places involved, and an Ordo Rites of Initiation in the Early Irish Baptismi is recorded in the late eighth-/early ninth-century Stowe Missal (RIA MS D ii 3; Church: The Evidence of the High Fisher 1965, pp.
    [Show full text]
  • 1.1 the History of Olive Oil.Pdf
    EUROMED SUSTAINABLE CONNECTIONS ANNA LINDH FOUNDATION POLICY ANALYSIS 1:1. THE HISTORY OF OLIVE OIL February 20, 2008 THE HISTORY OF OLIVE OIL1 The Cretan word for olive, elaiwa, also changed as the olive and its oil moved north and west through Southern Europe, becoming “The whole Mediterranean, the sculpture, the palm, the gold elaia in Classical Greek, oliva in Latin, olivera in Spanish, olew in beads, the bearded heroes, the wine, the ideas, the shops, the Welsh and olive in German. There is speculation that the Greek moonlight, the winged gorgons, the bronze men, the word for olive tree, elaion, may have been derived from the philosophers,- all of it seems to rise in the sour, pungent taste of Semitic Phoenician word, el’you, meaning superior, perhaps these black olives between the teeth. A taste older than meat, alluding to the higher quality associated with olive oil compared to older than wine. A taste as old as cold water. Only the sea itself other oils that were available at the time. seems as ancient a part of the region as the olive and its oil, that like no other products of Nature, have shaped civilizations from Just as with the word zeit, many name places throughout the remotest antiquity to the present.” Mediterranean region relate to the Greek word, elaia and the Latin Laurence Durrell, Prospero’s Cell, 1945 word, oliva: Ela, a cape and river in Cyprus; Elaia, Elaikhorian, Elaiofiton, Elaion, Elaiotopos, all villages in Greece; the Mount of Olives in Jerusalem; Olivet, a village in France: and Olivares, a Spanish village.
    [Show full text]
  • Virgil: the Aeneid
    9LUJLO 7KH$HQHLG $6.OLQH¤ $OO5LJKWV5HVHUYHG This work may be freely reproduced, stored and transmitted, electronically or otherwise, for any NON- COMMERCIAL purpose. 2 &RQWHQWV BkI:1-11 Invocation to the Muse ................................................................ 10 BkI:12-49 The Anger of Juno .....................................................................10 BkI:50-80 Juno Asks Aeolus for Help........................................................ 11 BkI:81-123 Aeolus Raises the Storm.......................................................... 12 BkI:124-156 Neptune Intervenes................................................................ 13 BkI:157-222 Shelter on the Libyan Coast .................................................. 14 BkI:223-256 Venus Intercedes with Jupiter ............................................... 16 BkI:257-296 Jupiter’s Prophecy .................................................................17 BkI:297-371 Venus Speaks to Aeneas........................................................ 18 BkI:372-417 She Directs Him to Dido’s Palace......................................... 20 BkI:418-463 The Temple of Juno ............................................................... 22 BkI:464-493 The Frieze .............................................................................. 23 BkI:494-519 The Arrival of Queen Dido.................................................... 24 BkI:520-560 Ilioneus Asks Her Assistance ................................................ 25 BkI:561-585 Dido Welcomes the Trojans
    [Show full text]