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Large Impact Basins on Mercury: Global Distribution, Characteristics, and Modification History from MESSENGER Orbital Data Caleb I
JOURNAL OF GEOPHYSICAL RESEARCH, VOL. 117, E00L08, doi:10.1029/2012JE004154, 2012 Large impact basins on Mercury: Global distribution, characteristics, and modification history from MESSENGER orbital data Caleb I. Fassett,1 James W. Head,2 David M. H. Baker,2 Maria T. Zuber,3 David E. Smith,3,4 Gregory A. Neumann,4 Sean C. Solomon,5,6 Christian Klimczak,5 Robert G. Strom,7 Clark R. Chapman,8 Louise M. Prockter,9 Roger J. Phillips,8 Jürgen Oberst,10 and Frank Preusker10 Received 6 June 2012; revised 31 August 2012; accepted 5 September 2012; published 27 October 2012. [1] The formation of large impact basins (diameter D ≥ 300 km) was an important process in the early geological evolution of Mercury and influenced the planet’s topography, stratigraphy, and crustal structure. We catalog and characterize this basin population on Mercury from global observations by the MESSENGER spacecraft, and we use the new data to evaluate basins suggested on the basis of the Mariner 10 flybys. Forty-six certain or probable impact basins are recognized; a few additional basins that may have been degraded to the point of ambiguity are plausible on the basis of new data but are classified as uncertain. The spatial density of large basins (D ≥ 500 km) on Mercury is lower than that on the Moon. Morphological characteristics of basins on Mercury suggest that on average they are more degraded than lunar basins. These observations are consistent with more efficient modification, degradation, and obliteration of the largest basins on Mercury than on the Moon. This distinction may be a result of differences in the basin formation process (producing fewer rings), relaxation of topography after basin formation (subduing relief), or rates of volcanism (burying basin rings and interiors) during the period of heavy bombardment on Mercury from those on the Moon. -
UC San Diego Electronic Theses and Dissertations
UC San Diego UC San Diego Electronic Theses and Dissertations Title Abstract Art in 1980s Shanghai / Permalink https://escholarship.org/uc/item/16g2v1dm Author Jung, Ha Yoon Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, SAN DIEGO Abstract Art in 1980s Shanghai A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Art History, Theory, and Criticism by Ha Yoon Jung Committee in charge: Professor Kuiyi Shen, Chair Professor Norman Bryson Professor Todd Henry Professor Paul Pickowicz Professor Mariana Wardwell 2014 The Dissertation of Ha Yoon Jung is approved, and it is acceptable in quality and form for publication on microfilm and electronically. ____________________________________________________________________ ____________________________________________________________________ _____________________________________________________________________ _____________________________________________________________________ _____________________________________________________________________ Chair University of California, San Diego 2014 iii TABLE OF CONTENTS Signature Page ………………………………………………………………....……. iii Table of Contents ………………………………………………………….…...……. iv List of Illustrations …………………………………………………………………... v Vita ……………………………………………………………………….……….… vii Abstract ……………………………………………………….………………..……. xi Chapter 1 Introduction ……………………………………………………….……………….. 1 Chapter 2 Abstract -
Annual Report 2005
NATIONAL GALLERY BOARD OF TRUSTEES (as of 30 September 2005) Victoria P. Sant John C. Fontaine Chairman Chair Earl A. Powell III Frederick W. Beinecke Robert F. Erburu Heidi L. Berry John C. Fontaine W. Russell G. Byers, Jr. Sharon P. Rockefeller Melvin S. Cohen John Wilmerding Edwin L. Cox Robert W. Duemling James T. Dyke Victoria P. Sant Barney A. Ebsworth Chairman Mark D. Ein John W. Snow Gregory W. Fazakerley Secretary of the Treasury Doris Fisher Robert F. Erburu Victoria P. Sant Robert F. Erburu Aaron I. Fleischman Chairman President John C. Fontaine Juliet C. Folger Sharon P. Rockefeller John Freidenrich John Wilmerding Marina K. French Morton Funger Lenore Greenberg Robert F. Erburu Rose Ellen Meyerhoff Greene Chairman Richard C. Hedreen John W. Snow Eric H. Holder, Jr. Secretary of the Treasury Victoria P. Sant Robert J. Hurst Alberto Ibarguen John C. Fontaine Betsy K. Karel Sharon P. Rockefeller Linda H. Kaufman John Wilmerding James V. Kimsey Mark J. Kington Robert L. Kirk Ruth Carter Stevenson Leonard A. Lauder Alexander M. Laughlin Alexander M. Laughlin Robert H. Smith LaSalle D. Leffall Julian Ganz, Jr. Joyce Menschel David O. Maxwell Harvey S. Shipley Miller Diane A. Nixon John Wilmerding John G. Roberts, Jr. John G. Pappajohn Chief Justice of the Victoria P. Sant United States President Sally Engelhard Pingree Earl A. Powell III Diana Prince Director Mitchell P. Rales Alan Shestack Catherine B. Reynolds Deputy Director David M. Rubenstein Elizabeth Cropper RogerW. Sant Dean, Center for Advanced Study in the Visual Arts B. Francis Saul II Darrell R. Willson Thomas A. -
Delaunay and Stockholm
http://www.diva-portal.org This is the published version of a chapter published in O Círculo Delaunay / The Delaunay Circle. Citation for the original published chapter: Öhrner, A. (2015) Delaunay and Stockholm. In: Ana Vasconcelos e Melo (ed.), O Círculo Delaunay / The Delaunay Circle (pp. 226-240). Lissabon: Fundação Calouste Gulbenkian N.B. When citing this work, cite the original published chapter. Permanent link to this version: http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-28793 Delaunay and Stockholm colour. This side was the front cover of the catalogue for the exhibi- tion in Stockholm, which was among Sonia’s earliest international exhibitions outside France. The Couverture… is a self-portrait, and Annika Öhrner several sketches and preparations for it exist.4 One version for ex- Södertörn University ample, corresponding to the front image, was printed on the cover of her self-biography, Nous irons jusqu’au soleil [We Will Go Right Up to the Sun], in 1978.5 J’AIME MIEUX QUE VOUS LES FAISIEZ VOYAGER [MES TABLEAUX] AU The letters on the left side, which once functioned as the back LIEU QU’ILS DORMENT of the cover, are neither plain “typographical signs”, nor abstract CAR MES TABLEAUX SONT LE MOUVEMENT ET DONC ILS AIMENT LE forms, however they are carefully balanced within the compo- MOUVEMENT. sition, whilst simultaneously signifying letters and words.6 On Robert Delaunay to Arturo Ciacelli, 7 August 19171 the upper section of this side reads the full name of the artist, S. Delaunay-Terk. It is scribed in large capital letters, in a way that, again, expresses self-representation. -
For the Duration: Global War and Satire in England and the United States
FOR THE DURATION: GLOBAL WAR AND SATIRE IN ENGLAND AND THE UNITED STATES by Elizabeth Steedley A dissertation submitted to Johns Hopkins University in conformity with the requirements for the degree of Doctor of Philosophy Baltimore, Maryland February 2015 ABSTRACT “For the Duration” moves to unsettle some regnant assumptions about the ways in which historical experience shaped the formal choices and political investments of modernist writers. While recent critical work has focused on the influence of the Great War either on non-combatant authors or on minor memoirists and poets of the trenches, little attention has been given to the war’s effect on modernist authors who saw combat and thereafter crafted narratives distinguished by their satirical innovation. In the first three chapters of this dissertation, I concentrate on works by Ford Madox Ford, Wyndham Lewis, and Evelyn Waugh to suggest that these soldier-authors’ experience of temporal duration in war led them not, as one might expect, to emphasize Bergsonian durée in the novelistic presentation of experience but rather to reject it. Concerned that Bergsonism and its literary offshoots offered no foothold for critical engagement with post- war reality, these writers dwelt on the importance of clock-time, causality, and material reality in providing a grounding for historical responsibility; moreover, they strove to exploit the political potential of satire, a genre that has a peculiarly temporal character. Satire was especially attractive to these writers, I argue, not only because they saw in the interwar world a dispiriting unconcern with the causes and consequences of World War I but also because the genre’s dependence on barbed, multi-front attacks mimicked a key feature of modern combat. -
Mimesis International
MIMESIS INTERNATIONAL LITERATURE n. 2 FICTIONAL ARTWORKS Literary Ékphrasis and the Invention of Images Edited by Valeria Cammarata and Valentina Mignano MIMESIS INTERNATIONAL This book is published with the support of the University of Palermo, “Department of Cultures and Society”, PRIN fund 2009, “Letteratura e cultura visuale”, Prof. M. Cometa. © 2016 – MIMESIS INTERNATIONAL www.mimesisinternational.com e-mail: [email protected] Isbn: 9788869770586 Book series: Literature n. 2 © MIM Edizioni Srl P.I. C.F. 02419370305 TABLE OF CONTENTS PREFACE 9 Michele Cometa Daniela Barcella BEINGS OF LANGUAGE, BEINGS OF DESIRE: FOR A PSYCHOANALYTICAL READING OF RAYMOND ROUSSEL’S LOCUS SOLUS 11 Michele Bertolini THE WORD THAT YOU CAN SEE: VISUAL AND SCENIC STRATEGIES IN LA RELIGIEUSE BY DIDEROT 25 Valeria Cammarata THE IMPOSSIBLE PORTRAIT. GEORGES PEREC AND HIS CONDOTTIERE 43 Clizia Centorrino THE DREAM-IMAGE IN GRADIVA’S GAIT FROM POMPEII TO MARRAKESH 59 Roberta Coglitore MOVING THE LIMITS OF REPRESENTATION: INVENTION, SEQUEL AND CONTINUATION IN BUZZATI’S MIRACLES 75 Duccio Colombo CAN PAINTINGS TALK? AN ÉKPHRASTIC POLEMIC IN POST-STALIN RUSSIA 87 Giuseppe Di Liberti HOMO PICTOR: ÉKPHRASIS AS A FRONTIER OF THE IMAGE IN THOMAS BERNHARD’S FROST 113 Mariaelisa Dimino BETWEEN ONTOPHANY AND POIESIS: HUGO VON HOFMANNSTHAL’S DANCING STATUES 127 Floriana Giallombardo THE OPTICAL WONDERS OF AN EIGHTEENTH-CENTURY MICROSCOPIST: GEOMETRIC CRYSTALS AND GOTHIC RÊVERIES 137 Tommaso Guariento DESCRIPTION AND IDOLATRY OF THE IMAGES: ROBERTO CALASSO’S -
U.S. Government Publishing Office Style Manual
Style Manual An official guide to the form and style of Federal Government publishing | 2016 Keeping America Informed | OFFICIAL | DIGITAL | SECURE [email protected] Production and Distribution Notes This publication was typeset electronically using Helvetica and Minion Pro typefaces. It was printed using vegetable oil-based ink on recycled paper containing 30% post consumer waste. The GPO Style Manual will be distributed to libraries in the Federal Depository Library Program. To find a depository library near you, please go to the Federal depository library directory at http://catalog.gpo.gov/fdlpdir/public.jsp. The electronic text of this publication is available for public use free of charge at https://www.govinfo.gov/gpo-style-manual. Library of Congress Cataloging-in-Publication Data Names: United States. Government Publishing Office, author. Title: Style manual : an official guide to the form and style of federal government publications / U.S. Government Publishing Office. Other titles: Official guide to the form and style of federal government publications | Also known as: GPO style manual Description: 2016; official U.S. Government edition. | Washington, DC : U.S. Government Publishing Office, 2016. | Includes index. Identifiers: LCCN 2016055634| ISBN 9780160936029 (cloth) | ISBN 0160936020 (cloth) | ISBN 9780160936012 (paper) | ISBN 0160936012 (paper) Subjects: LCSH: Printing—United States—Style manuals. | Printing, Public—United States—Handbooks, manuals, etc. | Publishers and publishing—United States—Handbooks, manuals, etc. | Authorship—Style manuals. | Editing—Handbooks, manuals, etc. Classification: LCC Z253 .U58 2016 | DDC 808/.02—dc23 | SUDOC GP 1.23/4:ST 9/2016 LC record available at https://lccn.loc.gov/2016055634 Use of ISBN Prefix This is the official U.S. -
The R U T G E R S a R T R E V I E W Published
The RUTGERS ART REVIEW Published Annually by the Students of the Graduate Program in Art History at Rutgers, The State University of New Jersey 1990 Volume 11 Benefactors Friends ($1,000 or more) ($25 or more) The Graduate School, Rutgers, Regina L. Ahearn The State University of New Jersey Charles L. Barrett III The Johnson and Johnson Family of Frank Cossa Companies Susan Hollander Marion Husid Patrons The Mark Johnson Family ($500 or more) Al and Diane Kramer Joan Marter The Graduate Student Association, Rutgers, Cynthia H. Prebus The State University of New Jersey Catherine R. Puglisi and William L. Barcham Contributors Brooke Kamin Rapaport ($100 or more) Caroline Sheerin Robert and Isabelle Goeser Mary Sheerin Rona Goffen Regina Sheerin Mr. and Mrs. Thomas B. Harvey P. Andrew Spahr and Donna V. Dunlop Ute Tellini Supporters Adelene H. Vogel ($50 or more) David G. Wilkins Alice Bauer Hildreth York Daniel and Patricia Sheerin Stephen A. Somers, with an Employer Match Donation from the Robert Wood Johnson Foundation Mr. and Mrs. Harold A. Vogel Institutional Members The Ohio State University The Pennsylvania State University University of California, Santa Barbara University of Pittsburgh The editors of the Rutgers Art Review are grateful to all Benefactors, Patrons, Contributors, Supporters, Friends, subscribers, and the new Institutional Members for their generous contributions. Acknowledgements The editors of the Rutgers Art Review gratefully acknowledge the sound advice and expertise of the professional readers of papers submitted for this issue: Mary Mathews Gedo, Robert Rosenblum, John Beldon Scott, Jack J. Spector, Stacie Gra ham Widdifield, as well as the advanced graduate student readers: Gregory Gilbert and Ute Tellini. -
Featured Releases 2 Limited Editions 102 Journals 109
Lorenzo Vitturi, from Money Must Be Made, published by SPBH Editions. See page 125. Featured Releases 2 Limited Editions 102 Journals 109 CATALOG EDITOR Thomas Evans Fall Highlights 110 DESIGNER Photography 112 Martha Ormiston Art 134 IMAGE PRODUCTION Hayden Anderson Architecture 166 COPY WRITING Design 176 Janine DeFeo, Thomas Evans, Megan Ashley DiNoia PRINTING Sonic Media Solutions, Inc. Specialty Books 180 Art 182 FRONT COVER IMAGE Group Exhibitions 196 Fritz Lang, Woman in the Moon (film still), 1929. From The Moon, Photography 200 published by Louisiana Museum of Modern Art. See Page 5. BACK COVER IMAGE From Voyagers, published by The Ice Plant. See page 26. Backlist Highlights 206 Index 215 Hilma af Klint: Paintings for the Future Edited with text by Tracey Bashkoff. Text by Tessel M. Bauduin, Daniel Birnbaum, Briony Fer, Vivien Greene, David Max Horowitz, Andrea Kollnitz, Helen Molesworth, Julia Voss. When Swedish artist Hilma af Klint died in 1944 at the age of 81, she left behind more than 1,000 paintings and works on paper that she had kept largely private during her lifetime. Believing the world was not yet ready for her art, she stipulated that it should remain unseen for another 20 years. But only in recent decades has the public had a chance to reckon with af Klint’s radically abstract painting practice—one which predates the work of Vasily Kandinsky and other artists widely considered trailblazers of modernist abstraction. Her boldly colorful works, many of them large-scale, reflect an ambitious, spiritually informed attempt to chart an invisible, totalizing world order through a synthesis of natural and geometric forms, textual elements and esoteric symbolism. -
Saxman -Page, I1 •••••••••••••••••••••••••••••• •••••••••••••• Life in Hell -Page8 .·
ll!!!!!!!!!!!!'---------�-�---���- - -- 1 11 II 'I Letters- Page2 11 II ••••••••••••••••••••••••••••••••••••••••••••• II l) 1)J SaxMan -Page, I1 •••••••••••••••••••••••••••••• •••••••••••••• Life in Hell -Page8 .·. 0 N O L U L U I VQlume 2, Number 32, August5, 1992 I I I I I, • Te• 'I 1ctnns o ), Prostitution <( a, z I, I, a,;: .,, <( 1, 11 i:· I, § I Theplundering of the economy by I :,:§ ), .. 11 Washingtonrulemakers and Wall 1 l1j 11 Street dealmakers,according to an 'l investigationby journalists , Jim Steeleand Don Barlett. Lawmakers say it's the taxpayers who suffer. Johns who've been robbed by hookers say they are the victims. But it's the prostitutes themselves who pay the biggest price. ByGregCahiO-Page3. Bill Wittig-Harby hits the street - Page 4. ---------- -.-.---___,_;.------�---··--- Letters Doctoringthe Lo.'iruling populace It seems that those favoring A heattfelt "mahalo" to Douglas destructionof the Hawaiian taro patch Cruickshank forhis humorous and at the University of Hawaii are over informative article,"Tum On, Tune looking one important fact. The UH In, Fry Up." (HW 7/22).The truth is Board of Regents ruled in 1989 that always stranger than fiction when the building would be built on the ever the governmentgets the oppor high ground and thelower (lo'i) area tunity to spend our money for more would be preserved as open space. control of the citizenry. Which citi · How do the architects and Haunani zenry, I heard someone say? Hmrnm. Trask now feel they can encroach on Sometimes the chemists do it right, the lo 'i - despite the decision of the JLLBC/lJ however, or so I am told. -
Chicago Fall Books
chicago fall books 2014 chicago fall books fall 2014 street chicago, illinois 60637 th 27 east 60 14 University of Chicago Press of Chicago University Recently Published Fall 2014 Contents General Interest 1 Special Interest 39 Paperbacks 101 House of Debt On the Run Distributed Books 132 How They (and You) Caused the Fugitive Life in an American City Great Recession, and How We Can Alice Goffman Prevent It from Happening Again ISBN-13: 978-0-226-13671-4 Author Index 356 Atif Mian and Amir Sufi Cloth $25.00/£17.50 ISBN-13: 978-0-226-08194-6 E-book ISBN-13: 978-0-226-13685-1 Cloth $26.00/£18.00 Title Index 358 E-book ISBN-13: 978-0-226-13864-0 Subject Index 360 Ordering Inside Information back cover The Book of Eggs Bedrooms of the Fallen A Life-Size Guide to the Eggs of Six Ashley Gilbertson Hundred of the World’s Bird Species With a Foreword by Philip Gourevitch Mark E. Hauber ISBN-13: 978-0-226-06686-8 Edited by John Bates and Barbara Becker Cloth $35.00/£24.50 E-book ISBN-13: 978-0-226-13511-3 ISBN-13: 978-0-226-05778-1 Cloth $55.00 E-book ISBN-13: 978-0-226-05781-1 CUSA Cover illustration: “Bouquiniste sur le quai des Grands-Augustins.” Oil on canvas c. 1949. Bernard Boutet de Monvel (1883–1949). Paris, France, Musée Walden Warming The Oldest Living Carnavalet. © Musée Carnavalet/Roger-Viollet/The Image Works. From Palace Climate Change Comes to Things in the World of Books by Roger Grenier, translated from the French by Alice Kaplan and Thoreau’s Woods published by the University of Chicago Press. -
Thedatabook.Pdf
THE DATA BOOK OF ASTRONOMY Also available from Institute of Physics Publishing The Wandering Astronomer Patrick Moore The Photographic Atlas of the Stars H. J. P. Arnold, Paul Doherty and Patrick Moore THE DATA BOOK OF ASTRONOMY P ATRICK M OORE I NSTITUTE O F P HYSICS P UBLISHING B RISTOL A ND P HILADELPHIA c IOP Publishing Ltd 2000 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publisher. Multiple copying is permitted in accordance with the terms of licences issued by the Copyright Licensing Agency under the terms of its agreement with the Committee of Vice-Chancellors and Principals. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. ISBN 0 7503 0620 3 Library of Congress Cataloging-in-Publication Data are available Publisher: Nicki Dennis Production Editor: Simon Laurenson Production Control: Sarah Plenty Cover Design: Kevin Lowry Marketing Executive: Colin Fenton Published by Institute of Physics Publishing, wholly owned by The Institute of Physics, London Institute of Physics Publishing, Dirac House, Temple Back, Bristol BS1 6BE, UK US Office: Institute of Physics Publishing, The Public Ledger Building, Suite 1035, 150 South Independence Mall West, Philadelphia, PA 19106, USA Printed in the UK by Bookcraft, Midsomer Norton, Somerset CONTENTS FOREWORD vii 1 THE SOLAR SYSTEM 1