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'Bishop Blougram's Apology', Lines 39~04. Quoted in a Sort of Life (Penguin Edn, 1974), P
Notes 1. Robert Browning, 'Bishop Blougram's Apology', lines 39~04. Quoted in A Sort of Life (Penguin edn, 1974), p. 85. 2. Wqys of Escape (Penguin edn, 1982), p. 58. 3. Ibid., p. 167. 4. Walter Allen, in Contemporary Novelists, ed. James Vinson and D. L. Kirkpatrick (Macmillan, 1982), p. 276. 5. See 'the Virtue of Disloyalty' in The Portable Graham Greene, ed. Philip Stratford (Penguin edn, 1977), pp. 606-10. 6. See also Ways of Escape, p. 207. Many passages of this book first appeared in the Introductions to the Collected Edition. 7. A Sort of Life, p. 58. 8. Ways of Escape, p. 67. 9. A Sort of Life, pp. 11, 21. 10. Collected Essays (Penguin edn, 1970), p. 83. 11. Ibid., p. 108. 12. A Sort of Life, pp. 54-5. 13. Ibid., p. 54n. 14. Ibid., p. 57. 15. Collected Essays, pp. 319-20. 16. Ibid., p. 13. 17. Ibid., p. 169. 18. Ibid., p. 343. 19. Ibid., p. 345. 20. Philip Stratford, 'Unlocking the Potting Shed', KeT!Jon Review, 24 (Winter 1962), 129-43, questions this story and other 'confessions'. Julian Symons, 'The Strength of Uncertainty', TLS, 8 October 1982, p. 1089, is also sceptical. 21. A Sort of Life, p. 80. 22. Ibid., p. 140. 23. Ibid., p. 145. 24. Ibid., p. 144. 25. Ibid., p. 156. 26. W. H. Auden, 'In Memory ofW. B. Yeats', 1940, line 72. 27. The Lawless Roads (Penguin edn, 1971), p. 37 28. Ibid., p. 40. 29. Ways of Escape, p. 175. 137 138 Notes 30. Ibid., p. -
Record Number Simple Name Brief Description
Record number Simple Name Brief Description DACHT : GG 1 newspaper Copy of "The Times" newspaper of 16 October 1975 which includes a letter written by Graham and Hugh Greene among others regarding Berkhamsted Town Hall. DACHT : GG 2 photograph Kodak private cinema DACHT : GG 3 photograph Kodak private cinema DACHT : GG 4 photograph Philip French on left DACHT : GG 5 photograph Philip French on left DACHT : GG 6 photograph Philip French on left DACHT : GG 7 photograph Philip French DACHT : GG 8 photograph Neil Sinyard and Martin Corner DACHT : GG 9 photograph Neil Sinyard DACHT : GG 10 postcard Brighton Rock DACHT : GG 11 newspaper 16 page supplement re Brighton Rock DACHT : GG 11.1 newspaper 16 page supplement re Brighton Rock DACHT : GG 11.2 newspaper 16 page supplement re Brighton Rock DACHT : GG 12.1 photograph Ken Sherwood, Peter Risley and a street piano DACHT : GG 12.2 photograph Ken Sherwood, Peter Risley and a street piano DACHT : GG 12.3 newspaper 'Tramping around the town to help boost Greene's first festival'. Ken Sherwood, Peter Risley and a street piano DACHT : GG 13.1 newspaper 'A master remembered': Article and photograph promoting first Graham Greene Festival DACHT : GG 13.2 photograph Roger Watkins, the Festival organiser, and Ken Sherwood DACHT : GG 13.3 photograph Roger Watkins, the Festival organiser, and Ken Sherwood DACHT : GG 14.1 photograph David Pearce and Ken Sherwood addressing members of the tour in the Old Hall DACHT : GG 14.2 photograph David Pearce and Ken Sherwood addressing members of the tour in the Old -
Darkest Greeneland: Brighton Rock 133 Darkest Greeneland
Watts: Darkest Greeneland: Brighton Rock 133 Darkest Greeneland transformed it into Greeneland: a distinc- Darkest tively blighted, oppressive, tainted landscape, in which sordid, seedy and smelly details are Greeneland: prominent, and populated by characters who Brighton Rock include the corrupt, the failed, the vulgar, and the mediocre. In Brighton Rock, when the moon shines into Pinkie’s bedroom, it shines Cedric Watts on “the open door where the jerry stood”: on the Jeremiah, the chamber-pot.1 Later Dallow, The 1999 Graham Greene standing in the street, puts his foot in “dog’s International Festival ordure”: an everyday event in Brighton but an innovatory detail in literature. So far, so famil- On Greeneland iar. But Greene characteristically resisted the term he had helped to create. In his autobi- The term “Greeneland,” with an “e” before ographical book, Ways of Escape, he writes: the “l,” was apparently coined by Arthur Calder-Marshall. In an issue of the magazine Some critics have referred to a strange vio- Horizon for June 1940, Calder-Marshall said lent ‘seedy’ region of the mind (why did I that Graham Greene’s novels were character- ever popularize that last adjective?) which ised by a seedy terrain that should be called they call Greeneland, and I have sometimes “Greeneland.” I believe, however, that Greene, wondered whether they go round the world who enjoyed wordplay on his own surname, blinkered. ‘This is Indo-China,’ I want to had virtually coined the term himself. In the exclaim, ‘this is Mexico, this is Sierra Leone 1936 novel, A Gun for Sale, a crooner sings a carefully and accurately described. -
Graham Greene Studies, Volume 1
Stavick and Wise: Graham Greene Studies, Volume 1 Graham Greene Studies Volume 1, 2017 Graham Greene Birthplace Trust University of North Georgia Press Published by Nighthawks Open Institutional Repository, 2017 1 Graham Greene Studies, Vol. 1 [2017], Art. 1 Editors: Joyce Stavick and Jon Wise Editorial Board: Digital Editors: Jon Mehlferber Associate Editors: Ethan Howard Kayla Mehalcik Published by: University of North Georgia Press Dahlonega, Georgia The University of North Georgia Press is a teaching press, providing a service-learning environment for students to gain real life experiences in publishing and marketing. The entirety of the layout and design of this volume was created and executed by Ethan Howard, a student at the University of North Georgia. Cover Photo Courtesy of Bernard Diederich For more information, please visit: http://digitalcommons.northgeorgia.edu/ggs/ Copyright © 2017 by University of North Georgia Press. All rights reserved. No part of this book may be reproduced in whole or in part without written permission from the publisher, except by reviewers who may quote brief excerpts in connection with a re- view in newspaper, magazine, or electronic publications; nor may any part of this book be reproduced, stored in a retrieval system, or transmitted in any form or by any means electronic, mechanical, photocopying, recording, or other without the written permission from the publisher. Printed in the United States of America, 2017 https://digitalcommons.northgeorgia.edu/ggs/vol1/iss1/1 2 Stavick and Wise: Graham Greene Studies, Volume 1 In Memory of David R.A. Pearce, scholar, poet, and friend David Pearce was born in Whitstable in 1938. -
The Third Man
Graham Greene - The Third Man A classic tale of friendship and betrayal William Golding I. Life of the author Henry Graham Greene was born on 2 October 1904 in Berkhamsted, Hertfordshire, England and was one of six children. At the age of eight he attended the Berkhamsted school where his father Charles was the head teacher. As a teenager he was under so immense pressure that he got psychological problems and suffered a nervous breakdown. In 1922 he was enrolled on the Balliol College, Oxford and in 1926 after graduation he started to work for the London Times as sub-editor and for the Nottingham Journal as journalist, where he met his later wife Vivien Dayrell-Browning. In February 1926 before marring his wife he was received into the Roman Catholic Church, which had influenced him and his writings (moral, religious, social themes). In 1929 his first novel The Man Within was published, so he became a freelance writer in 1930, but his popularity wasn´t sealed before Stamboul Train (Orient Express) was published in 1932. In 1935 he became the house film critic for The Spectator. In 1938 he published Brighton Rock and visited Mexico to report on the religious persecution there and as a result he wrote The Lawless Roads and The Power and the Glory. In 1940 he was promoted to literary editor for The Spectator. In 1941 - World War Two - he began to spy voluntarily for the British Foreign Office in Sierra Leone, western Africa and resigned in 1943 because of being accused of collusion and traitorous activities that never substantiated. -
Graham Greene)
Jerzy Gronau WĘDRÓWKI PO BIBLIOGRAFII ANGIELSKIEGO AUTORA GRAHAMA GREENE (HENRY GRAHAM GREENE) ( 1904 – 1991) Kraków 2006 Jerzy GRONAU – Wędrówki po BIBLIOGRAFII Grahama GREENE - 2 - ----------------------------------------------------------------------------------------------------------------------------------------------------------------------------- Wstęp: Genezą tego pracowania były: - moja emerytura, - chęć powtórzenia swego rodzaju „zabawy umysłowej” którą przeżywałem przy innych pracach podobnego charakteru, - konstatacja – o braku w polskim piśmiennictwie aktualnej bibliografii tego autora. 1. Od początku mej pracy nie posługiwałem się żadną bibliografią, lecz tylko danymi z katalogów bibliotek i sprzedawców książek. Dopiero przy znacznym zaawansowaniu opracowania, dotarłem do wcześniejszych opracowań bibliograficznych (podanych w źródłach opracowania) i uzupełniłem swoje dane. Żadna z polskich bibliotek tak naukowych jak i publicznych nie posiada nawet w przybliżeniu kompletu polskich wydawnictw tego autora. Podobnie jest też z zagranicznymi renomowanymi bibliotekami. 2 W języku angielskim ( także w niemieckim i francuskim) przy porządkowaniu wg alfabetu nazw - tytułów, zamieszanie wprowadzają rodzajniki ‘The’. ‘A’, ‘An’. Stąd powstała dodatkowo tabela w języku angielskim – ze skróconymi nazwami, bez rodzajników. 3. Zaznaczyć muszę, że w językach angielskim, niemieckim i francuskim, wprowadziłem do tabel tylko nazwy spotkanych tytułów – bez specjalnej uwagi na określone wydania książkowe czy czasopisma w których ukazywały się -
Greeneland the Cinema of Graham Greene
Tr ave ls in Greeneland The Cinema of Graham Greene Tr ave ls in Greeneland The Cinema of Graham Greene revised and updated fourth edition Quentin Falk University Press of North Georgia Dahlonega, GA Copyright Quentin Falk 2014 All rights reserved. No part of this book may be reproduced in whole or in part without written permission from the publisher, except by reviewers who may quote brief excerpts in connections with a review in newspaper, magazine, or electronic publications; nor may any part of this book be reproduced, stored in a retrieval system, or transmitted in any form or by any means electronic, mechanical, photocopying, recording, or other, without the written permission from the publisher. Published by: University Press of North Georgia Dahlonega, Georgia Printing Support by: Booklogix Publishing Services, Inc. Alpharetta, Georgia Cover Photo: Joseph Cotten in The Third Man Cover design by Jon Mehlferber and April Loebick. Frontispiece: Graham Greene ISBN: 978-1-940771-13-7 Printed in the United States of America, 2014 For more information, please visit: http://www.upng.org Or e-mail: [email protected] For Hannah Contents Acknowledgments viii Foreword ix Preface to New Edition x Introduction xiii PART ONE: THE THIRTIES Chapter 1 - Writer for Hire 1 PART TWO: THE FORTIES Chapter 2 - Propaganda War 9 Chapter 3 - Men Within 21 Chapter 4 - Young Scarface 29 Chapter 5 - A Perfect Collaboration 41 PART THREE: THE FIFTIES Chapter 6 - Saintly Sinners 63 Chapter 7 - Behind the Camera 77 Chapter 8 - Aspects of Americana 87 PART FOUR: THE SIXTIES Chapter 9 - Caribbean Cocktails 99 PART FIVE: THE SEVENTIES Chapter 10 - Past Remembered 113 Chapter 11 - Spy in the Cold 123 PART SIX: THE EIGHTIES AND NINETIES Chapter 12 - The Endless Affair 129 PART SEVEN: NEW MILLENNIUM Chapter 13 - Back to the Future 141 Afterword 152 Notes 154 Bibliography 158 Appendix I: Additional Filmography 159 Appendix II: Unrealized Projects 170 Index 172 Acknowledgments ACKNOWLEDGMENTS y grateful thanks to so many people who Film Distributors, Rex Features, Sten M. -
1 1 INTRODUCTION the Three Novels by Graham Greene
1 INTRODUCTION The three novels by Graham Greene (1904-1991) analysed inthe thesis are The Ministry of Fear, The Heart of the Matter and Our Man in Havana . Although I am aware of the importance of the political,religious,social,humorous andabsurdaspects of these novels,I decidedtoexamine them from another point of view.It seems that inthese three novels the relationship of the mainmale heroto his wife,lover,daughter or female friendandlater lover is extremely strong,devotedand of overall importance to the development of the plot.It is a relationship fullofresponsibilityontheman´sside. I chose three novels with different settings: London, Cuba and West Africa. The male characters in these novels are alsoverydifferent andthere are a varietyof relationships tothe female characters –a friendandlater a lover, a father, anda husbandand lover. Even though thesettings andrelationshipsdiffer,thenotionofresponsibilityis present ineachrelationship. Inthis thesis,firstlythe wayhow Greene became a writer andhow he wrote the three novels will be looked at. Secondly, in each of the chosen novels the protagonist and the kind of responsibility depicted for his female counterpart will be examined. The main question is what the responsibility is based on. Graham Greene, a deep Christian, concerned with his belief or doubt inGod,is,as well as his male characters,concernedwithwell-beingof ‘his’ women.Questions arise,what are the womencharacters like? Are theyworthsuchconcern? Are they beautiful andloving,deservingthe affection and sacrifice? On the other hand,do theyjust take the love andaffectionshowntothem for granted? Is it,at all,love that the male heroes give the womenor is he just extreme weakness anddisabilitytooppose them? Thirdly, throughout the thesis,Greene’s life –his autobiographies,biographies,his dream diaryand pre-faces tohis books will be examinedtodetermine if there is anyresemblance betweenthe author’sownlifeandtheattitudeof malecharactersto‘their women’inhisworks. -
Graham Greene: a Descriptive Catalog
University of Kentucky UKnowledge Literature in English, British Isles English Language and Literature 1979 Graham Greene: A Descriptive Catalog Robert H. Miller University of Louisville Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Miller, Robert H., "Graham Greene: A Descriptive Catalog" (1979). Literature in English, British Isles. 22. https://uknowledge.uky.edu/upk_english_language_and_literature_british_isles/22 Graham Greene: A Descriptive Catalog This page intentionally left blank GRAHAM GREENE A Descriptive Catalog ROBERT H. MILLER Foreword by Harvey Curtis Webster THE UNIVERSITY PRESS OF KENTUCKY Copyright© 1979 by The University Press of Kentucky Paperback edition 2009 The University Press of Kentucky Scholarly publisher for the Commonwealth, serving Bellarmine University, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Fuson Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved. Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 www.kentuckypress.com Cataloging-in-Publication Data is available from the Library of Congress. ISBN 978-0-8131-9303-8 (pbk: acid-free paper) This book is printed on acid-free recycled paper meeting the requirements of the American National Standard for Permanence in Paper for Printed Library Materials. -
Bangor University DOCTOR of PHILOSOPHY Make Yourself At
Bangor University DOCTOR OF PHILOSOPHY Make yourself at home : home and the pursuit of authenticity in the writing of Graham Greene Nock, Emma Award date: 2006 Awarding institution: Bangor University Link to publication General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 09. Oct. 2021 "Make yourself at home": Home and the Pursuit ofAuthenticity in the Writing ofGraham Greene EmmaL. Nock In fulfilment ofthe requirements ofthe Degree ofDoctor ofPhilosophy in the University ofWales Department ofEnglish, University ofWales, Bangor 2006 Summary This thesis examines Graham Greene's treatment of ideas of home through the full course ofhis writing career and finds that, while the sense ofhome proves elusive for Greene's characters, they nonetheless consistently search for such a place. As Greene's career progresses it becomes ever more apparent that "home" is not necessarily the home of traditional expectation, but may be found in a variety of unforeseen places and experiences. -
Download the Return of AJ Raffles
The Return Of A. J. Raffles: An Edwardian comedy in three acts based somewhat loosely on E.W. Hornung's characters in The Amateur Cracksman, Graham Greene, Random House, 2011, 1446475999, 9781446475997, 252 pages. This play produced by the Royal Shakespeare Company has as its chief characters A. J. Raffles, the literary creation some seventy odd years ago of E. W. Hornung. The cool daring of the impeccable Amateur Cracksman, always torn between the rival claims of burglary and cricket, ensured his popularity in Edwardian England. Evading the dogged pursuit of Inspector Mackenzie of Scotland Yard, Hornung's character eventually met a hero's death in South Africa in the Boer War. Graham Greene's The Return of A. J. Raffles begins some months after. Raffles' loyal assistant Bunny still mourns his friend's death in Raffles' chambers in Albany, despite the blandishments of Lord Alfred Douglas. A visitor forces his way in - Raffles has cheated death as he once cheated Inspector Mackenzie - and immediately Lord Alfred sees in the Amateur Cracksman and Bunny heaven-sent instruments to revenge and disgrace of Oscar Wilde on his odious father, the Marquess of Queensberry... Graham Green never fails to surprise and delight admirers of his comic genius, and the twists and turns of this story of Edwardian high life, when Raffles returns to the scene of his earlier triumphs, provide a richly satisfying entertainment.. DOWNLOAD http://bit.ly/1hYMFU7 21 stories , Graham Greene, 1969, Fiction, 245 pages. The Heart of the Matter , Graham Greene, 1978, Africa, 271 pages. An assistant police commissioner in a West African coastal town lets passion overrule his honor. -
Graham Greene
PERSPECTIVES Graham Greene This winter, Graham Greene's Ways of Escape, the long-awaited sequel to his first memoir, A Sort of Life (1971) will be published in New York. In the new book, the British novelist assembles a pastiche of recollections of his adventures around the world dur- ing the past 50 years-exploits that resulted in such vivid novels as The Power and the Glory, The Heart of the Matter, The Quiet American, and Our Man in Havana. Yet Greene has always brought a special dimension of faith to his novels. Here critic Frank McConnell reassesses Greene's penchant for "action" and "belief"-his long prolific career, his devotion to Catholicism and socialism, and his affinity with the movies. Selections from Greene's own writings follow. by Frank D. McConnell Imagine a not-quite young, not-quite happy man with a te- dious and/or dangerous job in a seedy, urban or colonial, locale. Now, imagine that something happens to force him to be- tray whatever is dearest to him-a loved one, an ideal, a creed. In the aftermath of his faithlessness, he comes to discover pre- cisely how dear was the person or thing he betrayed. In the corrosive admission of his failure, he learns, if he is lucky, to re- build his broken image of the world and to find his place in it. Now add scenes of grotesque violence and grim comedy, in- cidental characters (tawdry, sinister, and dotty), and a limpid prose style. You have, of course, conjured up any of the 23 novels of Graham Greene.