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Carmela Remigio Began Taking Voice Lessons Under Aldo Protti, Then Perfecting Her Technique Under Leone Magiera

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Carmela Remigio Began Taking Voice Lessons Under Aldo Protti, Then Perfecting Her Technique Under Leone Magiera Saverio Clemente Andrea De Amici Luca Targetti Recently awarded the prestigious “Premio Abbiati”, soprano Carmela Remigio began taking voice lessons under Aldo Protti, then perfecting her technique under Leone Magiera. After winning the 1992 “Luciano Pavarotti International Voice Competition” she made her debut – at the young age of nineteen – singing the lead role in Giampaolo Testoni’s opera Alice at the Teatro Massimo in Palermo. Following her first baroque roles, she dedicated to Mozart’s operas, singing all of their main roles: Susanna and Countess in Le Nozze di Figaro, Elettra and Ilia in Idomeneo. She has been in over three- hundred-fifty performances of Don Giovanni, singing both Donna Elvira and Donna Anna, the latter role allowing her to work with Peter Brook and Claudio Abbado. Since then she has worked with conductors such as Antonio Pappano, Myung-Whun Chung, Jeffrey Tate, Daniel Harding, Gustavo Dudamel, Riccardo Chailly, Gianandrea Noseda, John Axelrod, Roberto Abbado, Lorin Maazel, Michel Plasson, Eliahu Inbal, Kent Nagano; and stage directors like David McVicar, Graham Vick, Pier Luigi Pizzi, Federico Tiezzi, Karole Armitage, Mario Martone, Luca Ronconi and Damiano Michieletto. Carmela Remigio Her repertoire includes roles like Alice in Falstaff, Desdemona in Soprano Otello, Messa da Requiem, Amelia in Simon Boccanegra, Violetta in La Traviata, Mimì in Bohème, Liù in Turandot, all the three main roles of the “Three Tudor Queens Cycle” (Maria Stuarda, Roberto Devereux and Anna Bolena), Norma and Adalgisa (Norma), Micaela (Carmen), Cleopatra (Giulio Cesare), Marguerite (Faust), Malwina (Der Vampyr), Alceste, Euridice (Orfeo ed Euridice), Tatiana in Eugene Onegin, Anne in The Rake’s Progress, Miranda in La Donna Serpente. She performs both opera and chamber music – sacred and secular – in the main Italian and international theatres, music festivals and concert halls: New York’s Carnegie Hall, Teatro alla Scala in Milan, Salzburg Festival, London’s Royal Opera House, Teatro San Carlo in Naples, Teatro Petruzzelli in Bari, Teatro Carlo Felice in Genua, Sferisterio Opera Festival in Macerata, Teatro Comunale di Bologna, Aix-en- Province Festival, Teatro La Fenice in Venice, Teatro Regio di Torino, Teatro Massimo di Palermo, Rossini Opera Festival in Pesaro, Teatro dell’Opera di Roma, La Monnaie in Brussels, and then Lausanne, Tokyo, Trieste, Lugano, Florence, Los Angeles, Miami Paris. Some her most relevant recordings include two different editions of Don Giovanni, one of the two under Claudio Abbado (Deutsche Grammophon) and the other under Daniel Harding (Virgin), Rossini’s Stabat Mater conducted by Gianluigi Gelmetti (Agorà), Arie Sacre Verdiane under Myung-Whun Chung (Deutsche Grammophon), a double CD titled Arias (Universal-Decca) dedicated to Tosti and Rossini. Some of her recent and upcoming engagements include Anna Bolena InArt Management Via San Gregorio 53, 20124 Milano Tel. +39 02 97 37 41 66 / Fax +39 02 97 37 42 33 [email protected] www.inartmanagement.com Saverio Clemente Andrea De Amici Luca Targetti in Bergamo, The Merry Widow in Naples, La Donna Serpente at the Teatro Regio di Torino, L’Amico Fritz in Venice, La Bohème on a tour in Japan, Don Giovanni in Salzburg, L’Incoronazione di Poppea at La Scala, Così Fan Tutte in Oviedo. May 2016 InArt Management Via San Gregorio 53, 20124 Milano Tel. +39 02 97 37 41 66 / Fax +39 02 97 37 42 33 [email protected] www.inartmanagement.com .
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