Identity Construction of Afrikaner Carguards in Durban
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June 27, 1914 -3- T'ne Central Government for Everything That
June 27, 1914 -3- t'ne Central Government for everything that happens here. Therefore it w ill only he my official duty to send a. cable concerning your departure as soon as you set your feet on the steamer.* I was familiar with the fortuitous way of Oriental expressions, so I saw that this was a polite way of saying: "We w ill not let you go!" Hence I deferred it to a more opportune time. - By the narration of this story, I mean that whenever I give permission to the Pilgrims to depart for their respective coun tries, 1 mean this: Go forth arid diffuse the Fragrances of Brotherhood and spiritual relationship. Of course it is an undeniable truth that one second in this radiant spot is equal to one thousand years; but it is also equally true that., one second spent in teaching the Cause of God i s g r ea t ér than one thousand years .. Whosoever arises to teach the ~ Cause of God, k ills nine birds with one stone. First: Proclamation of the Glad-tidings of the Kingdom of-.Ahha. Second: Service to the Thres hold of the Almighty, Third: His spiritual presence in this Court . Fourth: His perfection under the shade of the Standard of Truth. Fifth: The descent of the Bestovfals of God upon him. Sixth: Bringing still nearer the age of fraternity and the dawn of Millenium. Seventh:Winning the divine approval of the Supreme Concourse . Eighth: The spiritual il lumination of the hearts of humanity. Ninth: The education of the chil dren of the race in the moral precepts of Baha’o’llah - -Spiritual presence does not depend upon the presence in body or absence from this Holy Land. -
Ons Sal Antwoord Op Jou Roepstem: Steve Hofmeyr and Afrikaner Identity in Post-Apartheid Afrikaans Cinema1
C Broodryk Ons sal antwoord op jou roepstem: Steve Hofmeyr and Afrikaner identity in post-apartheid Afrikaans cinema1 1 ABSTRACT This article argues that Steve Hofmeyr’s Afrikaner identity, an identity he performs across various media platforms, including a selection of feature length Afrikaans films, is a paradoxical hybrid of Afrikaner exceptionalism and claims to victimhood. The exceptionalism and self-imposed victimhood are engaged in an across-media dialogue, as Steve Hofmeyr’s social media and political activist persona speak to his participation in three Afrikaans language films: Pretville (Korsten, 2012), Platteland (Else, 2011) and Treurgrond (Roodt, 2015). Hofmeyr’s presence foregrounds and exacerbates an already problematic ideological context in which attempts at multiculturalism are rendered moot by the conservatism in these films, especially where land – the farm – is concerned. While Pretville invents a 1950s South African town that fails to correspond to any inhabited reality of that time, Platteland offers an Afrikaans musical-western wherein Hofmeyr dominates as patriarch. Finally, the attempts of Treurgrond at raising farm murder awareness are nullified through casting Hofmeyr as a farmer facing a land claim, given Hofmeyr’s active campaigning against an alleged Boer genocide.2 Chris Broodryk lectures Drama and Film Studies at the Drama Department of the University of Pretoria. He has published and delivered conference papers on contemporary Afrikaans and South African cinema. His research interests include the intersection of psychology and film, and the Digital Humanities. 1 The phrase ons sal antwoord op u roepstem (“we will heed your calling”) is taken from the apartheid-era South African national anthem, “Die Stem”, and reflects both Afrikanerdom’s Christian foundationalism as well as a response to the land, the South African soil, calling out to Afrikaners. -
High and Splendid Braveries
High and Splendid Braveries HIGH AND SPLENDID BRAVERIES By Caroline Russell-King The Playwright acknowledges the assistance of the Banff playRites Colony - a partnership between the Canada Council for the Arts, The Banff Centre for the Arts, and Alberta Theatre Projects Caroline Russell-King 2021 High and Splendid Braveries HIGH AND SPLENDID BRAVERIES Was written with financial support of the Alberta Foundation of the Arts, the Banff PlayRites Colony, The Banff Centre for the Arts, and Alberta Theatre Projects - many, many thanks. DEDICATED TO My mother-in-law, Angela Matthews, such a polite political protester, who was with me at the unveiling. The Prime Minister, Jean Chretien, who shook my hand and made all the difference. The Governor General, Adrienne Clarkson and Minister Sheila Copps, role models who spoke on the day. Francis Wright, past CEO of the Famous Five Foundation - a force to be reckoned with. Gerald, my Arthur and Emma, my love. (And of course) THE FIVE Irene Parlby, Henrietta Muir Edwards, Louise McKinney, Nellie McClung and Emily Murphy, my favourite. MY DEEPEST THANKS TO Ken Cameron, for asking great questions. Bob White, for everything at Banff and keeping me away from the BIC. Caroline Russell-King 2021 High and Splendid Braveries PLAYWRIGHT MUSEINGS This is of course, a dramatic literary translation of historic facts. I have borrowed lines from the published authors namely, Emily Murphy, Nellie McClung and Stephen Leacock. There has been the usual weaving and blurring of events to construct the dramatic arc. Initially, I had intended to write a play about The Five, but their lives were so expansive. -
Reshaping Remembrance ~ Why Have a Ghost As a Leader? the ‘De La Rey’ Phenomenon and the Re-Invention of Memories, 2006-2007
Reshaping Remembrance ~ Why Have A Ghost As A Leader? The ‘De la Rey’ Phenomenon And The Re-Invention of Memories, 2006-2007 1. In an altogether unusual way, a dimension of the South African War of more than hundred years ago came to knock on the door of Afrikanerdom in 2006 and 2007, in the form of a popular song entitled ‘De la Rey’, and sung by Louis Pepler under the stage name Bok van Blerk. The song is about the exploits of the Boers during the war under the charismatic leadership of General Jacobus Hendrik (Koos) de la Rey. At the time of the centenary of the South African War in 1999-2002 there was little sign of mobilisation around bygone military events; in fact, the Afrikaners’ commemoration of the war was characterised by contemplative reflection rather than by an emotional reliving of the past.[i] However, four years later ‘De la Rey’ struck gold. Within less than a year Bok van Blerk sold the unequalled number of 200 000 CDs – an exceptional achievement in a relatively limited market. Moreover, his concerts were packed with enthusiastic fans, from the rural areas in South Africa to as far afield as America, Canada, the Netherlands and New Zealand.[ii] For many fans the concerts were an emotional issue. Some teenagers were totally carried away: with closed eyes and hand to the heart they almost went into a trance on hearing the first chords of De la Rey. Among the enthusiastic crowds were those who regard the song as nothing less than a new national anthem.[iii] Moreover, this song did not appeal to the youth only. -
Sounds of Young Afrikaners
Sounds of young Afrikaners Popular music and processes of social identification in and around Pretoria, South Africa Maike Lolkema Research Master Thesis in African Studies African Studies Centre / Leiden University Sounds of young Afrikaners Popular music and processes of social identification in and around Pretoria, South Africa Name Maike Reinate Lolkema Supervisor Dr. W.M.J. (Ineke) van Kessel Second Reader Dr. H. (Harry) Wels Date July 2014 Pictures used at the cover: Picture at the top: Audience at the performance of Fokofpolisiekar at Oppikoppi Festival at August 10th 2012. Picture at the bottom: Audience at the performance of Steve Hofmeyr at the Pretoria Musiekfees on November 17th 2012. The writer made both pictures. 2 ‘We understand it still that there is no easy road to freedom. We know it well that none of us acting alone can achieve success. We must therefore act together as a united people, for national reconciliation, for nation building, for the birth of a new world.’ - Nelson Mandela in his inaugural address May 10th 1994 ‘Een ding het intussen vir my duidelik geword: Dis nie ’n land vir sissies nie.’ - Fred de Vries in Rigting Bedonnerd ‘Revoluties worden op schepen uitgeroepen, utopieën op eilanden geleefd. Dat er nog iets anders moet zijn dan het hier en nu, is een troostende gedachte.’ - Judith Schalansky in De atlas van afgelegen eilanden ‘Our deepest fear is not that we are inadequate. Our deepest fear is that we are powerful beyond measure. It is our light, not our darkness, that most frightens us. Your playing small does not serve the world. -
Deconstructing Popular Afrikaans Music In
Music, Dance, and Identity: Deconstructing Popular Afrikaans Music in Pretoria, South Africa by Cornelius A. Holtzhausen A dissertation submitted in fulfilment of the requirements for a degree M.Soc.Sci: Social Anthropology in the Department Anthropology and Archaeology University of Pretoria Faculty of Humanities Supervisors: Dr. Fraser McNeill & Mr. Jimmy Pieterse © University of Pretoria Table of Contents Introduction ................................................................................................................................ 1 Chapter Outline ...................................................................................................................... 3 Chapter 1 - Methods, Theories and Tools .................................................................................. 7 Dual-sited Ethnography.......................................................................................................... 7 Musical Biographies ............................................................................................................... 9 Music Theory and Identity ................................................................................................... 10 Space and Place .................................................................................................................... 15 Conclusion ............................................................................................................................ 17 Chapter 2 - History, Music, and Industry ............................................................................... -
Binne: Vaalweek- Blad 55- Jaar Spog- Bylae - Deel 5
55 1964-2019 R6,10 31 Julie - 2 Augustus 2019 Tel. (016) 950-7000 http://www.vaalweekblad.com Elke lewe tel! Groot reddings- poging vir klein katjie Binne: Vaalweek- blad 55- jaar spog- bylae - deel 5 Here are Mia Kapp van Kitten & Cat Rescue in Vander- bijlpark met klein Ali wie se voorste linkerbeen- the Mr & tjie reeds geamputeer moes word en hy ook byna sy agterste beentjie verloor het. 'n Groot reddingspoging het egter gesorg dat alles en Miss Vaal meer gedoen is om hom die beste kans op finalists oorlewing te gee. Elke lewe tel! 2 Vaalweekblad, 31 Julie - 2 Augustus 2019 News www.vaalweekblad.com Vaalweekblad is a bilingual newspaper that keeps you updated about all interes- For the latest breaking news, ting happenings in the Vaal and surrounds: political news, medical issues, sport job opportunities and much and much more! Vaalweekblad is available every Wednesday at R6-10. You are also welcome to share your point of view via SMS. SMS your message more, visit or request to 45534. Join our thousands of happy readers. www.sedibengster.com or Visit the Facebook page and website www.vaalweekblad.com www.vaalweekblad.com SANRAL to improve road infrastructure in Sedibeng Moleboheng Chaha VEREENIGING. - Residents of the Vaal Triangle welcomed the commitment recently made by the South African National Roads Agency SOC Ltd (SANRAL) to provide support by investing in the roads infrastructure of the Sedibeng Region through routine maintenance contracts. This was revealed at the recent engagement held by SANRAL in conjunction with the Sedibeng District Municipality in Vereeniging City Hall. -
Please Feel Free to Use Or Adapt This Resource in Any Way That Works for Your Own Setting
Sacred Circle for Our Climate Liturgy by David R. Weiss / www.davidrweiss.com Note: please feel free to use or adapt this resource in any way that works for your own setting. Simply credit David R. Weiss (www.davidrweiss.com). BACKGROUND This Sacred Circle service was a spontaneous outgrowth of a book study using Active Hope: How to Face the Mess We’re In without Going Crazy by Joanna Macy and Chris Johnstone (New World Library, 2012; www.activehope.info). The book presents a practical way to process thoughts and feelings about the threat posed by climate change. It is especially powerful when read as a group. We found it transformational. We did the book study over the summer of 2019. As we were completing the study, the Global Youth Climate Strike of September 2019 was on the horizon so we chose to plan a contemplative service for the evening of the same day as the strike. This was both to be in solidarity with the youth (who were inviting adults to join them in daytime strikes, marches, etc.) and also to offer a quieter and more spiritual opportunity at the end of the workday. However, this service is NOT specific to the Global Youth Climate Strike. Although it reflects the rising voices of youth around climate—a theme hardly limited to the September 2019 Strike—the service is shaped much more directly by the themes in Active Hope which express Joanna Macy’s “Work That Reconnects” philosophy of personal and communal empowerment. In that sense, this service can provide a powerful moment of spiritual reflection at any point during the year. -
Juniors-Seniors Enjoy Annual Formal Banquet Coming out Day Begins
THE ECHO VOL. XXVIII TAYLOR UNIVERSITY, UPLAND, INDIANA, TUESDAY, MAY 20, 1941 No. 16 Juniors-Seniors Enjoy Frederic Thrills Coming Out Day Begins Annual Formal Banquet Lyceum Audience | End of Senior Trail Saturday afternoon at 4:45! With Great Skill Only three more short weeks midst general bell ringing and Playful Seniors Senior Privileges and our distinguished-looking carnation pinning-on and subtle Taylor's Lyceum series closed Seniors will be taking the last compliments for lovely corsages At Comprehensives last night when a most enthusi Have Dim-Past step in their four years of col and ladies, the Juniors met their astic and spellbound audience lege. The long anticipated guests, the Seniors, in Campbell- By 4:30 AM Friday heard Frederic. Background "sheep-skins" will be given out, Magee lobby and all were bund Frederic's second appearance and another group of Taylor led into cars and drove away to a As I watched the Seniors Ever since the age of the graduates will take their place in secret destination. After the march down the aisle on Coming Neolithic Romeos and Juliets, the occupational world. kind of drive that couples appre Those three short weeks, how Out Day looking so stately and and possibly before, if the annals ciate, we found ourselves at the dignified, I was more than a ever, will be crammed full of ac Hotel Indiana in Wabash. little envious of them. How love of courting and wooing were tivities as have been the past few We strolled pleasantly through ly it must be to be a Senior —- to 1 properly preserved, we find weeks. -
PART 1: Afrikaners After Apartheid
UvA-DARE (Digital Academic Repository) Afrikaner, nevertheless: Stigma, shame & the sociology of cultural trauma Boersema, J.R. Publication date 2013 Link to publication Citation for published version (APA): Boersema, J. R. (2013). Afrikaner, nevertheless: Stigma, shame & the sociology of cultural trauma. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:25 Sep 2021 PART 1: Afrikaners after Apartheid 1. Upheaval About a Song 1.1 THE “DE LA REY” DEBATE In the summer of 2007, it started with small groups of fans bringing the old apartheid flag of South Africa to Bok van Blerk concerts. The young Afrikaners would wrap the orange, blue, and white flag around them as they sang along to van Blerk’s song “De La Rey.” It was a typical rock song, almost a military march with a catchy melody, but it was the lyrics that made the song a hit. -
Die Liedtekste Van Bok Van Blerk, Fokofpolisiekar, the Buckfever Underground En Karen Zoid
AFRIKAANSE LIEDTEKSTE IN KONTEKS: DIE LIEDTEKSTE VAN BOK VAN BLERK, FOKOFPOLISIEKAR, THE BUCKFEVER UNDERGROUND EN KAREN ZOID deur WENDY DESRÉ NELL voorgelê luidens die vereistes vir die graad MAGISTER ARTIUM in die vak AFRIKAANS aan die UNIVERSITEIT VAN SUID-AFRIKA STUDIELEIER: PROF A G VISAGIE MEDESTUDIELEIER: PROF J L COETSER FEBRUARIE 2014 1 OPSOMMING Die doel van hierdie studie is om op die liedtekste van die kunstenaars, Bok van Blerk, Fokofpolisiekar, The Buckfever Underground (en Toast Coetzer) en Karen Zoid te fokus en om te bepaal wat hulle funksie in die eietydse Afrikaanse kultuurlandskap is, en wat hulle rol in die definiëring van kulturele identiteit is. In hierdie studie sal daar ook klem gelê word op die sosiopolitieke faktore wat tot die opbloei van die Afrikaanse musiekbedryf gelei het. Deur die analise van dié kunstenaars se lirieke, sal ek vasstel of hulle wel betekenisvolle werk van literêre gehalte lewer. Ek het spesifiek hierdie musikante gekies omdat hulle jong eietydse musikante is. 2 ABSTRACT The purpose of this study is to focus on the song texts of artists, Karen Zoid, Fokofpolisiekar, The Buckfever Underground (and Toast Coetzer) and Bok van Blerk and to determine their function in today’s cultural reality, and whether these musicians and their music have an influence on today’s youth and their search for a Cultural Identity. This study will also focus on the socio-political factors that led to the rise of the Afrikaans Music Industry. By analyzing these artists’ lyrics, I want to determine whether they are significant works of literary quality. These musicians were chosen because they are regarded as young contemporary musicians. -
Revisited CLB CLB
September/October 2018 Thy Kingdom Faith Fellowship Come Vol. 85, No. 5 CLB Biennial Convention 2018 Revisited www.CLBA.org/BC18 CLB www.CLBA.org CLB Kingdom Secrets 4 Ed Nugent FF Dramatic Farming: The Weedy Truth FAITH & FELLOWSHIP 6 Michael Heuer Volume 85 - Number 5 A Treasure New and Old Former CLB President Bob Overgaard. Editor In Chief/ Paul Larson Graphic Designer: Troy Tysdal 8 [email protected] Editor: Brent Juliot CLB [email protected] Copy Editor: Aaron Juliot [email protected] F cusROY HEGGLAND Cover Photo: Game of Chess/xijian/iStock Japanese Ministries: My First Week as a BC18 Attendees enjoying the CLB Jubilee. A Model For Outreach Missionary in Chad All Scripture quotations, unless otherwise 11 Sue Olson 16 Kay A. indicated, are taken from the HOLY BIBLE, NEW INTERNATIONAL In Appreciation Can You Build a VERSION®, NIV®. Copyright ©1973, 12 of Dr. Boe 18 School For Us? 1978, 1984, 2011 by Biblica, Inc.™ Used Joel Egge Nathanael S. by permission of Zondervan. All rights reserved worldwide. www.zondervan.com Introducing the CLB News New Dean of LBS The “NIV” and “New International 13 Eugene Boe 18 Version” are trademarks registered in the United States Patent and Trademark Should We Pray For or re:Think The Fancy and the Functional performing during Against Our Enemies? Brent Juliot the CLB Jubilee. Office by Biblica, Inc.™ 14 Brad Pribbenow 20 Quiet Moments Email prayer requests to: [email protected] Idle Gifts H.E. WISLØFF tashka2000/iStock All God’s children have received a gift of grace. Not all He knows that if he can succeed in getting one gift out of use, he has have received the same gift.