Paint Guide Soviets (Winter) Quilted and Greatcoat Uniforms Ver

Total Page:16

File Type:pdf, Size:1020Kb

Paint Guide Soviets (Winter) Quilted and Greatcoat Uniforms Ver ver Soviets (winter) quilted and greatcoat uniforms 9.3 Paint guide Paint List Stock paint: Yes Army Painter: Gun Metal (Army Painter) Stock Qty: 0.9 Army Painter: Soft Tone (Wash/Ink) (Army Painter) Stock Qty: 0.5 Army Painter: Strong Tone (Wash/Ink) (Army Painter) Stock Qty: 0.75 N/A: MIX - 2:1… Stock Qty: 99 N/A: MIX - 50/50… Stock Qty: 99 N/A: MIX - See notes… Stock Qty: 99 Vallejo: Black (950) [70.950] Stock Qty: 0.7 Vallejo: Black Green (980) [70.980] Stock Qty: 1 Vallejo: Black Grey [70.862] Stock Qty: 0.8 Vallejo: Black Wash [73.201] Stock Qty: 0.5 Vallejo: Brown Violet (887) [70.887] Stock Qty: 2.1 Vallejo: Camo olive green [70.894] (panzer series) Stock Qty: 0 Vallejo: Carmine Red (908) [70.908] Stock Qty: 1 Vallejo: Iraqui Sand (819) [70.819] Stock Qty: 1 Vallejo: Khaki (988) [70.988] Stock Qty: 1 Vallejo: Khaki Grey [70.880] Stock Qty: 1.25 Vallejo: Mahogany Brown (846) [70.846] Stock Qty: 0.8 Vallejo: New wood (Panzer Aces) 70.311 Stock Qty: 1 Vallejo: Russian Uniform (924) [70.924] Stock Qty: 0.8 Vallejo: Tan Earth (874) [70.874] Stock Qty: 1 Vallejo: US Field Drab (873) [70.873] Stock Qty: 0.8 Vallejo: Vallejo surface primer - Black Stock Qty: 1.1 Vallejo: Vallejo surface primer - Grey Stock Qty: 0.6 Vallejo: White (951) [70.951] Stock Qty: 0.1 Paint recipe on next page... Page 1 of 4 Created with Paintbox painting database - 13/09/20199:14:47 AM [email protected] ver Soviets (winter) quilted and greatcoat uniforms 9.3 Paint guide Paint recipe Undercoat Primer - all over 462 Vallejo surface primer - Black - - Undercoat Primer - zenithal 463 Vallejo surface primer - Grey - - Basecoat Padded/quilted uniforms Basecoat all 464 Khaki Grey [70.880] - - Basecoat Greatcoat uniforms Basecoat all 659 MIX - 50/50… - Khaki (988) [70.988] - Brown Violet (887) [70.887] Basecoat Helmet 660 MIX - 50/50… - Camo olive green [70.894] (panzer series) - Black Green (980) [70.980] Basecoat Ammo boxes etc 661 Camo olive green [70.894] (panzer series) - - Basecoat Webbing straps, pouches bags 662 Khaki (988) [70.988] - - Basecoat Bedroll 663 Black Grey [70.862] - - Basecoat Belt/leather other leather items field glasses case some bags/pockets 664 Mahogany Brown (846) [70.846] - - Basecoat Wood 665 New wood (Panzer Aces) 70.311 - - Basecoat Soft bag/backpack 666 Tan Earth (874) [70.874] - - Basecoat Boots 667 Black (950) [70.950] - - Basecoat Weapon steel parts, knife sheath and handle parts 668 MIX - 2:1… - Black (950) [70.950] - Gun Metal (Army Painter) 66% black (I think) Highlight 1 Boots highlight drybrush 669 Black Grey [70.862] - - Do this before uniform wash and highlight so that any drybrush overflow can be corrected Basecoat Fur and hats 670 Black Grey [70.862] - - Basecoat Cobblestone base "basecoat" (as per other recipe) 671 - - Basecoat Grenades, canteen 672 Russian Uniform (924) [70.924] - - Basecoat Molotov cocktail bottle 673 US Field Drab (873) [70.873] - - Or a "wine bottle green"? Page 2 of 4 Created with Paintbox painting database - 13/09/20199:14:47 AM [email protected] ver Soviets (winter) quilted and greatcoat uniforms 9.3 Paint guide Wash Wash all over including base except; face, boots, Helmet, steel, hand granade, and canteen 674 Strong Tone (Wash/Ink) (Army Painter) - - Wash Great coat Wash all over as above 675 Strong Tone (Wash/Ink) (Army Painter) - - Confirmed Wash Weapon steel parts, grenades, helmets, Fur and hats 676 Black Wash [73.201] - - Wash Canteen 677 - Soft Tone (Wash/Ink) (Army Painter) - Consider another wash or gloss over after final varnish as this is ment to be gloss (no final highlight) Standard faces recipe start here (as per other recipe) 678 - - Highlight 1 Belt/leather other leather items field glasses case some bags/pockets 679 Mahogany Brown (846) [70.846] - - Edge highlight Highlight 1 Padded/quilted uniforms 680 Khaki Grey [70.880] - - Highlight 2 Padded/quilted uniforms 681 MIX - 2:1… - Khaki Grey [70.880] - Iraqui Sand (819) [70.819] 2 parts Khaki Grey Highlight 1 Great coat Highlight 1 682 MIX - 50/50… - Khaki (988) [70.988] - Brown Violet (887) [70.887] Highlight 2 Great coat Highlight 2 683 MIX - See notes… - Khaki (988) [70.988] - Brown Violet (887) [70.887] Plus "some" German camo beige Highlight 1 Wood Highlight 684 New wood (Panzer Aces) 70.311 - - Highlight 1 Fur, fur hats, seal skin overboots - wet drybrush 685 MIX - 2:1… - Black Grey [70.862] - White (951) [70.951] 2 black grey (Kind of a stipple) Basecoat Bedroll 686 MIX - 2:1… - Black Grey [70.862] - White (951) [70.951] Wetblend (?) Highlight 2 Fur and hats 687 MIX - 50/50… - White (951) [70.951] - Black Grey [70.862] Basecoat Red star on hat 688 MIX - 50/50… - Black (950) [70.950] - Carmine Red (908) [70.908] Red, check mix Highlight 1 Weapons steel parts edge highlights 689 Gun Metal (Army Painter) - - Just the very edge Page 3 of 4 Created with Paintbox painting database - 13/09/20199:14:47 AM [email protected] ver Soviets (winter) quilted and greatcoat uniforms 9.3 Paint guide Highlight 1 Helmet, Ammo boxes etc 690 MIX - 50/50… - Camo olive green [70.894] (panzer series) - Black Green (980) [70.980] Page 4 of 4 Created with Paintbox painting database - 13/09/20199:14:47 AM [email protected].
Recommended publications
  • Clothing Terms from Around the World
    Clothing terms from around the world A Afghan a blanket or shawl of coloured wool knitted or crocheted in strips or squares. Aglet or aiglet is the little plastic or metal cladding on the end of shoelaces that keeps the twine from unravelling. The word comes from the Latin word acus which means needle. In times past, aglets were usually made of metal though some were glass or stone. aiguillette aglet; specifically, a shoulder cord worn by designated military aides. A-line skirt a skirt with panels fitted at the waist and flaring out into a triangular shape. This skirt suits most body types. amice amice a liturgical vestment made of an oblong piece of cloth usually of white linen and worn about the neck and shoulders and partly under the alb. (By the way, if you do not know what an "alb" is, you can find it in this glossary...) alb a full-length white linen ecclesiastical vestment with long sleeves that is gathered at the waist with a cincture aloha shirt Hawaiian shirt angrakha a long robe with an asymmetrical opening in the chest area reaching down to the knees worn by males in India anklet a short sock reaching slightly above the ankle anorak parka anorak apron apron a garment of cloth, plastic, or leather tied around the waist and used to protect clothing or adorn a costume arctic a rubber overshoe reaching to the ankle or above armband a band usually worn around the upper part of a sleeve for identification or in mourning armlet a band, as of cloth or metal, worn around the upper arm armour defensive covering for the body, generally made of metal, used in combat.
    [Show full text]
  • The Nineteenth Century (History of Costume and Fashion Volume 7)
    A History of Fashion and Costume The Nineteenth Century Philip Steele The Nineteenth Century Library of Congress Cataloging-in-Publication Data Copyright © 2005 Bailey Publishing Associates Ltd Steele, Philip, 1948– Produced for Facts On File by A history of fashion and costume. Bailey Publishing Associates Ltd The Nineteenth Century/Philip Steele 11a Woodlands p. cm. Hove BN3 6TJ Includes bibliographical references and index. Project Manager: Roberta Bailey ISBN 0-8160-5950-0 Editor:Alex Woolf 1. Clothing and dress—History— Text Designer: Simon Borrough 19th century. 2. Fashion—History— Artwork: Dave Burroughs, Peter Dennis, 19th century. Tony Morris GT595.S74 2005 Picture Research: Glass Onion Pictures 391/.009/034—dc 22 Consultant:Tara Maginnis, Ph.D. 2005049453 Associate Professor of the University of Alaska, Fairbanks, and creator of the website,The The publishers would like to thank Costumer's Manifesto (http://costumes.org/). the following for permission to use their pictures: Printed and bound in Hong Kong. Art Archive: 17 (bottom), 19, 21 (top), All rights reserved. No part of this book may 22, 23 (left), 24 (both), 27 (top), 28 be reproduced or utilized in any form or by (top), 35, 38, 39 (both), 40, 41 (both), any means, electronic or mechanical, including 43, 44, 47, 56 (bottom), 57. photocopying, recording, or by any information Bridgeman Art Library: 6 (left), 7, 9, 12, storage or retrieval systems, without permission 13, 16, 21 (bottom), 26 (top), 29, 30, 36, in writing from the publisher. For information 37, 42, 50, 52, 53, 55, 56 (top), 58. contact: Mary Evans Picture Library: 10, 32, 45.
    [Show full text]
  • Ap 1358, Chap 2 2-1 Chapter 2 Raf Orders of Dress
    AP 1358, CHAP 2 CHAPTER 2 RAF ORDERS OF DRESS - MALE PERSONNNEL Contents Para No/Page No Introduction Page 2-4 No 1 Service Dress Occasions For Wear & Authorised Ensemble Para 0201 – 0212 Illustration - No 1 Service Dress (No 1 SD) Page 2-8 Orders of Dress - No 1 SD Page 2-9 Illustration - No 1 SD & 1A Service Dress (AVM rank and above) Page 2-10 Orders of Dress - No 1 SD & 1A Service Dress (AVM rank and above) Page 2-11 No 2 Service Working Dress Occasions For Wear & Authorised Ensemble Para 0213 – 0222 Illustration - No 2 (Full) Service Working Dress (No 2 SD) Page 2-14 Orders of Dress - No 2 SD Page 2-15 Illustration - No 2A (Long Sleeve) Routine Working Dress Page 2-16 Orders of Dress - No 2A (Long Sleeve) Routine Working Dress Page 2-17 Illustration – No 2B (Short Sleeve) Routine Working Dress Page 2-18 Orders of Dress - No 2B (Short Sleeve) Routine Working Dress Page 2-19 Illustration – No 2C (Restricted Trade) Routine Working Dress Page 2-20 Orders of Dress - No 2C (Restricted Trade) Routine Working Dress Page 2-21 No 3 Service Dress – Operational Clothing Occasions For Wear & Authorised Ensemble Para 0223 – 0229 Illustration – Personal Clothing System Combat Uniform (PCS CU) Page 2-26 Orders of Dress – PCS CU Page 2-27 Illustration – Combat Soldier 95 (CS95) Page 2-28 Orders of Dress – CS95 Page 2-29 2-1 AP 1358, CHAP 2 No 4 Service Dress - Optional Mess Dress Occasions For Wear & Authorised Ensemble Para 0230 Illustration – No 4 Optional Mess Dress Page 2-30 Orders of Dress – No 4 Optional Mess Dress Page 2-31 No 5 Service Dress
    [Show full text]
  • The Complete Costume Dictionary
    The Complete Costume Dictionary Elizabeth J. Lewandowski The Scarecrow Press, Inc. Lanham • Toronto • Plymouth, UK 2011 Published by Scarecrow Press, Inc. A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 http://www.scarecrowpress.com Estover Road, Plymouth PL6 7PY, United Kingdom Copyright © 2011 by Elizabeth J. Lewandowski Unless otherwise noted, all illustrations created by Elizabeth and Dan Lewandowski. All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Lewandowski, Elizabeth J., 1960– The complete costume dictionary / Elizabeth J. Lewandowski ; illustrations by Dan Lewandowski. p. cm. Includes bibliographical references. ISBN 978-0-8108-4004-1 (cloth : alk. paper) — ISBN 978-0-8108-7785-6 (ebook) 1. Clothing and dress—Dictionaries. I. Title. GT507.L49 2011 391.003—dc22 2010051944 ϱ ™ The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. Printed in the United States of America For Dan. Without him, I would be a lesser person. It is the fate of those who toil at the lower employments of life, to be rather driven by the fear of evil, than attracted by the prospect of good; to be exposed to censure, without hope of praise; to be disgraced by miscarriage or punished for neglect, where success would have been without applause and diligence without reward.
    [Show full text]
  • The Heritage of Dress
    Purchased by the AVary Stuart Boor Fund Founded A.D. 1893 Cooper Union Library^ THE HERITAGE OF DRESS PLATE I. Frontispiec Very early man in Java. {See page 5.) THE HERITAGE OF DRESS BEING NOTES ON THE HISTORY AND EVOLUTION OF CLOTHES BY WILFRED MARK WEBB FELLOW OF THE LINNEAN SOCIETY OF LONDON GKNERAL SECRETARY OF THE SELBORNE SOCIETY EDITOR OF " KNOWLEDGE " WITH TWELVE PLATES AND ONE HUNDRED AND SIXTY-NINE FIGURES IN THE TEXT NEW AND REVISED EDITION LONDON Zbc Uimes :Booft Club 1912 TO HIS WIFE HILDA E. WEBB AS A SMALL TOKEN OF AFFECTION THIS BOOK IS DEDICATED BY THE WRITER 20IOST PREFACE TO THE SECOND EDITION HTHE HERITAGE OF DRESS having been out of print for some time, the writer has taken the opportunity afforded him of issuing a second edition, and at the same time of making certain alterations in and additions to the text. Through the efforts of the present publishers the book has been produced in a compacter and handier form without curtailing it in any way, while the price has been halved ; a fact which should tend to carry the volume into those " quiet places " where Ruskin tells us science only lives " with odd people, mostly poor," WILFRED MARK WEBB. Odstock, Hanwell, April, 1912. PREFACE TO THE FIRST EDITION TT would be difficult to find a subject of""more universal ^ interest than that of dress, and hosts of books have been written which deal \vT.th the attire that has been adopted at different times and by various nations or social classes.
    [Show full text]
  • Fashion Meets Socialism Fashion Industry in the Soviet Union After the Second World War
    jukka gronow and sergey zhuravlev Fashion Meets Socialism Fashion industry in the Soviet Union after the Second World War Studia Fennica Historica THE FINNISH LITERATURE SOCIETY (SKS) was founded in 1831 and has, from the very beginning, engaged in publishing operations. It nowadays publishes literature in the fields of ethnology and folkloristics, linguistics, literary research and cultural history. The first volume of the Studia Fennica series appeared in 1933. Since 1992, the series has been divided into three thematic subseries: Ethnologica, Folkloristica and Linguistica. Two additional subseries were formed in 2002, Historica and Litteraria. The subseries Anthropologica was formed in 2007. In addition to its publishing activities, the Finnish Literature Society maintains research activities and infrastructures, an archive containing folklore and literary collections, a research library and promotes Finnish literature abroad. STUDIA FENNICA EDITORIAL BOARD Pasi Ihalainen, Professor, University of Jyväskylä, Finland Timo Kaartinen, Title of Docent, Lecturer, University of Helsinki, Finland Taru Nordlund, Title of Docent, Lecturer, University of Helsinki, Finland Riikka Rossi, Title of Docent, Researcher, University of Helsinki, Finland Katriina Siivonen, Substitute Professor, University of Helsinki, Finland Lotte Tarkka, Professor, University of Helsinki, Finland Tuomas M. S. Lehtonen, Secretary General, Dr. Phil., Finnish Literature Society, Finland Tero Norkola, Publishing Director, Finnish Literature Society Maija Hakala, Secretary of the Board, Finnish Literature Society, Finland Editorial Office SKS P.O. Box 259 FI-00171 Helsinki www.finlit.fi J G S Z Fashion Meets Socialism Fashion industry in the Soviet Union after the Second World War Finnish Literature Society • SKS • Helsinki Studia Fennica Historica 20 The publication has undergone a peer review.
    [Show full text]
  • Hobhouse and the Hundred Days
    116 The Hundred Days, March 11th-July 24th 1815 The Hundred Days March 11th-July 24th 1815 Edited from B.L.Add.Mss. 47232, and Berg Collection Volumes 2, 3 and 4: Broughton Holograph Diaries, Henry W. and Albert A. Berg Collection, The New York Public Library, Astor, Lenox and Tilden Foundations. Saturday March 11th 1815: Received this morning from my father the following letter: Lord Cochrane has escaped from prison1 – Bounaparte has escaped from Elba2 – I write this from the House of Commons and the intelligence in both cases seems to rest on good authority and is believed. Benjamin Hobhouse Both are certainly true. Cullen3 came down today and confirmed the whole of both. From the first I feel sure of Napoleon’s success. I received a letter [from] Lord John Townshend4 apologising for his rudeness, but annexing such comments as require a hint from me at the close of the controversy. Sunday March 12th 1815: Finish reading the Αυτοχεδιοι Ετοχασµοι of Coray.5 1: Thomas Cochrane, 10th Earl of Dundonald (1775-1860) admiral. Implicated unfairly in a financial scandal, he had been imprisoned by the establishment enemies he had made in his exposure of Admiralty corruption. He was recaptured (see below, 21 Mar 1815). He later became famous as the friend and naval assistant of Simon Bolivar. 2: Napoleon left Elba on March 26th. 3: Cullen was a lawyer friend of H., at Lincoln’s Inn. 4: Lord John Townshend. (1757-1833); H. has been planning to compete against his son as M.P. for Cambridge University, which has made discord for which Townshend has apologised.
    [Show full text]
  • The British Greatcoat Sling
    The British Greatcoat Sling Greg Renault With thanks to John U. Rees, and the contributors to the Greatcoat Sling thread on the 95th Rifles forum. Officer & NCO School 27 April 2019 NCO presentation 1 The greatcoat sling—overlooked item of kit Slung blanket roll ubiquitous in North American wars 1750s-1790s. Greatcoat straps were required basic equipment for every British infantryman throughout Revolutionary & Napoleonic wars. Slung greatcoats often portrayed in period images; should be pervasive, but are rarely seen on reenactors. Presentation: 1. Origins 2. Place in kit 3. Construction and use 4. Reproducing the greatcoat sling NCO presentation 2 1. Origins: the “tumpline” blanket-roll Background: During the Seven Years War and the AWI the British Army adapted to conditions of warfare in North America, modifying its tactics, uniform, & equipment. Tactics (“that loose, flimsy order”): o Two ranks o Open files o Faster movement o Individual initiative o Aimed fire Howe’s LI tactics (1774) practiced army-wide by end of AWI-- Williamson (1782). Preserved as LI “customary practice”: Moore (1798), Cooper (1806), Campbell (1808, 1812), UC Militia (1812). File movement original British contribution to infantry tactics. NCO presentation 3 Uniform: o Sleeved waistcoats replaced uniform coat o Lace & trim removed o Overalls replaced breeches & gaiters o Hat lace removed, brim cut to make a cap Equipment: o Muskets cut down, blacked; rifles issued to marksmen o Hangers replaced by tomahawks o Waistbelts discarded; bayonet slung from cartridge belt o Officers & NCOs pole arms replaced by fusils o Knapsacks replaced by slung blanket roll NCO presentation 4 “Tumpline”: One name for the strap used to carry a bundle.
    [Show full text]
  • Dickens-Pickwick Papers
    *******The Project Gutenberg Etext of The Pickwick Papers******* #3 in our series by Charles Dickens [Christmas Carol was #0. .we didn't number back then] Copyright laws are changing all over the world, be sure to check the copyright laws for your country before posting these files!! Please take a look at the important information in this header. We encourage you to keep this file on your own disk, keeping an electronic path open for the next readers. Do not remove this. **Welcome To The World of Free Plain Vanilla Electronic Texts** **Etexts Readable By Both Humans and By Computers, Since 1971** *These Etexts Prepared By Hundreds of Volunteers and Donations* Information on contacting Project Gutenberg to get Etexts, and further information is included below. We need your donations. The Pickwick Papers by Charles Dickens July, 1996 [Etext #580] *******The Project Gutenberg Etext of The Pickwick Papers******* *****This file should be named pwprs10.txt or pwprs10.zip****** Corrected EDITIONS of our etexts get a new NUMBER, pwprs11.txt. VERSIONS based on separate sources get new LETTER, pwprs10a.txt. This etext was created by Jo Churcher, Scarborough, Ontario ([email protected]) We are now trying to release all our books one month in advance of the official release dates, for time for better editing. Please note: neither this list nor its contents are final till midnight of the last day of the month of any such announcement. The official release date of all Project Gutenberg Etexts is at Midnight, Central Time, of the last day of the stated month. A preliminary version may often be posted for suggestion, comment and editing by those who wish to do so.
    [Show full text]
  • THE FRENCH REVOLUTION to the VIETNAM WAR Lecture Outlines & Course Materials
    THE 334: Costume History II THE FRENCH REVOLUTION TO THE VIETNAM WAR Lecture Outlines & Course Materials Instructor: Lauren M. Lowell Costume History II Breeches THE 334 Trousers Outline 1 Pantaloons Empire/Regency Braces Caped Collar Top Hats I. 19th Century Overview Bicornes A. France Caps B. Great Britain IV. Fashion Rebels C. United States A. Merveilluese D. Industrial Revolution B. Incroyables 1. Mechanization V. Symbols of the French Revolution 2. Mass Migration Cockade E. 19th Century Morality Bonnet Rouge F. Dress Reform Sans Culottes 1. Suffragists Carmagnole 2. Bloomer Costume G. Greek Revival H. French Revolution I. Production and Acquisition of Textiles J. Hygiene II. Women A. 1789‐1799‐French Revolution B. 1800‐1815‐ French Empire/Neo‐ Classical C. 1815‐1825‐ Late Neo‐Classical D. Garments Chemise Drawers Corsets/Stays Long Corsets Petticoat Pantalettes Padded Rolls Grecian Bend Fichu Surplice Neckline Court Mantle Spencer Shawls Reticules/Indispensibles III. Men A. “Beau” Brummel B. Garments Shirt Ears Cravat Coat Waistcoat Costume History II THE 334 Outline 2 Romantic The Romantic Period: 1820‐1850 I. Romantic Ideas A. Middle Ages II. Women’s Social Roles vs. Clothing Styles III. Prudery IV. Textile Advances V. Sources A. Godey’s Lady’s Book B. Peterson’s Magazine C. Daguerreotypes VI. Women Morning Dresses Day Dresses Promenade/Walking Dresses Sleeve Pillows Marie Sleeve Gigot/Leg‐o‐mutton Sleeve Demi‐Gigot Imbecile/Idiot Sleeve Bishop Sleeve Undersleeves Moire En Coeur Tuckers/Chemisettes Pelerines A la Chinoise Bavolet Gaiters Galoshes Mitts Chatelaines VII. Men Frock Coat Greatcoat Garrick Paletot Mackintosh Top Hat Gibus Derby/Bowler Spatterdashers/Spats Costume History II THE 334 Outline 3 Crinoline I.
    [Show full text]
  • 2Nd Edition 2019
    ` 2nd Edition 2019 INTRODUCTION With such a rich heritage, The Royal Regiment of Scotland has inherited a wealth of Regimental music for both the Pipes and Drums and the Military Band. Music is an essential part of Regimental life and dress is an important part of the military musician. This publication lays down the dress regulations for pipers, drummers and military musicians serving within The Royal Regiment of Scotland. Each battalion of the Regiment has its own band of Pipes and Drums manned by soldiers who receive their musical training at the Army School of Bagpipe Music and Highland Drumming in Edinburgh. The dress of each battalion’s band is quite unique and the Regiment is the authority and custodian of the heritage and standard of dress in each band. The Regiment has its own regular Military Band: The Band of The Royal Regiment of Scotland formed from soldiers of the Corps of Army Music and two Army Reserve Bands (The Lowland Band and the Highland Band) made up of Army Reserve musicians. These military bands are an important part of our heritage and the Regiment has a s n o i responsibility to maintain the rich history and traditions of their unique uniform. t a l gu e R s No effeminate customs our sinews unbrace, s e r D No luxurious tables enervate our race; - d Our loud sounding pipes bears the true martial strain n a l t o So do we the old Scottish valour retain c S f o nd t English translation of the 2 Verse – ‘The Garb of Old Gaul’ (Regimental Slow March) n e m i g e R l a y Ro e Th 3 | P a g e CONTENTS Dress Regulations
    [Show full text]
  • Crow's Feet and Crimson: Academic Dress at Harvard
    Transactions of the Burgon Society Volume 9 Article 3 1-1-2009 Crow’s Feet and Crimson: Academic Dress at Harvard Nichoals A. Hoffmann United States Navy Follow this and additional works at: https://newprairiepress.org/burgonsociety Recommended Citation Hoffmann, Nichoals A. (2009) "Crow’s Feet and Crimson: Academic Dress at Harvard," Transactions of the Burgon Society: Vol. 9. https://doi.org/10.4148/2475-7799.1071 This Article is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Transactions of the Burgon Society by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. Transactions of the Burgon Society, 9 (2009), pages 38–58 Crow’s Feet and Crimson: Academic Dress at Harvard by Nicholas A. Hoffmann The corded crow’s-feet, and the collar square, The change and chance of earthly lot must share. — Class Poem at Harvard College, 18351 Harvard University, the oldest and perhaps most celebrated and prestigious univer- sity in the United States, has been a fixture of the Boston area for almost four hun- dred years. Founded a scant fourteen years after the Pilgrims landed at Plymouth Rock, Harvard has grown from a small colonial school to one of the world’s fore- most private research universities.2 Much has been written about Harvard’s history, but this article explores one small aspect of this vast subject: the history and practice of academic dress at this (by New World standards) ancient institution. Harvard dress as it now stands owes a good deal to academic dress in English universities and therefore to the academic dress of medieval Oxford and Cambridge.
    [Show full text]