Scheme of Study B.A

Scheme of Study B.A. (Hons) School in Dance Part-III (Semester - Fifth & Sixth) (Session 2013-14, 2014-15, 2015-16)

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2H gouk ^ d{ik L eZEe (gq?eNheb)

3H gouk ^ shik L fwT{fIe t'eb

4H gouk ^ u"Ek L spbk (B'N L fJj f;b/p; phHJ/H nkBoI ;e{b fJB r[owfs ;zrhs Bkb ;KMk j?.)

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1 B.A. (Hons) School in Dance Part-III Semester - Fifth Paper-I Kathak Theory (Session 2013-14, 2014-15, 2015-16)

Theory - 5 Periods per week Max. Marks : 80 Time Allowed : 3 Hours Internal Assessment : 20

Instructions for the Paper-Setter The question paper will consist of five sections : A, B, C, D and E. Section A, B,C and D will have two questions from the respective sections of the syllabus and will carry 15 marks each. Section E will consist of 10 short answer type questions which will cover the entire syllabus uniformly and will carry 20 marks in all. Instructions for the Candidates Candidates are required to attempt five questions in all, selecting at least one question from each section. Section E is compulsory. Section-A 1. Study of Kuchipuddi dance. 2. Study of Raigarh Parampara. 3. Study of Nritya Natika and Ballets Contributions of Pt. Udey Shankar and Birju Maharaj towards Indian Ballets. Section-B 4. Origin of Taal and its ten prans and Uttri and Dakshani Taal Paditi. 5. Dance and its relation with other fine arts. 6. Historical Background of folk dances of Punjab with special reference to instruments used. Section-C 7. Writing the notations of the following Sool taal (Matra 10) Notation of all the following material : (a) Simple Tatkar with Dugan and Chougan layakaries (b) Tora - 2 (c) Amad - 1 (d) Salami-1 (e) Paran-2 (f) Chakaradar Paran-1 (g) Kavit-I 8. Writing the notations of the following Swari taal (Matra 15) (a) Simple Tatkar with Dugan and Chogun layakaries (b) Tora-2 (c) Amad-1 (d) Chakardar Paran-1 (e) Paran-1 (f) Kavit-1 9. Description and comparative study of Taals mentioned in section-C above. Section-D 10. Notation of talas in Dugun, Tigun and Chougan layakaries mentioned in section C above. 11. Notation of Nagma in Sool taal & Swari taal. 12. Recognition of taals through some bols. Books Recommended 1. L.N.Garg - Kathak Nritya 2. Puru Dadhich - Kathak Nritya Shiksha 3. T.R. Azad - Kathak Shingara 4. J.N.Pathak - Nritya Prashn Panjika 5. T.R. Azad - Kathak Darpan 6. Dr. Simmi - Nat Sanchar 7. L.N.Garg - Bharat Ke lok Nritya 8. Dr. Chetna - Kathak Kalp Drupan 9. Mandvi Singh - Bhatiya Sanskrit Mei Kathak Parampara

2 B.A. (Hons) School in Dance Part-III Semester - Fifth Kathak Practical (Session 2013-14, 2014-15, 2015-16) Practical - 5 Periods per week Max. Marsk : 80 Internal Assessment : 20 1. Practical Demonstration of any taal of your choice. 2. Practical demonstration of the following taals : (i) Sool taal (Matra 10) (a) Simple Tatkar with Dugan and Chougan layakaries (b) Tora - 2 (c) Amad - 1 (d) Salami-1 (e) Paran-2 (f) Chakaradar Paran-1 (g) Thaat -I (f) Kavit-I (ii) Swari taal (Matra 15) (a) Simple Tatkar with Dugan and Chogun layakaries (b) Tora-2 (c) Amad-1 (d) Chakardar Paran-1 (e) Paran-1 (f) Kavit-1 (g) Thaat-1 3. Tarana/Sargam. 4. Padhant of whole material. 5. Ability to play nagmas theka in Sool taal & Swari taal.

3 B.A. Hons School in Dance Part-III Semester - Fifth (Session 2013-14, 2014-15, 2015-16) Paper -III Music Vocal Max. Marks-100 Theory Marks : 40 Internal Assessment= 10 Marks Practical Marks : 40 Internal Assessment= 10 Marks

Paper -III Music Vocal Theory Max. Marks-40 Internal Assessment= 10 Marks Pass Marks-40% Time 3 Hrs

Instruction for Paper Setter : The question paper will consist of five sections A, B,C,D and E . Section A, B,C,D will have two questions from the respective sections of the syllabus and will carry 6 marks each. Note - Candidates are required to attempt one question each from section A, B, C,D and the entire section E is compulsory. Section - A 1. Historical development of Indian Music during 18th Century to Modern times. 2. Origin & development of following Gayan Shallies :- (i) Tappa (ii) Thumri (iii) Partal

Section- B

1. Contribution and life sketch of the following:- (i) Ustad Bade Ghulam Ali Khan (ii) Pt. Krishna Rao Shankar Pandit. 2. Evolution and development of Indian Musical scale.

Section - C 1. Description of the following Ragas and Taals :- Raagas :- (i) Miyan Ki Todi (ii) Bhairavi (iii) Ramkali 2. Elementary Knowledge of the following Raags :- (i) Multani (ii) Gunkali 3. Taals : (i) Jhumra (ii) Jatt Tal

Section-D 1. Define the following Musical Terms in the context of Gurmat Sangeet :-Kirtaniya , Dhuni , Chowki Or Bandana , Paudi, Alahunian

Section - E Section will consist of 8 short answer type questions which will cover the entire syllabus uniformly and will carry 16 marks. Each short answer type question carry 2 marks.

4 B.A. Hons School in Dance Part-III Semester - Fifth (Session 2013-14, 2014-15, 2015-16) Paper - III Music Vocal Practical Max. Marks-40 Internal Assessment= 10 Marks Pass Marks-40% Time 1 Hour.

1. Viva - 30 Marks 2. Harmonium - 5 Marks 3. Tabla - 5 Marks

1. One Drut Khyal with alaps and Taans in each of the following Raags :- (i) Miyan Ki Todi (ii) Sohni (iii) Bhairavi 2. One slow Khyals in any of the prescribed Raags with alaaps and Taans. 3. Ability to sing Thumri or Tarana in any of the prescribed Raags in syllabus. 4. One Bhajan or Shabad with proper Gayaki. 5. Tuning of Tanpura and Aroh Avroh and Pakar of the following Raags :- (i) Gujari (ii) Todi (iii) Marwa

BOOK RECOMMENDED 1. Sangeet Karyalaya Hathras (U.P): Sangeet Visharad 2. H.C.Srivastva : Rag Parichaya, Part II 3. Published by Punjabi University, Patiala : Sangeet Kaumudi,IV (Punjabi). 4. Mrs.Veena Mankaran : Sangeet Sar, Part II 5. Prof Tara Singh , Surjit Kaur : Vadan Kala, Publihed by Punjabi University, Patiala 6. G.G.K Parkashan , Javadhi Kalan Ludhiana : Gurmat Sangeet (Vishesh Ank) Vismad Nad. 7. Dr. Gurman Singh : Punjabi SangeetKar, Published by Punjabi University, Patiala. 8. Dr. Gurnam Singh : Sangeet Nibandhavali,Published by Punjabi University, Patiala. 9. Dr. Devinder Kaur : Sangeet Roop. 10. Dr. Yashpal Sharma : Gayan Kala, (Published by Punjabi University, Patiala) 11. Dr. Yash Pal Sharma : Gurmat Sangeet Rag Ratnawali (Guru Granth Sahib ke Ragon Ka Vishleshnatmak Adhyan) 12. H.C. Srivastva : Rag - Parichay II and III

5 Combined Syllabus B.A. (Hon's) School in Dance & B.A. (Hon's) School in Gurmat Sangeet Part -III Semester - V (Session 2013-14, 2014-15, 2015-16)

PAPER-A: - IV-TABLA (THEORY) Max. Marks-100 Time: 3 Hrs Pass Marks-40% Practical - 40 Marks Internal Assessment-20 Marks Theory - 40 Marks Instruction for Paper Setter : The question paper will consist of five sections A, B,C,D and E. Section A, B, C, D will have two questions from the respective sections of the syllabus and will carry 6 marks each. Instruction for Candidates: Candidates are required to attempt one question each from section A, B, C, D and the entire section E is compulsory. Section - A 1. Evolution of Taal. 2. Detailed History of Tabla. 3. The life sketches and contribution towards music of the following: Mian Qadar Bux, Ahmed Jan Thirkava.

Section - B 1. Importance ot Taals in Music. 2. Principles of formation of Taals.

Section - C 1. Notation in the following material: (a) Ada Chartaal: - Peshkar, Kayada, Palta, Tukra, Rela & Paran. (b) Basant Taal: - Uthan, Kayada, Tukra, Tehai. (c) Tilwara Taal:- Thheka. 2. Comarative study of above mentioned Taals.

Section - D 1. Notation of Taals mentioned in section c with their Dugun, Tigun, Chaugun and Arh Layakaries. 2. Recognition of Taals through some bols asked by paper setter. 3. Compose Rela, Qaida, Peshkar and Paran based on the bols set by the paper setter

Section - E Section E will consist of 8 short answer type questions which will cover the entire syllabus uniformly and will carry 16 marks. Each short answer type questions will carry 2 marks.

6 Combined Syllabus B.A. (Hon's) School in Dance & B.A. (Hon's) School in Gurmat Sangeet Part -III Semester - V (Session 2013-14, 2014-15, 2015-16)

PAPER - B: - IV - TABLA (PRACTICAL) Max. Marks-100 Time: 1 Hrs Pass Marks-40% Practical - 40 Marks Internal Assessment-20 Marks Theory - 40 Marks

1. Taal prescribed: Ada Chautal, Basant Tal and Tilwara Tal. (a) Ada Chautal: - Peshkar, Qaida, palta, Tukra, Rela & Paran. (b) Basant Tal: - Uthan, Qaida,Tukra & Tehai. (c) Tilwara Tal: Thheka. 2. Accompaniment Knowledge of Tabla. 3. Practice of playing Nagma on Harmonium in prescribed Taals. 4. Ekgun, Dugun and Chaugun Layakaries of prescribed taal by hand by showing their taali and khali.

BOOKS RECOMMENDED 1. Tabla Vadan, Published by Pbi.Uni. : Jagmohan Sharma 2. Tabla Tarang : B S Nigam 3. Taal Prakash : Sangeet Karyala Hathras 4. Taal Prichiya - Part-I, II & III : G.C. Shrivastava 5. Taal Prabhakar Prshontri : G. C. Shrivastava 6. Taal Maartand : B S Sharma 7. Bhartiya Talon ka Shastriya vivechan: Arun Kumar Sen 8. Bhartiya Sangeet Vadyas : L M Mishra 9. Taal Rattan : Sujit Singh

7 phHJ/H nkBo} fJB r[owfs ;zrhs ns/ phHJ/H nkBo} fJB vK; bJh ;KMk f;b/p; Gkr shik ;w?;No gzitK (2013-14, 2014-15, 2015-16) gouk - gzitK (gzikph bk}wh) e[b nze L 100 e[b nfXnkgB ghohnv L 75 fbysh gqhfynk L 80 ;wK L 3 xzN/ nzdo{Bh gqhfynk L 20 gk; nze L 40 f;b/p; s/ gkm - g[;seK 1H ;gfsek L ;zgkH ihs f;zx ;hsb, gzikph :{Bhtof;Nh, gfNnkbk 2H f;Bwk s/ ;N/i L pboki ;kjBh 3H nB[tkd 4H g?oQk-ouBk 5H ftnkeoD (T) noE ftfrnkB L ;akpfde noE ns/ gqk;zfre noE, ;wkBkoEe ns/ fto'XkoEe ;apd, pj[noEsk ns/ ;w{jnoEsk, ;wBkw ;apd (n) ;apd ;a/DhnK, ftnkfynk ns/ tzBrhnK (BKt, gVBKt, ft;a/;aD, fefonk, fefonk ft;a/;aD, ;zpzXe, :'ie, ft;fwe ns/ gkoNheb})

nze tzv s/ g/go ;?No bJh jdkfJsK

1H (T) gq;zr ;fjs ftnkfynk (uko ftu'I d') 5O5 =10 nze (n) fe;/ ekft-ouBk dk ft;ak-t;s{$;ko (d' ftu'I fJZe) 10 nze 2H (T) fe;/ fJe b/y dk ft;ak-t;s{$;ko 10 nze (n) fe;/ fJe b/y dk tkose ebk dh fdq;aNh s'I nfXn?B (d' ftu'I fJZe) 10 nze 3H nkw ikDekoh Bkb ;zpzfXs g?oQ/ dk nzro/}h s'I gzikph ftu nB[tkd 10 nze 4H tksktoB u/sBk Bkb ;zpzfXs g?oQk ouBk 10 nze (gkm ;wZroh d/ s"o s/ gzikph :{Bhtof;Nh, gfNnkbk d[nkok gqekf;as g[;se @tksktoD dog/;a ;wZf;nktK# b/ye fsqb'uB f;zx dk B"tK ns/ d;tK b/y) 5H Bzpo 5 T[s/ fdZs/ ftnkeoD d/ nkXko T[s/ toDBkswe gq;aB 10O10 =20 nze

8 Combined Syllabus For

BA -III HONS SCHOOL IN GURMAT SANGEET SEM-V BA -III HONS SCHOOL IN DANCE SEM-V (Session 2013-14, 2014-15, 2015-16)

PAPER -VI-(ENGLISH COMMUNICATION SKILLS)

Max. Marks: 60 Time allowed: 3 hours

INSTRUCTIONS FOR THE PAPER SETTER

(a) The paper setter shall set nine questions in all. (b) The paper setter shall set two questions from each section A, B, C, & D. Carrying 10 marks for each question.(10+10+10+10=40) (c) The paper setter shall set one compulsory question for Section E carrying 10 short type questions from entire syllabus which will carry 20 marks(10*2=20)

THEORY PAPER

Section A

1. Contemporary English Prose Edited by K.P.K. Menon CHAPTERS I to 5 a) One Essay type question with internal choice on theme narrative incident or character b) Five Short notes out of eight given

Section B 2. Kaleidoscope: A Selection of English Poetry

POEMS I to 5

(a) One Essay type question with internal choice on theme, summary, central idea of the poem. (b) Reference to the context of any one out of the two given. Section C

5. Translation of passage from Hindi/Punjabi to English 6. Comprehension

Section D 7. Antonyms 8. Synonyms

BOOKS PRESCRIBED 1. Contemporary English Prose Edited by K.P.K. Menon (Chapters 1 to 5)

2. Kaleidoscope: A Selection of English Poetry (Poems 1 to 5)

3. The Students’ Companion by Wilfred D. Best

INSTRUCTIONS FOR THE CANDIDATE The candidate shall attempt 5 questions selecting at least 1 question from Section (A, B, C,D of 10 marks each question).The fifth question carrying 10 short type questions from Section E shall be compulsory carrying 20 marks)

PRACTICAL PAPER MAX. MARKS 20

Viva voice from the following (5+5+5+5=20) 1. General Knowledge (5 marks)

2. News Reading (5 marks)

3. Comparing (5 marks)

4. Vocabulary (5 marks)

10 B.A. (Hons) School in Dance Part-III Semester - Sixth Paper-I Kathak Theory (Session 2013-14, 2014-15, 2015-16)

Theory - 5 Periods per week Time Allowed : 3 Hours Max. Marks : 80 Internal Assessment : 20 Instructions for the Paper-Setter The question paper will consist of five sections : A, B, C, D and E. Section A, B,C and D will have two questions from the respective sections of the syllabus and will carry 15 marks each. Section E will consist of 10 short answer type questions which will cover the entire syllabus uniformly and will carry 20 marks in all. Instructions for the Candidates Candidates are required to attempt five questions in all, selecting at least one question from each section. Section E is compulsory. Section-A 1. Essay on Guru Shishya Parampara. 2. Study of Dashavataar. 3. Biography and contribution of Pt. Birju Maharaj, Guru Rajinder Gangani, Guru Shobha Kosar Pt. Teerath Ram Azad and Purudadhich in the field of Kathak Dance. Section-B 4. Medium and Sources to depict Bhav, Ang in Kathak Dance. 5. Study of Chari and Mandal. 6. Study of common elements used in Music and Dance. Section-C 7. Writing the notations of the following Teen taal (Matra 16) Notation of all the following material : (a) Simple Tatkar with Dugan, Tigun and Chougan layakaries (b) Tora - 4 (c) Amad - 2 (d) Paran-2 (e) Chakaradar Paran-2 (f) Pharmaishi Chakardar Paran. (g) Tiser Jati Paran (h) Kavit-1 8. Writing the notations of the following Jhoomra (Matra 14) (a) Simple Tatkar with Dugan and Chogun layakaries (b) Tora-2 (c) Amad-1 (d) Chakardar Paran-1 (e) Paran-1 (f) Kavit-1 9. Description and comparative study of Taals mentioned in section-C above. Section-D 10. Notation of talas in Dugun, Tigun and Chougan layakaries mentioned in section C above. 11. Notation of Nagma in Teen taal & Jhoomra. 12. Recognition of taals through some bols.

Books Recommended

1. L.N.Garg - Kathak Nritya 2. Puru Dadhich - Kathak Nritya Shiksha 3. T.R. Azad - Kathak Shingara 4. J.N.Pathak - Nritya Prashn Panjika 5. T.R. Azad - Kathak Darpan 6. Dr. Simmi - Nat Sanchar 7. L.N.Garg - Bharat Ke lok Nritya

11 8. Dr. Chetna - Kathak Kalp Drupan 9. Mandvi Singh - Bhatiya Sanskrit Mei Kathak Parampara

B.A. (Hons) School in Dance Part-III Semester - Sixth Paper - II Kathak Practical (Session 2013-14, 2014-15, 2015-16)

Practical - 5 Periods per week Max. Marsk : 80 Internal Assessment : 20 1. Practical Demonstration of any taal of your choice. 2. Practical demonstration of the following taals : (i) Teen taal (Matra 16) (a) Simple Tatkar with Dugan, Tigun and Chougan layakaries (b) Thaat-2 (c) Tora - 4 (d) Amad - 2 (e) Paran-2 (f) Chakaradar Paran-2 (g) Pharmaishi Chakardar Paran. (h) Tiser Jati Paran (i) Kavit-1 (ii) Jhoomra (Matra 14) (a) Thaat-1 (b) Simple Tatkar with Dugan and Chogun layakaries (c) Tora-2 (d) Amad-1 (e) Chakardar Paran-1 (f) Paran-1 (g) Kavit-1 3. Bhava on Thumri/Sufi. 4. Padhant of whole material. 5. Ability to play nagmas theka in Teen taal & Jhoomra taal.

B.A. Hons School in Dance Part-III Semester - Sixth (Session 2013-14, 2014-15, 2015-16) Paper -III Music Vocal Max. Marks-100 Theory Marks : 40 Internal Assessment= 10 Marks Practical Marks : 40 Internal Assessment= 10 Marks

Paper -III Music Vocal Theory Max. Marks-40 Internal Assessment= 10 Marks Pass Marks-40% Time 3 Hrs

Instruction for Paper Setter : The question paper will consist of five sections A, B,C,D and E . Section A, B,C,D will have two questions from the respective sections of the syllabus and will carry 6 marks each. Note - Candidates are required to attempt one question each from section A, B, C,D and the entire section E is compulsory. Section - A 1. Origin and development of the following Gayan Shallies :- (i) Tarana (ii) Chaturang (iii) Raagmala 2. Development and importance of Indian Music notation system its merits and demerits. Section- B

1. Contribution and life sketch of the following :- (i) Pandit Dalip Chander Bedi (ii) Onkar Nath Thakur 2. Essay on the Following :- (i) Jati Gayan (ii) Kanth Sadhna Section-C

1. Description of the following Raags and Taals :- Raagas :- (i) Miyan Malhar (ii) Sohni (iii) Bhairav Taals :- (i) Ada Chautal (ii) Sool Taal 2. Elementary Knowledge of the followng Raagas :- (i) Marwa (ii) Gujari (iii) Todi

Section -D

1. Different Gayan Shaillies of Gurmat Sangeet. 2. Essays on Following :- (i) Rag Lakshan (ii) Lok Sangeet

Section - E Section will consist of 8 short answer type questions which will cover the entire syllabus uniformly and will carry 16 marks. Each short answer type question carry 2 marks.

13 B.A. Hons School in Dance Part-III Semester - Sixth (Session 2013-14, 2014-15, 2015-16) Paper - III Music Vocal Practical Max. Marks-40 Internal Assessment= 10 Marks Pass Marks-40% Time 1 Hour.

1. Viva - 30 Marks 2. Harmonium - 5 Marks 3. Tabla - 5 Marks

1. One Drut Khyal with alaaps and Taans in each of the following Raags : (i) Ramkali (ii) Miyan Malhar 2. One slow Khyal from either Sem-Vth or 6th raagas with alaaps and Taans. 3. Ability to recile following Taals in Ekgun and Dugun and Chougan , Jhumra ,Deepchandi. 4. One Thumri Or Tarana in prescribed Raags. 5. One shabad or Bhajan with proper Gayaki. 6. Tuning of Tanpura. 7. Aroh Avroh and Pakar of Raags:- (i) Darbari Kanhra (ii) Bhairav

14 Combined Syllabus B.A. (Hon's) School in Dance & B.A. (Hon's) School in Gurmat Sangeet Part -III Semester - VI (Session 2013-14, 2014-15, 2015-16)

PAPER-A: - IV-TABLA (THEORY) Max. Marks-100 Time: 3 Hrs Pass Marks-40% Practical - 40 Marks Internal Assessment-20 Marks Theory - 40 Marks

Section - A 1. Full knowledge of Karnatak Tala System. 2. The life sketches and contribution towards music of the following: Pt. Ram Sahay and Ustad Allah Rakha Khan

Section - B 1. Comparative Study of Tabla and Pakhawaj vadan shaillies. 2. Place of Tabla in Music.

Section - C 1. Notation in the following material: (a) Pancham Sawari Taal: - Uthan, Peshkar, Kayada, Gat, Paran & Rela. (b) Rudra Taal: - Uthan, Kayada, Tukra and Tehai. (c) Tappa Taal:- Thheka. 2. Comarative study of above mentioned Taals.

Section - E Section E will consist of 8 short answer type questions which will cover the entire syllabus uniformly and will carry 16 marks. Each short answer type questions will carry 2 marks.

15 Combined Syllabus B.A. (Hon's) School in Dance & B.A. (Hon's) School in Gurmat Sangeet Part -III Semester - VI (Session 2013-14, 2014-15, 2015-16)

PAPER - B: - IV - TABLA (PRACTICAL) Max. Marks-100 Time: 1 Hrs Pass Marks-40% Practical - 40 Marks Internal Assessment-20 Marks Theory - 40 Marks

1. Taals prescribed: Pancham Swari Taal, Rudra Taal, and Tappa Taal. (a) Pancham Swari Taal:- Uthan, Peshkar, Qaida, Gat, Paran & Rela. (b) Rudra Tal: - Uthan, Qaida,Tukra & Tehai. (c) Tappa Tal: Thheka. 2. Tuning fo Tabla. 3. Practice of playing Nagma on Harmonium in prescribed Taals. 4. Ekgun, Dugun and Chaugun Layakaries of prescribed taal by hand by showing their taali and khali.

16 phHJ/H nkBo} fJB r[owfs ;zrhs ns/ phHJ/H nkBo} fJB vK; bJh ;KMk f;b/p; Gkr shik ;w?;No S/tK (2013-14, 2014-15, 2015-16) gouk - gzitK (gzikph bk}wh) e[b nze L 100 e[b nfXnkgB ghohnv L 75 fbysh gqhfynk L 80 ;wK L 3 xzN/ nzdo{Bh gqhfynk L 20 gk; nze L 40 f;b/p; s/ gkm - g[;seK 1H ekft Xkok L ;zgkH vkH ;sh;a e[wko towk ns/ vkH pqjw irdh;a f;zx gzikph :{Bhtof;Nh, gfNnkbk 2H frnkB ;o'to L ;zgkH vkH e[bdhg f;zx Xho ns/ vkH Bfozdo f;zx eg{o gzikph :{Bhtof;Nh, gfNnkbk 3H nB[tkd 4H g?oQk-ouBk 5H ftnkeoD (T) gzikph nkoE'rqkch (n) ;apd i'VK dhnK ;wZf;nktK

nze tzv s/ g/go ;?No bJh jdkfJsK

1H (T) gq;zr ;fjs ftnkfynk (uko ftu'I d') 5O5=10 nze (n) fe;/ ekft-ouBk dk ft;ak-t;s{$;ko (d' ftu'I fJZe) 10 nze 2H (T) fe;/ fJe b/y dk ft;ak-t;s{$;ko 10 nze (n) fe;/ fJe b/y dk tkose ebk dh fdq;aNh s'I nfXn?B (d' ftu'I fJZe) 10 nze 3H nkw ikDekoh Bkb ;zpzfXs g?oQ/ dk nzro/}h s'I gzikph ftu nB[tkd 10 nze 4H tksktoB u/sBk Bkb ;zpzfXs g?oQk ouBk 10 nze (gkm ;wZroh d/ s"o s/ gzikph :{Bhtof;Nh, gfNnkbk d[nkok gqekf;as g[;se @tksktoD dog/;a ;wZf;nktK# b/ye fsqb'uB f;zx dk frnkotK ns/ pkotK b/y) 5H Bzpo 5 T[s/ fdZs/ ftnkeoD d/ nkXko T[s/ toDBkswe gq;aB 10O10=20 nze

17 Combined Syllabus For

BA -III HONS SCHOOL IN GURMAT SANGEET SEM-VI BA -III HONS SCHOOL IN DANCE SEM-VI

PAPER -VI-(ENGLISH COMMUNICATION SKILLS)

Max. Marks: 60 Time allowed: 3 hours

INSTRUCTIONS FOR THE PAPER SETTER

THEORY PAPER

Section A

3. Contemporary English Prose Edited by K.P.K. Menon CHAPTERS 6 to 10 c) One Essay type question with internal choice on theme narrative incident or character d) Five Short notes out of eight given Section B 4. Kaleidoscope: A Selection of English Poetry

POEMS 11to15

(c) One Essay type question with internal choice on theme, summary, central idea of the poem. (d) Reference to the context of any one out of the two given. Section C

5. Words denoting opposites 6. Words denoting profession or trade

Section D

7. Letter Writing 8. Essay Writing

BOOKS PRESCRIBED 1. Contemporary English Prose Edited by K.P.K. Menon (Chapters 6 to 10) 2. Kaleidoscope: A Selection of English Poetry (Poems 11to 15) 3. The Students’ Companion by Wilfred D. Best

18 INSTRUCTIONS FOR THE CANDIDATE The candidate shall attempt 5 questions selecting atleast 1 question from Section (A, B, C,D of 10 marks each question).The fifth question carrying 10 short type questions from Section E shall be compulsory carrying 2*10= 20 marks)

PRACTICAL PAPER MAX. MARKS 20

Viva voice from the following (5+5+5+5=20) 1. General Knowledge (5 marks)

2. News Reading (5 marks)

3. Communication (5 marks)

4. Vocabulary (5 marks)