1937-05-18 [P B-18]
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Tommy Dorsey 1 9
Glenn Miller Archives TOMMY DORSEY 1 9 3 7 Prepared by: DENNIS M. SPRAGG CHRONOLOGY Part 1 - Chapter 3 Updated February 10, 2021 TABLE OF CONTENTS January 1937 ................................................................................................................. 3 February 1937 .............................................................................................................. 22 March 1937 .................................................................................................................. 34 April 1937 ..................................................................................................................... 53 May 1937 ...................................................................................................................... 68 June 1937 ..................................................................................................................... 85 July 1937 ...................................................................................................................... 95 August 1937 ............................................................................................................... 111 September 1937 ......................................................................................................... 122 October 1937 ............................................................................................................. 138 November 1937 ......................................................................................................... -
Final Weeks of Popular Jean Renoir Retrospective at the Museum of Modern Art
The Museum of Modern Art For Immediate Release November 1994 FINAL WEEKS OF POPULAR JEAN RENOIR RETROSPECTIVE AT THE MUSEUM OF MODERN ART The Museum of Modern Art's popular retrospective of the complete extant work of director Jean Renoir (1894-1979), one of cinema's great masters, continues through November 27, 1994. Presented in commemoration of the centenary of the director's birth, the exhibition comprises thirty-seven works, including thirty-three films by Renoir and a 1993 BBC documentary about the filmmaker by David Thompson. Twenty-three of the works by Renoir have been drawn from the Museum's film archives. Many of the remaining titles are also from the Cinematheque frangaise, Paris, and Interama, New York. The son of the Impressionist painter Pierre-Auguste Renoir, Jean Renoir produced a rich and complex oeuvre that mined the spectacle of life, in all its fascinating inconstancy. In 1967 he said, "I'm trying to discover human beings, and sometimes I do." Although critics and scholars disagree on how to categorize Renoir's films -- some believe that his work can be divided into periods, while others argue that his films should be viewed as an indivisible whole -- there is no dissent about their integrity. His works are unfailingly humane, psychologically acute, and bursting with visual and aural moments that propel the narratives. - more - 11 West 53 Street, New York, N.Y. 10019-5498 Tel: 212-708-9400 Cable: MODERNART Telex: 62370 MODART 2 Highlights of the second half of the program include a new 35mm print of La Bete humaine (The Beast in Man, 1938), a powerful adaptation of a novel by Emile Zola, previously available in the United States only in 16mm. -
The Victor Black Label Discography
The Victor Black Label Discography Victor 25000, 26000, 27000 Series John R. Bolig ISBN 978-1-7351787-3-8 ii The Victor Black Label Discography Victor 25000, 26000, 27000 Series John R. Bolig American Discography Project UC Santa Barbara Library © 2017 John R. Bolig. All rights reserved. ii The Victor Discography Series By John R. Bolig The advent of this online discography is a continuation of record descriptions that were compiled by me and published in book form by Allan Sutton, the publisher and owner of Mainspring Press. When undertaking our work, Allan and I were aware of the work started by Ted Fa- gan and Bill Moran, in which they intended to account for every recording made by the Victor Talking Machine Company. We decided to take on what we believed was a more practical approach, one that best met the needs of record collectors. Simply stat- ed, Fagan and Moran were describing recordings that were not necessarily published; I believed record collectors were interested in records that were actually available. We decided to account for records found in Victor catalogs, ones that were purchased and found in homes after 1901 as 78rpm discs, many of which have become highly sought- after collector’s items. The following Victor discographies by John R. Bolig have been published by Main- spring Press: Caruso Records ‐ A History and Discography GEMS – The Victor Light Opera Company Discography The Victor Black Label Discography – 16000 and 17000 Series The Victor Black Label Discography – 18000 and 19000 Series The Victor Black -
OCTOBER 23, 1936 5 Cents the Copy GUTSTADT BANQUET B'nai B'rith Head SELECT PLAY for Arab Boycott of MONDAY EVENING REPERTORY SHOW •
Temple Beth-!':L Broad & Glenham Stn . Providence, R. I . THE JEWISH HERALD Vol. XII, No. 7 PROVIDENCE, R. I., FRIDAY, OCTOBER 23, 1936 5 Cents the Copy GUTSTADT BANQUET B'nai B'rith Head SELECT PLAY FOR Arab Boycott of MONDAY EVENING REPERTORY SHOW • Anti-Defamation Leader to "The Small Miracle" Chosen Jew1sh Shops Seen Address B'nai B'rith by Repertory Players Here Tomorrow Report Strike Will Continue On New Paths To Mark Historic Occasion Election of Officers, Committee Reports on Program; Baptists, Quakers, Jews Will Hold Special Exercises at A. Epstein to Speak Temple Emanu-EI :-: ------------ The Annual i\leeting of the Jewish wi ll be Abraham Epstein. the cxccu :-: ------------ H_ome fo r the r\g.cd of l~ hoclc Island tivc Secretary of the American Asso The only Jewish religious obscrv- title. Temple Speaker ;v_1 II b~ held on Suoday .afterno_o 1~. a~ ~iation of Social Security. Mr. Epstein ancc i11 conncctio11 with the Hhodc lfobbi Goldman will bring the c:.:cs -.:W o clock at the Hom~. 99 Hd_h, idc 1s the o ut sta nding authority on old age lsland Tcrccutcuary to be held in this ciscs to a close with a brief address 0 11 a\·em1c. Samuel ~•f. M_ag1d, yrcs1dent pensions and is responsible for o ld city will take place at Temple Emami- the s11bjcct "Religion Faces its Fourth ~~e;~~~c~omc wil l deliver lus annual age pension legislation in this country. El 17riday evening, October 30, at 8:15 Cen tury in Rho de Island''. The following chairmen will then He is also author of several \'Olt1mcs s~c~~i~~ ~r ::~~ c~~~~::ty~;.-~'.)halli Eve After this service a reception is be- present their reports : i\ l rs. -
Reconstructing American Historical Cinema This Page Intentionally Left Blank RECONSTRUCTING American Historical Cinema
Reconstructing American Historical Cinema This page intentionally left blank RECONSTRUCTING American Historical Cinema From Cimarron to Citizen Kane J. E. Smyth THE UNIVERSITY PRESS OF KENTUCKY Publication of this volume was made possible in part by a grant from the National Endowment for the Humanities. Copyright © 2006 by The University Press of Kentucky Scholarly publisher for the Commonwealth, serving Bellarmine University, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved. Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 www.kentuckypress.com 10 09 08 07 06 5 4 3 2 1 Library of Congress Cataloging-in-Publication Data Smyth, J. E., 1977- Reconstructing American historical cinema : from Cimarron to Citizen Kane / J. E. Smyth. p. cm. Includes bibliographical references and index. ISBN-13: 978-0-8131-2406-3 (alk. paper) ISBN-10: 0-8131-2406-9 (alk. paper) 1. Historical films--United States--History and criticism. 2. Motion pictures and history. I. Title. PN1995.9.H5S57 2006 791.43’658--dc22 2006020064 This book is printed on acid-free recycled paper meeting the requirements of the American National Standard for Permanence in Paper for Printed Library Materials. Manufactured in the United States of America. Member of the Association of American University Presses For Evelyn M. Smyth and Peter B. Smyth and for K. H. and C. -
Collection Prof
Jean Renoir In 1975 Jean Renoir was awarded an honorary Academy Award for his lifetime contribution to film. He is PROFILE COLLECTION considered one of the first great auteurs, a cinematic master whose distinctive style always contained a concern for human issues and a reverence for natural beauty. As the son of the great impressionist painter, Auguste Renoir, the filmmaker as a young man was encouraged to freely explore artistic and intellectual pursuits. He eventually chose ceramics, but during a long convalescence, developed a passion for film. He started his own production company in 1924, largely in order to launch the acting career of his wife, Catherine Hessling. His first film, LA FILLE DE L’EAU (1925) THE WHIRLPOOL OF FATE, and other silent films display early Erich von Stroheim plays Captain von Rauffenstein in Jean Renoir’s signs of what was to become characteristic of Renoir’s work-- anti-war masterpiece La Grande Illusion (1937). a sense of visual realism, the love of nature and the poetic representation of the physical MR. LANGE, LA BETE HUMAINE Hollywood a period of environment. Film theorist (1938) THE HUMAN BEAST, LA “unrealized works and Andre Bazin praised Renoir’s REGLE DU JEU (1939) THE unrealized hopes,” this film is a early works for their modest use RULES OF THE GAME and LA beautifully crafted story of a of camera movement and GRANDE ILLUSION (1937) THE migrant worker who tries to editing and emphasis on deep GRAND ILLUSION. Renoir lived start his own farm and who focus photography. Bazin in the United States in the faces enormous hardship. -
The Museum of Modern Art Celebrates Vienna's Rich
THE MUSEUM OF MODERN ART CELEBRATES VIENNA’S RICH CINEMATIC HISTORY WITH MAJOR COLLABORATIVE EXHIBITION Vienna Unveiled: A City in Cinema Is Held in Conjunction with Carnegie Hall’s Citywide Festival Vienna: City of Dreams, and Features Guest Appearances by VALIE EXPORT and Jem Cohen Vienna Unveiled: A City in Cinema February 27–April 20, 2014 The Roy and Niuta Titus Theaters NEW YORK, January 29, 2014—In honor of the 50th anniversary of the Austrian Film Museum, Vienna, The Museum of Modern Art presents a major collaborative exhibition exploring Vienna as a city both real and mythic throughout the history of cinema. With additional contributions from the Filmarchiv Austria, the exhibition focuses on Austrian and German Jewish émigrés—including Max Ophuls, Erich von Stroheim, and Billy Wilder—as they look back on the city they left behind, as well as an international array of contemporary filmmakers and artists, such as Jem Cohen, VALIE EXPORT, Michael Haneke, Kurt Kren, Stanley Kubrick, Richard Linklater, Nicholas Roeg, and Ulrich Seidl, whose visions of Vienna reveal the powerful hold the city continues to exert over our collective unconscious. Vienna Unveiled: A City in Cinema is organized by Alexander Horwath, Director, Austrian Film Museum, Vienna, and Joshua Siegel, Associate Curator, Department of Film, MoMA, with special thanks to the Österreichische Galerie Belvedere. The exhibition is also held in conjunction with Vienna: City of Dreams, a citywide festival organized by Carnegie Hall. Spanning the late 19th to the early 21st centuries, from historical and romanticized images of the Austro-Hungarian empire to noir-tinged Cold War narratives, and from a breeding ground of anti- Semitism and European Fascism to a present-day center of artistic experimentation and socioeconomic stability, the exhibition features some 70 films. -
Pouce, Town E Get Pay Retur 215 Seniors, First Half-Tie
r 7 TO PLACE A WANT-AD M T SUBURBAN THE INDEPENDENT- NEWSPAPER PHONE AD-TAKER— WOODBRIDGE 8-1710 IN THE COUNTY VOL. XIX, No. 18 WOODBRIDGE, N. J., FRIDAY, JUNE 18, 1937 THREE CENTS CLUBWOMEN Honors Record Class POUCE, TOWN E CLOSE THEIR YEAR 215 SENIORS, FIRST HALF-TIE CLASS, GET PAY RETUR AT A DINNER-DANCE ARE GRADUATED BY WOODBRIDGE HIGH Symposium By Students On Administration To Fulfill Doctor of Philosophy Annual Event At School No. Promise But Stand Of 14 Tomorrow Night Michael Joseph Trainer -Heaves Past, Present, Future Of The Township Perth Amboy which got all coy School Board Not Last Of Season about fighting- the proposal of the \ A Vast Sigh, Blows Smoke Rings Is A Feature gas company to raise the rates of Yet Certain MRS. LARSOfTCATERER WOODBRIDGE—Michael Joseph Trainer, Tax Collector de the smaller consumers finally cap- 5 SALARIElTOFFICERS FORDS—The Fords Wom- RAIN SHREWDLY TIMED itulated and added its magnificent luxe, breathed deeply, settled back in his swivel chair and blew an's Club will climax its smoke rings toward the ceiling. BETWEEN BROCESSIOMS presence to the defense inaugurat- WON'T GETJMCREASE year's activities with the an- In his right hand he held a little sheet of note-paper bearing WOODBRIDGE-—-R a i n , ed by Woodbridge and Carteret WOODBRIDGE — In ac- nual dinner-dance to be held an engraved imprint: "Law Offices of David T. Wilentz" etc., when hearings on the petition cordance with its agree- tomorrow evening at School etc. He would set it down and pick it up alternately as if to •hrewdly timed between the opened before the Board of Public No. -
President: Franklin D. Roosevelt in Film
The Evolving American Presidency Series Series Foreword: The American Presidency touches virtually every aspect of American and world politics. And the presidency has become, for better or worse, the vital center of the American and global political systems. The Framers of the American government would be dismayed at such a result. As invented at the Philadelphia Constitutional Convention in 1787, the Presidency was to have been a part of a government with shared and overlapping powers, embedded within a separation-of-powers system. If there was a vital center, it was the Congress; the Presidency was to be a part, but by no means, the centerpiece of that system. Over time, the presidency has evolved and grown in power, expectations, responsi- bilities, and authority. Wars, crises, depressions, industrialization, all served to add to the power of the presidency. And as the United States grew into a world power, presidential power also grew. As the United States became the world’s leading super- power, the presidency rose in prominence and power, not only in the U.S., but on the world stage. It is the clash between the presidency as invented and the presidency as it has devel- oped that inspired this series. And it is the importance and power of the modern American presidency that makes understanding the office so vital. Like it or not, the American Presidency stands at the vortex of power both within the United States and across the globe. This Palgrave series recognizes that the Presidency is and has been an evolving institu- tion, going from the original constitutional design as a Chief Clerk, to today where the president is the center of the American political constellation. -
Large Enrollment Is Amcipated at Morehead School Local Option
lois IMa The Moreh^ad Indepeni ^nt ‘ONE OF KENTUCKY’S GREATER WEEKLIES’ MOEEHEAD. KENTUCKY, THUH3DAY, SEPTEMBER 16, 1937 Morehead Fans Invited To Hear nay- Large Enrollment l^-Piay Description of Easrle- Local Option Elections Are, ^ Bearcat Game TIOm persons who ate unfortunately unable to go to Cia- Is AMcipated At danati Satorday nl^ and see the Mordtead Cdleg e Eagles Called In Haldeman - Hayes tangie in aa opetdag football game againd the Uaivardty of Clodanatl Beercata, will be able to hear a gnpbie. ] Morehead Schoolaccowt of every play direct from the Queen | Precincts For October 2nd Thia play-by-play W. J. Oneiitatilm D«y»For Sample aod W. E. Crutcher by tbi Eagles Citizens Cinnniittee Seekz To Secure Enforce EBiottYiDe Youth Is Hnt Cafe and the A urire hat been 3 Gain Fr«edom In Frcrinnen Start leaaed for two hours at coasli expense by the Indepen- ment of Drr Laws In Eastern SiFriday Soieaslj hjored dant and the Eagles Nest who Invite you to be thdr guest, Kreaks From Jail •Part of Conntr wilbnit dusge. Sebirdey ey^i^ HcnllMil SUU iMChei. Eownn County Jud«e Charles R.Jenninffa this week CoDcft otOeWa Add Sopa h ^ting Fray The broadcast wfU bei given ht the Engles Nest HMlising Dgring Past Week issued an order caUing fear a local option etoetion in Haldeman that proboUy sevcrsl bundnd-pcople will be prceea t to bear preci^ numbv 8 and Hayes prednet number 16 to be held today at a matd ea rol bnaa t C3yda Can«a Shot la (W tolB SwcrlpaoB of the gime lood-^eakert will be arrsaged PrfaMpn KMKk dumb ' The iocal optioa electioil (vdtt wm granted after' peti- for the fitafc mil rtw ^eh AMd Baad At Chareh both in the ’^g«»« Nest and on the immediate outatda. -
Trib07061937018.Pdf
] 8 ::k CHICAGO TUESDA ·Y. .TUL Y 6. 1937. g: Zi --p U!J (/)JllJiM and tBJl£IllllfllJt" By Louise Bargelt and Fielding James IN "TOWN TO SEE 1 CAt--lIT IF [Copyr!l:'ht: 1937: By Chlcal"o Tribune·N. Y. ~ewB Synd ••Ine.) T!4E dRESSMAKER. 'Iou RIGHT -n-\ls WOUq::>N'T MIND OOZING Mlt--JO"Te. SYNOPSIS. BUT ,/ou 011 hI. return trom abroad 1J:lchael Eden. neir to mllltons, postpones his marrtaze to ME OpWN "THEREt WOULD btharine McCann becauee his toster tather, John Millis, tells Michael hi. toster mother ~. l-fou~ CAN TAKE :J8 ill and need, him. Kathaflne's roommate. Joan. 18 engaged to Michael'H friend, Terry THE Cp...R J>ewton. From all BIdeB Katharine Ia warned to break Michael away trom John Millis. ,~ j J\[ilJis UkB Michael to sign a will making him Michael's heir. Michael signs expecting to NINp.... <l:.an::e the will after his marrtaze to KatharIne. Mrs. Millis attempts sUicide when she fliscovers her husband flirting with her nurse, Michael rescues her and asrccs to take her •.",ay from Ml1li. without telling anyone where they are l:oinlr. INSTALMENT xx. SHADOWED. Michael stared at Mrs. Millis confusedly. She seemed pleased. ••You don't mind that we are being shadowed?" he asked. U I shouldn't have been much flattered if John had let me walk out on him without showing at least that much interest:' Michael drew 8 deep breath. "Perhaps 1 have misunderstood," he said patiently. ••Perhaps we are just playing a little game of hide and seek with-with father? Perhaps, when he has been duly disciplined, we are going back home?" There was no answer . -
French Film Series to Conclude with Works from Final Period of the Classic Tradition
The Museum of Modern Art Department of Film 11 West 53 Street, New York, N.Y. 10019 Tel: 212-708-9400 Cable: MODERNART Telex: 62370 MODART ENTRANCE at 18 W. 54 #42 FOR IMMEDIATE RELEASE FRENCH FILM SERIES TO CONCLUDE WITH WORKS FROM FINAL PERIOD OF THE CLASSIC TRADITION In its final months, REDISCOVERING FRENCH FILM PART II, The Museum of Modern Art's comprehensive survey of French film history, will screen classics from the 1940s and • 50s, then pause to look back at the very beginnings of the long tradition of French filmmaking. The schedule for August begins with a look at the French cinema at the time of the Occupation and features two rare films of the liberation: Le Six Juin a l'Aube, a documentary made by the great feature film director Jean Gremillon, and Rene Clement's La Bataille du Rail. Also scheduled in August are two of the most striking French films noirs of the postwar period, Clouzot's Quai des Qrfevres and Yves All^gret's De'dee d'An vers, Simone Signoret's star-making vehicle. In September, the schedule will focus on the films of the 1950s, during the last flowering of the classic tradition before the tumult of the New Wave. Among the highlights are two film adaptations of Emile Zola's scathing social fiction—Julien Duvivier's Pot-Bouille and Marcel Carne*' s updated Therese Raquin—plus La Marie du Port, a rarely seen Carrie vehicle for France's most durable male star, Jean Gabin. Many of the most prominent French films of the '50s retreated into an acid-tinged nostalgia for the past; such resplendent examples of this tendency as Max Ophuls's La Ronde and Le Plaisir, Rene Clair's Les Grandes Manoeuvres and Les Belles-de-Nuit, and Jean Renoir's French Can-can are scheduled.