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Object Oriented Programming
No. 52 March-A pril'1990 $3.95 T H E M TEe H CAL J 0 URN A L COPIA Object Oriented Programming First it was BASIC, then it was structures, now it's objects. C++ afi<;ionados feel, of course, that objects are so powerful, so encompassing that anything could be so defined. I hope they're not placing bets, because if they are, money's no object. C++ 2.0 page 8 An objective view of the newest C++. Training A Neural Network Now that you have a neural network what do you do with it? Part two of a fascinating series. Debugging C page 21 Pointers Using MEM Keep C fro111 (C)rashing your system. An AT Keyboard Interface Use an AT keyboard with your latest project. And More ... Understanding Logic Families EPROM Programming Speeding Up Your AT Keyboard ((CHAOS MADE TO ORDER~ Explore the Magnificent and Infinite World of Fractals with FRAC LS™ AN ELECTRONIC KALEIDOSCOPE OF NATURES GEOMETRYTM With FracTools, you can modify and play with any of the included images, or easily create new ones by marking a region in an existing image or entering the coordinates directly. Filter out areas of the display, change colors in any area, and animate the fractal to create gorgeous and mesmerizing images. Special effects include Strobe, Kaleidoscope, Stained Glass, Horizontal, Vertical and Diagonal Panning, and Mouse Movies. The most spectacular application is the creation of self-running Slide Shows. Include any PCX file from any of the popular "paint" programs. FracTools also includes a Slide Show Programming Language, to bring a higher degree of control to your shows. -
Fractal 3D Magic Free
FREE FRACTAL 3D MAGIC PDF Clifford A. Pickover | 160 pages | 07 Sep 2014 | Sterling Publishing Co Inc | 9781454912637 | English | New York, United States Fractal 3D Magic | Banyen Books & Sound Option 1 Usually ships in business days. Option 2 - Most Popular! This groundbreaking 3D showcase offers a rare glimpse into the dazzling world of computer-generated fractal art. Prolific polymath Clifford Pickover introduces the collection, which provides background on everything from Fractal 3D Magic classic Mandelbrot set, to the infinitely porous Menger Sponge, to ethereal fractal flames. The following eye-popping gallery displays mathematical formulas transformed into stunning computer-generated 3D anaglyphs. More than intricate designs, visible in three dimensions thanks to Fractal 3D Magic enclosed 3D glasses, will engross math and optical illusions enthusiasts alike. If an item you have purchased from us is not working as expected, please visit one of our in-store Knowledge Experts for free help, where they can solve your problem or even exchange the item for a product that better suits your needs. If you need to return an item, simply bring it back to any Micro Center store for Fractal 3D Magic full refund or exchange. All other products may be returned within 30 days of purchase. Using the software may require the use of a computer or other device that must meet minimum system requirements. It is recommended that you familiarize Fractal 3D Magic with the system requirements before making your purchase. Software system requirements are typically found on the Product information specification page. Aerial Drones Micro Center is happy to honor its customary day return policy for Aerial Drone returns due to product defect or customer dissatisfaction. -
Signal Processing Using Fuzzy Fractal Dimension and Grade of Fractality –Application to Fluctuations in Seawater Temperature–
Proceedings of the 2007 IEEE Symposium on Computational Intelligence in Image and Signal Processing (CIISP 2007) Signal Processing Using Fuzzy Fractal Dimension and Grade of Fractality –Application to Fluctuations in Seawater Temperature– Kenichi Kamijo Graduate School of Life Sciences, Toyo University, 1-1-1 Izumino, Itakura, Gunma, 374-0193, Japan and Akiko Yamanouchi Izu Oceanics Research Institute 3-12-23 Nishiochiai, Shinjuku, Tokyo, 161-0031, Japan Abstract— Discrete signal processing using fuzzy fractal As an application in the present paper, we describe a new dimension and grade of fractality is proposed based on the fuzzy fractal approach for a system to monitor seawater novel concept of merging fuzzy theory and fractal theory. The temperature around Japan. Local fuzzy fractal dimension is fuzzy concept of fractality, or self-similarity, in discrete time used to measure the complexity of a time series of observed series can be reconstructed as a fuzzy-attribution, i.e., a kind of seawater temperature. fuzzy set. The objective short time series can be interpreted as an objective vector, which can be used by a newly proposed membership function. Sliding measurement using the local fuzzy fractal dimension (LFFD) and the local grade of fractality II. FUZZY FRACTAL STRUCTURE (LGF) is proposed and applied to fluctuations in seawater Generally, when the fractal dimension is calculated temperature around the Izu peninsula of Japan. Several remarkable characteristics are revealed through “fuzzy signal formally for a phenomenon that is not guaranteed to be processing” using LFFD and LGF. fractal in nature, the fractal dimension depends on the observation scale [17]. In this case, the dimension is referred to as a scale-dependent fractal dimension. -
College of Fine and Applied Arts Annual Meeting 5:00P.M.; Tuesday, April 5, 2011 Temple Buell Architecture Gallery, Architecture Building
COLLEGE OF FINE AND APPLIED ARTS ANNUAL MEETING 5:00P.M.; TUESDAY, APRIL 5, 2011 TEMPLE BUELL ARCHITECTURE GALLERY, ARCHITECTURE BUILDING AGENDA 1. Welcome: Robert Graves, Dean 2. Approval of April 5, 2010 draft Annual Meeting Minutes (ATTACHMENT A) 3. Administrative Reports and Dean’s Report 4. Action Items – need motion to approve (ATTACHMENT B) Nominations for Standing Committees a. Courses and Curricula b. Elections and Credentials c. Library 5. Unit Reports 6. Academic Professional Award for Excellence and Faculty Awards for Excellence (ATTACHMENT C) 7. College Summary Data (Available on FAA Web site after meeting) a. Sabbatical Requests (ATTACHMENT D) b. Dean’s Special Grant Awards (ATTACHMENT E) c. Creative Research Awards (ATTACHMENT F) d. Student Scholarships/Enrollment (ATTACHMENT G) e. Kate Neal Kinley Memorial Fellowship (ATTACHMENT H) f. Retirements (ATTACHMENT I) g. Notable Achievements (ATTACHMENT J) h. College Committee Reports (ATTACHMENT K) 8. Other Business and Open Discussion 9. Adjournment Please join your colleagues for refreshments and conversation after the meeting in the Temple Buell Architecture Gallery, Architecture Building ATTACHMENT A ANNUAL MEETING MINUTES COLLEGE OF FINE AND APPLIED ARTS 5:00P.M.; MONDAY, APRIL 5, 2010 FESTIVAL FOYER, KRANNERT CENTER FOR THE PERFORMING ARTS 1. Welcome: Robert Graves, Dean Dean Robert Graves described the difficulties that the College faced in AY 2009-2010. Even during the past five years, when the economy was in better shape than it is now, it had become increasingly clear that the College did not have funds or personnel sufficient to accomplish comfortably all the activities it currently undertakes. In view of these challenges, the College leadership began a process of re- examination in an effort to find economies of scale, explore new collaborations, and spur creative thinking and cooperation. -
Marlana Dugger
Dugger 1 East Texas Baptist University School of Humanities Department of English Infinite Perception: William Blake‟s Marriage of Heaven and Hell By Marlana K. Dugger Dugger 2 Introduction William Blake is often referred to as the first of the British Romantics. The Romantic period was relatively short (1785-1830) and was fueled in part by two of the most important movements for independence in history, the French and American revolutions. The self-assertion that provided the foundation for the Romantic period led to the questioning and eventual rejection of long-established social hierarchies, political institutions, and religious traditions and organizations. The Romantic artists, too, rejected the established literary forms and thematic concerns of their predecessors and sought new ways of expressing themselves. These artists emphasized the nobility and importance of common experiences and, to a certain extent, a common language accessible to all, not just the educated classes. By extension, they championed the imagination as the higher faculty and believed the natural world more moral, spiritual, and ordered than the world of men. William Blake was this movement‟s English pioneer. He was born in London, England in 1757 and was reared in a middle-class family. Blake did not receive a formal academic education although he did attend the royal Academy of Arts and made a fairly good living as an engraver. It is also important to note that from the age of four, Blake experienced visions, most of which were religious in nature. These visions inspired most, if not all, of Blake‟s literary and artistic pieces. -
Fictional Illustration Language with Reference to MC Escher and Istvan
New Trends and Issues Proceedings on Humanities and Social Sciences Volume 4, Issue 11, (2017) 156-163 ISSN : 2547-881 www.prosoc.eu Selected Paper of 6th World Conference on Design and Arts (WCDA 2017), 29 June – 01 July 2017, University of Zagreb, Zagreb – Croatia Fictional Illustration Language with Reference to M. C. Escher and Istvan Orosz Examples Banu Bulduk Turkmen a*, Faculty of Fine Arts, Department of Graphics, Hacettepe University, Ankara 06800, Turkey Suggested Citation: Turkmen, B. B. (2017). Fictional illustration language with reference to M. C. Escher and Istvan Orosz examples. New Trends and Issues Proceedings on Humanities and Social Sciences. [Online]. 4(11), 156-163. Available from: www.prosoc.eu Selection and peer review under responsibility of Prof. Dr. Ayse Cakır Ilhan, Ankara University, Turkey. ©2017 SciencePark Research, Organization & Counseling. All rights reserved. Abstract Alternative approaches in illustration language have constantly been developing in terms of material and technical aspects. Illustration languages also differ in terms of semantics and form. Differences in formal expressions for increasing the effect of the subject on the audience lead to diversity in the illustrations. M. C. Escher’s three-dimensional images to be perceived in a two-dimensional environment, together with mathematical and symmetry-oriented studies and the systematic formed by a numerical structure in its background, are associated with the notion of illustration in terms of fictional meaning. Istvan Orosz used the technique of anamorphosis and made it possible for people to see their perception abilities and visual perception sensitivities in different environments created by him. This study identifies new approaches and illustration languages based on the works of both artists, bringing an alternative proposition to illustration languages in terms of systematic sub-structure and fictional idea sketches. -
Current Practices in Quantitative Literacy © 2006 by the Mathematical Association of America (Incorporated)
Current Practices in Quantitative Literacy © 2006 by The Mathematical Association of America (Incorporated) Library of Congress Catalog Card Number 2005937262 Print edition ISBN: 978-0-88385-180-7 Electronic edition ISBN: 978-0-88385-978-0 Printed in the United States of America Current Printing (last digit): 10 9 8 7 6 5 4 3 2 1 Current Practices in Quantitative Literacy edited by Rick Gillman Valparaiso University Published and Distributed by The Mathematical Association of America The MAA Notes Series, started in 1982, addresses a broad range of topics and themes of interest to all who are in- volved with undergraduate mathematics. The volumes in this series are readable, informative, and useful, and help the mathematical community keep up with developments of importance to mathematics. Council on Publications Roger Nelsen, Chair Notes Editorial Board Sr. Barbara E. Reynolds, Editor Stephen B Maurer, Editor-Elect Paul E. Fishback, Associate Editor Jack Bookman Annalisa Crannell Rosalie Dance William E. Fenton Michael K. May Mark Parker Susan F. Pustejovsky Sharon C. Ross David J. Sprows Andrius Tamulis MAA Notes 14. Mathematical Writing, by Donald E. Knuth, Tracy Larrabee, and Paul M. Roberts. 16. Using Writing to Teach Mathematics, Andrew Sterrett, Editor. 17. Priming the Calculus Pump: Innovations and Resources, Committee on Calculus Reform and the First Two Years, a subcomit- tee of the Committee on the Undergraduate Program in Mathematics, Thomas W. Tucker, Editor. 18. Models for Undergraduate Research in Mathematics, Lester Senechal, Editor. 19. Visualization in Teaching and Learning Mathematics, Committee on Computers in Mathematics Education, Steve Cunningham and Walter S. -
Building and Installing Software Packages for Linux Building and Installing Software Packages for Linux
Building and Installing Software Packages for Linux Building and Installing Software Packages for Linux Table of Contents Building and Installing Software Packages for Linux.....................................................................................1 Mendel Cooper −−− http://personal.riverusers.com/~thegrendel/...........................................................1 1.Introduction...........................................................................................................................................1 2.Unpacking the Files..............................................................................................................................1 3.Using Make...........................................................................................................................................1 4.Prepackaged Binaries............................................................................................................................1 5.Termcap and Terminfo Issues...............................................................................................................1 6.Backward Compatibility With a.out Binaries.......................................................................................1 7.Troubleshooting....................................................................................................................................2 8.Final Steps.............................................................................................................................................2 -
BB-Country-Music-Ann
Contents The Exploding, Evolving Nashville Scene 6 The Billboard Awards 8 Top Albums, Singles 10 Top Male/Female Vocalists 12 Top Singles, Albums Artists & Publishers 14 Top Groups & Labels 16 Publisher Catalogs Bulging 20 Country Labels Enjoy Boom 22 Artists List 26 Personal Managers 36 Booking Agents 34 Fairs and Amusement Park Trends Changing..51 Pop Sounds A Radio Paradox 54 Country's Silver Circuit 56 Coast Country's Home Away From Home 60 New York Embraces Country's New Breed ....60 Country Japanese Style 61 Country Taking Hold In Europe 61 Top Booming Bluegrass Field Eludes Majors 70 Perform Today Credits Editor, Earl Paige. Story direction Gerry Wood, Country Editor. Art, Daniel Chapman Country's and Steve Brown. Production, John F. Halloran. Directory listings: Jon Braude, editor; Joan International mr Elsener, associate editor. P WE HELPED MAK In 1040, Broadcast Music Incorporated became the first licensing organization P for Country music. We made sure that publishers and writers had their P performance royalty rights protected. And, in doing so, BMI has helped make P Country part of our nation. r i' iowever, we've helped Country first place. You see, when it comes to artis _s earn more than just money. For helping Country writers, we've got with :he aid of 38 foreign performing everyone beat by a Country mile. rights societies, they've also earned inter national recognition. Which is why most Country writers and publishers BROADCAST MUSIC INCORPORATED license their music through BMI in the The world's largest performing rights organization Keeping tabs on Nashville and This, then, is Nashville '76-country and Denvers as well as the Snows, Acuffs its spiraling music business music at a critical crossroad. -
Arxiv:1805.04750V1 [Q-Fin.ST] 12 May 2018 Utfatlt.Teueuns Fmlirca Analysis Marke Multifractal Different of Usefulness in the Disciplin Series Multifractality
Multifractal analysis of financial markets a,b,1 a,b,1 a,b,c, d,e Zhi-Qiang Jiang , Wen-Jie Xie , Wei-Xing Zhou ∗, Didier Sornette aResearch Center for Econophysics, East China University of Science and Technology, Shanghai 200237, China bDepartment of Finance, School of Business, East China University of Science and Technology, Shanghai 200237, China cDepartment of Mathematics, School of Science, East China University of Science and Technology, Shanghai 200237, China dDepartment of Management, Technology and Economics, ETH Zurich, Zurich, Switzerland eSwiss Finance Institute, c/o University of Geneva, 40 blvd. Du Pont d’Arve, CH 1211 Geneva 4, Switzerland Abstract Multifractality is ubiquitously observed in complex natural and socioeconomic systems. Multifractal analysis pro- vides powerful tools to understand the complex nonlinear nature of time series in diverse fields. Inspired by its striking analogy with hydrodynamic turbulence, from which the idea of multifractality originated, multifractal analy- sis of financial markets has bloomed, forming one of the main directions of econophysics. We review the multifractal analysis methods and multifractal models adopted in or invented for financial time series and their subtle proper- ties, which are applicable to time series in other disciplines. We survey the cumulating evidence for the presence of multifractality in financial time series in different markets and at different time periods and discuss the sources of multifractality. The usefulness of multifractal analysis in quantifying market inefficiency, in supporting risk manage- ment and in developing other applications is presented. We finally discuss open problems and further directions of multifractal analysis. Keywords: Econophysics, Multifractal analysis, Financial markets, Complex systems PACS: 89.65.Gh, 89.75.Da, 02.50.-r, 89.90.+n, 05.65.+b Contents 1 Introduction 5 1.1 Averybriefhistoryofeconophysics . -
Meadows 2008. Thinking in Systems.Pdf
Thinking in Systems TIS final pgs i 5/2/09 10:37:34 Other Books by Donella H. Meadows: Harvesting One Hundredfold: Key Concepts and Case Studies in Environmental Education (1989). The Global Citizen (1991). with Dennis Meadows: Toward Global Equilibrium (1973). with Dennis Meadows and Jørgen Randers: Beyond the Limits (1992). Limits to Growth: The 30-Year Update (2004). with Dennis Meadows, Jørgen Randers, and William W. Behrens III: The Limits to Growth (1972). with Dennis Meadows, et al.: The Dynamics of Growth in a Finite World (1974). with J. Richardson and G. Bruckmann: Groping in the Dark: The First Decade of Global Modeling (1982). with J. Robinson: The Electronic Oracle: Computer Models and Social Decisions (1985). TIS final pgs ii 5/2/09 10:37:34 Thinking in Systems —— A Primer —— Donella H. Meadows Edited by Diana Wright, Sustainability Institute LONDON • STERLING, VA TIS final pgs iii 5/2/09 10:40:32 First published by Earthscan in the UK in 2009 Copyright © 2008 by Sustainability Institute. All rights reserved ISBN: 978-1-84407-726-7 (pb) ISBN: 978-1-84407-725-0 (hb) Typeset by Peter Holm, Sterling Hill Productions Cover design by Dan Bramall For a full list of publications please contact: Earthscan Dunstan House 14a St Cross St London, EC1N 8XA, UK Tel: +44 (0)20 7841 1930 Fax: +44 (0)20 7242 1474 Email: [email protected] Web: www.earthscan.co.uk 22883 Quicksilver Drive, Sterling, VA 20166-2012, USA Earthscan publishes in association with the International Institute for Environment and Development A catalogue record for this book is available from the British Library Library of Congress Cataloging-in-Publication Data has been applied for. -
T. A. Z. the Temporary Autonomous Zone, Ontological Anarchy, Poetic Terrorism
T. A. Z. The Temporary Autonomous Zone, Ontological Anarchy, Poetic Terrorism By Hakim Bey Autonomedia Anti-copyright, 1985, 1991. May be freely pirated & quoted-- the author & publisher, however, would like to be informed at: Autonomedia P. O. Box 568 Williamsburgh Station Brooklyn, NY 11211-0568 Book design & typesetting: Dave Mandl HTML version: Mike Morrison Printed in the United States of America ACKNOWLEDGMENTS CHAOS: THE BROADSHEETS OF ONTOLOGICAL ANARCHISM was first published in 1985 by Grim Reaper Press of Weehawken, New Jersey; a later re-issue was published in Providence, Rhode Island, and this edition was pirated in Boulder, Colorado. Another edition was released by Verlag Golem of Providence in 1990, and pirated in Santa Cruz, California, by We Press. "The Temporary Autonomous Zone" was performed at the Jack Kerouac School of Disembodied Poetics in Boulder, and on WBAI-FM in New York City, in 1990. Thanx to the following publications, current and defunct, in which some of these pieces appeared (no doubt I've lost or forgotten many-- sorry!): KAOS (London); Ganymede (London); Pan (Amsterdam); Popular Reality; Exquisite Corpse (also Stiffest of the Corpse, City Lights); Anarchy (Columbia, MO); Factsheet Five; Dharma Combat; OVO; City Lights Review; Rants and Incendiary Tracts (Amok);Apocalypse Culture (Amok); Mondo 2000; The Sporadical; Black Eye; Moorish Science Monitor; FEH!; Fag Rag; The Storm!; Panic(Chicago); Bolo Log (Zurich); Anathema; Seditious Delicious; Minor Problems (London); AQUA; Prakilpana. Also, thanx to the following individuals: Jim Fleming; James Koehnline; Sue Ann Harkey; Sharon Gannon; Dave Mandl; Bob Black; Robert Anton Wilson; William Burroughs; "P.M."; Joel Birroco; Adam Parfrey; Brett Rutherford; Jake Rabinowitz; Allen Ginsberg; Anne Waldman; Frank Torey; Andr Codrescu; Dave Crowbar; Ivan Stang; Nathaniel Tarn; Chris Funkhauser; Steve Englander; Alex Trotter.