Glimpses of Benoît B. Mandelbrot (1924–2010) Edited by Michael F
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Mathematics Is a Gentleman's Art: Analysis and Synthesis in American College Geometry Teaching, 1790-1840 Amy K
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 2000 Mathematics is a gentleman's art: Analysis and synthesis in American college geometry teaching, 1790-1840 Amy K. Ackerberg-Hastings Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Higher Education and Teaching Commons, History of Science, Technology, and Medicine Commons, and the Science and Mathematics Education Commons Recommended Citation Ackerberg-Hastings, Amy K., "Mathematics is a gentleman's art: Analysis and synthesis in American college geometry teaching, 1790-1840 " (2000). Retrospective Theses and Dissertations. 12669. https://lib.dr.iastate.edu/rtd/12669 This Dissertation is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margwis, and improper alignment can adversely affect reproduction. in the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. -
Fractals.Pdf
Fractals Self Similarity and Fractal Geometry presented by Pauline Jepp 601.73 Biological Computing Overview History Initial Monsters Details Fractals in Nature Brownian Motion L-systems Fractals defined by linear algebra operators Non-linear fractals History Euclid's 5 postulates: 1. To draw a straight line from any point to any other. 2. To produce a finite straight line continuously in a straight line. 3. To describe a circle with any centre and distance. 4. That all right angles are equal to each other. 5. That, if a straight line falling on two straight lines make the interior angles on the same side less than two right angles, if produced indefinitely, meet on that side on which are the angles less than the two right angles. History Euclid ~ "formless" patterns Mandlebrot's Fractals "Pathological" "gallery of monsters" In 1875: Continuous non-differentiable functions, ie no tangent La Femme Au Miroir 1920 Leger, Fernand Initial Monsters 1878 Cantor's set 1890 Peano's space filling curves Initial Monsters 1906 Koch curve 1960 Sierpinski's triangle Details Fractals : are self similar fractal dimension A square may be broken into N^2 self-similar pieces, each with magnification factor N Details Effective dimension Mandlebrot: " ... a notion that should not be defined precisely. It is an intuitive and potent throwback to the Pythagoreans' archaic Greek geometry" How long is the coast of Britain? Steinhaus 1954, Richardson 1961 Brownian Motion Robert Brown 1827 Jean Perrin 1906 Diffusion-limited aggregation L-Systems and Fractal Growth -
Object Oriented Programming
No. 52 March-A pril'1990 $3.95 T H E M TEe H CAL J 0 URN A L COPIA Object Oriented Programming First it was BASIC, then it was structures, now it's objects. C++ afi<;ionados feel, of course, that objects are so powerful, so encompassing that anything could be so defined. I hope they're not placing bets, because if they are, money's no object. C++ 2.0 page 8 An objective view of the newest C++. Training A Neural Network Now that you have a neural network what do you do with it? Part two of a fascinating series. Debugging C page 21 Pointers Using MEM Keep C fro111 (C)rashing your system. An AT Keyboard Interface Use an AT keyboard with your latest project. And More ... Understanding Logic Families EPROM Programming Speeding Up Your AT Keyboard ((CHAOS MADE TO ORDER~ Explore the Magnificent and Infinite World of Fractals with FRAC LS™ AN ELECTRONIC KALEIDOSCOPE OF NATURES GEOMETRYTM With FracTools, you can modify and play with any of the included images, or easily create new ones by marking a region in an existing image or entering the coordinates directly. Filter out areas of the display, change colors in any area, and animate the fractal to create gorgeous and mesmerizing images. Special effects include Strobe, Kaleidoscope, Stained Glass, Horizontal, Vertical and Diagonal Panning, and Mouse Movies. The most spectacular application is the creation of self-running Slide Shows. Include any PCX file from any of the popular "paint" programs. FracTools also includes a Slide Show Programming Language, to bring a higher degree of control to your shows. -
Fractal 3D Magic Free
FREE FRACTAL 3D MAGIC PDF Clifford A. Pickover | 160 pages | 07 Sep 2014 | Sterling Publishing Co Inc | 9781454912637 | English | New York, United States Fractal 3D Magic | Banyen Books & Sound Option 1 Usually ships in business days. Option 2 - Most Popular! This groundbreaking 3D showcase offers a rare glimpse into the dazzling world of computer-generated fractal art. Prolific polymath Clifford Pickover introduces the collection, which provides background on everything from Fractal 3D Magic classic Mandelbrot set, to the infinitely porous Menger Sponge, to ethereal fractal flames. The following eye-popping gallery displays mathematical formulas transformed into stunning computer-generated 3D anaglyphs. More than intricate designs, visible in three dimensions thanks to Fractal 3D Magic enclosed 3D glasses, will engross math and optical illusions enthusiasts alike. If an item you have purchased from us is not working as expected, please visit one of our in-store Knowledge Experts for free help, where they can solve your problem or even exchange the item for a product that better suits your needs. If you need to return an item, simply bring it back to any Micro Center store for Fractal 3D Magic full refund or exchange. All other products may be returned within 30 days of purchase. Using the software may require the use of a computer or other device that must meet minimum system requirements. It is recommended that you familiarize Fractal 3D Magic with the system requirements before making your purchase. Software system requirements are typically found on the Product information specification page. Aerial Drones Micro Center is happy to honor its customary day return policy for Aerial Drone returns due to product defect or customer dissatisfaction. -
A Tour Through Mirzakhani's Work on Moduli Spaces of Riemann Surfaces
BULLETIN (New Series) OF THE AMERICAN MATHEMATICAL SOCIETY Volume 57, Number 3, July 2020, Pages 359–408 https://doi.org/10.1090/bull/1687 Article electronically published on February 3, 2020 A TOUR THROUGH MIRZAKHANI’S WORK ON MODULI SPACES OF RIEMANN SURFACES ALEX WRIGHT Abstract. We survey Mirzakhani’s work relating to Riemann surfaces, which spans about 20 papers. We target the discussion at a broad audience of non- experts. Contents 1. Introduction 359 2. Preliminaries on Teichm¨uller theory 361 3. The volume of M1,1 366 4. Integrating geometric functions over moduli space 367 5. Generalizing McShane’s identity 369 6. Computation of volumes using McShane identities 370 7. Computation of volumes using symplectic reduction 371 8. Witten’s conjecture 374 9. Counting simple closed geodesics 376 10. Random surfaces of large genus 379 11. Preliminaries on dynamics on moduli spaces 382 12. Earthquake flow 386 13. Horocyclic measures 389 14. Counting with respect to the Teichm¨uller metric 391 15. From orbits of curves to orbits in Teichm¨uller space 393 16. SL(2, R)-invariant measures and orbit closures 395 17. Classification of SL(2, R)-orbit closures 398 18. Effective counting of simple closed curves 400 19. Random walks on the mapping class group 401 Acknowledgments 402 About the author 402 References 403 1. Introduction This survey aims to be a tour through Maryam Mirzakhani’s remarkable work on Riemann surfaces, dynamics, and geometry. The star characters, all across Received by the editors May 12, 2019. 2010 Mathematics Subject Classification. Primary 32G15. c 2020 American Mathematical Society 359 License or copyright restrictions may apply to redistribution; see https://www.ams.org/journal-terms-of-use 360 ALEX WRIGHT 2 3117 4 5 12 14 16 18 19 9106 13 15 17 8 Figure 1.1. -
Fractal Expressionism—Where Art Meets Science
Santa Fe Institute. February 14, 2002 9:04 a.m. Taylor page 1 Fractal Expressionism—Where Art Meets Science Richard Taylor 1 INTRODUCTION If the Jackson Pollock story (1912–1956) hadn’t happened, Hollywood would have invented it any way! In a drunken, suicidal state on a stormy night in March 1952, the notorious Abstract Expressionist painter laid down the foundations of his masterpiece Blue Poles: Number 11, 1952 by rolling a large canvas across the oor of his windswept barn and dripping household paint from an old can with a wooden stick. The event represented the climax of a remarkable decade for Pollock, during which he generated a vast body of distinct art work commonly referred to as the “drip and splash” technique. In contrast to the broken lines painted by conventional brush contact with the canvas surface, Pollock poured a constant stream of paint onto his horizontal canvases to produce uniquely contin- uous trajectories. These deceptively simple acts fuelled unprecedented controversy and polarized public opinion around the world. Was this primitive painting style driven by raw genius or was he simply a drunk who mocked artistic traditions? Twenty years later, the Australian government rekindled the controversy by pur- chasing the painting for a spectacular two million (U.S.) dollars. In the history of Western art, only works by Rembrandt, Velazquez, and da Vinci had com- manded more “respect” in the art market. Today, Pollock’s brash and energetic works continue to grab attention, as witnessed by the success of the recent retro- spectives during 1998–1999 (at New York’s Museum of Modern Art and London’s Tate Gallery) where prices of forty million dollars were discussed for Blue Poles: Number 11, 1952. -
Signal Processing Using Fuzzy Fractal Dimension and Grade of Fractality –Application to Fluctuations in Seawater Temperature–
Proceedings of the 2007 IEEE Symposium on Computational Intelligence in Image and Signal Processing (CIISP 2007) Signal Processing Using Fuzzy Fractal Dimension and Grade of Fractality –Application to Fluctuations in Seawater Temperature– Kenichi Kamijo Graduate School of Life Sciences, Toyo University, 1-1-1 Izumino, Itakura, Gunma, 374-0193, Japan and Akiko Yamanouchi Izu Oceanics Research Institute 3-12-23 Nishiochiai, Shinjuku, Tokyo, 161-0031, Japan Abstract— Discrete signal processing using fuzzy fractal As an application in the present paper, we describe a new dimension and grade of fractality is proposed based on the fuzzy fractal approach for a system to monitor seawater novel concept of merging fuzzy theory and fractal theory. The temperature around Japan. Local fuzzy fractal dimension is fuzzy concept of fractality, or self-similarity, in discrete time used to measure the complexity of a time series of observed series can be reconstructed as a fuzzy-attribution, i.e., a kind of seawater temperature. fuzzy set. The objective short time series can be interpreted as an objective vector, which can be used by a newly proposed membership function. Sliding measurement using the local fuzzy fractal dimension (LFFD) and the local grade of fractality II. FUZZY FRACTAL STRUCTURE (LGF) is proposed and applied to fluctuations in seawater Generally, when the fractal dimension is calculated temperature around the Izu peninsula of Japan. Several remarkable characteristics are revealed through “fuzzy signal formally for a phenomenon that is not guaranteed to be processing” using LFFD and LGF. fractal in nature, the fractal dimension depends on the observation scale [17]. In this case, the dimension is referred to as a scale-dependent fractal dimension. -
2010 Table of Contents Newsletter Sponsors
OKLAHOMA/ARKANSAS SECTION Volume 31, February 2010 Table of Contents Newsletter Sponsors................................................................................ 1 Section Governance ................................................................................ 6 Distinguished College/University Teacher of 2009! .............................. 7 Campus News and Notes ........................................................................ 8 Northeastern State University ............................................................. 8 Oklahoma State University ................................................................. 9 Southern Nazarene University ............................................................ 9 The University of Tulsa .................................................................... 10 Southwestern Oklahoma State University ........................................ 10 Cameron University .......................................................................... 10 Henderson State University .............................................................. 11 University of Arkansas at Monticello ............................................... 13 University of Central Oklahoma ....................................................... 14 Minutes for the 2009 Business Meeting ............................................... 15 Preliminary Announcement .................................................................. 18 The Oklahoma-Arkansas Section NExT ............................................... 21 The 2nd Annual -
President's Report
Newsletter Volume 43, No. 3 • mAY–JuNe 2013 PRESIDENT’S REPORT Greetings, once again, from 35,000 feet, returning home from a major AWM conference in Santa Clara, California. Many of you will recall the AWM 40th Anniversary conference held in 2011 at Brown University. The enthusiasm generat- The purpose of the Association ed by that conference gave rise to a plan to hold a series of biennial AWM Research for Women in Mathematics is Symposia around the country. The first of these, the AWM Research Symposium 2013, took place this weekend on the beautiful Santa Clara University campus. • to encourage women and girls to study and to have active careers The symposium attracted close to 150 participants. The program included 3 plenary in the mathematical sciences, and talks, 10 special sessions on a wide variety of topics, a contributed paper session, • to promote equal opportunity and poster sessions, a panel, and a banquet. The Santa Clara campus was in full bloom the equal treatment of women and and the weather was spectacular. Thankfully, the poster sessions and coffee breaks girls in the mathematical sciences. were held outside in a courtyard or those of us from more frigid climates might have been tempted to play hooky! The event opened with a plenary talk by Maryam Mirzakhani. Mirzakhani is a professor at Stanford and the recipient of multiple awards including the 2013 Ruth Lyttle Satter Prize. Her talk was entitled “On Random Hyperbolic Manifolds of Large Genus.” She began by describing how to associate a hyperbolic surface to a graph, then proceeded with a fascinating discussion of the metric properties of surfaces associated to random graphs. -
Introduction to Ultra Fractal
Introduction to Ultra Fractal Text and images © 2001 Kerry Mitchell Table of Contents Introduction ..................................................................................................................................... 2 Assumptions ........................................................................................................................ 2 Conventions ........................................................................................................................ 2 What Are Fractals? ......................................................................................................................... 3 Shapes with Infinite Detail .................................................................................................. 3 Defined By Iteration ........................................................................................................... 4 Approximating Infinity ....................................................................................................... 4 Using Ultra Fractal .......................................................................................................................... 6 Starting Ultra Fractal ........................................................................................................... 6 Formula ............................................................................................................................... 6 Size ..................................................................................................................................... -
Transformations in Sirigu Wall Painting and Fractal Art
TRANSFORMATIONS IN SIRIGU WALL PAINTING AND FRACTAL ART SIMULATIONS By Michael Nyarkoh, BFA, MFA (Painting) A Thesis Submitted to the School of Graduate Studies, Kwame Nkrumah University of Science and Technology in partial fulfilment of the requirements for the degree of DOCTOR OF PHILOSOPHY Faculty of Fine Art, College of Art and Social Sciences © September 2009, Department of Painting and Sculpture DECLARATION I hereby declare that this submission is my own work towards the PhD and that, to the best of my knowledge, it contains no material previously published by another person nor material which has been accepted for the award of any other degree of the University, except where due acknowledgement has been made in the text. Michael Nyarkoh (PG9130006) .................................... .......................... (Student’s Name and ID Number) Signature Date Certified by: Dr. Prof. Richmond Teye Ackam ................................. .......................... (Supervisor’s Name) Signature Date Certified by: K. B. Kissiedu .............................. ........................ (Head of Department) Signature Date CHAPTER ONE INTRODUCTION Background to the study Traditional wall painting is an old art practiced in many different parts of the world. This art form has existed since pre-historic times according to (Skira, 1950) and (Kissick, 1993). In Africa, cave paintings exist in many countries such as “Egypt, Algeria, Libya, Zimbabwe and South Africa”, (Wilcox, 1984). Traditional wall painting mostly by women can be found in many parts of Africa including Ghana, Southern Africa and Nigeria. These paintings are done mostly to enhance the appearance of the buildings and also serve other purposes as well. “Wall painting has been practiced in Northern Ghana for centuries after the collapse of the Songhai Empire,” (Ross and Cole, 1977). -
The Implications of Fractal Fluency for Biophilic Architecture
JBU Manuscript TEMPLATE The Implications of Fractal Fluency for Biophilic Architecture a b b a c b R.P. Taylor, A.W. Juliani, A. J. Bies, C. Boydston, B. Spehar and M.E. Sereno aDepartment of Physics, University of Oregon, Eugene, OR 97403, USA bDepartment of Psychology, University of Oregon, Eugene, OR 97403, USA cSchool of Psychology, UNSW Australia, Sydney, NSW, 2052, Australia Abstract Fractals are prevalent throughout natural scenery. Examples include trees, clouds and coastlines. Their repetition of patterns at different size scales generates a rich visual complexity. Fractals with mid-range complexity are particularly prevalent. Consequently, the ‘fractal fluency’ model of the human visual system states that it has adapted to these mid-range fractals through exposure and can process their visual characteristics with relative ease. We first review examples of fractal art and architecture. Then we review fractal fluency and its optimization of observers’ capabilities, focusing on our recent experiments which have important practical consequences for architectural design. We describe how people can navigate easily through environments featuring mid-range fractals. Viewing these patterns also generates an aesthetic experience accompanied by a reduction in the observer’s physiological stress-levels. These two favorable responses to fractals can be exploited by incorporating these natural patterns into buildings, representing a highly practical example of biophilic design Keywords: Fractals, biophilia, architecture, stress-reduction,