The Revolt of Cairo and Revolutionary Violence
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DARCY GRIMALDO GRIGSBY Fall 2018 Richard and Rhoda Goldman
DARCY GRIMALDO GRIGSBY Fall 2018 Richard and Rhoda Goldman Distinguished Professor in the Arts and Humanities Professor, History of Art Department (appointed Assistant Professor 1995) Clark Prize for Excellence in Arts Writing, 2018 University of California, Berkeley 416 Doe Library, Berkeley, CA 94720-6020 FAX (510) 643-2185 e-mail: [email protected] Born Panama Canal Zone EDUCATION: Ph.D., History of Art, 1995. University of Michigan, Ann Arbor. Women’s Studies Certificate, 1990. University of Michigan, Ann Arbor. M.A., History of Art, 1989. University of Michigan, Ann Arbor. A.B., History of Art, 1978. University of California, Berkeley. BOOKS: Enduring Truths. Sojourner’s Shadows and Substance. University Chicago Press, September 2015. Reviews: Eve Kahn, New York Times, September 25, 2015; Jessica Zack, “One Woman’s Search for Truth Photographs,” San Francisco Chronicle, November 2, 2015; “New and Noteworthy,” Prefix Photo Magazine 32, 2015; Vicki Goldberg, The Photobook Review 10, 2016; Rachel Stephens, Panorama 3.2, Fall 2017; Choice. A Publication of the Association of Rsearch and College Libraries, April 2016; Erin Blakemore, “How Sojourner Truth Used Photography to Help End Slavery,” Smithsonian.com, July 28, 2016; Maria Porges, SquareCylinder. Northern California Art, September 24, 2016 (review of exhibition); The Holland Sentinel (Michigan), August 12, 2018. Book-signing Fund-raiser for the African-American Shakepeare Company, November 7, 2015. (All sales donated to AASC) Interview with James P. Stancil II: Podcast African-American Studies Channel, New Book Network, November 21, 2016. Colossal. Engineering the Suez Canal, Statue of Liberty, Eiffel Tower and Panama Canal. Transcontinental Ambition in France and the United States in the Long Nineteenth Century, Pittsburg, PA: Periscope Publishing, 2012. -
Egypt's Finances and Foreign Campaigns, 1810-1840. by 1 Ali A
Egypt's Finances and Foreign Campaigns, 1810-1840. by 1 Ali A. Soliman, Visiting Professor, Cairo University0F , and M. Mabrouk Kotb, Assoc. Professor, Fayoum University, Egypt. I. Introduction: In May 1805 Egypt selected for the first time in its long history a ruler of its own choice. "Muhammad Ali Pasha" was chosen by the Cairo intellectuals (Ulemas) and community leaders to rule them after a long period of turmoil following the departure of the French forces who tried to subjugate Egypt, 1798-1801. The expulsion of the French from Egypt was the result of three supporting forces, the Ottomans who had ruled Egypt since 1517, the British, who would not allow the French to threaten their route to India, and the Egyptian nationals who staged two costly revolts which made the continuation of French presence untenable. Although "Muhammad Ali" had served in the Ottoman army which was sent to regain Egypt, he was willing to accept the peoples' mandate to rule them fairly and according to their wishes (Al- Jabbarti, 1867) and (Dodwell, 1931). Such an accord was not accepted by the Ottomans, and the British alike. The first tried to remove him to another post after one year of his rule. Again, popular support and the right amount of bribes to the Sultan and his entourage assured his continuation as "Waly" (viceroy) of Egypt. A year later, the British sent an occupying force under "Frasier" that was defeated, a short distance of its landing in Alexandria, near Rosetta (1807). For most of the years of his long reign, 1805- 1848, "Muhammad Ali Pasha" (we shall refer to him also as the Pasha) had to engage in five major wars to solidify his position as a ruler of Egypt. -
Maxime Du Camp's Ph
The Pennsylvania State University The Graduate School College of Arts and Architecture BEYOND THE FAÇADE: MAXIME DU CAMP’S PHOTOGRAPHS OF EGYPT A Thesis in Art History by Whitney A. Izzo © 2009 Whitney A. Izzo Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts May 2009 ii The thesis of Whitney A. Izzo was reviewed and approved* by the following: Nancy Locke Associate Professor of Art History Thesis Adviser Brian Curran Associate Professor of Art History Craig Zabel Associate Professor of Art History Head of the Department of Art History *Signatures are on file in the Graduate School. iii Abstract The photographs of Egypt from Maxime Du Camp’s photographic book Egypt, Nubie, Palestine et Syrie (1852) are at once a reminder of the West’s storied, and often sordid, history of colonialism and treatment of the “Other,” and also of France’s very specific imperial relationship with Egypt. From written works and popular media to visual imagery, Du Camp’s images are part of an established Orientalist vocabulary. More importantly, however, Du Camp’s photographs continue to reference France’s language of dominance laid out by Napoleon in his 1798 invasion and scientific expedition into Egypt. Rather than focusing specifically on the physical conquests of colonization—as is commonly the case when examining Western Orientalism—I will discuss Du Camp’s work with an emphasis on its relation to cultural hegemony. Just as relevant as physically occupying and dominating the “Other,” cultural colonization connects Western superiority with controlling and establishing structures of knowledge. In comparing Du Camp’s images with Francis Frith’s photographs of Egypt and Napoleon’s Description de l’Egypte, I will demonstrate the relation of Du Camp’s photographs to France’s attempt to present itself as an imperial power. -
A Cosmopolitan City: Muslims, Christians, and Jews in Old Cairo February 17–September 13, 2015
oi.uchicago.edu a cosmopolitan city 1 oi.uchicago.edu Exterior of a house in cairo (photo by J. Brinkmann) oi.uchicago.edu a cosmopolitan city MusliMs, Christians, and Jews in old Cairo edited by t asha vordErstrassE and tanya trEptow with new object photography by anna r. ressman and Kevin Bryce lowry oriEntal institutE musEum puBlications 38 thE oriEntal institutE of thE univErsity of chicago oi.uchicago.edu Library of Congress Control Number: 2014958594 ISBN: 978-1-61491-026-8 © 2015 by The University of Chicago. All rights reserved. Published 2015. Printed in the United States of America. The Oriental Institute, Chicago This volume has been published in conjunction with the exhibition A Cosmopolitan City: Muslims, Christians, and Jews in Old Cairo February 17–September 13, 2015 Oriental Institute Museum Publications 38 Published by The Oriental Institute of the University of Chicago 1155 East 58th Street Chicago, Illinois, 60637 USA oi.uchicago.edu Cover Illustration Fragment of a fritware bowl depicting a horse. Fustat. Early 14th century. 4.8 × 16.4 cm. OIM E25571. Catalog No. 19. Cover design by Josh Tulisiak Photography by Anna R. Ressman: Catalog Nos. 2–15, 17–23, 25–26, 30–33, 35–55, 57–63, 65–72; Figures 1.5–6, 7.1, 9.3–4 Photography by K. Bryce Lowry: Catalog Nos. 27–29, 34, and 56 Printed through Four Colour Print Group by Lifetouch, Loves Park, Illinois, USA The paper used in this publication meets the minimum requirements of American National Standard for Information Service — Permanence of Paper for Printed Library Materials, ANSI Z39.48-1984. -
A Walking Tour of Islamic Cairo: an Interactive Slide Lecture
DOCUMENT RESUME ED 451 115 SO 032 631 AUTHOR Stanik, Joseph T. TITLE A Walking Tour of Islamic Cairo: An Interactive Slide Lecture. Fulbright-Hays Summer Seminars Abroad Program, 2000 (Egypt and Israel). SPONS AGENCY Center for International Education (ED), Washington, DC. PUB DATE 2000-00-00 NOTE 39p.; Slides not available from ERIC. PUB TYPE Guides Classroom Teacher (052) EDRS PRICE MF01/PCO2 Plus Postage. DESCRIPTORS Architecture; *Built Environment; Curriculum Enrichment; High Schools; Higher Education; *Islamic Culture; Middle Eastern History; *Municipalities; Simulation; Social Studies; Study Abroad; *Travel; World History IDENTIFIERS *Egypt (Cairo); Fulbright Hays Seminars Abroad Program; Walking Tours ABSTRACT This curriculum project, a lesson on Islamic Cairo, could be used in a unit on Islamic civilization in an advanced placement high school world history or world civilization course, or it could be used in a college level Middle Eastern history or Islamic civilization course. Upon completion of the lesson, students will be able to describe in writing the appearance and function of Islamic Cairo, a living example of a medieval Islamic city. The lesson takes the form of an interactive slide lecture, a simulated walking tour of 25 monuments in Islamic Cairo. The lesson strategy is described in detail, including materials needed and a possible writing assignment. The lesson first provides'a brief architectural history of Cairo and a short description of the different minaret styles found in Cairo. The lesson then addresses the slides, each representing a monument, and includes historical and architectural information and discussion questions for each. Contains 12 references. (BT) Reproductions supplied by EDRS are the best that can be made from the original document. -
Egypt's Ottoman Past
“Remembering” Egypt’s Ottoman Past: Ottoman Consciousness in Egypt, 1841-1914 Dissertation Presented in the Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of the Ohio State University By Doğa Öztürk, M.A. Graduate Program in History The Ohio State University 2020 Dissertation Committee Prof. Carter V. Findley, Advisor Prof. Jane Hathaway Prof. Scott Levi Copyrighted by Doğa Öztürk 2020 Abstract Scholarship on modern Egyptian history supports a narrative that depicts Egypt emerging as an independent political entity in the mid-19th century and steadily marching towards becoming a sovereign nation-state in the first decades of the 20th century. The Ottoman cultural context, within which Egypt operated at this time, is usually nowhere to be found in this story. This dissertation remedies this gap in the literature and “remembers” Egypt’s Ottoman past between 1841, when Mehmed Ali Pasha was granted the hereditary governorship of Egypt, and 1914, when Egypt’s remaining political ties to the Ottoman Empire were severed by the British Empire. Primarily based on a variety of sources produced in Arabic and Ottoman Turkish, it argues that even though the political ties between Istanbul and Cairo were weakening and a more distinct Egyptian identity was on the rise at this time, the Ottoman cultural consciousness continued to provide an important framework for the ruling and intellectual elite of Egypt, as well as the wider segments of the Egyptian public, until World War I. Taking a thematic approach to the subject, the dissertation demonstrates how the Ottoman imperial court culture provided a blueprint for the ruling elite in Egypt. -
The Demands of Muhammad Ali Pasha (JCC)
TMUN J S O E I E N T T T I C R M IS IS COM THE DEMANDS OF MUHAMMAD ALI PASHA FEBRUARY 1821 DIRECTOR CHAIRS STEVE ZHU GAIA BELLAVISTA CLAIRE LATOSINSKY TMUN JOINT CRISIS COMMITTEES A Letter from Your Director 2 Glossary of Terms 3 A Brief Profile of the Ottoman Empire 4 Geography of the Ottoman Empire 4 Founding and Expansion 5 Society, Government, and Economy 5 The Balance of Power, Troubles in the Balkans and the Congress of Vienna 7 Questions to Consider 8 Muhammad Ali Pasha: General, Viceroy, Conqueror 9 Military Campaigns under the Ottoman Empire and Rise to Power 9 Reformist Vali 10 The Demands of Muhammad Ali Pasha 12 Questions to Consider 13 Appendix: Beyond the Ottoman World 14 The Napoleonic Wars, the Congress of Vienna and its Aftermath 14 The Eastern Question and European influence in the Ottoman Empire 15 The Nature of Warfare in the 19th century 15 Bibliography 17 J S O E I E N T T IT C R M ISIS COM 1 TMUN JOINT CRISIS COMMITTEES A LETTER FROM YOUR DIRECTOR Dear Delegates, It is my highest privilege to be your director for this year’s historical Joint Crisis Committee: The Demands of Muhammad Ali Pasha. I am a second-year student at the University of Toronto majoring in Political Science and History, and this will be my first time directing a crisis committee. Nonetheless, I intend to make this conference a fruitful learning experience for the interrelated subjects of military science, diplomacy and statecraft. Managing internal affairs on the homefront, facing a determined enemy on the fields of battle, maintaining popular support at home, overseeing the logistics of a war effort, and propping up strained economies can be a daunting task for even the most experienced statesman or military leader. -
Page 106 H-France Review Vol. 3 (March 2003), No. 26 Darcy
H-France Review Volume 3 (2003) Page 106 H-France Review Vol. 3 (March 2003), No. 26 Darcy Grimaldo Grigsby. Extremities: Painting Empire in Post-Revolutionary France. New Haven and London: Yale University Press, 2002. Illustrations, notes and index. $65.00 (cl). xi + 392 pp. ISBN 0- 300-08887-6. Review by Robert Aldrich, University of Sydney. The major exhibition at the Institut du Monde Arabe in Paris early this year has been "Chevaux et cavaliers arabes dans les arts d'Orient et d"Occident." The show includes miniatures of magnificently caparisoned stallions, bejeweled saddles and harnesses, treatises on the equestrian arts from North Africa and the Middle East, photos of Abd el-Kader and his retinue and French spahi soldiers, and a video of a brilliant fantasia in Morocco. Another section of the exhibition focuses on Western portrayals of Arab horses and horsemen. There is a picture of Napoleon and his Mameluke and horse in Egypt (both given to the Frenchman by a sheik), then paintings by Géricault, Delacroix, Fromentin, Chassériau, and Moreau, evidence of long-lasting French fascination with Arab horsemanship. This attraction, so beautifully exemplified by the nineteenth-century paintings, the exhibition points out, was also bound up with French colonialism. From Napoleon's expedition to Egypt through Delacroix's trip to the Maghreb in the wake of French conquest of Algiers, from the increased familiarity of Orientalist painters with the Arab world that was falling under French dominion to the symbolist fantasies of the fin-de-siècle, art and imperialism marched together. Reading Darcy Grimaldo Grigsby's splendid Extremities provides further proof of the concern with overseas expansion in French painting of the late eighteenth and early nineteenth centuries. -
Mosques of Cairo
Mosques Mosques of Cairo Marvelous models of Islamic architecture Cairo-Mouchira El-Fishawy Throughout its history Egypt remembered the cities which were once the capital. When King Mena unified the two frontiers: the Meccan and maritime of the country, in 3400 B. C., he made Menef the capital (close to al-Jezza). It remained the capital until the invasion of Egypt by Alexander the Macedonian in 232 B. C., when the Alexandrian city in the north became the capital of Egypt in Romanan times. In 18 A. H.(639 A. D.), the Moslem armies compete with the city of Baghdad which was it is a mosque which has played a role in the penetrated and conquered Egypt under the built by the Abbasids according to a religious, social, political and cultural life and leadership of Amr Ibn Al As and the town of marvelous, beautiful, architectural model. history of Egypt. Al Fastat was made the capital. The The history of the mosques of Cairo is full of This mosque built by the Fatimides, was governor Jawhar Squalli, decided in rich,magnificent, Islamic architecture. The named "Al Azhar", in reference to the 359 A. H. (969 A. D.) to call it Cairo Amr Ibn Al As Mosque in old Cairo, was the daughter of Prophet Mohammad (Peace Be by developing it so that it could first mosque to be built, just after the Upon Him), Fatima-Azahra (God Blesses conquest of Egypt in 21 A. H. (641 A. D.). Her). During its long history of more than thousand years, Al Azhar has seen many Al Azhar Mosque restorations, renovations and extensions: Al Azhar Mosque is one of the oldest among them the restorations carried out by mosques of Cairo. -
Queens, Eunuc Hs and C Oncubin E S In
QUEENS, EUNUCHS AND CONCUBINES AND CONCUBINES EUNUCHS QUEENS, TAEF EL-AZHARI IN ISLAMIC HISTOR xxxxxx xxxxxx QUEENS, Key Features • xxxxxxxx • xxxxxxx TAEF EL-AZHARI is xxxxx EUNUC HS AND C ONCUBIN E S IN Ashrafīya ISLAMIC HISTORY , Y, 661-1257 Y, 661– 1257 EL-AZHARI TAEF TAEF ISBN 978-1-4744-2318-2 edinburghuniversitypress.com Cover image: Iran / Persia: Mongol couple, late Khwarezmid or early Ilkhanid, represented on a painted, glazed plate, Kashan, 13th century © akg-images / Pictures From History Cover design: www.paulsmithdesign.com EDINBURGH STUDIES IN CLASSICAL ISLAMIC HISTORY AND CULTURE Queens, Eunuchs and Concubines in Islamic History, 661–1257 Taef El-Azhari Contents List of Illustrations vii Acknowledgements viii Chronology ix Map of the Muslim Middle East xiii Figures xiv Introduction 1 1 The Umayyad Empire and the Establishment of a Royal Court, 661–750 57 2 Princesses, Concubines and Qahramanat under the ʿAbbasids: Gender and Politics, 749–1055 75 3 The Kingdom of Eunuchs under the ʿAbbasids 142 4 Fatimid Royal Women and Royal Concubines in Politics: The Rise of the First Queens of Islam 196 5 The Fatimid Eunuchs and their Sphere 253 6 The Seljuqs from Syria to Iran: The Age of Khatuns and Atabegs 285 7 The Ayyubids: Their Two Queens and their Powerful Castrated Atabegs 349 vi | queens, eunuchs and concubines Appendix 1: The Abbasid Caliphs from 749 to the Coming of the Seljuqs in 1055 411 Appendix 2: The Fatimid Caliphs, North Africa and Egypt 412 Appendix 3: Dynasties 413 Glossary 418 Bibliography 422 Index 437 4 Fatimid Royal Women and Royal Concubines in Politics: The Rise of the First Queens of Islam In the name of God, the merciful, the compassionate. -
Memoirs of Napoleon 1
Memoirs of Napoleon 1 Memoirs of Napoleon The Project Gutenberg EBook of Memoirs of Napoleon Bonaparte, Complete by Louis Antoine Fauvelet de Bourrienne This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re−use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Memoirs of Napoleon Bonaparte, Complete Author: Louis Antoine Fauvelet de Bourrienne Release Date: September 8, 2004 [EBook #3567] Language: English Character set encoding: ASCII Memoirs of Napoleon 2 *** START OF THIS PROJECT GUTENBERG EBOOK MEMOIRS OF NAPOLEON *** Produced by David Widger MEMOIRS OF NAPOLEON BONAPARTE, Complete By LOUIS ANTOINE FAUVELET DE BOURRIENNE His Private Secretary Edited by R. W. Phipps Colonel, Late Royal Artillery 1891 PREFACE BY THE EDITORS OF THE 1836 EDITION. In introducing the present edition of M. de Bourrienne's Memoirs to the public we are bound, as Editors, to say a few Words on the subject. Agreeing, however, with Horace Walpole that an editor should not dwell for any length of time on the merits of his author, we shall touch but lightly on this part of the matter. We are the more ready to abstain since the great success in England of the former editions of these Memoirs, and the high reputation they have acquired on the European Continent, and in every part of the civilised world where the fame of Bonaparte has ever reached, sufficiently establish the merits of M. de Bourrienne as a biographer. -
Approaches to the Conservation of Islamic Cities: the Case of Cairo
SELECTED READINGS FROM 3 ICCROM-ATHAR Approaches to the conservation of Islamic cities: The case of Cairo SELECTED READINGS FROM ICCROM-ATHAR 3 Approaches to the conservation of Islamic cities: The case of Cairo Hossam Mahdy Published in 2017 by ICCROM-ATHAR Regional Conservation Centre in Sharjah, United Arab Emirates. All rights reserved © ICCROM-ATHAR, 2017 ISBN 978-92-9077-266-8 (print) ISBN 978-92-9077-267-5 (PDF) The designations employed and the presentation of material throughout this publication do not imply the expression of any opinion whatsoever on the part of ICCROM and the ICCROM-ATHAR Regional Conservation Centre concerning the legal status of any country, territory, city or area or of its authorities, or concerning the delimitation of its frontiers or boundaries. The ideas and opinions expressed in this publication are those of the authors; they are not necessarily those of ICCROM and the ICCROM-ATHAR Regional Conservation Centre and do not commit the Organization. Author: Hossam Mahdy Supervision: Zaki Aslan ICCROM Via di San Michele 13 I-00153 Rome Italy Tel: +39 06 585-531 Fax: +39 06 585-53349 E-mail: [email protected] www.iccrom.org ICCROM-ATHAR Regional Conservation Centre in Sharjah P.O. BOX 48777, Sharjah United Arab Emirates Tel: +971 (0)6 555 2250 Fax: +971 (0)6 555 2213 E-mail: [email protected] www.athar-centre.org www.iccrom.org/athar Graphic design: Maxreative, UAE Contents Illustrations 1 Foreword 5 Preface 7 Acknowledgements 11 Notes on translations and transliterations 12 Glossary 13 Acronyms and abbreviations 17 Introduction 18 1.