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US Senate and House
FEC REPORTS ON FINANCIAL ACTIVITY 1989 - 1990 FINAL REPORT U.S. SENATE AND HOUSE CAMPAIGNS Federal Election Commission 999 E Street, N.W. Washington, DC 20463 October, 1991 ; FEDERAL ELECTION COMMISSION Commissioners John McGarry, Chairman Joan D. Aikens, Vice Chairman Lee Ann Elliott Thomas J. Josefiak Danny L. McDonald Scott E. Thomas Donnald K. Anderson, Ex Officio Clerk of the U.S. House of Representatives Walter J. Stewart, Ex Officio Secretary of the Senate John C. Surina, Staff Director Lawrence M. Noble, General Counsel Comments and inquiries about format should be addressed to the Reports Coordinator, Data Systems Development Division, who coordinated the production of this REPORT. Copies of 1989-90 FINAL REPORT may be obtained by writing to the Public Records Office, Federal Election Commission, 999 E Street, N.W., Washington, D.C. 20463. The price is $10.00. Checks should be made payable to the Federal Election Commission. -i- TABLE OF CONTENTS PAGE I. DESCRIPTION OF REPORT vi II. SUMMARY OF TABLES viii III. EXPLANATION OF COLUMNS xii IV. SELECTED 1989-90 FINANCIAL ACTIVITY, CAMPAIGNS OF THOSE WHO WERE CANDIDATES IN THE NOVEMBER 1988 GENERAL ELECTION ' A. SELECTED FINANCIAL ACTIVITY SUBTOTALLED BY OFFICE AND PARTY WITHIN A STATE AND GRAND TOTALLED BY OFFICE, PARTY, AND INCUMBENT/CHALLENGER/OPEN-SEAT STATUS 1 B. TOTAL RECEIPTS FOR DIFFERENT CAMPAIGNS TYPES BY OFFICE AND AMOUNT 43 C. TOTAL DISBURSEMENTS FOR DIFFERENT CAMPAIGN TYPES BY OFFICE AND DISBURSEMENT AMOUNT 45 D. BEGINNING CASH-ON-HAND OF DIFFERENT CAMPAIGN TYPES BY OFFICE AND CASH-ON-HAND AMOUNT 47 E. LATEST CASH-ON-HAND OF DIFFERENT CAMPAIGN TYPES BY OFFICE AND CASH-ON-HAND AMOUNT 49 F. -
1 COPYRIGHT STATEMENT This Copy of the Thesis Has Been
University of Plymouth PEARL https://pearl.plymouth.ac.uk 04 University of Plymouth Research Theses 01 Research Theses Main Collection 2012 Life Expansion: Toward an Artistic, Design-Based Theory of the Transhuman / Posthuman Vita-More, Natasha http://hdl.handle.net/10026.1/1182 University of Plymouth All content in PEARL is protected by copyright law. Author manuscripts are made available in accordance with publisher policies. Please cite only the published version using the details provided on the item record or document. In the absence of an open licence (e.g. Creative Commons), permissions for further reuse of content should be sought from the publisher or author. COPYRIGHT STATEMENT This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognize that its copyright rests with its author and that no quotation from the thesis and no information derived from it may be published without the author’s prior consent. 1 Life Expansion: Toward an Artistic, Design-Based Theory of the Transhuman / Posthuman by NATASHA VITA-MORE A thesis submitted to the University of Plymouth in partial fulfillment for the degree of DOCTOR OF PHILOSOPHY School of Art & Media Faculty of Arts April 2012 2 Natasha Vita-More Life Expansion: Toward an Artistic, Design-Based Theory of the Transhuman / Posthuman The thesis’ study of life expansion proposes a framework for artistic, design-based approaches concerned with prolonging human life and sustaining personal identity. To delineate the topic: life expansion means increasing the length of time a person is alive and diversifying the matter in which a person exists. -
Humana.Mente Complete Issue 26.Pdf
EDITORIAL MANAGER: DUCCIO MANETTI - UNIVERSITY OF FLORENCE Editorial EXECUTIVE DIRECTOR: SILVANO ZIPOLI CAIANI - UNIVERSITY OF MILAN VICE DIRECTOR: MARCO FENICI - UNIVERSITY OF SIENA Board INTERNATIONAL EDITORIAL BOARD JOHN BELL - UNIVERSITY OF WESTERN ONTARIO GIOVANNI BONIOLO - INSTITUTE OF MOLECULAR ONCOLOGY FOUNDATION MARIA LUISA DALLA CHIARA - UNIVERSITY OF FLORENCE DIMITRI D'ANDREA - UNIVERSITY OF FLORENCE BERNARDINO FANTINI - UNIVERSITÉ DE GENÈVE LUCIANO FLORIDI - UNIVERSITY OF OXFORD MASSIMO INGUSCIO - EUROPEAN LABORATORY FOR NON-LINEAR SPECTROSCOPY GEORGE LAKOFF - UNIVERSITY OF CALIFORNIA, BERKELEY PAOLO PARRINI - UNIVERSITY OF FLORENCE ALBERTO PERUZZI - UNIVERSITY OF FLORENCE JEAN PETITOT - CREA, CENTRE DE RECHERCHE EN ÉPISTÉMOLOGIE APPLIQUÉE CORRADO SINIGAGLIA - UNIVERSITY OF MILAN BAS C. VAN FRAASSEN - SAN FRANCISCO STATE UNIVERSITY CONSULTING EDITORS CARLO GABBANI - UNIVERSITY OF FLORENCE ROBERTA LANFREDINI - UNIVERSITY OF FLORENCE MARCO SALUCCI - UNIVERSITY OF FLORENCE ELENA ACUTI - UNIVERSITY OF FLORENCE MATTEO BORRI - UNIVERSITÉ DE GENÈVE ROBERTO CIUNI - UNIVERSITY OF DELFT Editorial SCILLA BELLUCCI, LAURA BERITELLI, RICCARDO FURI, ALICE GIULIANI, STEFANO LICCIOLI, UMBERTO MAIONCHI Staff HUMANA.MENTE - QUARTERLY JOURNAL OF PHILOSOPHY TABLE OF CONTENTS INTRODUCTION Fiorella Battaglia, Antonio Carnevale Epistemological and Moral Problems with Human Enhancement III PAPERS Volker Gerhardt Technology as a Medium of Ethics and Culture 1 Nikil Mukerji, Julian Nida-Rümelin Towards a Moderate Stance on Human Enhancement 17 Christopher -
1: for Me, It Was Personal Names with Too Many of the Letter "Q"
1: For me, it was personal names with too many of the letter "q", "z", or "x". With apostrophes. Big indicator of "call a rabbit a smeerp"; and generally, a given name turns up on page 1... 2: Large scale conspiracies over large time scales that remain secret and don't fall apart. (This is not *explicitly* limited to SF, but appears more often in branded-cyberpunk than one would hope for a subgenre borne out of Bruce Sterling being politically realistic in a zine.) Pretty much *any* form of large-scale space travel. Low earth orbit, not so much; but, human beings in tin cans going to other planets within the solar system is an expensive multi-year endevour that is unlikely to be done on a more regular basis than people went back and forth between Europe and the americas prior to steam ships. Forget about interstellar travel. Any variation on the old chestnut of "robots/ais can't be emotional/creative". On the one hand, this is realistic because human beings have a tendency for othering other races with beliefs and assumptions that don't hold up to any kind of scrutiny (see, for instance, the relatively common belief in pre-1850 US that black people literally couldn't feel pain). On the other hand, we're nowhere near AGI right now and it's already obvious to everyone with even limited experience that AI can be creative (nothing is more creative than a PRNG) and emotional (since emotions are the least complex and most mechanical part of human experience and thus are easy to simulate). -
Preview of The
GURPS SPACE A Generic Universal RolePlaying System Worldbook By Steve Jackson and William A. Barton Additional Material by W. G. Armintrout, Stephen Beeman, Ben Effinger, John M. Ford, Don Gallagher, J. David George, Mike Hurst, David Ladyman and Mike Moe Cover by Michael Goodwin Interior art by Robert Barger, Dan Carroll, Steve Crompton, Dave Deitrick, Michael Goodwin, C. Bradford Gorby, Wayne A. Lee, Denis Loubet, Carl Manz, Richard Mather, Kyle Miller, George Pratt, Eric Richards, Czeslaw Sornat, Jim Stanislaw, Michael Surbrook, John D. Waltrip and George "Speed" Webber Typography by C. Mara Lee, Monica Stephens and Melinda Spray GURPS System Design by Steve Jackson System Development by David Ladyman Playtesters Extraordinaire: John M. Ford, Stefan Jones, Walter Milliken, Greg Porter Playtesters: Catharine Altum, Norman Banduch, Vicki Barton, Bob Cahill, Bruce Coleman, Nick Christenson, Bruce Evans, Neal and Shawna Feldman, Doug Ferguson, Ben Kloepper, Steaven Krutsinger, Andy Liss, Cisco Lopez, Steve Noel, John Nowak, Charles Oines, John O'Reilly, Steffan O'Sullivan, Sam Patton, Lawrence W. Person, Randy Porter, David L. Pulver, David S. Raley, Ian Redditt, Perley J. Roberts, Craig Sheeley, Bob Simpson, Brett Slocum, Gus Smedstad, Christopher J. Stoddard, David Stokes, Alexander von Thorn. GURPS is a registered trademark of Steve Jackson Games Incorporated. GURPS Space is copyright © 1988 by Steve Jackson Games Incorporated. All rights reserved. Printed in the United States. INTRODUCTION 3 Communications Technology 27 Time Effects 28 FTL Side Effects 29 1. CREATING A UNIVERSE 4 Sensors 29 Recommended References 4 Weaponry 30 Campaign Type 4 Other Technology 30 Races 7 Teleportation 30 Writing History 7 Societies 8 Languages 8 3. -
Nanotechnology and Picotechnology to Increase Tissue Growth: a Summary of in Vivo Studies
Nanotechnology and picotechnology to increase tissue growth: a summary of in vivo studies Ece Alpaslan1 and Thomas J Webster1,2 Author information ► Copyright and License information ► Go to: Abstract The aim of tissue engineering is to develop functional substitutes for damaged tissues or malfunctioning organs. Since only nanomaterials can mimic the surface properties (ie, roughness) of natural tissues and have tunable properties (such as mechanical, magnetic, electrical, optical, and other properties), they are good candidates for increasing tissue growth, minimizing inflammation, and inhibiting infection. Recently, the use of nanomaterials in various tissue engineering applications has demonstrated improved tissue growth compared to what has been achieved until today with our conventional micron structured materials. This short report paper will summarize some of the more relevant advancements nanomaterials have made in regenerative medicine, specifically improving bone and bladder tissue growth. Moreover, this short report paper will also address the continued potential risks and toxicity concerns, which need to be accurately addressed by the use of nanomaterials. Lastly, this paper will emphasize a new field, picotechnology, in which researchers are altering electron distributions around atoms to promote surface energy to achieve similar increased tissue growth, decreased inflammation, and inhibited infection without potential nanomaterial toxicity concerns. Keywords: nanomaterials, tissue engineering, toxicity Go to: Introduction Bone tissue and other organ dysfunction can be provoked by poor eating habits, stress, age-related diseases such as osteoarthritis or osteoporosis, as well as accidents.1 To date, common procedures to restore or enhance life expectancy involve medical device insertion or organ transplantation.1 However, due to the low number of donors and its high cost, organ transplantation is limited. -
OUTSTANDING WARRANTS As of 10/10/2017
OUTSTANDING WARRANTS as of 10/10/2017 AGUILAR, CESAR JESUS ALEXANDER, SARAH KATHEREN ALLEN, RYAN MICHAEL A AGUILAR, ROBERTO CARLOS ALEXANDER, SHARRONA LAFAYE ALLEN, TERRELL MARQUISE AARON, WOODSTON AGUILERA, ROBERTO ALEXANDER, STANLEY TOWAYNE ALLEN, VANESSA YVONNE ABABTAIN, ABDULLAH AGUILIAR, CANDIDO PEREZ ALEXANDER, STEPHEN PAUL ALMAHAMED, HUSSAIN HADI M MOHAMMED A AHMADI, PAULINA GRACE ALEXANDER, TERRELL ALMAHYAWI, HAMED ABDELTIF, ALY BEN AIKENS, JAMAL RAHEEM ALFONSO, MIGUEL RODRIGUEZ ALMASOUDI, MANSOUR ABODERIN, OLUBUSAYO ADESAJI AITKEN, ROBERT ALFORD, LARRY ANTONIO MOHAMMED ALMUTAIRI, ABDULHADI HAZZAA ABRAMS, TWANA AKIBAR, BRIANNA ALFREDS, BRIAN DANIEL ALNUMARI, HESHAM MOHSMMED ABSTON, CALEB JAMES AKINS, ROBERT LEE ALGHAMDI, FAHADAHMED-A ALONZO, RONY LOPEZ ACAMPORA, ADAM CHRISTOPHER AL NAME, TURKI AHMED M ALHARBI, MOHAMMED JAZAA ALOTAIBI, GHAZI MAJWIL ACOSTA, ESPIRIDION GARCIA AL-SAQAF, HUSSEIN M H MOHSEB ALHARBI, MOHAMMED JAZAA ALSAIF, NAIF ABDULAZIZ ACOSTA, JADE NICOLE ALASMARI, AHMAD A MISHAA ALIJABAR, ABDULLAH ALSHEHRI, MAZEN N DAFER ADAMS, ANTONIO QUENTERIUS ALBERDI, TOMMY ALLANTAR, OSCAR CVELLAR ALSHERI, DHAFER SALEM ADAMS, BRIAN KEITH ALBOOSHI, AHMED ABALLA ALLEN, ANDREW TAUONE ALSTON, COREY ROOSEVELT ADAMS, CHRISTOPHER GENE ALBRIGHT, EDMOND JERRELL ALLEN, ANTHONY TEREZ ALSTON, TORIANO ADARRYL ADAMS, CRYSTAL YVONNE ALCANTAR, ALVARO VILCHIS ALLEN, ARTHUR JAMES ALTMAN, MELIS CASSANDRA ADAMS, DANIEL KENNETH ALCANTAR, JOSE LUIS MORALES ALLEN, CHADWICK DONOVAN ALVARADO, CARLOS ADAMS, DARRELL OSTELLE ALCANTARA, JESUS ALLEN, CHRISTOPHER -
Investigating Sexual Dimorphism in Ceratopsid Horncores
University of Calgary PRISM: University of Calgary's Digital Repository Graduate Studies The Vault: Electronic Theses and Dissertations 2013-01-25 Investigating Sexual Dimorphism in Ceratopsid Horncores Borkovic, Benjamin Borkovic, B. (2013). Investigating Sexual Dimorphism in Ceratopsid Horncores (Unpublished master's thesis). University of Calgary, Calgary, AB. doi:10.11575/PRISM/26635 http://hdl.handle.net/11023/498 master thesis University of Calgary graduate students retain copyright ownership and moral rights for their thesis. You may use this material in any way that is permitted by the Copyright Act or through licensing that has been assigned to the document. For uses that are not allowable under copyright legislation or licensing, you are required to seek permission. Downloaded from PRISM: https://prism.ucalgary.ca UNIVERSITY OF CALGARY Investigating Sexual Dimorphism in Ceratopsid Horncores by Benjamin Borkovic A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE DEPARTMENT OF BIOLOGICAL SCIENCES CALGARY, ALBERTA JANUARY, 2013 © Benjamin Borkovic 2013 Abstract Evidence for sexual dimorphism was investigated in the horncores of two ceratopsid dinosaurs, Triceratops and Centrosaurus apertus. A review of studies of sexual dimorphism in the vertebrate fossil record revealed methods that were selected for use in ceratopsids. Mountain goats, bison, and pronghorn were selected as exemplar taxa for a proof of principle study that tested the selected methods, and informed and guided the investigation of sexual dimorphism in dinosaurs. Skulls of these exemplar taxa were measured in museum collections, and methods of analysing morphological variation were tested for their ability to demonstrate sexual dimorphism in their horns and horncores. -
36 the Kids' MVP Aha Moments a Year of Firsts
P R IT E ’S S L O FALL/WINTER 2011 ID YN F E N FI N TO C T H IA Se I OS L: e A T pa L ge 2 D . EB A TE . FOR ALUMNI, PARENTS AND FRIENDS OF LYNN UNIVERSITY 14 A Year of Firsts 18 Aha Moments 36 The Kids’ MVP s History in the ma king Kevin M. Ross u President c The year 2012 is going o to be a big one for Lynn f Editor’s Note University. We’ll celebrate our 50th anniversary—a spectacular New beginnings n event in itself— and we’ll host M i A R the third and final U.S. presi - K and possibilities F A L C dential debate of 2012 on O There’s nothing like the thrill of a new endeavor. That N E Oct. 22. (See page 2.) feeling of a fresh start—turning a page in your life—is ener - gizing and inspiring. Excitement is growing across the campus and This issue comes to you as we conclude the first semester throughout the community for this historic occasion. of a new academic year at Lynn University. It’s been an exciting What more fitting way could there be to celebrate time, as we’ve welcomed our largest class in four years. Not our five decades of achievement than by bringing only are these students impressive in number, they are charged with an infectious energy and enthusiasm. Honestly, I don’t Lynn center stage before the entire country and the know who’s more excited—we staff and faculty members, or world for this pivotal event? The actual stage will the students themselves. -
GURPS Classic Warriors
GURPS® By JOHN GOFF STEVE JACKSON GAMES WARRIORS Written by JOHN GOFF Edited by MONTEJON SMITH Illustrated by ANDI JONES, GLENN KRISTOFFERSEN, ED NORTHCOTT, SCOTT REEVES, and JASON WALTON Cover by ROGER CRUZ and ROGÉRIO VILELA T GURPS System Design STEVE JACKSON T Managing Editor ALAIN H. DAWSON T GURPS Line Editor SEAN PUNCH T Design and Production JACK ELMY T Production Assistance ALEX FERNANDEZ T Print Buying and Proofreading RUSSELL GODWIN T Art Direction LOREN WISEMAN T GURPS Errata Coordinator MICHAEL BOWMAN T Sales & Marketing Manager ROSS JEPSON Playtesting and Additional Material Chris Davies, Peter Dell’Orto, Shawn Fisher, Fabian J. Gentner, Bob Huss, J. Hunter Johnson, Phil Masters, Garrett Roberts, T. Carter Ross, Brian Smithson, William Stoddard, and Christopher Thrash. and our thanks to the dozens of great folk who helped out on the Pyramid playtest. GURPS and the all-seeing pyramid are registered trademarks of Steve Jackson Games Incorporated. GURPS Warriors, Pyramid and Illuminati Online and the names of all products published by Steve Jackson Games Incorporated are registered trademarks or trademarks of Steve Jackson Games Incorporated, or used under license. GURPS Warriors is copyright © 1999 by Steve Jackson Games Incorporated. All rights reserved. Some art copyright www.arttoday.com. ISBN 1-55634-393-0 1 2 3 4 5 6 7 8 9 10 STEVE JACKSON GAMES CONTENTS INTRODUCTION ....... 3 AVIATOR . 20 Tim Scott . 20 Using This Book . 3 Beso Pazova . 21 About the Author . 3 Nigel Davies . 22 About GURPS . 3 Jake McMasters . 23 BARBARIAN . 24 TEMPLATES ............ 4 John Smith . 24 Olaf Thulinsen TYPES OF TEMPLATES . -
2016-2017 Report
The Society of Fellows in the Humanities Annual Report 2016–2017 Society of Fellows Mail Code 5700 Columbia University 2960 Broadway New York, NY 10027 Phone: (212) 854-8443 Fax: (212) 662-7289 [email protected] www.societyoffellows.columbia.edu By FedEx or UPS: Society of Fellows 74 Morningside Drive Heyman Center, First Floor East Campus Residential Center Columbia University New York, NY 10027 Posters courtesy of designers Amelia Saul and Sean Boggs 2 Contents Report From The Chair 5 Special Events 31 Members of the 2016–2017 Governing Board 8 Heyman Center Events 35 • Event Highlights 36 Forty-Second Annual Fellowship Competition 9 • Public Humanities Initiative 47 Fellows in Residence 2016–2017 11 • Heyman Center Series and Workshops 50 • Benjamin Breen 12 Nietzsche 13/13 Seminar 50 • Christopher M. Florio 13 New Books in the Arts & Sciences 50 • David Gutkin 14 New Books in the Society of Fellows 54 • Heidi Hausse 15 The Program in World Philology 56 • Arden Hegele 16 • Full List of Heyman Center Events • Whitney Laemmli 17 2016–2017 57 • Max Mishler 18 • María González Pendás 19 Heyman Center Fellows 2016–2017 65 • Carmel Raz 20 Alumni Fellows News 71 Thursday Lectures Series 21 Alumni Fellows Directory 74 • Fall 2016: Fellows’ Talks 23 • Spring 2017: Shock and Reverberation 26 2016–2017 Fellows at the annual year-end Spring gathering (from left): María González Pendás (2016–2019), Arden Hegele (2016–2019), David Gutkin (2015–2017), Whitney Laemmli (2016–2019), Christopher Florio (2016–2019) Heidi Hausse (2016–2018), Max Mishler (2016–2017), and Carmel Raz (2015–2018). -
Pseudoscience and Science Fiction Science and Fiction
Andrew May Pseudoscience and Science Fiction Science and Fiction Editorial Board Mark Alpert Philip Ball Gregory Benford Michael Brotherton Victor Callaghan Amnon H Eden Nick Kanas Geoffrey Landis Rudi Rucker Dirk Schulze-Makuch Ru€diger Vaas Ulrich Walter Stephen Webb Science and Fiction – A Springer Series This collection of entertaining and thought-provoking books will appeal equally to science buffs, scientists and science-fiction fans. It was born out of the recognition that scientific discovery and the creation of plausible fictional scenarios are often two sides of the same coin. Each relies on an understanding of the way the world works, coupled with the imaginative ability to invent new or alternative explanations—and even other worlds. Authored by practicing scientists as well as writers of hard science fiction, these books explore and exploit the borderlands between accepted science and its fictional counterpart. Uncovering mutual influences, promoting fruitful interaction, narrating and analyzing fictional scenarios, together they serve as a reaction vessel for inspired new ideas in science, technology, and beyond. Whether fiction, fact, or forever undecidable: the Springer Series “Science and Fiction” intends to go where no one has gone before! Its largely non-technical books take several different approaches. Journey with their authors as they • Indulge in science speculation—describing intriguing, plausible yet unproven ideas; • Exploit science fiction for educational purposes and as a means of promoting critical thinking; • Explore the interplay of science and science fiction—throughout the history of the genre and looking ahead; • Delve into related topics including, but not limited to: science as a creative process, the limits of science, interplay of literature and knowledge; • Tell fictional short stories built around well-defined scientific ideas, with a supplement summarizing the science underlying the plot.