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PAT HOFFIE: Skatebowl in a Gallery, Ipswich Essay by Julianne Schultz
PAT HOFFIE: Skatebowl in a Gallery, Ipswich essay by Julianne Schultz MONA – the Museum of Old and New Art – is a glamorous curiosity box on the banks of the Derwent River at Glenorchy in working class Hobart. In just a few years it has been the catalyst of and economic and social transformation – crystallising the cultural essence of early twenty-first century Tasmania, and changing notions of productive work. In the process it has put the state on the global tourism agenda, providing opportunities for artists, craftspeople, performers and thinkers to find like minded souls and develop new businesses and to stretch the horizons and possibilities for countless others. Similar interventions are occurring around the world, as artists, entrepreneurs, local administrators and communities stretch the boundaries of engagement, creativity and art. Skatebowl in a Gallery, Ipswich is the most recent move into this space by the important Brisbane artist, Pat Hoffie. That this work, titled Immaterial Labour: Skatebowl Prounspace has found a home at the Ipswich Art Gallery is itself important – it is the juxtapostion of works like this in unexpected places, and with people who may not routinely visit a gallery, that adds to their power and impact. MONA is a great example. It is itself arguably as much a work of art – of genius – as some of the works assembled in its subterranean galleries and inspiring spaces. It is a product of vision and skill of one man, David Walsh, executed with unstinting precision using the proceeds of a form of work (gambling), which is more often thought of as play. -
2019 27Th Annual Poets House Showcase Exhibition Catalog
2019 27th Annual Poets House Showcase Exhibition Catalog Poets House | 10 River Terrace | New York, NY 10282 | poetshouse.org ELCOME to the 2019 Poets House Showcase, our annual, all-inclusive exhibition of the most recent poetry books, chapbooks, broadsides, artists’ books, and multimedia works published in the United States and W abroad. This year marks the 27th anniversary of the Poets House Showcase and features over 3,300 books from more than 800 different presses and publishers. For 27 years, the Showcase has helped to keep our collection current and relevant, building one of the most extensive collections of poetry in our nation—an expansive record of the poetry of our time, freely available and open to all. Building the Exhibit and the Poets House Library Collection Every year, Poets House invites poets and publishers to participate in the annual Showcase by donating copies of poetry titles released since January of the previous year. This year’s exhibit highlights poetry titles published in 2018 and the first part of 2019. Books have been contributed by the entire poetry community, from the publishers who send on their titles as they’re released, to the poets who mail us signed copies of their newest books, to library visitors donating books when they visit us. Every newly published book is welcomed, appreciated, and featured in the Showcase. The Poets House Showcase is the mechanism through which we build our library: a comprehensive, inclusive collection of over 70,000 poetry works, all free and open to the public. To make it as extensive as possible, we reach out to as many poetry communities and producers as we can, bringing together poetic voices of all kinds to meet the different needs and interests of our many library patrons. -
The Public Humanities
The Public Humanities 10-11-12 November 2016 Hosted by the ARC Centre for the History of Emotions, the ACHRC, and Flinders University in Adelaide, South Australia The ACHRC conference on the Public Humanities focuses on a core aspect of humanities research that is particularly germane to research centres in universities and collecting institutions: the integral role of engagement with publics. This is really how the impact of our sector needs to be understood: in the long and dynamic threads of dialogue between researchers and publics on issues such as justice, creativity, decolonization, and heritage. The capacity of the humanities to deal with qualitative emotion as well as the quantitative facts of history and culture is crucial here. Any understanding of a cultures past, present, and future requires an articulation of feelings as well as of facts. Our aim is to bring together speakers with practical experience of programs that work so that our discussions are grounded in the pragmatics of public humanities. In Australia and New Zealand, government-led discussions of innovation and impact are mired in metrics that traduce the real public values of the sciences almost as completely as they ignore the HASS disciplines as a whole. We know about public value – its impact over time and in the lives of individuals – so this conference will be an opportunity build our case as a sector. Keynotes from: Professor Julianne Schulz, ‘Culture in the Age of Innovation’ Professor Thomas Dixon, ‘Unfriending and Weeping in Public’ 1 PROGRAMME Thursday -
THE ANNUAL FICTION EDITION Edited by Julianne Schultz Griffithreview34
Griffith 34 A quARTeRly oF wRiT inG & ideAs The AnnuAl GriffithReview34 The annual Fiction edition FicTion Claire aMan Mrs Dogwether’s bird moment ediTion roMy asH underwater e •the Re z ri g p r Tony BirCH The lovers ’ i s f f r i t GeorGia Blain enlarged + heart + child e h t i r KaTHleen BleaKley islands r v e w v i g e sally Breen sunny lodge w n i g e r m BarBara BrooKs searching for Monty ie e W H CHonG an abstract art CraiG CliFF offshore service w Dianne D’alpoiM archipelago Georgia Blain aMy espeseTH Free lunch 34 Craig Cliff asHley Hay elsie’s house ashley Hay Xavier HenneKinne The new capital Xavier Hennekinne KaTe laHey The big one-eyed dork Annual Fiction The Benjamin law BenJaMin laW post-nuclear Melissa lucashenko Maya linDen Forgetting Favel parrett niColas loW octopus Melissa luCasHenKo Friday night at the nudgel Chris Womersley MarGareT Merrilees sighting rottnest and more raCHael s MorGan Tryst Favel parreTT no man is an island JosepHine roWe The tank Julianne sCHulTz Time to don the bat wings THoMas sHapCoTT His grandfather Cory Taylor Continental drift elena WilliaMs Finding a florist in lidcombe Jane WilliaMs a matter of instinct CHris WoMersley The middle of nowhere e dition picTuRe GAlleRy MirDiDinGKinGaTHi JuWarnDa sally GaBori Girt by water www.griffithreview.com online-only essays from laurie Brinklow, Barbara Brooks, Jay Griffiths, pat Hoffie, ournal Mette Jakobsen and Miriam zolin J erly erly T ‘as engaging as it is prescient.’ Weekend Australian Cover image by Jennifer Mills. -
JOURNAL of the ROYAL HISTORICAL SOCIETY of QUEENSLAND The
JOURNAL of the ROYAL HISTORICAL SOCIETY OF QUEENSLAND Volume XIII, No. 8 November 1988 The Clem Lack Oration The Dawn of the Satellite Era in Australia by Cameron Hazlehurst Presented 24 March, 1988 With few exceptions, the coming of domestic satelhtes to Austraha has not yet engaged the attention of historians. The story began little more than a decade ago and it still unfolds as a significant issue in the political life of both the Commonwealth and the states. But where the phenomenon is so recent, the sources remain restricted, the actors are mostly reticent about their roles, and the historical profession is confronted by subjects of intimidating technical complexity, it is scarcely surprising that we await anything more than tantalisingly short narratives and manifestly tendentious ideological critiques. For anyone dependent, as most citizens are, on tabloid newspapers, popular magazines, and commercial television newscasts, the coming of the AUSSAT satellites may have seemed like a simple and heroic tale of technological progress and Dr Hazlehurst is a Fellow in History in the Research School of Social Sciences, Australian National University. He previously held senior public service posts and his books include Menzies Observed (1979) and Gordon Chalk (1987). 270 entrepreneurial inhiative. From this point of view, the inevitable progress would have been swifter, if governments had had the wisdom and discretion to keep their own interference to the absolute minimum. The popular media — self interested in this matter as its proprietors were — gave some glimpses of dissent and debate but characteristicahy left the ordinary person unenlightened about events and issues which were the subject of intense speculation, controversy, and contumely. -
Public Leadership—Perspectives and Practices
Public Leadership Perspectives and Practices Public Leadership Perspectives and Practices Edited by Paul ‘t Hart and John Uhr Published by ANU E Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] This title is also available online at: http://epress.anu.edu.au/public_leadership _citation.html National Library of Australia Cataloguing-in-Publication entry Title: Public leadership pespectives and practices [electronic resource] / editors, Paul ‘t Hart, John Uhr. ISBN: 9781921536304 (pbk.) 9781921536311 (pdf) Series: ANZSOG series Subjects: Leadership Political leadership Civic leaders. Community leadership Other Authors/Contributors: Hart, Paul ‘t. Uhr, John, 1951- Dewey Number: 303.34 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover design by John Butcher Images comprising the cover graphic used by permission of: Victorian Department of Planning and Community Development Australian Associated Press Australian Broadcasting Corporation Scoop Media Group (www.scoop.co.nz) Cover graphic based on M. C. Escher’s Hand with Reflecting Sphere, 1935 (Lithograph). Printed by University Printing Services, ANU Funding for this monograph series has been provided by the Australia and New Zealand School of Government Research Program. This edition © 2008 ANU E Press John Wanna, Series Editor Professor John Wanna is the Sir John Bunting Chair of Public Administration at the Research School of Social Sciences at The Australian National University. He is the director of research for the Australian and New Zealand School of Government (ANZSOG). -
Sydney Is Singularly Fortunate in That, Unlike Other Australian Cities, Its Newspaper History Has Been Well Documented
Two hundred years of Sydney newspapers: A SHORT HISTORY By Victor Isaacs and Rod Kirkpatrick 1 This booklet, Two Hundreds Years of Sydney Newspapers: A Short History, has been produced to mark the bicentenary of publication of the first Australian newspaper, the Sydney Gazette and New South Wales Advertiser, on 5 March 1803 and to provide a souvenir for those attending the Australian Newspaper Press Bicentenary Symposium at the State Library of New South Wales, Sydney, on 1 March 2003. The Australian Newspaper History Group convened the symposium and records it gratitude to the following sponsors: • John Fairfax Holdings Ltd, publisher of Australia’s oldest newspaper, the Sydney Morning Herald • Paper World Pty Ltd, of Melbourne, suppliers of original newspapers from the past • RMIT University’s School of Applied Communication, Melbourne • The Printing Industries Association of Australia • The Graphic Arts Merchants Association of Australia • Rural Press Ltd, the major publisher of regional newspapers throughout Australia • The State Library of New South Wales Printed in February 2003 by Rural Press Ltd, North Richmond, New South Wales, with the assistance of the Printing Industries Association of Australia. 2 Introduction Sydney is singularly fortunate in that, unlike other Australian cities, its newspaper history has been well documented. Hence, most of this short history of Sydney’s newspapers is derived from secondary sources, not from original research. Through the comprehensive listing of relevant books at the end of this booklet, grateful acknowledgement is made to the writers, and especially to Robin Walker, Gavin Souter and Bridget Griffen-Foley whose work has been used extensively. -
Television Academy Awards
2019 Primetime Emmy® Awards Ballot Outstanding Directing For A Comedy Series A.P. Bio Handcuffed May 16, 2019 Jack agrees to help Mary dump her boyfriend and finds the task much harder than expected, meanwhile Principal Durbin enlists Anthony to do his dirty work. Jennifer Arnold, Directed by A.P. Bio Nuns March 14, 2019 As the newly-minted Driver's Ed teacher, Jack sets out to get revenge on his mother's church when he discovers the last of her money was used to buy a statue of the Virgin Mary. Lynn Shelton, Directed by A.P. Bio Spectacle May 30, 2019 After his computer breaks, Jack rallies his class to win the annual Whitlock's Got Talent competition so the prize money can go towards a new laptop. Helen and Durbin put on their best tuxes to host while Mary, Stef and Michelle prepare a hand-bell routine. Carrie Brownstein, Directed by Abby's The Fish May 31, 2019 When Bill admits to the group that he has Padres season tickets behind home plate that he lost in his divorce, the gang forces him to invite his ex-wife to the bar to reclaim the tickets. Betsy Thomas, Directed by After Life Episode 2 March 08, 2019 Thinking he has nothing to lose, Tony contemplates trying heroin. He babysits his nephew and starts to bond -- just a bit -- with Sandy. Ricky Gervais, Directed by Alexa & Katie The Ghost Of Cancer Past December 26, 2018 Alexa's working overtime to keep Christmas on track. But finding her old hospital bag stirs up memories that throw her off her holiday game. -
Fall 2014 Columbia Magazine Collaborations 45 Startups
FALL 2014 COLUMBIA MAGAZINE COLLABORATIONS 45 STARTUPS. 1 GARAGE. C1_FrontCover_v1.indd C1 10/1/14 4:41 PM ChangeCHANGETHEWORLD lives, On October 29, join Columbians around the globe for 24 hours of giving back, connecting, and chances to win matching funds for your favorite school or program. Changing Lives That Change The World givingday.columbia.edu #ColumbiaGivingDay C2_GivingDay.indd C2 9/30/14 5:45 PM CONTENTS Fall 2014 12 44 26 DEPARTMENTS FEATURES 3 Letters 12 Start Me Up By Rebecca Shapiro 6 Primary Sources The new Columbia Startup Lab in SoHo is open Darwin in plain English . Gail Sheehy’s New York for business. We visit some young entrepreneurs to memories . Eric Holder goes to Ferguson see what clicks. 8 College Walk 22 Streams and Echoes Grab your coat and get your stethoscope . By Tim Page Decanterbury tales . Kenneth Waltz: The composer Chou Wen-chung, featured this fall as one A remembrance of the Miller Theatre’s “Composer Portraits,” has been connecting East and West for more than sixty years. 48 News Amale Andraos named dean of GSAPP . 26 The Professor’s Last Stand Columbia gives seed grants to overseas research By David J. Craig projects . Brown Institute for Media Innovation US historian Eric Foner is trying something new before opens its doors . Columbia Secondary School he retires: he’s fi lming a massive open online course, graduates its fi rst class . David Goldstein or MOOC. Call it a Lincoln login. recruited to head new genomics institute . Bollinger’s term extended 34 Rewired By Paul Hond 53 Newsmakers Law professor Tim Wu, the coiner of “net neutrality,” entered New York’s lieutenant-governor race to change 55 Explorations politics. -
2019 27Th Annual Poets House Showcase Exhibition Catalog
2019 27th Annual Poets House Showcase Exhibition Catalog Poets House | 10 River Terrace | New York, NY 10282 | poetshouse.org ELCOME to the 2019 Poets House Showcase, our annual, all-inclusive exhibition of the most recent poetry books, chapbooks, broadsides, artists’ books, and multimedia works published in the United States and abroad. This year marks the 27th anniversary of the Poets House Showcase and features over 3,300 books from more than 800 different presses and publishers. For 27 years, the Showcase has helped to keep our collection Wcurrent and relevant, building one of the most extensive collections of poetry in our nation—an expansive record of the poetry of our time, freely available and open to all. Building the Exhibit and the Poets House Library Collection Every year, Poets House invites poets and publishers to participate in the annual Showcase by donating copies of poetry titles released since January of the previous year. This year’s exhibit highlights poetry titles published in 2018 and the first part of 2019. Books have been contributed by the entire poetry community, from the publishers who send on their titles as they’re released, to the poets who mail us signed copies of their newest books, to library visitors donating books when they visit us. Every newly published book is welcomed, appreciated, and featured in the Showcase. The Poets House Showcase is the mechanism through which we build our library: a comprehensive, inclusive collection of over 70,000 poetry works, all free and open to the public. To make it as extensive as possible, we reach out to as many poetry communities and producers as we can, bringing together poetic voices of all kinds to meet the different needs and interests of our many library patrons. -
2016 BRIAN JOHNS LECTURE Presented at SBS, Sydney, 2 May 2016
2016 BRIAN JOHNS LECTURE Presented at SBS, Sydney, 2 May 2016 CULTURAL INSTITUTIONS AND IDEAS OF AUSTRALIA IN THE AGE OF FANG by Julianne Schultz Professor Julianne Schultz AM FAHA is the founding editor of Griffith Review, chair of the Australian Film Television and Radio School, and a former non-executive director of the Australian Broadcasting Corporation and the Grattan Institute. She has spent her career as a journalist, editor, media executive and academic specialising in media, politics and democracy. Abstract In the Age of Fang (Facebook/Amazon/Netflix/Google), the cultural industries have never been more important or filled with greater potential. Even for a wealthy, well- educated, English-speaking country, however, to be heard internationally means rethinking the purpose and capacity of our cultural institutions. Many of these— including the Australia Council, National Library, National Gallery and SBS — were created within the last half-century. They were part of a global trend to celebrate and resource the expression and exploration of national cultural identity. Even News Corporation, one of Australia’s most successful corporate creations, was born in this environment. In the Age of Fang, we need to refresh the idea of Australia if we are to be more than a marginal content provider. Our cultural institutions are crucial to such a revival. Over the past 50 years their governing legislation has been redrafted, and new organisations created, but the fundamental architecture remains unchanged. Although cherished, they are under-resourced and often defensive when they need to lead. An urgent national discussion would ensure that the cultural infrastructure of the 21st century is fit for purpose and resourced to respond to the challenges and opportunities posed by the Age of Fang. -
Friday 2 March, 2018. 9.00Am-5.00Pm Minor Works Building 22 Stamford Court, Adelaide
Laboratory Adelaide: Flinders University Friday 2 March, 2018. 9.00am-5.00pm Minor Works Building 22 Stamford Court, Adelaide. A summit on the value of culture and the arts. The research project "Laboratory Adelaide: The Value of Culture", now in its third and final year, has explored the problem culture faces proving its worth today. The core issue is that the concept of value itself has been distorted and dismembered by political and methodological forces over the last forty years. There is no quick, methodological fix to the problem of value. Instead, there is a need, across many sectors including and beyond culture, for a richer discussion of value. WHEN DID VALUE BECOME A NUMBER? Friday 2 March, 2018 1 Laboratory Adelaide: Flinders University PROGRAM TIME SESSION 8.30am Registration 9.00 – 9.15 Welcome and acknowledgements Acknowledgment of Country; Opening remarks • Professor Vanessa Lemm, Vice President Executive Dean of the College of Humanities, Arts and Social Sciences, Flinders University • Professor Julian Meyrick, Strategic Professor of Creative Arts, Flinders University 9.15-10.15 Panel 1: Laboratory Adelaide: The Value of Culture Julian Meyrick, Robert Phiddian, Richard Maltby, Tully Barnett, Heather Robinson Laboratory Adelaide: The Value of Culture is a three year ARC Linkage project that partners Flinders University with three major South Australian cultural institutions: the State Library of South Australia, the State Theatre Company of South Australia and the Adelaide Festival Corporation. The project is nearing completion; here, we talk about some of the key results of the project, and point to the next stage of research for our team.