• Abstract and Figures
• Public Full-text

Georgia Southern University Digital Commons@Georgia Southern Electronic Theses and Dissertations Graduate Studies, Jack N. Averitt College of Summer 2021 Cultures and Colonization in Tamora Pierce's Young Adult Novels Jessica R. Dube Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/etd Part of the Children's and Young Adult Literature Commons Recommended Citation Dube, Jessica R., "Cultures and Colonization in Tamora Pierce's Young Adult Novels" (2021). Electronic Theses and Dissertations. 2270. https://digitalcommons.georgiasouthern.edu/etd/2270 This thesis (open access) is brought to you for free and open access by the Graduate Studies, Jack N. Averitt College of at Digital Commons@Georgia Southern. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. CULTURES AND COLONIZATION IN TAMORA PIERCE’S YOUNG ADULT NOVELS by JESSICA DUBE Under the Direction of Caren Town ABSTRACT The content represented in young adult literature can be a shaping force for adolescents as they begin to understand more about themselves and the world around them. Fantasy fiction is especially powerful, as it allows readers to consider issues outside of their own experiences and learn through the characters of a fictional world. This thesis focuses specifically on the works of Tamora Pierce, and the ways in which she represents sociopolitical issues in her fictional world of Tortall. I analyze the ways in which Pierce’s works fulfill Landt’s standards of good multicultural literature, and how the representation she presents can educate readers in the real world. From Keladry of the Protector of the Small quartet, adolescent readers can learn to appreciate the value of cultures outside of their own. Pierce also deals with complex problems, such as slavery and colonization, and puts significant effort towards making her world respectful of enslaved and indigenous populations. Both Daine, of the Wild Magic quartet, and Beka, of the Beka Cooper trilogy, encounter slaves in their lines of work and endeavor to treat them as equals, setting a mold for readers on respect for others. While some of her characters from early novels, such as The Woman Who Rides Like a Man, fit the trope of white savior, Pierce’s more recent publications in the Trickster Duology work to break the stereotype of the white savior and provide a model for readers to follow as they approach issues surrounding indigenous groups in their own world. In addition to the value of these novels to individual readers, Pierce’s work has potential as a tool of pedagogy, and can be used in the classroom to structure discussions of sociopolitical issues in ways that allow young adult readers to engage with the texts and the wide variety of ideas they present. INDEX WORDS: Tamora Pierce, Colonization, Culture, Indigenous populations, Young adult literature, Susan Landt, Multicultural literature, Race, Fantasy fiction CULTURES AND COLONIZATION IN TAMORA PIERCE’S YOUNG ADULT NOVELS by JESSICA DUBE B.A., Georgia Southern University, 2019 M.A., Georgia Southern University, 2021 A Thesis Submitted to the Graduate Faculty of Georgia Southern University in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS COLLEGE OF ARTS AND HUMANITIES © 2021 JESSICA DUBE All Rights Reserved 1 CULTURES AND COLONIZATION IN TAMORA PIERCE’S YOUNG ADULT NOVELS by JESSICA DUBE Major Professor: Caren Town Committee: Sarah McCarroll Carol Jamison Electronic Version Approved: July 2021 2 DEDICATION This is dedicated to everyone who encouraged me in my exploration of literature, particularly of Tamora Pierce’s novels. To the librarian who helped me reserve her books from other branches so I could read them. To the used bookstore owner who printed out a list of every Tamora Pierce book as a checklist I could hang on the wall of my childhood bedroom, and let me know each time she got in a copy of something I didn’t have yet. To the coach who let me walk around the track in high school PE with my copy of Mastiff the day it was released. To my mom, who encouraged me to read Tamora Pierce books out loud on road trips, and talked about them with me when no one else did. I also want to dedicate my work to Dr. Sarah McCarroll for encouraging me when I first thought about graduate school, as this never would have been written without that first step. 3 ACKNOWLEDGMENTS I would like to thank my mother, Marlo Dube, for reading even the roughest version of my writing and providing encouragement to explore my ideas. I also deeply appreciate the assistance of Dr. Caren Town in developing this thesis into what it has become, and for telling me that Tamora Pierce is worth exploring, even as I struggled to find scholarship on her works. I want to thank Dr. Carol Jamison for her support in my thesis work and willingness to adjust my timeline. Last but not least, to my fiancé, Peyton Bowker, who, along with my roommates and friends, never stopped pushing me to do my best work. 4 TABLE OF CONTENTS Page ACKNOWLEDGMENTS…………………………………………………………………..…....3 CHAPTER 1 INTRODUCTION…………………………………………………………………..….5 2 MULTICULTURALISM………………………………………………………..……10 3 SLAVERY………………………………………………………………………….....16 4 COLONIZATION AND INDIGENOUS POPULATIONS………………………..…24 5 TRICKSTER DUOLOGY…………………………………………………………..…31 6 CONCLUSION…………………………………………………………………….....38 WORKS CITED..…………………………………………………………………….....41 5 CHAPTER 1 INTRODUCTION While it can provide an escape from the mundanity of modern life, the themes present in fantasy literature can also reflect issues in the real world. The way in which topics are addressed in a fantasy setting influences the reader’s perception of issues in their own world, and how they approach a solution. In his article “Why We Need Dragons: The Progressive Potential of Fantasy,” Daniel Baker acknowledges the “potential for progressive socio-political representation” of fantasy literature (Baker 437). Fantasy allows readers to expand their horizons by considering problems that have only a tangential or metaphorical connection to real life. By understanding how the characters of the fantasy world deal with their issues, readers indirectly learn how to approach problems such as interpersonal conflicts, moral dilemmas, and big picture questions in their own reality. similar problems in their own reality. Readers of young adult literature (YAL) can be particularly open to such influences, as adolescents are still in the process of developing their awareness of themselves, let alone of global matters. Young adults are continually redefining their sense of social identity, and exposure to real and imaginary worlds through literature can have a positive impact on the development of their global understanding and critical thought. In this thesis, I argue that Tamora Pierce’s novels across her many series approach topics that are relevant to young adult experiences and provide her readers opportunities for awareness and understanding of themselves and the world around them. The diversity of languages, social and political structures, and character backgrounds in her novels also teaches empathy to young readers who may not have had previous exposure to other cultures and customs. 6 Pierce, with 18 novels set in her medieval fantasy realm, creates diverse countries with detailed histories and cultures. Readers learn more about each of these countries, their histories, and their issues, through the adventures of Pierce’s protagonists. Nearly all of Pierce’s main characters are female, which is discussed by other scholars1, but that is not the sole point of interest in her novels. Complex sociopolitical issues play major roles in her works, and an understanding of problems in this fictional realm helps readers consider the implications of similar issues in their worlds. While Pierce touches on a number of topics, including prejudice against LGBT+ individuals, sexism in education, bullying, and death of loved ones, I will be focusing on the racial and ethnic diversity in her novels, as well as discussions surrounding slavery, colonialization, and the treatment of indigenous populations. Many of Pierce’s series have the same premise: a young woman, aged 10 – 17, must overcome an obstacle to her own success and that of those close to her. For Alanna, the subject of Pierce’s first novel Alanna: The First Adventure (1983), that obstacle is the law against women training for knighthood, and she is forced to disguise her sex to achieve her goal of becoming a knight of the realm. Years later, in the Trickster duology (2003 – 2004), Alanna’s daughter Aly is pitted against her parents, as she wants to employ herself in the dangerous field of spy work and is offered an opportunity to prove her skills. Keladry, the subject of the Protector of the Small quartet (1999 – 2002), is the first girl to openly enter training to become a knight after Alanna worked to remove the legislation against female knights, and she faces intense hazing by her all-male peers. Daine, of Pierce’s Wild Magic quartet, had to flee from her home after her family was killed by raiders, and found a new home with scholars and fighters in 1 Kathryn Dawn Day’s “Girls Who Kick Butt”: A cognitive Interpretation of Tamora Pierce’s Adolescent Feminist Fantasy and Leah Phillips’ “Real Women Aren’t Shiny (Or Plastic): The Adolescent Female Body in YA Fantasy” both provide comprehensive discussions of Pierce’s young women. 7 the capital city who teach her to harness her unique powers. Beka, in the Beka Cooper trilogy set nearly two centuries before Alanna’s, trains as law enforcement to punish criminals who targeted her family when she was young and living in poverty. In addition to these works, Pierce continues to write and publish new installments to her universe with her most recent publication of Tempest and Slaughter in 2018.

Load more

  48

Copy Link