PRESS RELEASE 9 May 2018
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Avant Première Catalogue 2018 Lists UNITEL’S New Productions of 2017 Plus New Additions to the Catalogue
CATALOGUE 2018 This Avant Première catalogue 2018 lists UNITEL’s new productions of 2017 plus new additions to the catalogue. For a complete list of more than 2.000 UNITEL productions and the Avant Première catalogues of 2015–2017 please visit www.unitel.de FOR CO-PRODUCTION & PRESALES INQUIRIES PLEASE CONTACT: Unitel GmbH & Co. KG Gruenwalder Weg 28D · 82041 Oberhaching/Munich, Germany Tel: +49.89.673469-613 · Fax: +49.89.673469-610 · [email protected] Ernst Buchrucker Dr. Thomas Hieber Dr. Magdalena Herbst Managing Director Head of Business and Legal Affairs Head of Production [email protected] [email protected] [email protected] Tel: +49.89.673469-19 Tel: +49.89.673469-611 Tel: +49.89.673469-862 WORLD SALES C Major Entertainment GmbH Meerscheidtstr. 8 · 14057 Berlin, Germany Tel.: +49.30.303064-64 · [email protected] Elmar Kruse Niklas Arens Nishrin Schacherbauer Managing Director Sales Manager, Director Sales Sales Manager [email protected] & Marketing [email protected] [email protected] Nadja Joost Ira Rost Sales Manager, Director Live Events Sales Manager, Assistant to & Popular Music Managing Director [email protected] [email protected] CATALOGUE 2018 Unitel GmbH & Co. KG Gruenwalder Weg 28D 82041 Oberhaching/Munich, Germany CEO: Jan Mojto Editorial team: Franziska Pascher, Dr. Martina Kliem, Arthur Intelmann Layout: Manuel Messner/luebbeke.com All information is not contractual and subject to change without prior notice. All trademarks used herein are the property of their respective owners. Date of Print: February 2018 © UNITEL 2018 All rights reserved Front cover: Alicia Amatriain & Friedemann Vogel in John Cranko’s “Onegin” / Photo: Stuttgart Ballet ON THE OCCASION OF HIS 100TH BIRTHDAY UNITEL CELEBRATES LEONARD BERNSTEIN 1918 – 1990 Leonard Bernstein, a long-time exclusive artist of Unitel, was America’s ambassador to the world of music. -
20 to 25 March Free Concert Programme Welcome Kathryn Mcdowell
LSO FUTURES 20 to 25 March Free concert programme Welcome Kathryn McDowell In the third event of the festival on Sunday 24 March, the LSO performs a unique concert, presenting music that spills off the concert stage, into the hall and out to the community beyond. We begin in the foyers with a performance of David Lang’s the public domain given by the London Symphony Chorus and singers from the local community. I would like to take the opportunity to offer a very warm welcome to all those who have joined us to participate in this project, which was developed in collaboration with Culture Mile. Continuing in the Barbican Hall, LSO Principal Guest Conductor François-Xavier Roth conducts the UK premiere of Philippe Manoury’s Ring with the Orchestra distributed elcome to LSO Futures, our triennial throughout all three levels of the concert festival of new and contemporary hall. The world premiere of Donghoon Shin’s music, which this year explores the Kafka’s Dream follows, a commission of the theme of ‘space’ over four boundary-pushing LSO’s Panufnik Composers Scheme, before events. The festival begins on Wednesday 20 Scriabin’s Symphony No 4, ‘Poem of Ecstasy’ March with Getting It Right? New Music/ closes the concert. New Technologies, a creative forum hosted by Guildhall School in collaboration with Monday 25 March brings LSO Futures to a LSO Discovery. The forum starts with a close as François-Xavier Roth joins us once sound installation devised by students more to lead a day of workshops at LSO from the Guildhall School’s Electronic Music St Luke’s. -
Human Requiem (U.S
Sunday, October 16, 2016, at 7:30 pm Tuesday–Wednesday, October 18–19, 2016, at 7:30 pm Post-performance discussion on Tuesday, October 18 with Simon Halsey, Jochen Sandig, and Patrick Castillo human requiem (U.S. premiere) Rundfunkchor Berlin Simon Halsey , Conductor Marlis Petersen , Soprano Konrad Jarnot , Baritone Angela Gassenhuber , Piano Philip Mayers , Piano Nicolas Fink , Co-Conductor Jochen Sandig , Concept and Scenic Realization Brad Hwang , Spatial Concept Jörg Bittner , Lighting BRAHMS Ein deutsches Requiem for soloists, chorus, and piano four hands (1868/2004) Arranged by Phillip Moll from the original transcription by Brahms Selig sind, die da Leid tragen Denn alles Fleisch, es ist wie Gras Herr, lehre doch mich Wie lieblich sind deine Wohnungen Ihr habt nun Traurigkeit Denn wir haben hie keine bleibende Statt Selig sind die Toten This performance is approximately 70 minutes long without intermission. Please join the artists for a White Light Lounge immediately following the performance. These performances are made possible in part by the Josie Robertson Fund for Lincoln Center. Steinway Piano Please make certain all your electronic devices Synod House, are switched off. Cathedral of St. John the Divine WhiteLightFestival.org MetLife is the National Sponsor of Lincoln Center. UPCOMING WHITE LIGHT FESTIVAL EVENTS: Artist Catering provided by Zabar’s and Zabars.com Friday, October 21 at 7:30 pm in the Church of St. Mary the Virgin American Airlines is the Official Airline of Lincoln Immortal Bach Center Rundfunkchor Berlin -
Changing Cultural Paradigms in Choral Programming
Changing Cultural Paradigms in Choral Programming Ciara Anwen Cheli Advisor: Lisa Evelyn Graham, Music Wellesley College May 2020 Submitted in Partial Fulfillment of the Prerequisite for Honors in Music © Ciara Cheli, 2020 Cheli 2 Table of Contents Acknowledgements .......................................................................................................................... 3 Introduction ..................................................................................................................................... 4 Part One: Reflecting on Our Past ................................................................................................... 7 Chapter One: An Overview of Choral Programming and Historical Trends ........................................... 7 Chapter Two: Modernism and a Choral Identity Crisis ......................................................................... 10 Chapter Three: Historical Perspectives on Concert Programming and Repertoire .............................. 15 Part Two: Looking To Our Future ................................................................................................ 19 Chapter One: Changing Cultures, Changing Choirs ............................................................................. 19 Chapter Two: Representation Matters .................................................................................................... 20 Chapter Three: Culturally Responsive Programming in the 21st Century .............................................. 24 Chapter Four: -
4 Behind the Scenes Playing in Rep 6 Your Latest School News and Stories
The Guildhall School Magazine Spring/ Summer 2016 4 Behind the Scenes 26 The Interview Playing in Rep Athole Still 6 Your latest School 30 Then & Now news and stories Debbie Wiseman PLAY32 Class Notes 35 In Memoriam Sir George Martin 12 Guildhall to the World New York, New York 14 My Legacy Gift Kevin Webb 16 Where art meets business 22 Doctor in the House 38 A Day in the Life Philip Venables Sara Lee Editorial Group Welcome to the latest edition of PLAY Short Courses Deputy Head of Development (Alumni & Supporter Relations) Recently, I spent two days meeting with current students who Rachel Dyson 2016 had applied to be involved in our Easter telephone appeal. I Head of External Affairs Jo Hutchinson asked them all the same questions and their responses, regardless of subject or level of study, were astonishingly consistent and Head of Development Summer Arts Camp Duncan Barker often quite touching. New Summer Arts Camp for 11-14 years (in association with the Barbican) Marketing & Communications Officer When asked ‘Why did you choose to study at Guildhall?’, many Drama Summer School Rosanna Chianta students spoke of loving the ‘easy-going’, ‘friendly’, ‘progressive’ Acting in Shakespeare & Contemporary Theatre Writer & Editorial Consultant Acting in Musical Theatre environment at Guildhall; how they felt at home as soon as Nicola Sinclair Drama Summer School for 16-17 years they walked in for an open day, an audition or to visit a friend Art Direction & Design who was here before them. They talked of the collaborative Music Summer School Pentagram New Brass and Percussion Week Jessie Earle opportunities that arise from the combination of conservatoire Advanced Saxophone and drama school, and from the School’s partnerships with New Advanced Viola and Performance Health Contact external organisations such as the LSO, the Barbican and the New Advanced Oboe New Oboe and Cor Anglais Artistry Email Royal Opera House. -
Digital Concert Hall Where We Play Just for You
www.digital-concert-hall.com DIGITAL CONCERT HALL WHERE WE PLAY JUST FOR YOU PROGRAMME 2016/2017 Streaming Partner TRUE-TO-LIFE SOUND THE DIGITAL CONCERT HALL AND INTERNET INITIATIVE JAPAN In the Digital Concert Hall, fast online access is com- Internet Initiative Japan Inc. is one of the world’s lea- bined with uncompromisingly high quality. Together ding service providers of high-resolution data stream- with its new streaming partner, Internet Initiative Japan ing. With its expertise and its excellent network Inc., these standards will also be maintained in the infrastructure, the company is an ideal partner to pro- future. The first joint project is a high-resolution audio vide online audiences with the best possible access platform which will allow music from the Berliner Phil- to the music of the Berliner Philharmoniker. harmoniker Recordings label to be played in studio quality in the Digital Concert Hall: as vivid and authen- www.digital-concert-hall.com tic as in real life. www.iij.ad.jp/en PROGRAMME 2016/2017 1 WELCOME TO THE DIGITAL CONCERT HALL In the Digital Concert Hall, you always have Another highlight is a guest appearance the best seat in the house: seven days a by Kirill Petrenko, chief conductor designate week, twenty-four hours a day. Our archive of the Berliner Philharmoniker, with Mozart’s holds over 1,000 works from all musical eras “Haffner” Symphony and Tchaikovsky’s for you to watch – from five decades of con- “Pathétique”. Opera fans are also catered for certs, from the Karajan era to today. when Simon Rattle presents concert perfor- mances of Ligeti’s Le Grand Macabre and The live broadcasts of the 2016/2017 Puccini’s Tosca. -
London's Symphony Orchestra
London Symphony Orchestra Living Music Thursday 12 May 2016 7.30pm Barbican Hall LSO ARTIST PORTRAIT: LEIF OVE ANDSNES Schumann Piano Concerto INTERVAL Beethoven Symphony No 9 (‘Choral’) Michael Tilson Thomas conductor Leif Ove Andsnes piano Lucy Crowe soprano London’s Symphony Orchestra Christine Rice mezzo-soprano Toby Spence tenor Iain Paterson bass London Symphony Chorus Simon Halsey chorus director Concert finishes approx 9.50pm Supported by Baker & McKenzie 2 Welcome 12 May 2016 Welcome Living Music Kathryn McDowell In Brief A very warm welcome to tonight’s LSO performance BMW LSO OPEN AIR CLASSICS 2016 at the Barbican. This evening we are joined by Michael Tilson Thomas for his first concert since the The fifth annual BMW LSO Open Air Classics announcement of his appointment as LSO Conductor concert will take place on Sunday 22 May at 6.30pm. Laureate from September 2016, in recognition of Conducted by Valery Gergiev, the LSO will perform his wonderful music-making with the LSO and his an all-Tchaikovsky programme in London’s Trafalgar extraordinary commitment to the Orchestra. We are Square, free and open to all. delighted that his relationship with the LSO will go from strength to strength. lso.co.uk/openair This evening is the second concert in our LSO Artist Portrait series, focusing on pianist Leif Ove Andsnes. LSO AT THE BBC PROMS 2016 Following his performance of Mozart’s Piano Concerto No 20 on Sunday, he returns to play Schumann’s The LSO will be returning to this year’s BBC Proms at Piano Concerto. The Orchestra is also joined this the Royal Albert Hall for a performance of Mahler’s evening by the London Symphony Chorus, led by Symphony No 3 on 29 July. -
PRESS RELEASE City of Birmingham Symphony Orchestra Announces
PRESS RELEASE 30 July 2018 City of Birmingham Symphony Orchestra announces appointment of new conductor for the CBSO Children’s Chorus ahead of its 25th anniversary in 2019 The City of Birmingham Symphony Orchestra (CBSO) is delighted to announce that Ula Weber has been appointed as the conductor of the CBSO Children’s Chorus ahead of its 25th anniversary in 2019. A trained choral conductor and former primary school teacher, Ula Weber has been involved with many of the CBSO’s Learning & Participation projects and is the regular conductor of SO Vocal, the CBSO’s 200-strong community choir. Within Birmingham and the surrounding areas, she conducts a number of choirs, including the Birmingham City Council Choir, and performs with renowned choir Ex-Cathedra. She has also been one of Ex Cathedra’s lead education vocal tutors and co-created its award-winning Singing Playgrounds project. She is also founder of the National Teacher’s Choir, co-founder of music education organisation Vocal.Point, and Musical Director of Birmingham-based Echo Doliny, the National Polish Folk Choir of Great Britain. Ula Weber was selected following a seven-month search for a new conductor, providing each of the final candidates with the opportunity to work with the CBSO Children’s Chorus to prepare them for a specific performance. Ula’s appointment has been made based on the musical and vocal attainment of the chorus during her trial period. Ula Weber comments: “I’m thrilled to be the new conductor of the CBSO Children’s Chorus and I look forward to working with the children and indeed, the whole of the CBSO family. -
Music Catalogue 2021
SUMMARY ELECTRONIC MUSIC p.04 CONTEMPORARY DANCE p.06 JAZZ p.12 OPERA p.14 CLASSICAL p.25 MUSIC DOCUMENTARY p.37 WORLD MUSIC p.40 4K CONCERTS p.42 3 4 The Sonar Festival ZSAMM ISAAC DELUSION LENGTH: LENGTH: 50’ 53’ DIRECTOR: DIRECTOR: SÉBASTIEN BERGÉ ERIC MICHAUD PRODUCER: PRODUCER: Les Films Jack Fébus Les Films Jack Fébus COPRODUCER: COPRODUCER: ARTE France M_Media COPYRIGHT: COPYRIGHT: 2018 2018 Live concert Live concert ARTIST NATIONALITY: ARTIST NATIONALITY: Slovenia, Austria France 27.10.22 07.09.22 Watch the video Watch the video 5 6 Contemporary dance MONUMENTS IN MOTION MONUMENTS IN MOTION SCREWS AND STONES I REMEMBER SAYING GOODBYE LENGTH: LENGTH: 11’ 11’ DIRECTOR: DIRECTOR: GAËTAN CHATAIGNER TOMMY PASCAL PRODUCER: PRODUCER: Les Films Jack Fébus Les Films Jack Fébus COPRODUCERS: COPRODUCERS: Centre des mouve- Centre des mouve- ments nationaux ments nationaux COPYRIGHT: COPYRIGHT: 2020 2019 LANGUAGE AVAILABLE: LANGUAGE AVAILABLE: Live concert Live concert 18.02.29 11.06.24 Watch the video Watch the video Choreography by Alexander Vantournhout Choreography by Christian and François Ben Aïm From the SCREWS performance At the Sainte Chapelle at La Conciergerie de Paris. Performers: Music : Nils Frahm Christien Ben Aïm Dancers : Josse De Broeck, Petra Steindl, Emmi François Ben Aïm Väisänen, Hendrik Van Maele, Alexander Vantournhout, Louis Gillard Felix Zech Piers Faccini (musician) 7 Contemporary dance MONUMENTS IN MOTION 3X10’ SCENA MADRE* LENGTH: LENGTH: 3x10’ 63’ DIRECTOR: DIRECTOR: YOANN GAREL, JULIA GAT, GAËTAN CHATAIGNER THOMAS -
PRESS RELEASE 27 April 2017
PRESS RELEASE 27 April 2017 City of Birmingham Symphony Orchestra announces its 2017-18 Concert Season at Symphony Hall, Birmingham • Mirga Gražinytė-Tyla to conduct an ambitious series of 26 concerts, working with the whole CBSO family, curating an internationally-significant Debussy Festival in March 2018, and conducting his opera Pelléas et Mélisande • Clarinettist, composer and conductor Jörg Widmann is Artist in Residence for the season • A strengthened commitment to new music with six premieres, including the world premiere of Gerald Barry’s Organ Concerto conducted by Thomas Adès • The CBSO Chorus performs Haydn’s The Creation, Fauré’s Requiem and works by Lili Boulanger with Mirga Gražinytė-Tyla • BBC Young Musician 2016 Sheku Kanneh-Mason makes his CBSO debut conducted by Mirga Gražinytė-Tyla • Debut artists include Yeol Eum Son, Ning Feng, Rafal Blechacz, Xavier de Maistre, Jérémie Rhorer, Constantinos Carydis, Joana Mallwitz and Leo McFall. • Friday Night Classics concerts include the music of David Bowie, Abba, Star Wars, and the Best of Bollywood • The CBSO continues to offer accessible world class music for all, with an additional 1700 tickets available under £25, and tickets for young audiences from just £6 The City of Birmingham Symphony Orchestra (CBSO) is delighted to announce its 2017-18 Concert Season at Symphony Hall, Birmingham. 'One of Europe's best orchestras' (The Economist, 2016), the CBSO is a cultural flagship organisation for the Midlands and every year shares its world-class music- making with over 200,000 concertgoers in Birmingham, around the UK and worldwide. Led by Osborn Music Director Mirga Gražinytė-Tyla (‘conducting’s next superstar’ The Telegraph) the CBSO’s 2017- 18 season shares the talents and ambition of the entire CBSO family of ensembles with the widest possible audience. -
Verdi Requiem
Sunday, October 30, 2016, at 3:00 pm Pre-concert lecture by Andrew Shenton at 1:45 pm in the Stanley H. Kaplan Penthouse Verdi Requiem London Symphony Orchestra Gianandrea Noseda , Conductor Erika Grimaldi , Soprano Daniela Barcellona , Mezzo-Soprano Francesco Meli , Tenor Vitalij Kowaljow , Bass London Symphony Chorus Simon Halsey , Chorus Director VERDI Messa da Requiem (“Requiem Mass”) (1874) Requiem and Kyrie Dies irae Dies irae Tuba mirum Liber scriptus Quid sum miser Rex tremendae Recordare Ingemisco Confutatis Lacrymosa Offertorio Sanctus Agnus Dei Lux aeterna Libera me This performance is approximately 90 minutes long and will be performed without intermission. This performance is also part of the Great Performers Symphonic Masters series. Endowment support for Symphonic Masters is provided by the Leon Levy Fund. Endowment support is also provided by UBS. This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. David Geffen Hall Please make certain all your electronic devices are switched off. WhiteLightFestival.org Support for Great Performers is provided by UPCOMING WHITE LIGHT FESTIVAL EVENTS: Rita E. and Gustave M. Hauser, Audrey Love Charitable Foundation, Great Performers Circle, Saturday, November 5 at 4 pm in the Chairman’s Council, and Friends of Lincoln Center. Stanley H. Kaplan Penthouse White Light Conversation Public support is provided by the New York State Our Humanity: Past, Present, and Future Council on the Arts with the support of Governor John Schaefer , moderator Andrew M. Cuomo and the New York State Through the lenses of evolution, psychology, Legislature. religion, and art, this panel will provide fresh insight into the age-old question, “What makes us MetLife is the National Sponsor of Lincoln Center. -
BCAS 11770 Nov 2019 Program Rev5 .Indd
ANTHONY BLAKE CLARK Music Director Choral Arts ON T UR! An American Suite: From Billings to Bernstein SUNDAY, NOVEMBER 3, 2019 Saturday, March 11, 2017 Baltimore Choral Arts Society Anthony Blake Clark 54th Season: 2019-20 Sunday, November 3, 2019 at 3 pm Shriver Hall Auditorium, The Johns Hopkins University, Homewood Campus An American Suite: From Billings to Bernstein The 23rd Annual Ruth Blaustein Rosenberg Concert Anthony Blake Clark, conductor Leo Wanenchak, associate conductor, organist & pianist The Baltimore Choral Arts Chorus Evening Hymn Henry Balfour Gardiner Laudes Organi Zoltán Kodály Intermission An American Suite curated by Anthony Blake Clark Invocations William Billings Hark, I Hear the Harps Eternal Traditional, arr. Alice Parker Grace Before Sleep Susan LaBarr Stars Eriks¯ Ešenvalds The Composer David Conte Higher Ground [world premiere] Anthony Blake Clark MLK Bono, arr. Bob Chilcott Zion’s Walls Aaron Copland “Make Our Garden Grow” from Candide Leonard Bernstein 2 This concert is made possible in part by a generous contribution from the Henry and Ruth Blaustein Rosenberg Foundation, Inc. Additional support is provided in memory of Tanya Bendit through the Bendit Foundation, Inc., a supporting foundation of The Associated: Jewish Community Federation of Baltimore. The Baltimore Choral Arts Society is supported in part by the Maryland State Arts Council (msac.org). Our concerts are also made possible in part by the Citizens of Baltimore County and Mayor Jack Young and the Baltimore Office of Promotion and the Arts. Our media sponsor for this performance is Please turn the pages quietly, and please turn off all electronic devices during the concert.