Rhetorical STRATEGIES in a FAILED Embassy to CHARLES V AFTER the SACK of Rome* This Essay Assesses the Striking Similarity of Ar
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A Few Clerics at Court
Rafferty 1 A Few Clerics at Court Catholic Clergymen in the lay politics and administration of Spain during the reigns of “Los Austrias Mayores”, Charles V/I and Philip II: 1516-1598 Keith Rafferty History Undergraduate Honors Thesis Georgetown University Advisor: Professor Tommaso Astarita, Georgetown University May 9. 2011 Rafferty 2 I authorize the public release of my thesis for anybody who should want to look at it. Rafferty 3 Table of Contents Table of Contents .................................................................................................................................... 2 Introduction ............................................................................................................................................. 4 Thesis Statement.................................................................................................................................. 8 Organization and Explanation .................................................................................................................. 9 Explanation of Terms .......................................................................................................................... 9 CODOIN ..................................................................................................................................... 9 Spain/The Spanish Empire ......................................................................................................... 11 The Spanish Aristocracy ........................................................................................................... -
Renaissance Diplomacy in Practice: the Case of Gregorio Casali, England’S Ambassador to the Papal Court, 1525-33
Renaissance diplomacy in practice: the case of Gregorio Casali, England’s ambassador to the papal court, 1525-33 Catherine Lucy Fletcher Royal Holloway, University of London Thesis presented for the award of PhD 1 I confirm that the work contained in this thesis is entirely my own. Catherine Fletcher 23 April 2008 2 Abstract THIS thesis investigates the day-to-day practice of Renaissance diplomacy through a case-study of Gregorio Casali, one of a number of Italians in the Roman diplomatic corps who served foreign princes, in Casali’s case King Henry VIII of England. It outlines and analyses the key elements of the resident ambassador’s role, shifting the focus of study from the traditional emphasis on official negotiations and such formal sites for the exercise of power to consider too informal relationships and arenas for diplomacy. Chapters consider the diplomat’s role in Rome (the most developed diplomatic centre of its day); the relevance of family and friendship networks in Casali’s career; the importance of hospitality and liberality in diplomatic life; gift- giving and ‘bribery’. Drawing on recent scholarship relating to such issues as the house, household and gift-giving, the thesis situates Renaissance diplomacy in its broader social context. It thus contributes to the new trend among historians of diplomacy to adopt methods from social and cultural history, but, in applying the methodology of microhistory, takes this to a new level. As well as raising new questions about the role of the resident ambassador and his interaction with other diplomatic and political actors, the case of Casali and his family draws attention to the important issue of the employment of foreigners in diplomatic service during this period, allowing a consideration of how loyalty was understood and allegiances were managed. -
Ave Roma Immortalis, Vol. 1, by Francis Marion Crawford This Ebook Is for the Use of Anyone Anywhere at No Cost and with Almost No Restrictions Whatsoever
Roma Immortalis, Vol. 1, by Francis Marion Crawford 1 Roma Immortalis, Vol. 1, by Francis Marion Crawford Project Gutenberg's Ave Roma Immortalis, Vol. 1, by Francis Marion Crawford This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Ave Roma Immortalis, Vol. 1 Studies from the Chronicles of Rome Author: Francis Marion Crawford Release Date: April 26, 2009 [EBook #28614] Language: English Roma Immortalis, Vol. 1, by Francis Marion Crawford 2 Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK AVE ROMA IMMORTALIS, VOL. 1 *** Produced by Juliet Sutherland, Josephine Paolucci and the Online Distributed Proofreading Team at http://www.pgdp.net. AVE ROMA IMMORTALIS STUDIES FROM THE CHRONICLES OF ROME BY FRANCIS MARION CRAWFORD IN TWO VOLUMES VOL. I New York THE MACMILLAN COMPANY LONDON: MACMILLAN & CO., LTD. 1899 All rights reserved Copyright, 1898, By The Macmillan Company. Set up and electrotyped October, 1898. Reprinted November, December, 1898. Norwood Press J. S. Cushing & Co.--Berwick & Smith Norwood, Mass., U.S.A. TABLE OF CONTENTS Roma Immortalis, Vol. 1, by Francis Marion Crawford 3 VOLUME I PAGE THE MAKING OF THE CITY 1 THE EMPIRE 22 THE CITY OF AUGUSTUS 57 THE MIDDLE AGE 78 THE FOURTEEN REGIONS 100 REGION I MONTI 106 REGION II TREVI 155 REGION III COLONNA 190 REGION IV CAMPO MARZO 243 REGION V PONTE 274 REGION VI PARIONE 297 LIST OF PHOTOGRAVURE PLATES VOLUME I Map of Rome Frontispiece FACING PAGE The Wall of Romulus 4 Roma Immortalis, Vol. -
Chapter Twenty-Eight Beginning of the Burning Times in Western
Chapter Twenty-eight Beginning of the Burning Times in Western Christendom Western Europe did not progress steadily from the Renaissance to the Enlightenment. While the privileged classes enjoyed the advent of humanism, among the masses religiosity intensified. Of this the most important consequence was the Protestant Reformation. Millions of Christians abandoned their belief in the power of saints, relics, Mary, and the Church, but their devotion to other aspects of Christianity was fierce and often fanatic. In the sixteenth and seventeenth centuries Europeans by the hundred thousands died for religious reasons, Catholics burning heretics, Protestants burning witches, and both killing each other on the battlefield. The eighteenth-century Enlightenment was in part a reaction to the religious frenzy of the two preceding centuries. Trade, exploration, and the first European empires In the fifteenth century, as the wealthy classes of Catholic Europe developed a taste for luxury goods from India and the Far East, east-west trade became very lucrative. Silk from China was highly prized, as were the spices - cinnamon, cloves, nutmeg, pepper - from Sri Lanka, India, and the “Spice Islands” of Indonesia. Because most of this trade still passed through the Red Sea or overland on the caravan routes of the Hijaz, it enriched the Mamluk rulers who controlled all of Egypt and much of the Levant, and Cairo became the cultural center of the Dar al-Islam. Although menaced by the Ottomans, the Mamluks were able to hold their own until the early sixteenth century. European merchants were eager to capitalize on trade with eastern Asia, and Spanish and especially Portuguese explorers looked for a sea-route to India that would by-pass the Mamluks as well as the Ottomans. -
The Egyptian Renaissance the Afterlife of Ancient Egypt in Early Modern Italy1
Aegyptiaca. Journal of the History of Reception of Ancient Egypt The Egyptian Renaissance The Afterlife of Ancient Egypt in Early Modern Italy1 Brian Curran Penn State University Herodotus, that most ancient historian, who had searched many lands and seen, heard and read of many things, writes that the Egyptians had been the most ancient people of which there was memory, and that they were solemn observers of their religion if anyone was, and that they adored and recognized their idolatrous gods under the various figures of strange and diverse animals, and that these were fashioned in gold and silver and other metals, and in precious stones and almost every material that was able to receive form. And some of these images have been preserved up until our own day, having been very much seen as manifest signs of these very powerful and copious people, and of their very rich kings, and further from a proper desire to prolong the memory of them for infinite centuries, and further than this the memory of their marvelous intelligence and singular industry and profound science of divine things, as well as human […]. Following these people, I myself can inform you that the art of good drawing and of coloring, and of sculpture and of representation in whatever manner, and in every manner of form, was held in great esteem [by them]. As for architecture, it should not be doubted that they were great masters, as is still seen in the pyramids and other stupendous edifices of their art that survive and will continue to last, as I myself believe, for infinite centuries. -
The Age of the Renascence : an Outline Sketch of The
£en <Bpoc$B of £(5urc0 gtBfotg THE AGE OF THE RENASCENCE AN OUTLINE SKETCH OF THE HISTORY OF THE PAPACY FROM THE RETURN FROM AVIGNON TO THE SACK OF ROME (1377-1527) BY PAUL VAN DYKE WITH AN INTRODUCTION BY HENRY VAN DYKE (Uef»T>or6 €§t Christian feifetdfute Co, MDCCCXCVII Cen €poci)S of Cimrrf) f^tstorp CDtteD bp VtA. VIL Copyright, 1897, by The Christian Literature Co. —— 1 CONTENTS PERIOD I. From the Return from Avignon to the Accession of Nicholas V. (J377-J447), Introductory Retrospect. PAGE of CHAP. I. The Growth of Patriotism or the Sense Nationality I CHAP. II. New Theories of the Seat of Sovereignty and the Rising Tide of Democracy 1 CHAP. III.—The New Learning—Petrarch, the Pro- totype of the Humanists 20 CHAP. IV.—The Condition in which the Returning Pope Found Italy and the Patrimony of St. Peter—The Beginning of the Great Schism—Two Vicars of Christ Fight for the Tiara 35 CHAP. V.—John Wiclif of England, and his Protest against Papal War 46 CHAP. VI.—Pope and Antipope—The White Penitents at Rome—The Siege of Avignon—The Followers of Petrarch, the Humanists, or Men of the New Learning 59 v ———— vi Contents. PAGE CHAP. VII.— Orthodox Demands for Union and Re- form: (i) Catherine of Siena and the Ascetic Pro- phets of Righteousness ; (2) The Party of Conciliar Supremacy 69 CHAP. VIII.—The Council of Pisa Makes the Schism Triple—The Protest of John Huss of Bohemia 79 CHAP. IX. The Council of Constance and Triumph of the Party of Conciliar Supremacy: (i) They Depose the Popes and Force Union; (2) They Repudiate the Bohemian Protest and Burn Huss; (3) They Fail to Determine the Reform of the Church in Head and Members 90 CHAP. -
The Medici Popes (Leo X and Clement Vii) by Herbert M
1 www.cristoraul.org EL VENCEDOR EDICIONES THE MEDICI POPES (LEO X AND CLEMENT VII) BY HERBERT M. VAUGHAN 1 2 LEO X, CARDINAL GIULIO DE' MEDICI (CLEMENT VII) AND CARDINAL DE' ROSSI 2 3 ALTHOUGH the names of the two great Popes of the House of Medici loom large in the annals of the Italian Renaissance, yet the private side of their lives and conduct has naturally been dwelt upon with less insistence by the papal historian than the leading part they took in the development of Italian politics or in the course of the Reformation throughout Europe. Even in William Roscoe’s elaborate biography of Leo X, the figure of that famous pontiff is largely overshadowed by the momentous episodes of his reign both within and without Italy; “one cannot see the wood for the intervening trees!” In the present volume, therefore, I have made the attempt of presenting to the reader a purely personal study, from which I have excluded, so far as was practicable, all reference to the burning theological questions of the Reformation, and have also avoided any undue amount of dissertation on the tortuous and complicated policy pursued by these Popes of the House of Medici. For I hope that a simple account of the personal career and character of Leo X (with whom of necessity my work chiefly deals) will prove of some value to the historical student of the Renaissance, who may thereby become better able to comprehend the varying part played by the former of the two Medicean pontiffs in the political and religious struggles during the opening decades of the sixteenth century. -
A Companion to Early Modern Rome, 1492–1692
A Companion to Early Modern Rome, 1492–1692 Edited by Pamela M. Jones Barbara Wisch Simon Ditchfield LEIDEN | BOSTON For use by the Author only | © 2019 Koninklijke Brill NV Cover illustration: Lieven Cruyl, Prospectus Castri & Ponte S. Angelis, 1666 – Rijksmuseum, Amsterdam, RP-P-1889-A-14184 Public Domain / Creative Commons For further information: http://hdl.handle.net/10934/RM0001.COLLECT.100124 Library of Congress Cataloging-in-Publication Data Names: Jones, Pamela M., editor. | Wisch, Barbara, editor. | Ditchfield, Simon, editor. Title: A companion to early modern Rome, 1492–1692 / edited by Pamela M. Jones, Barbara Wisch, Simon Ditchfield. Description: Leiden ; Boston : Brill, [2019] | Series: Brill’s companions to European history, ISSN 2212–7410 ; volume 17 | Includes bibliographical references and index. Identifiers: LCCN 2018058141 (print) | LCCN 2018061752 (ebook) | ISBN 9789004391963 (ebook) | ISBN 9789004391956 (hardback : alk. paper) Subjects: LCSH: Rome (Italy)—History—1420–1798. | Rome (Italy)—Politics and government—1420–1798. | Rome (Italy)—Church history. | City and town life—Italy—Rome—History. | Rome (Italy)—Intellectual life. | Art—Italy—Rome—History. | Architecture—Italy—Rome—History. | City planning—Italy—Rome—History. Classification: LCC DG812 (ebook) | LCC DG812 .C66 2019 (print) | DDC 945.6/3207—dc23 LC record available at https://lccn.loc.gov/2018058141 Typeface for the Latin, Greek, and Cyrillic scripts: “Brill”. See and download: brill.com/brill-typeface. issn 2212-7410 isbn 978-9004-39195-6 (hardback) isbn 978-9004-39196-3 (e-book) Copyright 2019 by Koninklijke Brill NV, Leiden, The Netherlands. Koninklijke Brill NV incorporates the imprints Brill, Brill Hes & De Graaf, Brill Nijhoff, Brill Rodopi, Brill Sense, Hotei Publishing, mentis Verlag, Verlag Ferdinand Schöningh and Wilhelm Fink Verlag. -
Vittoria Colonna : Leben, Wirken, Werke
ITALIA-ESPANA VITTORIA COLONNA LEBEN / WIRKEN / WERKE Abb. 1. Vittoria Colonna von Sebastiano del Piombo. Galerie Huldschinsky, Berlin. VinORIA COLONNA LEBEN /WIRKEN /WERKE EINE MONOGRAPHIE MIT 10 ABBILDUNGEN VON JOHANN J.WYSS FRAUENFELD 1916 / VERLAG HUBER & CO. Druck von Huber & Co. in Frauenfeld Helene Kath. Iw. Wyß in Liebe zugeeignet VORWORT Das Ziel der vorliegenden Arbeit war nicht, neue Dokumente und Manuskripte ans Licht zu fördern; ich habe zwar redlich gesucht und auch einiges gefunden. Für mich handelte es sich darum, das gesamte Material über Vittoria Colonna zu sammeln, zu sichten und zu ordnen; ferner den Problemen, die sich daraus ergeben, nachzugehen und — womöglich — eine Lösung derselben zu finden. Was ich vorschlage, ist natürlich eine Hypothese; sie wird aber allen mir bekannten Tatsachen gerecht. Sie mag nicht richtig sein — was verschlägt's? Andere mögen auf dieser Basis weiter bauen. Zürich, Ostern 1916. Prof. Dr. Joh. J. Wyß. ERSTER TEIL BIOGRAPHIE I. ABSCHNITT: RENAISSANCE 1. Kapitel. Zeit, Familie, Milieu. Indes ich dieses sing', — o Gott der Gütel — Seh' ich Italien rings in Flamm' und Brand Durch diese Gallier, deren Kriegsgewüte Verheeren will, ich weiß nicht welches Land. Am 8. April 1492 standen sich in der Villa Careggi bei Florenz zwei Männer gegenüber, welche gleichsam die Personi- fikation ihrer Zeit darstellen: Lorenzo dei Medici und Savonarola. Der erstere trug die Welt, in der er gelebt, mit sich zu Grabe, die Welt, von der Guicciardini wehmütig gesagt hat: „Bis zu diesem Zeitpunkt hatte überall Friede geherrscht; überall blühender Reichtum und emsiger Handel. Nirgends war Italien einem fremden Herrscher Untertan. Die Majestät der Kirche, die Pracht der Fürsten, die von Gelehrten und Künstlern um- geben waren, bildeten die höchste Zierde des Gartens Europas.^ Das war wohl der vorübergehende Erfolg der Renaissancekultur gewesen; sie selbst aber, in Prepotenza ausgeartet, vermochte nicht politische und persönliche Freiheit zu bewahren. -
Pietro Gorsi and the Perpetuation of Curialist Ideology
CHAPTER THREE PIETRO GORSI AND THE PERPETUATION OF CURIALIST IDEOLOGY While the Castel Sant' Angelo provided a haven during the Sack of Rome for those who, like Pietro Alcionio, succeeded in reaching it, the city below offered few places of refuge. Nearly four hundred people crowded into the palace of Cardinal Andrea della Veille in the Rione S. Eustachio.1 Because of della Valle's Imperial connections, his residence—like those of three other pro-Imperial cardinals, Wil lem van Enkevoirt, Alessandro Cesarini, and Giovanni Piccolomi ni—afforded temporary safety. The respite came at a price: on 8 May, an Italian captain in the Imperial forces, Fabrizio Maramaldo, extorted over 34,000 ducats in protection money from those in della Valle's palace. The protection he provided, however, was short lived: within a week the German Landsknechts, who were not under Maramaldo's jurisdiction, laid siege to the palace of Cardinal Picco lomini. When it fell in a mere four hours, the soldiers dragged Pic colomini through the streets to the Borgo. Thus prompted, the Car dinals della Valle, Cesarini, and Enkevoirt fled from their residences to the Palazzo Colonna which, because of Pompeo Colonna's return to the city on 10 May, remained secure. Many who had sought their protection, however, were abandoned to endure imprisonment and torments at the hands of the German troops.2 Among those who had fled into della Valle's palace was Pietro Corsi, a Roman humanist who had been a staunch papal advocate since the time of Julius II. When Maramaldo extorted money from the refugees, Corsi was compelled to pay 50 ducats, but evidently he lacked the connections to gain access to the Palazzo Colonna when the della Valle residence fell.3 After most of the Imperial soldiers left 1 F. -
Landscape All'antica and Topographical
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Université de Montréal LANDSCAPE ALL’ANTICA AND TOPOGRAPHICAL ANACHRONISM IN ROMAN FRESCO PAINTING OF THE SIXTEENTH CENTURY* Denis Ribouillault I painting in the frieze of a room in the Palazzo dei Santissimi Apostoli in Rome A shows the Piazza del Campidoglio, the heart of republican and imperial Rome (Fig. 1). Painted in the mid-sixteenth century, when the building was occu- pied by Marcantonio II Colonna and his wife Felice Orsini, it depicts the square with the equestrian statue of Marcus Aurelius at the centre of the oval picked out in the pavement, framed to the left by a portico and a ramp leading to the Fran- cis can convent of the Aracoeli.1 Instead of the Palazzo Senatorio, however, the artist has painted a large pagan temple consisting of three monumental sanctuaries, each one housing an ancient Roman statue. Although immediately recognisable, the view is clearly fictional. The portico that appears in the view to the left was never built, but did form part of the first project for the renovation of the square, one of the key projects of Paul III Farnese’s pontificate (1534–49).2 The Pope intended to stress the continuity between imperial and Christian Rome at this site, as well as reinforce the idea that he was the Vicar of Christ on earth.3 As it turned out, the arcades of the portico were replaced by a continuous wall with a single central niche, as can be seen in several drawings and engravings made of the square in subsequent years before it was definitively transformed into the magnificent scen ography that we still admire today.4 Although the renovation programme promoted by Paul III included a histori- cal notice to that effect James Ackerman, who first published the fresco in his book on the architecture of Michelangelo in 1961, failed to recognise that the temple was * This article derives from the first chapter of my specifies that he ‘knows of this painting through Wolf- doctoral thesis, ‘Paysage et Pouvoir. -
PAPAL COINAGE to 1605 NOTES on PAPAL COINAGE the Papal Mint Is the Pope's Institute for the Production of Hard Cash
PAPAL COINAGE To 1605 NOTES ON PAPAL COINAGE The Papal Mint is the pope's institute for the production of hard cash. Papal Mint may also refer to the buildings in Avignon, Rome and elsewhere which used to house the mint. (The Italian word for mint is Zecca). The right to coin money being one of the regalia (sovereign prerogatives), there can be no papal coins of earlier date than that of the temporal power of the popes. Nevertheless, there are coins of Pope Zacharias (741-52), of Gregory III (Ficoroni, "Museo Kircheriano"), and possibly of Gregory II (715-741). There is no doubt that these pieces, two of which are of silver, are true coins, and not merely a species of medals, like those which were distributed as "presbyterium" at the coronation of the popes since the time of Valentine (827). Their stamp resembles that of the Byzantine and Merovingian coins of the seventh and eighth centuries, and their square shape is also found in Byzantine pieces. Those that bear the inscription GREII PAPE — SCI PTR (Gregorii Papæ — Sancti Petri) cannot be attributed to Pope Gregory IV (827-44), because of the peculiarity of minting. The existence of these coins, while the popes yet recognized the Byzantine domination, is explained by Hartmann (Das Königreich Italien, Vol. III), who believes that, in the eighth century, the popes received from the emperors the attributes of "Præfectus Urbis". Under the empire, coins that were struck in the provinces bore the name of some local magistrate, and those coins of Gregory and of Zacharias are simply imperial Byzantine pieces, bearing the name of the first civil magistrate of the City of Rome.