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It's a Mad, Bad, Glad, Ipad World
It’s a Mad, Bad, Glad, iPad World Friar Bob Hutmacher, ofm I’m writing on the first day of meteorological summer and my second idea for this Legionnaire article are memory flashes of Johnathan Winters, Milton Berle, Ethel Merman, Mickey Rooney, Buddy Hackett, Sid Caesar, Spencer Tracy, Dick Shawn, Phil Silvers, Edie Adams, Terry Thomas, Carl Reiner, Jimmy Durante and many more in the 1963 film, It’s a Mad, Mad, Mad, Mad World. The first thoughts I had were of last night’s tornado in the western suburbs, U.S. bishops treading in dangerous waters, more mass shootings than even a twisted mind could imagine, a new Covid variant rampant throughout the world and a steamer trunk full of bad news. However ~ I believe we need a break from all the anxiety of the plague behaviors (as I call them), interior damage, negative vibes and scary thoughts of a divided country and divided Church ~ and smile with delight at some of our Catholic behavior. A number of years ago Travelers Aid operated out of our lower level to assist the lost and forsaken of our city. There was a period when this social service kindly offered free sandwiches and coffee on Friday afternoon to anyone and everyone in need. And anyone and everyone flocked to the basement of St. Peter’s! Word on the street spreads quickly and when it was Sandwich Friday here, there was always a line down into the basement. I happened to be in confessional #12 that day, the most frequented one we have in church. -
1946-05-31, [P ]
Friday, May 31, 194(1 THE TOLEDO UNION JOURNAL Page Fiv< Stanwyck, Cummings A Ri$t In New Film A Love-ly Moment In Paramount’s Delight Newsmiiil o£ Siage Screen ■' ---------------------:---------------------- by Burny Zawodny ....................................................... ■ llobert Cummings hilariously strives to catch Barbara Stan Star Saves Place For wyck with her boots off throughout the entire running time of Ex-Boom mate Olivia de Havilland Pqramount’s modern comedy-romance, "The Bride .Wore Boots,” By Wiley Pattani which opened at lhe Paramount Theatre \ with Diana HOLLYWOOD — Before [ITS TRUE! the war took them away Gagg 5X ith Director Lynn also starred. In othef words, * Bob objects to sharing from the Hollywood scene Barbara’! affections with the r. *?*’*_* ^ ! ''' ' $£ i/'' HOLLYWOOD — Olivia de . six years ago, David Niven Havilland, where a joke is con tAtnrrz Ata-Svdrses she3UC adores,auuxco, andaiiw which he and Robert Coote shared cerned, can give it out and take Filming > . bachelor's abode at Santa (Hkors with equal zest.. He fi W: it with the best of them. MfLWIOR, Monica, their domicile be On the first day’s shooting of ME^EOPOLITAb nally succeeds Story Gigantic ing known as "Cirhossis by in proving Paramount’s "To Each His OPERA STAA himself the the Sea.” Own,” the star’s dressing room >4AS BtEN Hollywood Job Niven, resuming his NIG^TED BY more desirable was crammed with flowers. One American screen career in IN6 Oifc^TiAN of the two, but of the particularly striking bou HOLLYWOOD ,(jS p e c j a 1)— "The Perfect Marriage,” DEMARK only after a se quets bore the name of Sidney X One of the biggest production Hal Wallis production for Lanfield. -
The Jimmy Durante Show
CD 4 A: Vacations - March 24, 1948 THE JIMMY DURANTE SHOW B: Guest: Rose Marie – March 31, 1948 Program Guide by Elizabeth McLeod CD 5 A: Guest: Dorothy Lamour – April 7,1948 One of the great advantages of being a radio star in the medium’s Golden Era was B: Guest: President Harry Truman – April 14, the relative anonymity it afforded. A performer might entertain tens of millions 1948 of listeners every week, and yet walk the streets in broad daylight without being annoyed by fans. In radio it was the voices, not the faces, that mattered. But there CD 6 were exceptions. A: Guest: Lou Clayton and Eddie Jackson – April 21, 1948 Some radio favorites had a background in stage or film, and their faces were part B: Guest: Lucille Ball – April 28, 1948 and parcel of their appeal. Eddie Cantor, Bob Hope, and even Fred Allen had Lucille Ball physical attributes that matched their voices…and made them easy to pick out in CD 7 any crowd. And there was no performer who could boast a more perfect match A: Transportation Problems – May 5, 1948 of face and voice -- or was more instantly recognizable -- than the beloved Old B: A President’s Wife – May 12, 1948 Schnozzola, Jimmy Durante. CD 8 In a career that extended from the first decade of the 20th Century to the 1970s, A: The Small Businessman – May 19, 1948 Jimmy Durante had two trademarks that transcended every medium in which B: Choice Of Champions – May 26, 1948 he worked. Whether you knew him from his nightclub act, motion pictures, phonograph records, radio programs, or television, you needed no master of ceremonies to tell you who Elizabeth McLeod is a journalist, author, and broadcast historian. -
Jimmy Durante Papers PASC-M.0195
http://oac.cdlib.org/findaid/ark:/13030/c8cv4m1z No online items Finding Aid for the Jimmy Durante Papers PASC-M.0195 Finding aid prepared by Alexandra Apolloni; machine-readable finding aid created by Julie Graham and Caroline Cubé. UCLA Library Special Collections Online finding aid last updated on 2021 January 19. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections Finding Aid for the Jimmy Durante PASC-M.0195 1 Papers PASC-M.0195 Contributing Institution: UCLA Library Special Collections Title: Jimmy Durante papers Creator: Durante, Jimmy Identifier/Call Number: PASC-M.0195 Physical Description: 150 Linear Feet(342 boxes) Date (inclusive): circa 1920s-circa 1990 Abstract: Jimmy Durante had a decades-long career as a musician, songwriter, comedian, and actor. The collection consists of script material, scrapbooks, photographs, written music, audio recordings, printed material and ephemera, and a small amount of correspondence documenting Durante's extensive career as an entertainer on stage, radio, film, and television. Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Language of Material: Materials are in English. Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Physical Characteristics and Technical Requirements CONTAINS AUDIOVISUAL MATERIALS: This collection contains both processed and unprocessed audiovisual materials. Audiovisual materials are not currently available for access, unless otherwise noted in a Physical Characteristics and Technical Requirements note at the series and file levels. -
Emmy Award Winners
CATEGORY 2035 2034 2033 2032 Outstanding Drama Title Title Title Title Lead Actor Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actress—Comedy Name, Title Name, Title Name, Title Name, Title Outstanding Limited Series Title Title Title Title Outstanding TV Movie Name, Title Name, Title Name, Title Name, Title Lead Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Lead Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title CATEGORY 2031 2030 2029 2028 Outstanding Drama Title Title Title Title Lead Actor—Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp. -
Sirius to Devote Exclusive Channel to Bing Crosby for the Holidays - 'Bing Crosby Christmas Radio'
Sirius to Devote Exclusive Channel to Bing Crosby for the Holidays - 'Bing Crosby Christmas Radio' "Bing Crosby Christmas Radio" airs December 21-25, features 20+ years of vintage Bing Crosby holiday radio programs Classic shows with Frank Sinatra, Louis Armstrong, Rosemary Clooney, Judy Garland, Bob Hope, Ella Fitzgerald, Jimmy Stewart, Peggy Lee, The Andrews Sisters, and more Bing's wife Kathryn Crosby and daughter Mary Crosby host the channel, share their personal anecdotes and memories NEW YORK, Dec 13, 2007 /PRNewswire-FirstCall via COMTEX News Network/ -- SIRIUS Satellite Radio (Nasdaq: SIRI) announced today that it will devote an entire channel - Bing Crosby Christmas Radio - to classic Bing Crosby radio broadcasts from the personal vault of Bing Crosby, one of America's most beloved entertainers of all time and a star synonymous with classic holiday entertainment. (Logo: http://www.newscom.com/cgi-bin/prnh/19991118/NYTH125 ) Working with the Crosby family, SIRIUS tapped into Bing's personal archives and will transform channel 119 into Bing Crosby Christmas Radio from December 21-25, broadcasting 5 consecutive days of Crosby's incredible holiday radio shows from 1938-1962, brimming with special celebrity guests, music, performances and variety shows. Bing's wife Kathryn Crosby and daughter Mary Crosby will host the channel, sharing personal anecdotes and memories about the programs. These shows include his most popular recording ever, "White Christmas," as well as multiple Christmas Day and Christmas Eve radio specials hosted by Bing over the years. Bing Crosby Christmas Radio will feature a wide variety of Crosby's beloved music, storytelling and special guests like Rosemary Clooney, Frank Sinatra, Judy Garland, Bob Hope, Ella Fitzgerald, Peggy Lee, The Andrews Sisters, Jimmy Stewart, Phil Silvers, Jimmy Durante, and Edgar Bergen and his daughter, a young Candice Bergen. -
Sgt. Bilko, M*A*S*H and the Heyday of U.S
TV/Series 10 | 2016 Guerres en séries (II) “‘War… What Is It Good For?’ Laughter and Ratings”: Sgt. Bilko, M*A*S*H and the Heyday of U.S. Military Sitcoms (1955-75) Dennis Tredy Electronic version URL: http://journals.openedition.org/tvseries/1764 DOI: 10.4000/tvseries.1764 ISSN: 2266-0909 Publisher GRIC - Groupe de recherche Identités et Cultures Electronic reference Dennis Tredy, « “‘War… What Is It Good For?’ Laughter and Ratings”: Sgt. Bilko, M*A*S*H and the Heyday of U.S. Military Sitcoms (1955-75) », TV/Series [Online], 10 | 2016, Online since 01 December 2016, connection on 05 May 2019. URL : http://journals.openedition.org/tvseries/1764 ; DOI : 10.4000/ tvseries.1764 This text was automatically generated on 5 May 2019. TV/Series est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. “‘War… What Is It Good For?’ Laughter and Ratings”: Sgt. Bilko, M*A*S*H and t... 1 “‘War… What Is It Good For?’ Laughter and Ratings”: Sgt. Bilko, M*A*S*H and the Heyday of U.S. Military Sitcoms (1955-75) Dennis Tredy 1 If the title of this paper quotes part of the refrain from Edwin Starr’s 1970 protest song, “War,” the song’s next line, proclaiming that war is good for “absolutely nothing” seems inaccurate, at least in terms of successful television sitcoms of from the 1950s to the 1970s. In fact, while Starr’s song was still an anti-Vietnam War battle cry, ground- breaking television programs like M*A*S*H (CBS, 1972-1983) were using laughter and tongue-in-cheek treatment of the horrors of war to provide a somewhat more palatable expression of the growing anti-war sentiment to American audiences. -
Convert Finding Aid To
Joseph Abeles: A Preliminary Inventory of His Studio Collection in the Performing Arts Collection at the Harry Ransom Humanities Research Center Descriptive Summary Creator: Abeles, Joseph, circa 1908-1991 Title: Joseph Abeles Studio Collection Inclusive Dates: 1935-1975 Extent: 80 document boxes (33.6 linear feet) Note: This brief collection description is a preliminary inventory. The collection is not fully processed or cataloged; no biographical sketch, descriptions of series, or indexes are available. Access: Open for research. An advance appointment is required to view photographic negatives in the Reading Room. Please contact the Center before requesting this material: [email protected] Administrative Information Acquisition: Purchase, 1978 (R8022) Processed by: Jennifer Hecker, 2001; Martha Estrada and Steven Reyna, 2008; Daniela Lozano, 2012 Repository: Harry Ransom Humanities Research Center, The University of Texas at Austin Abeles, Joseph, circa 1908-1991 Scope and Contents Joseph Abeles (circa 1908-1991), New York theater photographer, established his Talbot Studio in 1935 and formed the Friedman-Abeles Studio with Leo and Sy Friedman in 1957. They were photographers of stage productions and personalities, as well as magazine photo stories about theatrical subjects. This collection of photographic files from Abeles' studio consists predominantly of publicity photographs (some with manuscript notes) for individuals in the performing arts, 1935-1975 (bulk 1950-1970). The collection is arranged in two series, I. Prints (subdivided into A. Portraits and B. Publicity), and II. Negatives (arranged and subdivided to parallel the prints). Approximately 1800 subjects are represented. There are about 11,850 photographic prints (including 8 x 10's, 5 x 7's, proofs, and contact sheets) and 18,500 negatives. -
P-26 Motion Picture Collection Repository: Seaver Center For
P-26 Motion Picture Collection Repository: Seaver Center for Western History Research, Natural History Museum of Los Angeles County Span Dates: c.1872-1971, bulk 1890s-1930s Extent: 48 linear feet Language: Primarily English Conditions Governing Use: Permission to publish, quote or reproduce must be secured from the repository and the copyright holder Conditions Governing Access: Research is by appointment only Preferred Citation: Motion Picture Collection, Seaver Center for Western History Research, Los Angeles County Museum of Natural History Related Holdings: There are numerous related collections, and these can be found by consulting the Photo and General Collection guides available at the Seaver Center’s website. They include manuscripts in general collection 1095 (Motion Pictures Collection), general collection 1269 (Motion Picture Programs and Memorabilia), general collection 1286 (Movie Posters Collection), general collection 1287 (Movie Window Cards and Lobby Cards Collection), and general collection 1288 (Motion Picture Exhibitors’ Campaign Books). Seaver Center for Western History Research P-26 Abstract: The Motion Picture Collection is primarily a photograph collection. Actor and actress stills are represented, including portraits by studio photographers, film and set stills, and other images, as well as related programs, brochures and clippings. Early technology and experimental work in moving pictures is represented by images about camera and projection devices and their inventors. Items related to movie production include early laboratories, sound, lighting and make-up technology. These items form Photograph Collection P-26 in the Seaver Center for Western History Research. Scope and Content: The Motion Picture Collection is primarily a photograph collection. Actor and actress stills are represented (including portraits by studio photographers), film stills, set stills, and other images, as well as related programs, brochures and clippings. -
Screen Guild Players Recordings Collection, 1942-1948
http://oac.cdlib.org/findaid/ark:/13030/tf5779p13c No online items Guide to the Screen Guild Players Recordings Collection, 1942-1948 Project archivist: Caitlin Hunter; machine-readable finding aid created by David Seubert Department of Special Collections Davidson Library University of California, Santa Barbara Santa Barbara, CA 93106 Phone: (805) 893-3062 Fax: (805) 893-5749 Email: [email protected] URL: http://www.library.ucsb.edu/speccoll/speccoll.html © 1999 The Regents of the University of California. All rights reserved. Guide to the Screen Guild Players PA Mss 28 1 Recordings Collection, 1942-1948 Guide to the Screen Guild Players Recordings Collection, 1942-1948 Collection number: PA Mss 28 Department of Special Collections Davidson Library University of California, Santa Barbara Contact Information: Department of Special Collections Davidson Library University of California, Santa Barbara Santa Barbara, CA 93106 Phone: (805) 893-3062 Fax: (805) 893-5749 Email: [email protected] URL: http://www.library.ucsb.edu/speccoll/speccoll.html Project Archivist: Caitlin Hunter Date Completed: September 28, 1999 Encoded by: David Seubert © 1999 The Regents of the University of California. All rights reserved. Descriptive Summary Title: Screen Guild Players Recordings Collection, Date (inclusive): 1942-1948 Collection number: PA Mss 28 Creator: Motion Picture Relief Fund Extent: 97 disc recordings Repository: University of California, Santa Barbara. Library. Dept. of Special Collections Santa Barbara, CA 93106 Shelf location: For current information on the location of these materials, please consult the library's online catalog. Abstract: Recordings of Screen Guild Players radio programs used as a fundraising effort for the Motion Picture Relief Fund, sponsored by the Lady Esther Corporation and Camel Cigarettes. -
Sidney Reznick Papers PASC.0297
http://oac.cdlib.org/findaid/ark:/13030/kt096nd5s9 No online items Finding Aid for the Sidney Reznick papers PASC.0297 Finding aid by C. Clayton and Julie Graham, 2008; Khang Nguyen and Courtney Dean, 2020. UCLA Library Special Collections Online finding aid last updated on 2020 February 26. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections Finding Aid for the Sidney PASC.0297 1 Reznick papers PASC.0297 Contributing Institution: UCLA Library Special Collections Title: Sidney Reznick papers Creator: Reznick, Sidney Identifier/Call Number: PASC.0297 Physical Description: 37.2 Linear Feet(92 boxes, 1 microfilm box) Date (inclusive): 1939-1990 Date (bulk): 1947-1968 Abstract: Sidney Reznick worked as comedy writer in radio and television. The collection consists of scripts related to his career, mostly for the Garry Moore television show (1958-1961), as well as sound recordings. A 2013 addition contains project files, bound volumes of scripts, photographs, and radio transcription discs. Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Language of Material: Materials are in English. Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Conditions Governing Use Property rights to the physical objects belong to UCLA Library Special Collections. All other rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright. -
October 18, 2019 Animation & Disneyana Auction 116
Animation & Disneyana Auction OCTOBER 18, 2019 Animation & Disneyana Auction 116 FRIDAY, OCTOBER 18, 2019 AT 11:00 AM PDT LIVE • MAIL • PHONE • FAX • INTERNET Place your bid over the Internet! PROFILES IN HISTORY will be providing Internet-based bidding to qualified bidders in real-time on the day of the auction. For more information visit us @ www.profilesinhistory.com AUCTION LOCATION (PREVIEWS BY APPOINTMENT ONLY) PROFILES IN HISTORY, 26662 AGOURA ROAD, CALABASAS, CA 91302 caLL: 310-859-7701 FAX: 310-859-3842 “CONDITIONS OF SALE” credit to Buyer’s credit or debit card account will be issued under any sole expense not later than seven (7) calendar days from the invoice circumstances. The last sentence constitutes Profiles’ “official policy” date. If all or any property has not been so removed within that time, AGREEMENT BETWEEN PROFILES IN HISTORY AND regarding returns, refunds, and exchanges where credit or debit cards in addition to any other remedies available to Profiles all of which are BIDDER. BY EITHER REGISTERING TO BID OR PLACING A are used. For payment other than by cash, delivery will not be made reserved, a handling charge of one percent (1%) of the Purchase Price BID, THE BIDDER ACCEPTS THESE CONDITIONS OF SALE unless and until full payment has been actually received by Profiles, per month will be assessed and payable to Profiles by Buyer, with AND ENTERS INTO A LEGALLY, BINDING, ENFORCEABLE i.e., check has fully cleared or credit or debit card funds fully obtained. a minimum of five percent (5%) assessed and payable to Profiles by AGREEMENT WITH PROFILES IN HISTORY.