Screen Guild Players Recordings Collection, 1942-1948
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Who's Who at Metro-Goldwyn-Mayer (1939)
W H LU * ★ M T R 0 G 0 L D W Y N LU ★ ★ M A Y R MyiWL- * METRO GOLDWYN ■ MAYER INDEX... UJluii STARS ... FEATURED PLAYERS DIRECTORS Astaire. Fred .... 12 Lynn, Leni. 66 Barrymore. Lionel . 13 Massey, Ilona .67 Beery Wallace 14 McPhail, Douglas 68 Cantor, Eddie . 15 Morgan, Frank 69 Crawford, Joan . 16 Morriss, Ann 70 Donat, Robert . 17 Murphy, George 71 Eddy, Nelson ... 18 Neal, Tom. 72 Gable, Clark . 19 O'Keefe, Dennis 73 Garbo, Greta . 20 O'Sullivan, Maureen 74 Garland, Judy. 21 Owen, Reginald 75 Garson, Greer. .... 22 Parker, Cecilia. 76 Lamarr, Hedy .... 23 Pendleton, Nat. 77 Loy, Myrna . 24 Pidgeon, Walter 78 MacDonald, Jeanette 25 Preisser, June 79 Marx Bros. —. 26 Reynolds, Gene. 80 Montgomery, Robert .... 27 Rice, Florence . 81 Powell, Eleanor . 28 Rutherford, Ann ... 82 Powell, William .... 29 Sothern, Ann. 83 Rainer Luise. .... 30 Stone, Lewis. 84 Rooney, Mickey . 31 Turner, Lana 85 Russell, Rosalind .... 32 Weidler, Virginia. 86 Shearer, Norma . 33 Weissmuller, John 87 Stewart, James .... 34 Young, Robert. 88 Sullavan, Margaret .... 35 Yule, Joe.. 89 Taylor, Robert . 36 Berkeley, Busby . 92 Tracy, Spencer . 37 Bucquet, Harold S. 93 Ayres, Lew. 40 Borzage, Frank 94 Bowman, Lee . 41 Brown, Clarence 95 Bruce, Virginia . 42 Buzzell, Eddie 96 Burke, Billie 43 Conway, Jack 97 Carroll, John 44 Cukor, George. 98 Carver, Lynne 45 Fenton, Leslie 99 Castle, Don 46 Fleming, Victor .100 Curtis, Alan 47 LeRoy, Mervyn 101 Day, Laraine 48 Lubitsch, Ernst.102 Douglas, Melvyn 49 McLeod, Norman Z. 103 Frants, Dalies . 50 Marin, Edwin L. .104 George, Florence 51 Potter, H. -
31 Days of Oscar® 2010 Schedule
31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy -
An Analysis and Evaluation of the Acting Career Of
AN ANALYSIS AND EVALUATION OF THE ACTING CAREER OF TALLULAH BANKHEAD APPROVED: Major Professor m Minor Professor Directororf? DepartmenDepa t of Speech and Drama Dean of the Graduate School AN ANALYSIS AND EVALUATION OF THE ACTING CAREER OF TALLULAH BANKHEAD THESIS Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of MASTER OF SCIENCE By Jan Buttram Denton, Texas January, 1970 TABLE OF CONTENTS Chapter Page I. THE BEGINNING OF SUCCESS 1 II. ACTING, ACTORS AND THE THEATRE 15 III. THE ROLES SHE USUALLY SHOULD NOT HAVE ACCEPTED • 37 IV. SIX WITH MERIT 76 V. IN SUMMARY OF TALLULAH 103 APPENDIX 114 BIBLIOGRAPHY. 129 CHAPTER I THE BEGINNING OF SUCCESS Tallulah Bankhead's family tree was filled with ancestors who had served their country; but none, with the exception of Tallulah, had served in the theatre. Both her grandfather and her mother's grandfather were wealthy Alabamians. The common belief was that Tallulah received much of her acting talent from her father, but accounts of her mother1s younger days show proof that both of her parents were vivacious and talented. A stranger once told Tallulah, "Your mother was the most beautiful thing that ever lived. Many people have said you get your acting talent from your father, but I disagree. I was at school with Ada Eugenia and I knew Will well. Did you know that she could faint on 1 cue?11 Tallulahfs mother possessed grace and beauty and was quite flamboyant. She loved beautiful clothes and enjoyed creating a ruckus in her own Southern world.* Indeed, Tallulah inherited her mother's joy in turning social taboos upside down. -
It's a Mad, Bad, Glad, Ipad World
It’s a Mad, Bad, Glad, iPad World Friar Bob Hutmacher, ofm I’m writing on the first day of meteorological summer and my second idea for this Legionnaire article are memory flashes of Johnathan Winters, Milton Berle, Ethel Merman, Mickey Rooney, Buddy Hackett, Sid Caesar, Spencer Tracy, Dick Shawn, Phil Silvers, Edie Adams, Terry Thomas, Carl Reiner, Jimmy Durante and many more in the 1963 film, It’s a Mad, Mad, Mad, Mad World. The first thoughts I had were of last night’s tornado in the western suburbs, U.S. bishops treading in dangerous waters, more mass shootings than even a twisted mind could imagine, a new Covid variant rampant throughout the world and a steamer trunk full of bad news. However ~ I believe we need a break from all the anxiety of the plague behaviors (as I call them), interior damage, negative vibes and scary thoughts of a divided country and divided Church ~ and smile with delight at some of our Catholic behavior. A number of years ago Travelers Aid operated out of our lower level to assist the lost and forsaken of our city. There was a period when this social service kindly offered free sandwiches and coffee on Friday afternoon to anyone and everyone in need. And anyone and everyone flocked to the basement of St. Peter’s! Word on the street spreads quickly and when it was Sandwich Friday here, there was always a line down into the basement. I happened to be in confessional #12 that day, the most frequented one we have in church. -
FILMS by LAWRENCE JORDAN Lawrence Jordan in Person
Bay Area Roots, Risk & Revision FILMS BY LAWRENCE JORDAN Lawrence Jordan In Person Sunday, May 13, 2007 — 7:30 pm — Yerba Buena Center for the Arts I don’t know about alchemy academically, but I am a practicing alchemist in my own way. —Lawrence Jordan Lawrence Jordan has been making films since 1952. He is most widely known for his animated collage films, which Jonas Mekas has described as, “among the most beautiful short films made today. They are surrounded with love and poetry. His content is subtle, his technique is perfect, his personal style unmistakable.” Tonight’s screening sketches out a sampler of Jordan’s films, starting with Trumpit, a 1950s ‘psychodrama’ starring Stan Brakhage, with sound by Christopher Maclaine; Pink Swine, an anti-art dada collage film set to an early Beatles track; Waterlight the first of Jordan’s “personal/poetic documentaries” made in the 1950s aboard a merchant marine freighter during his days as a wandering flâneur; and Winterlight, a visual poem of the Sonoma County winter landscape. Lawrence Jordan’s four most recent films will conclude the night: Enid’s Idyll, Chateau/Poyet, Poet’s Dream, and Blue Skies Beyond the Looking Glass. (Jenn Blaylock) Trumpit (1956) 16mm, b&w, sound, 6 minutes, print from the maker Stan Brakhage stars as the constricted love in this spoof of pseudo-erotic card play. (LUX) Waterlight (1957) 16mm, color, sound, 7 minutes, print from the maker Among the wanderings that began in the 1950s was the filmmaker's 3-year stint in the merchant marine. Waterlight is a night and day impression of the never-constant, ever-changing vast ocean and its companion the sky. -
The Conqueror Hollywood Fallout
A WILLIAM NUNEZ DOCUMENTARY THE CONQUEROR HOLLYWOOD FALLOUT THE CONQUEROR 1 DISCLAIMER: The information provided is for information purposes only. The content is not, and should not be deemed to be an offer of, or invitation to engage in any investment activity. This should not be construed as advice, or a personal recommendation by Red Rock Entertainment Ltd. Red Rock Entertainment Ltd is not authorised and regulated by the Financial Conduct Authority (FCA). The content of this promotion is not authorised under the Financial Services and Markets Act 2000 (FSMA). Reliance on the promotion for the purpose of engaging in any investment activity may expose an individual to a significant risk of losing all of the investment. UK residents wishing to participate in this promotion must fall into the category of sophisticated investor or high net worth individual as outlined by the Financial Conduct Authority (FCA). THE CONQUEROR A WILLIAM NUNEZ DOCUMENTARY CONTENTS 4 History 5 Synopsis 7 Downwinders 8 Themes| Research - Interview Subjects - Visual 9 Narrator 10 Director’s Statement 11 Writer | Director 12 | 13 Production Companies 15 Executive Producers 16 Post- Production Company 17 Equity 18 | 19 EIS 20 | 21 Perk & Benefits 22 Press and Reference Links THE HISTORY “IT HAS GONE INTO OUR DNA. I’VE LOST COUNT OF THE FRIENDS I’VE BURIED. I’M NOT PATRIOTIC. MY GOVERNMENT LIED TO ME!” - ST. GEORGE UTAH RESIDENT, 2015 The story of a failed Hollywood epic and the devasting repercussions it had, not only on some of Hollywood’s most iconic stars, but the residents of a desert town in Utah where the film was shot. -
1937-11-26 [P C-4]
' ——RKOWflfmu/Q — “The at Palace It in “Met” Where and When ■ ■■ ® 8**0 Firefly” Say Song Depicts N Q | ^ Is Current Theater Attractions Stately Operetta Big Prison and Time of Showing. • Ton will mo HEPBtThr, Pace of National—“To Be Continued,“ a new Lavish Spectacle Is Slow, “Politics” comedy with Luella Gear: 8:30 p.m. an* ROGER8 togothor, But Its Music Is Sweet and Palace—“The Firefly,” Jeanette Mac- la tho Broadway atago Litel Performance Donald in the Friml operetta: 11 a.m., •aoeoas that haa bo* Settings Imposing. 1:35, 4:15, 6:55 and B:35 p.m. eomo tho highlight of _• Is “Alcatraz” Keith's—“Stage Door,” Hepburn, all tho ocTOOB’a bow big By JAY CARMODY. Rogers, a story of Broadway called bet- picture*, I don’t expect a story as tightly written as if Clifford Odets were its Feature. ter than that of the play: 11:15 a.m., author when you go to see Rudolph Friml’s “The Firefly," which 1:21, 3:27, 5:37, 7:39 and 9:45 p.m. opened yesterday at Loew’s Palace. Nor do you get it. What you do U'T'HE ROCK” is the subject of Capitol—"Double Honeymoon,” ro- YOUget is a big colorful musical of the turn-of-the-century type in which the current screen attrac- mance in two doses: 11:05 a.m., 1:45, Alan Jones and Jeanette MacDonald | sing charmingly and fall charmingly in § tlon at the Metropolitan. 4:30, 7:15 and 9:55 p.m. -
DINNERS ENROLL TOM SAWYER.’ at 2:40
1 11 T 1 Another Film for Film Fans to Suggest Gordon tried out in the drama, "Ch.!« There Is dren of Darkness.” It was thought No ‘Cimarron’ Team. Janet’s Next Role. in Theaters This Week the play would be a failure, so they Photoplays Washington IRENE DUNNE and ^ Wesley Ruggles, of the Nation will * fyJOVIE-GOERS prepared to abandon It. A new man- who as star and director made be asked to suggest the sort of agement took over the property, as- WEEK OP JUNE 12 SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY cinematic history in 1931 In “Cimar- Stopping picture In which little Janet Kay signed Basil Sydney and Mary Ellis "Bit Town Olrl." "Manneouln." "Manneouln." are to be "Naughty Marietta" "Haughty Marietta" "Thank You. Ur. ron," reunited as star and Chapman. 4-year-old star dis- to the leads and Academy "alfm*83ifl£L'‘ Jon Hall in Will Rogers in Will Rosen in and ‘•The Shadow of and "The Shadow of Moto.” and "Ride. recently they scored a Broad- " director of a Paramount to Sth »nd O Sts. B.E, "The Hu-rlcane." "The Hurricane." _"David Harum "David Harum."_Silk Lennox."_ Silk Lennox." Ranter. Ride." picture covered by a Warner scout, should be way hit. This Lad in } into in the Rudy Vailee Rudy Valle? in Rudy Vallee in Myrna Loy. Clark Oa- Myrna Loy. Clark Oa- Loretta Yoon* in go production early fall. next seen on the screen. Miss So It Is at this time of Ambassador •■Sm* "Gold Diggers in "Gold Diggers in "Oold in ble and ble Chap- only yea# DuE*niBin Diggers Spencer Tracy and Spencer Tracy "Four Men and a The announcement was made after man the 18th «nd OolumblA Rd. -
1946-05-31, [P ]
Friday, May 31, 194(1 THE TOLEDO UNION JOURNAL Page Fiv< Stanwyck, Cummings A Ri$t In New Film A Love-ly Moment In Paramount’s Delight Newsmiiil o£ Siage Screen ■' ---------------------:---------------------- by Burny Zawodny ....................................................... ■ llobert Cummings hilariously strives to catch Barbara Stan Star Saves Place For wyck with her boots off throughout the entire running time of Ex-Boom mate Olivia de Havilland Pqramount’s modern comedy-romance, "The Bride .Wore Boots,” By Wiley Pattani which opened at lhe Paramount Theatre \ with Diana HOLLYWOOD — Before [ITS TRUE! the war took them away Gagg 5X ith Director Lynn also starred. In othef words, * Bob objects to sharing from the Hollywood scene Barbara’! affections with the r. *?*’*_* ^ ! ''' ' $£ i/'' HOLLYWOOD — Olivia de . six years ago, David Niven Havilland, where a joke is con tAtnrrz Ata-Svdrses she3UC adores,auuxco, andaiiw which he and Robert Coote shared cerned, can give it out and take Filming > . bachelor's abode at Santa (Hkors with equal zest.. He fi W: it with the best of them. MfLWIOR, Monica, their domicile be On the first day’s shooting of ME^EOPOLITAb nally succeeds Story Gigantic ing known as "Cirhossis by in proving Paramount’s "To Each His OPERA STAA himself the the Sea.” Own,” the star’s dressing room >4AS BtEN Hollywood Job Niven, resuming his NIG^TED BY more desirable was crammed with flowers. One American screen career in IN6 Oifc^TiAN of the two, but of the particularly striking bou HOLLYWOOD ,(jS p e c j a 1)— "The Perfect Marriage,” DEMARK only after a se quets bore the name of Sidney X One of the biggest production Hal Wallis production for Lanfield. -
Famous People from Michigan
APPENDIX E Famo[ People fom Michigan any nationally or internationally known people were born or have made Mtheir home in Michigan. BUSINESS AND PHILANTHROPY William Agee John F. Dodge Henry Joy John Jacob Astor Herbert H. Dow John Harvey Kellogg Anna Sutherland Bissell Max DuPre Will K. Kellogg Michael Blumenthal William C. Durant Charles Kettering William E. Boeing Georgia Emery Sebastian S. Kresge Walter Briggs John Fetzer Madeline LaFramboise David Dunbar Buick Frederic Fisher Henry M. Leland William Austin Burt Max Fisher Elijah McCoy Roy Chapin David Gerber Charles S. Mott Louis Chevrolet Edsel Ford Charles Nash Walter P. Chrysler Henry Ford Ransom E. Olds James Couzens Henry Ford II Charles W. Post Keith Crain Barry Gordy Alfred P. Sloan Henry Crapo Charles H. Hackley Peter Stroh William Crapo Joseph L. Hudson Alfred Taubman Mary Cunningham George M. Humphrey William E. Upjohn Harlow H. Curtice Lee Iacocca Jay Van Andel John DeLorean Mike Illitch Charles E. Wilson Richard DeVos Rick Inatome John Ziegler Horace E. Dodge Robert Ingersol ARTS AND LETTERS Mitch Albom Milton Brooks Marguerite Lofft DeAngeli Harriette Simpson Arnow Ken Burns Meindert DeJong W. H. Auden Semyon Bychkov John Dewey Liberty Hyde Bailey Alexander Calder Antal Dorati Ray Stannard Baker Will Carleton Alden Dow (pen: David Grayson) Jim Cash Sexton Ehrling L. Frank Baum (Charles) Bruce Catton Richard Ellmann Harry Bertoia Elizabeth Margaret Jack Epps, Jr. William Bolcom Chandler Edna Ferber Carrie Jacobs Bond Manny Crisostomo Phillip Fike Lilian Jackson Braun James Oliver Curwood 398 MICHIGAN IN BRIEF APPENDIX E: FAMOUS PEOPLE FROM MICHIGAN Marshall Fredericks Hugie Lee-Smith Carl M. -
Radioclassics (Siriusxm Ch. 148) Gregbellmedia
SHOW TIME RadioClassics (SiriusXM Ch. 148) gregbellmedia.com June 21st - June 27th, 2021 SHOW TIME PT ET MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY SUNDAY PT ET 9pm 12mid Mary Livingstone B-Day Fibber McGee & Molly I Was A Communist More Peter Lorre B-Day Frontier Town 10/24/52 Dimension X Family Theatre 7/8/53 9pm 12mid Prev Jack Benny Prgm 2/23/47 From October 10th, 1944 For The FBI 5/7/52 on Fred Allen Show 1/3/43 The Cisco Kid 3/31/53 "The Embassy" 6/3/50 CBS Radio Workshp 8/17/56 Prev Night Night Jack Benny Prgm 9/21/52 Burns & Allen Show 5/18/43 Gangbusters 8/16/52 on Duffy's Tavern 10/19/43 Broadway's My Beat 4/21/50 X-Minus One 8/29/57 Broadway Is My Beat Dragnet Big Guilt 11/23/52 Black Museum 11/25/52 Casey, Crime Photog 1/8/48 Inner Sanctum 3/7/43 Calling All Cars 9/7/37 Burns & Allen 3/27/47 From Dec. 31st, 1949 Big Town 6/18/42 Suspense 6/14/45 Sherlock Holmes 3/31/47 Suspense 7/20/44 Great Gildersleeve 3/1/50 Gunsmoke Belle's Back 9/9/56 11pm 2am Phil Harris Birthday (1) Phil Harris Birthday (2) Mr District Attorney 11/30/52 Paul Frees Birthday (1) Yours Truly, Johnny Boston Blackie 77th Annv Lux Radio's (9/26/38) 11pm 2am Prev Harris & Faye 12/11/53 From Harris & Faye Show Sam Spade 8/2/48 The Whistler 5/22/49 Dollar Marathon Jan 1956 w/ Chester Morris 7/28/44 Seven Keys To Baldpate Prev Night Night Harris & Faye 10/19/52 11/13/49 & 1/13/52 Dimension X 7/12/51 EscapeHouseUsher 10/22/47 The Flight Six Matter w/ Dick Kollmar 1/29/46 with Jack & Mary Benny Harris & Faye 1/15/50 On Suspense 5/10/51 X Minus One 4/24/57 -
The Sam Eskin Collection, 1939-1969, AFC 1999/004
The Sam Eskin Collection, 1939 – 1969 AFC 1999/004 Prepared by Sondra Smolek, Patricia K. Baughman, T. Chris Aplin, Judy Ng, and Mari Isaacs August 2004 Library of Congress American Folklife Center Washington, D. C. Table of Contents Collection Summary Collection Concordance by Format Administrative Information Provenance Processing History Location of Materials Access Restrictions Related Collections Preferred Citation The Collector Key Subjects Subjects Corporate Subjects Music Genres Media Formats Recording Locations Field Recording Performers Correspondents Collectors Scope and Content Note Collection Inventory and Description SERIES I: MANUSCRIPT MATERIAL SERIES II: SOUND RECORDINGS SERIES III: GRAPHIC IMAGES SERIES IV: ELECTRONIC MEDIA Appendices Appendix A: Complete listing of recording locations Appendix B: Complete listing of performers Appendix C: Concordance listing original field recordings, corresponding AFS reference copies, and identification numbers Appendix D: Complete listing of commercial recordings transferred to the Motion Picture, Broadcast, and Recorded Sound Division, Library of Congress 1 Collection Summary Call Number: AFC 1999/004 Creator: Eskin, Sam, 1898-1974 Title: The Sam Eskin Collection, 1938-1969 Contents: 469 containers; 56.5 linear feet; 16,568 items (15,795 manuscripts, 715 sound recordings, and 57 graphic materials) Repository: Archive of Folk Culture, American Folklife Center, Library of Congress, Washington, D.C. Summary: This collection consists of materials gathered and arranged by Sam Eskin, an ethnomusicologist who recorded and transcribed folk music he encountered on his travels across the United States and abroad. From 1938 to 1952, the majority of Eskin’s manuscripts and field recordings document his growing interest in the American folk music revival. From 1953 to 1969, the scope of his audio collection expands to include musical and cultural traditions from Latin America, the British Isles, the Middle East, the Caribbean, and East Asia.