Sidney Reznick Papers PASC.0297
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It's a Mad, Bad, Glad, Ipad World
It’s a Mad, Bad, Glad, iPad World Friar Bob Hutmacher, ofm I’m writing on the first day of meteorological summer and my second idea for this Legionnaire article are memory flashes of Johnathan Winters, Milton Berle, Ethel Merman, Mickey Rooney, Buddy Hackett, Sid Caesar, Spencer Tracy, Dick Shawn, Phil Silvers, Edie Adams, Terry Thomas, Carl Reiner, Jimmy Durante and many more in the 1963 film, It’s a Mad, Mad, Mad, Mad World. The first thoughts I had were of last night’s tornado in the western suburbs, U.S. bishops treading in dangerous waters, more mass shootings than even a twisted mind could imagine, a new Covid variant rampant throughout the world and a steamer trunk full of bad news. However ~ I believe we need a break from all the anxiety of the plague behaviors (as I call them), interior damage, negative vibes and scary thoughts of a divided country and divided Church ~ and smile with delight at some of our Catholic behavior. A number of years ago Travelers Aid operated out of our lower level to assist the lost and forsaken of our city. There was a period when this social service kindly offered free sandwiches and coffee on Friday afternoon to anyone and everyone in need. And anyone and everyone flocked to the basement of St. Peter’s! Word on the street spreads quickly and when it was Sandwich Friday here, there was always a line down into the basement. I happened to be in confessional #12 that day, the most frequented one we have in church. -
A Reappraisal of Three Character Actors from Hollywood’S Golden Age
University of the Incarnate Word The Athenaeum Theses & Dissertations 12-2015 Second-Billed but not Second-Rate: A Reappraisal of Three Character Actors From Hollywood’s Golden Age Candace M. Graham University of the Incarnate Word, [email protected] Follow this and additional works at: https://athenaeum.uiw.edu/uiw_etds Part of the Communication Commons, and the Film and Media Studies Commons Recommended Citation Graham, Candace M., "Second-Billed but not Second-Rate: A Reappraisal of Three Character Actors From Hollywood’s Golden Age" (2015). Theses & Dissertations. 70. https://athenaeum.uiw.edu/uiw_etds/70 This Thesis is brought to you for free and open access by The Athenaeum. It has been accepted for inclusion in Theses & Dissertations by an authorized administrator of The Athenaeum. For more information, please contact [email protected]. SECOND-BILLED BUT NOT SECOND-RATE: A REAPPRAISAL OF THREE CHARACTER ACTORS FROM HOLLYWOOD’S GOLDEN AGE by Candace M. Graham A Thesis Presented to the Faculty of the University of the Incarnate Word in partial fulfillment of the requirements for the degree of MASTER OF ARTS University of the Incarnate Word December 2015 ii Copyright 2015 by Candace M. Graham iii ACKNOWLEDGEMENTS I wish to thank Dr. Hsin-I (Steve) Liu for challenging me to produce a quality thesis worthy of contribution to scholarly literature. In addition, thank you for the encouragement to enjoy writing. To Robert Darden, Baylor University communications professor, friend, and mentor whose example in humility, good spirit, and devotion to one’s passion continues to guide my pursuit as a classic film scholar. -
King of the Half Hour : Nat Hiken and the Golden Age of Comedy Pdf Free Download
KING OF THE HALF HOUR : NAT HIKEN AND THE GOLDEN AGE OF COMEDY PDF, EPUB, EBOOK David Everitt | 248 pages | 01 Mar 2001 | Syracuse University Press | 9780815606765 | English | New York, United States King of the Half Hour : Nat Hiken and the Golden Age of Comedy PDF Book Nat Hiken June 13, — December 7, was an American television writer, producer, and songwriter who rose to prominence in the s. The New York Times. All translations of Nat Hiken. This page uses Creative Commons Licensed content from Wikipedia view authors. Despite her many personal problems, there was at least one aspect of Martha Raye's life in which she found fulfillment. Introduction Broadcasting Modernity, Spectacles, and Television. He was 5'2" and weighed over pounds and had once told TV writer Bert Resnik that he was "too ugly to get married". Thread Tools. Blum, Daniel ed. Phil Silvers , in his autobiography, said of Gosfield that he had a pomposity and condescension off-screen and "thought of himself as Cary Grant playing a short, plump man," [6] Silvers continued: "He began to have delusions. Phil Silvers visits the set of Car 54, nat Hiken on the right. Ro synonym - definition - dictionary - define - translation - translate - translator - conjugation - anagram. Following the show, Martha's understudy Vicki Carlson was also bitten. In fact, he had to go through a lot of struggles with the people over and under him. Bilko and Car 54, Where Are You? If anyone can add any more information to this, please do. Phil Silvers , in his autobiography, said of Gosfield that he had a pomposity and condescension off-screen and "thought of himself as Cary Grant playing a short, plump man," [4] adding, "He began to have delusions. -
1946-05-31, [P ]
Friday, May 31, 194(1 THE TOLEDO UNION JOURNAL Page Fiv< Stanwyck, Cummings A Ri$t In New Film A Love-ly Moment In Paramount’s Delight Newsmiiil o£ Siage Screen ■' ---------------------:---------------------- by Burny Zawodny ....................................................... ■ llobert Cummings hilariously strives to catch Barbara Stan Star Saves Place For wyck with her boots off throughout the entire running time of Ex-Boom mate Olivia de Havilland Pqramount’s modern comedy-romance, "The Bride .Wore Boots,” By Wiley Pattani which opened at lhe Paramount Theatre \ with Diana HOLLYWOOD — Before [ITS TRUE! the war took them away Gagg 5X ith Director Lynn also starred. In othef words, * Bob objects to sharing from the Hollywood scene Barbara’! affections with the r. *?*’*_* ^ ! ''' ' $£ i/'' HOLLYWOOD — Olivia de . six years ago, David Niven Havilland, where a joke is con tAtnrrz Ata-Svdrses she3UC adores,auuxco, andaiiw which he and Robert Coote shared cerned, can give it out and take Filming > . bachelor's abode at Santa (Hkors with equal zest.. He fi W: it with the best of them. MfLWIOR, Monica, their domicile be On the first day’s shooting of ME^EOPOLITAb nally succeeds Story Gigantic ing known as "Cirhossis by in proving Paramount’s "To Each His OPERA STAA himself the the Sea.” Own,” the star’s dressing room >4AS BtEN Hollywood Job Niven, resuming his NIG^TED BY more desirable was crammed with flowers. One American screen career in IN6 Oifc^TiAN of the two, but of the particularly striking bou HOLLYWOOD ,(jS p e c j a 1)— "The Perfect Marriage,” DEMARK only after a se quets bore the name of Sidney X One of the biggest production Hal Wallis production for Lanfield. -
A Yiddish Guide to Jack Carter
A YIDDISH GUIDE TO JACK CARTER by Marjorie Gottlieb Wolfe Syosset, New York Comic, Jack Carter, passed away. His manic storytelling made him a comedy star in television’s infancy and helped sustain a show business career through eight decades. A spokesman, Jeff Sanderson, said the cause was respiratory failure. Although he fell short of the top tier of entertainers, he had countless appearances on talk shows and on comedy series. “nomen” (name) Jack Carter’s original surname was Chakrin. “tate-mame” (parents) Carter’s parents, Jewish immigrants from Russia, owned a candy store. He was born in Brighton Beach, Brooklyn. “zukhn” (to search) “People spend their lives searching for their one true love, their other half. I found mine in college, dancing in a fraternity house driveway. Lucky for me, she found me right back.” (quote) “khasene” (marriage) Carter was married three times: To Joan Mann, to Paula Stewart (the ex-wife of Burt Bacharach), and to Roxanne Stone. The latter were married in 1971, divorced in 1977, and remarried in 1992. He leaves behind his wife, Roxanne, two sons, Michael and Chase, and grand- children, Jake and Ava. “milkhome” (war) Carter was drafted during W. W. II, when he toured with the cast of Irving Berlin’s show, “This is the Army.” “zikh” (himself) Carter starred with Elvis Presley in the 1964 film, “Viva Las Vegas.” He played himself; The Horizontal Lieutenant, The Extraordinary Seaman,” and “The Funny Farm.” California Carter lived in California since 1970. He says, “The produce stores are like Cartier’s. The tomatoes are real gems.” “tummler” (noisemaker) A list of Borscht-Belt tummlers who made it to the big time includes Danny Kaye, Jan Pierce, Jan Murray, Tony Curtis, Jerry Lewis, Red Buttons, Phil Silvers, Moss Hart, Jack Albertson, Joey Adams, Phil Foster, and JACK CARTER. -
Blunderful-World-Of-Bloopers.Pdf
o More than Kermit Schafer's 1,000 BEQ01416. BLlfdel 400 pages Indexed More than 100 cartoons WÖLof Foreword by Mike Douglas Contains the com- plete contents of The Best of Boo Ittli Bloopers All Time Great Bloopers Super Duper Bloopers and the best of Pardon My Blooper Prize Bloopers Blooper Parade Blooper Blackouts Blooper Blow Ups Super Bloopers SILVER ANNIVERSARY EDITION 25 years of Radio & TV Bloópers A TREASURY OF BROADCASTING'S MOST HILARIOUS AWARD WINNING BONERS Kermit Schafer, the international authority on lip -slip- pers, is a veteran New York radio, TV, film and recording Producer Kermit producer. Several Schafer presents his Blooper record al- Bloopy Award, the sym- bums and books bol of human error in have been best- broadcasting. sellers. His other Blooper projects include "Blooperama," a night club and lecture show featuring audio and video tape and film; TV specials; a full - length "Pardon My Blooper" movie and "The Blooper Game" a TV quiz program. His forthcoming autobiography is entitled "I Never Make Misteaks." Another Schafer project is the establish- ment of a Blooper Hall of Fame. In between his many trips to England, where he has in- troduced his Blooper works, he lectures on college campuses. Also formed is the Blooper Snooper Club, where members who submit Bloopers be- come eligible for prizes. Fans who wish club information or would like to submit material can write to: Kermit Schafer Blooper Enterprises Inc. Box 43 -1925 South Miami, Florida 33143 (Left) Producer Kermit on My Blooper" movie opening. (Right) The million -seller gold Blooper record. -
Published Sheet Music from the Rudy Vallee Collection
Published Sheet Music from the Rudy Vallee Collection The Rudy Vallee collection contains almost 30.000 pieces of sheet music (about two thirds published and the rest manuscripts); about half of the titles are accessible through a database and we are presenting here the first ca. 2000 with full information. Song: 21 Guns for Susie (Boom! Boom! Boom!) Year: 1934 Composer: Myers, Richard Lyricist: Silverman, Al; Leslie, Bob; Leslie, Ken Arranger: Mason, Jack Song: 33rd Division March Year: 1928 Composer: Mader, Carl Song: About a Quarter to Nine From: Go into Your Dance (movie) Year: 1935 Composer: Warren, Harry Lyricist: Dubin, Al Arranger: Weirick, Paul Song: Ace of Clubs, The Year: 1926 Composer: Fiorito, Ted Arranger: Huffer, Fred Song: Ace of Diamonds, The Year: 1926 Composer: Fiorito, Ted Arranger: Huffer, Fred Song: Ace of Spades, The Year: 1926 Composer: Fiorito, Ted Arranger: Huffer, Fred K. Song: Actions (speak louder than words) Year: 1931 Composer: Vallee, Rudy; Himber, Richard; Greenblatt, Ben Lyricist: Vallee, Rudy; Himber, Richard; Greenblatt, Ben Arranger: Prince, Graham Song: Adios Year: 1931 Composer: Madriguera, Enric Lyricist: Woods, Eddie; Madriguera, Enric(Spanish translation) Arranger: Raph, Teddy Song: Adorable From: Adorable (movie) Year: 1933 Composer: Whiting, Richard A. Lyricist: Marion, George, Jr. Arranger: Mason, Jack; Rochette, J. (vocal trio) Song: African Lament (Lamento Africano) Year: 1931 Composer: Lecuona, Ernesto Lyricist: Gilbert, L. Wolfe Arranger: Katzman, Louis Song: African Lament (Lamento Africano) -
The Shakespeare Theatre Company's Prosecast. (MUSIC) DREW
(MUSIC) ANDREW SMITH: Welcome to the Shakespeare Theatre Company’s Prosecast. (MUSIC) DREW LICHTENBERG: Hello, and welcome to the Prosecast of the Shakespeare Theater Company for “A Funny Thing Happened on the Way to the Forum.” This is Episode Two of the 2013‐14 Season. This is your chance to explore the upcoming show on your own free time. I am Drew Lichtenberg, the Literary Associate at the Shakespeare Theatre Company, and the, I guess, the Production Dramaturge on this production of “Forum,” and I am joined not by Hannah Hessel, our beloved, dearly missed, uh, Audience Enrichment Manager, who is sick today, but I am joined instead by Garrett Anderson. GARRETT ANDERSON: Hi there. LICHTENBERG: Say hi to people, Garrett. ANDERSON: Hi to the people. (laughs) LICHTENBERG: Garrett, do you wanna introduce yourself? ANDERSON: Yeah, well, you already introduced Garrett Anderson, so, uh, I am the Artistic Fellow here at Shakespeare Theatre this season; done quite a bit of work dramaturgically with, with you, Drew, and, yeah, excited to be here, excited to do the Prosecast. LICHTENBERG: Okay, so normally how this works is Hannah interviews me— ANDERSON: Uh huh. LICHTENBERG: —and I talk sort of about the show, so, you know, I’m gonna try to host, but also have Garrett interview me— ANDERSON: Yeah. LICHTENBERG: —and Andy Smith, our beloved tech, can interject— SMITH: Hi, everyone. LICHTENBERG: —if we’re getting off of track. ANDERSON: There you go. LICHTENBERG: Hannah wants me to reassure our listeners that she will be back for the next episode. She's also getting married on Sunday— ANDERSON: Woo hoo! LICHTENBERG: —so she will be Hannah Hessel Ratner, I think, officially. -
AA00031647 00050.Pdf
HE A WEEKLY PUBLICATION U. S. Naval Base, Guantanamo Bay, Cuba March 7, 1964 HUGE RED SNAPPER BELIEVED TO BE SECNAV PAUL NITZE TOIIURS BAS-E The Honorable Paul Henry Nitze, Sec- NEW WORLD RECORD retary of the Navy visited Guantanamo Bay Naval Base Thursday, March 5, ashe toured other military installations in the Caribbean. This was Mr. Nitze's first visit to Gitmo. He arrived early Thursday morn- ing and was met by Rear Admiral John D. Bulkeley, Commander Naval Base. The Secretary of Navy and his party were given a briefing on the defensive pos- ture of this base. Later the party was given a tour of the various installations about Gitmo. (CONT'D NEXT COLUMN) WELCOME ABOARD. The following personnel have reported aboard Guantanamo Bay: In an interview at WGBY radio and NAVAL STATION-- television, the Secretary had this to ADMIRE, L. R., EASCN, Roseburg, Ore. say: "The base here at Guantanamo makes ALLEN, G. G., EM2, Camden, N.J. an important contribution to our peace- ANDERSON, G. K., YN3, North Mankato, Minn. time fleet readiness posture, not only BEAUBIEN, J. P., SK2, Knoxville, Tenn. in the Caribbean, but in the North At- BIESEN, N. P., SFC, Austin, Minn. lantic and in the Mediterranean. In BROSS, K. L., EAD3, Chicago Heights, Ill. wartime, its importance as the "Carib- BROWN, R. A., SN, Cleveland, Ohio bean Gibralter" would multiply manyfold." CAMPBELL, J. R., SA, Paynesville, Minn. He further stated that the phase-out of CARR, J. R., SFM3, Sioux City, Iowa dependents from this base was given con- CLAIRBORNE, E. -
The Jimmy Durante Show
CD 4 A: Vacations - March 24, 1948 THE JIMMY DURANTE SHOW B: Guest: Rose Marie – March 31, 1948 Program Guide by Elizabeth McLeod CD 5 A: Guest: Dorothy Lamour – April 7,1948 One of the great advantages of being a radio star in the medium’s Golden Era was B: Guest: President Harry Truman – April 14, the relative anonymity it afforded. A performer might entertain tens of millions 1948 of listeners every week, and yet walk the streets in broad daylight without being annoyed by fans. In radio it was the voices, not the faces, that mattered. But there CD 6 were exceptions. A: Guest: Lou Clayton and Eddie Jackson – April 21, 1948 Some radio favorites had a background in stage or film, and their faces were part B: Guest: Lucille Ball – April 28, 1948 and parcel of their appeal. Eddie Cantor, Bob Hope, and even Fred Allen had Lucille Ball physical attributes that matched their voices…and made them easy to pick out in CD 7 any crowd. And there was no performer who could boast a more perfect match A: Transportation Problems – May 5, 1948 of face and voice -- or was more instantly recognizable -- than the beloved Old B: A President’s Wife – May 12, 1948 Schnozzola, Jimmy Durante. CD 8 In a career that extended from the first decade of the 20th Century to the 1970s, A: The Small Businessman – May 19, 1948 Jimmy Durante had two trademarks that transcended every medium in which B: Choice Of Champions – May 26, 1948 he worked. Whether you knew him from his nightclub act, motion pictures, phonograph records, radio programs, or television, you needed no master of ceremonies to tell you who Elizabeth McLeod is a journalist, author, and broadcast historian. -
For Additional Information Contact the Archives Center at 202.633.3270 Or
Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. HANK JONES NEA Jazz Master (1989) Interviewee: Hank Jones (July 31, 1918 – May 16, 2010) Interviewer: Bill Brower Date: November 26-27, 2004 Repository: Archives Center, National Museum of American History Description: Transcript, pp. 134 Hank Jones: I was over there for about two and a half weeks doing a promotional tour. I had done a couple of CDs; one was with my brother Elvin and Richard Davis, the bass player. They made – – I think they made two releases from that date. And I did another date with Jack DeJohnette and John Patitucci. But, these two albums were the objects of the promotion. I mean, they promote very, very heavily everyday. I must have had 40 interviews and about 30 record signings at the record shops, plus all of the recording. We did seven concerts and people inevitably want the records, CDs of the concert for us to sign. I have a trio over there, with Jimmy Cobb and John Fink. It was called, “The Great Jazz Trio.” It was not my name, but the Japanese have special names for everything, you know? That's only one in a series of tree others which he called the great jazz trio. The first one was Ron Carter, Tony Williams and myself. But, there had been a succession of different changes in personnel. It changed about six times. The current one was Jimmy Cobb and Dave Fink--Oh, the cookies have arrived and not a minute too soon. -
Jimmy Durante Papers PASC-M.0195
http://oac.cdlib.org/findaid/ark:/13030/c8cv4m1z No online items Finding Aid for the Jimmy Durante Papers PASC-M.0195 Finding aid prepared by Alexandra Apolloni; machine-readable finding aid created by Julie Graham and Caroline Cubé. UCLA Library Special Collections Online finding aid last updated on 2021 January 19. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections Finding Aid for the Jimmy Durante PASC-M.0195 1 Papers PASC-M.0195 Contributing Institution: UCLA Library Special Collections Title: Jimmy Durante papers Creator: Durante, Jimmy Identifier/Call Number: PASC-M.0195 Physical Description: 150 Linear Feet(342 boxes) Date (inclusive): circa 1920s-circa 1990 Abstract: Jimmy Durante had a decades-long career as a musician, songwriter, comedian, and actor. The collection consists of script material, scrapbooks, photographs, written music, audio recordings, printed material and ephemera, and a small amount of correspondence documenting Durante's extensive career as an entertainer on stage, radio, film, and television. Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Language of Material: Materials are in English. Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Physical Characteristics and Technical Requirements CONTAINS AUDIOVISUAL MATERIALS: This collection contains both processed and unprocessed audiovisual materials. Audiovisual materials are not currently available for access, unless otherwise noted in a Physical Characteristics and Technical Requirements note at the series and file levels.