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EE British Academy Film Awards Sunday 12 February 2017 Previous Nominations and Wins in EE British Academy Film Awards Only
EE British Academy Film Awards Sunday 12 February 2017 Previous Nominations and Wins in EE British Academy Film Awards only. Includes this year’s nominations. Wins in bold. Years refer to year of presentation. Leading Actor Casey Affleck 1 nomination 2017: Leading Actor (Manchester by the Sea) Andrew Garfield 2 nominations 2017: Leading Actor (Hacksaw Ridge) 2011: Supporting Actor (The Social Network) Also Rising Star nomination in 2011, one nomination (1 win) at Television Awards in 2008 Ryan Gosling 1 nomination 2017: Leading Actor (La La Land) Jake Gyllenhaall 3 nominations/1 win 2017: Leading Actor (Nocturnal Animals) 2015: Leading Actor (Nightcrawler) 2006: Supporting Actor (Brokeback Mountain) Viggo Mortensen 2 nominations 2017: Leading Actor (Captain Fantastic) 2008: Leading Actor (Eastern Promises) Leading Actress Amy Adams 6 nominations 2017: Leading Actress (Arrival) 2015: Leading Actress (Big Eyes) 2014: Leading Actress (American Hustle) 2013: Supporting Actress (The Master) 2011: Supporting Actress (The Fighter) 2009: Supporting Actress (Doubt) Emily Blunt 2 nominations 2017: Leading Actress (Girl on the Train) 2007: Supporting Actress (The Devil Wears Prada) Also Rising Star nomination in 2007 and BAFTA Los Angeles Britannia Honouree in 2009 Natalie Portman 3 nominations/1 win 2017: Leading Actress (Jackie) 2011: Leading Actress (Black Swan) 2005: Supporting Actress (Closer) Meryl Streep 15 nominations / 2 wins 2017: Leading Actress (Florence Foster Jenkins) 2012: Leading Actress (The Iron Lady) 2010: Leading Actress (Julie -
Land and Freedom: an Accurate Glimpse of Spain's Civil War Matthew E
The Histories Volume 4 | Issue 2 Article 8 2019 Land and Freedom: An Accurate Glimpse of Spain's Civil War Matthew E. Kowalski La Salle University Follow this and additional works at: https://digitalcommons.lasalle.edu/the_histories Part of the History Commons Recommended Citation Kowalski, Matthew E. (2019) "Land and Freedom: An Accurate Glimpse of Spain's Civil War," The Histories: Vol. 4 : Iss. 2 , Article 8. Available at: https://digitalcommons.lasalle.edu/the_histories/vol4/iss2/8 This Paper is brought to you for free and open access by the Scholarship at La Salle University Digital Commons. It has been accepted for inclusion in The iH stories by an authorized editor of La Salle University Digital Commons. For more information, please contact [email protected]. The Histories, Volume 4, Number 2 36 II Land and Freedom: An Accurate Glimpse of Spain’s Civil War Reviewed by Matthew E. Kowalski In most American history texts, the Spanish Civil War is often viewed as simply a ‘dress-rehearsal’ for the Second World War. As a consequence, the prevailing image of the conflict is that of a straightforward contest between the forces of fascism and democracy. This gross oversimplification of one of the 20th century’s most important conflicts, fails to take into account the considerable diversity of political thought within both the Nationalist and Republican camps. British director Ken Loach’s 1996 film Land and Freedom, attempts to overcome this common oversight. By focusing his attention on the internal conflict that developed between independent socialists and the Stalinist controlled Spanish Communist Party, Loach provides a more complete picture of events of 1936-39. -
Ken Loach : Constructing Individuals
UNIVERSITE MICHEL DE MONTAIGNE – BORDEAUX III U.F.R D’ANGLAIS Ken Loach : Constructing Individuals Questions of existentialism, happiness, gender and individual / collective construction. TRAVAIL D’ETUDES ET DE RECHERCHES PRESENTE PAR ALEXANDRA BEAUFORT J UNIVERSITE MICHEL DE MONTAIGNE – BORDEAUX III U.F.R D’ANGLAIS Ken Loach : Constructing Individuals Questions of existentialism, happiness, gender and individual / collective construction. TRAVAIL D’ETUDES ET DE RECHERCHES PRESENTE PAR ALEXANDRA BEAUFORT Remerciements Je tiens à remercier: - Monsieur Joël Richard qui a accepté de diriger ce TER, pour sa confiance, son suivi et ses conseils; - Monsieur Jean François Baillon, pour son aide précieuse et sa disponibilité; - Monsieur Maurice Hugonin, pour son aide sur Aristote; - Messieurs Paul Burgess, Ken Allen, JF Buck, et les autres pour leur aide à la re- lecture; - Monsieur Fabrice Clerc, pour son soutien et son aide à la mise en page; - Tout le personnel de Parallax Pictures à Londres, pour leur gentillesse et leur compréhension; - Et enfin Ken Loach, pour son extrême gentillesse lors de l'interview, et surtout pour tous ses films, dont l'étude a toujours été passionnante et très enrichissante. TABLE OF CONTENTS INTRODUCTION 1 I/ THE EXISTENTIALIST TREND IN LOACH'S FILMS. 3 1/ Against systematisation. 4 2/ The engagement of the self. 7 3/ Question of religion. 11 4/ Marxism and Existentialism: question of politics. 15 II/ THE PURSUIT OF HAPPINESS 19 1/ Learning to live 20 2/ The Aristotelian conception of citizenship. 23 3/ The organic city. 26 4/ Happiness and Socialization 29 III/ GENDER ISSUES. 33 1/ Is there a gender issue in Loach's movies? 34 2/ Out of home: from Cathy to Sarah 41 3/ Falling Standards, Fallen Males. -
IO, DANIEL BLAKE Di KEN LOACH Titolo Originale: I, D ANIEL BLAKE
in collaborazione con: Scheda n. Cinema Sociale Società Operaia di Mutuo Soccorso 7 (1009) Giovedì PIEMONTE AL CINEMA - IL CINEMA DIFFUSO 23 novembre 2017 www.cineforumomegna.it promosso da Regione Piemonte, AIACE, AGIS IO, DANIEL BLAKE di KEN LOACH Titolo originale: I, D ANIEL BLAKE . Regia: KEN LOACH . Sceneggiatura: PAUL LAVERTY . Fotografia: ROBBY RYAN . Musica: GEORGE FENTON . Interpreti: DAVE JOHNS (Daniel Blake), HAYLEY SQUIRES (Katie), DY- LAN MCKIERNAN (Dylan). Produzione : SIXTEEN FILMS . Distribuzione : CINEMA DE PAOLIS . Durata : 100’. Origine : GRAN BRETAGNA , 2016. KEN LOACH Regista ben conosciuto da chi frequenta regolarmente il cineforum, Ken Loach è nato nel 1936 a Nuneaton, nella contea del Warwickshire, nella regione delle Midlands Occidentali, in Inghilterra. Figlio di operai, ha dedicato la sua lunga carriera a descrivere le condizioni di vita dei ceti meno favori- ti. Ha girato il primo film per la tv, Z Cars, nel 1962, e il primo per il cinema, Poor Cow , nel 1967. In totale, ha diret- to finora una trentina di lavori televisivi e venticinque film, ultimo questo I, Daniel Blake , premiato a Cannes con la Palma d’oro nel 2016. Aveva già vinto una precedente Palma d’oro con Il vento accarezza l’erba nel 2006; ha ricevuto anche il Pardo d’onore al Festival di Locarno nel 2003 e il Leone d’oro alla carriera alla Mostra di Venezia nel 1994. Loach ha cominciato a girare film nel periodo del Free Cinema, insieme a registi come Lindsay Anderson, Karel Reisz, Joseph Losey e Tony Richardson. Da giovane ha prestato servizio nella Royal Air Force, ha studiato legge a Oxford, ha recitato nel teatro sperimentale dell’università, ha diretto spettacoli teatrali a Birmingham. -
Barry Hines Has Observed: ‘My Political Viewpoint Is the Mainspring of My Work
Barry Hines has observed: ‘My political viewpoint is the mainspring of my work. It fuels my energy’ (2009: v). Such a comment will not surprise readers of Hines’ novel A Kestrel for a Knave and viewers of its film version Kes (1969). This was the first of many films written by Hines and directed by Ken Loach which include The Price of Coal (BBC, 1977), The Gamekeeper (ATV, 1980) and the feature film Looks and Smiles (1981). Among Hines' other works areThreads (BBC, 1984), his television film about a nuclear strike against Britain, as well as the BBC Plays for TodayBilly's Last Stand (1971), about the coal industry, and Speech Day (1973), about school-leavers. Given this preoccupation with politics as they affect everyday life, and the fact that all of Hines' work is set in his native South Yorkshire among its working-class communities, it seems surprising that none of these plays is about the miners' strike of 1984–5. The Price of Coal, a pair of Plays for Today, is set in 1977; with hindsight it is fittingly prophetic that in the first play, Meet the People, the daubing of Arthur Scargill's name on a wall threatens to disrupt preparations for an impending royal visit to Milton Colliery. The lock-outs and state-sponsored violence against people clamouring for food after the nuclear attack in Threads also appear prescient since the script was completed before the miners' strike began. However, exploration of the unproduced plays collected in Hines' archive reveals that the 1984–5 strike remained a political and dramatic preoccupation of the playwright for over twenty years. -
La Canción De Carla, De Ken Loach
La canción de Carla, de Ken Loach Filmografía de Ken Loach Up the Junction (1965) Cathy Come Home (1966) Pobre vaca (Poor Cow, 1967) Kes (1969) In Black and White (1970) Vida familiar (Family Life, 1971) Days of Hope (serie de TV, 1975) The Price of Coal (serie de TV, 1977) Black Jack (1980) The Gamekeeper (1980) Look and Smiles (1981) Questions of Leadership (serie de TV, 1983) Fatherland (1986) Agenda secreta (Hidden Agenda, 1990) Riff-Raff (1991) Como caídos del cielo (Raining Stones, 1993) Ladybird, Ladybird (1994) Tierra y libertad (Land and Freedom, 1995) La canción de Carla (Carla’s Song, 1996) La canción es la misma Ken Loach nació en Londres en 1936. Estudió derecho en Oxford. Fue actor y ayudante de dirección. En 1963 empezó a trabajar en la BBC, donde dirigió series y documentales. Su primer largometraje, Pobre vaca (Poor Cow), de 1967, fue una de las tardías derivaciones del free cinema inglés, versión insular de la nouvelle vague francesa. En 1983 sufrió la censura gubernamental de una serie de documentales, A Question of Leadership. En general, los thatcherianos ochenta no le fueron muy propicios. En los noventa, en cambio, sus trabajos de ficción (Agenda secreta, Riff-Raff, Raining Stones, Tierra y libertad) tuvieron un gran éxito, paralelo al de su colega y contemporáneo Stephen Frears, con el que tiene varios puntos en contacto, menos el de haber tentado suerte en Hollywood (con los relativamente pobres resultados conocidos). No deja de ser asombroso y esperanzador asistir al trabajo de un tipo que no ha transado con las corrientes principales de la estética y la ideología de este fin de siglo, lo que antes se llamaba el “sistema”, el establishment, la burguesía, el poder, etc. -
10Th TRIBECA FILM FESTIVAL ANNOUNCES WORLD
10 th TRIBECA FILM FESTIVAL ANNOUNCES WORLD NARRATIVE AND DOCUMENTARY COMPETITION SELECTIONS, AND NEW VIEWPOINTS SECTION *** TRIBECA EXPANDS AWARDS SCOPE *** 2011 Festival to Present 88 Feature-Length and 61 Short Films April 20 – May 1 Plus Free Online Film Screenings for Viewers Nationwide New York, NY [March 7, 2011] – The 2011 Tribeca Film Festival (TFF), presented by American Express ®, today announced the World Narrative and Documentary Competition film selections and the first edition of the new section—Viewpoints. Forty-four of the 88 feature-length films were announced. The 10 th edition of the Festival will take place from April 20 to May 1 in lower Manhattan. TFF organizers this year have streamlined the Festival’s format, which is now comprised of two competition sections, World Narrative and World Documentary, and three out-of-competition sections: Cinemania, Spotlight and the new Viewpoints. “It’s our tenth Tribeca Film Festival, and in our relatively brief existence we have evolved dramatically,” says Nancy Schafer, Executive Director of the Tribeca Film Festival. “The Festival has become an integral part of the cultural landscape of New York City as well as a globally recognized platform for storytelling.” The 2011 film selection includes feature films from 32 different countries, including 43 World Premieres, 10 International Premieres, 19 North American Premieres, 7 U.S. Premieres and 9 New York Premieres. Ninety-nine directors will be presenting feature works at the Festival, with 54 of these filmmakers presenting their feature directorial debuts. Twelve feature film directors are returning TFF filmmakers. The 2011 film slate was chosen from a total of 5,624 submissions, a record number for the Festival. -
Tribeca Film in Partnership with American Express Presents with Film 4, UK Film Council, Scottish Screen and Wild Bunch a Bluel
Tribeca Film in Partnership with American Express presents with Film 4, UK Film Council, Scottish Screen and Wild Bunch a blueLight, Fidelite Films, Studio Urania production NEDS Winner – Best Film, Evening Standard British Film Awards Winner – Golden Shell for Best Film, San Sebastian Film Festival Winner – Silver Shell for Best Actor, Conor McCarron San Sebastian Film Festival Winner- Young British Performer of the Year, Conor McCarron London Film Critics’ Circle Awards US Premiere Tribeca Film Festival 2011 Available on VOD Nationwide: April 20-June 23, 2011 May 13, 2011- Los Angeles June 17, 2011 – Miami Available August 23 on DVD PRESS CONTACTS Distributor: Publicity: ID PR Tammie Rosen Dani Weinstein Tribeca Film Sara Serlen 212-941-2003 Sheri Goldberg [email protected] 212-334-0333 375 Greenwich Street [email protected] New York, NY 10013 150 West 30th Street, 19th Floor New York, NY 10001 1 SYNOPSIS “If you want a NED, I‟ll give you a fucking NED!” Directed by the acclaimed actor/director Peter Mullan (MY NAME IS JOE, THE MAGDALENE SISTERS) NEDS, so called Non-Educated Delinquents, takes place in the gritty, savage and often violent world of 1970‟s Glasgow. On the brink of adolescence, young John McGill is a bright and sensitive boy, eager to learn and full of promise. But, the cards are stacked against him. Most of the adults in his life fail him in one way or another. His father is a drunken violent bully and his teachers – punishing John for the „sins‟ of his older brother, Benny – are down on him from the start. -
Programming Highlights - January 2015
Eurochannel Programming Highlights - January 2015 Programming Highlights - January 2015 British Month Eurocinema – Ruby Blue – UK - Premiere January 9th - Join a man who struggles to live after the death of his wife, all while being accused of something he didn’t do. – Page 3 Eurocinema – The Calling – UK - Premiere January 16th - A young woman decides to pursue her dreams and become a nun despite the opinion of her closest ones. – Page 9 Euromusic – Route 94 – UK – Premiere January 18th - The smash hits of a jewel in the British musical crown. A dazzling special with a unique voice. – Page 16 Eurocinema – In Our Name – UK – Premiere January 30th – A woman soldier returns from war duty but her life will never be the same. – Page 22 Euromusic – Mariza and the Story of Fado – Portugal - Premiere January 26th – A documentary tells the history of Portugal’s national music. Page 25 1 235, Lincoln Road #201 33139 MIAMI BEACH, FL USA - +1 305-531-1315 – [email protected] Eurochannel Programming Highlights - January 2015 Programming Highlights January 2015 British Month Ruby Blue – Premiere January 9th – Page 3 Saint Petersburg – Premiere January 10th – Page 7 The Calling – Premiere January 16th – Page 9 Cameraman: The Life and Work of Jack Cardiff – Premiere January 17th – Page 13 Route 94 - Premiere January 18th – Page 16 Gypo – Premiere January 23rd – Page 17 One Direction - Premiere January 25th – Page 21 In Our Name – Premiere January 30th – Page 22 And… Mariza and the Story of Fado – New Series - Premiere January 26th – Page 25 A Film and its Era: Vincent, François, Paul and the Others by Claude Sautet Premiere January 31st – Page 27 2 235, Lincoln Road #201 33139 MIAMI BEACH, FL USA - +1 305-531-1315 – [email protected] Eurochannel Programming Highlights - January 2015 Ruby Blue United Premiere Friday January 9th at 9 PM ET/PT / Kingdom 9 PM South Africa Everyone faces the future with a past that cannot be forgotten. -
Set in Scotland a Film Fan's Odyssey
Set in Scotland A Film Fan’s Odyssey visitscotland.com Cover Image: Daniel Craig as James Bond 007 in Skyfall, filmed in Glen Coe. Picture: United Archives/TopFoto This page: Eilean Donan Castle Contents 01 * >> Foreword 02-03 A Aberdeen & Aberdeenshire 04-07 B Argyll & The Isles 08-11 C Ayrshire & Arran 12-15 D Dumfries & Galloway 16-19 E Dundee & Angus 20-23 F Edinburgh & The Lothians 24-27 G Glasgow & The Clyde Valley 28-31 H The Highlands & Skye 32-35 I The Kingdom of Fife 36-39 J Orkney 40-43 K The Outer Hebrides 44-47 L Perthshire 48-51 M Scottish Borders 52-55 N Shetland 56-59 O Stirling, Loch Lomond, The Trossachs & Forth Valley 60-63 Hooray for Bollywood 64-65 Licensed to Thrill 66-67 Locations Guide 68-69 Set in Scotland Christopher Lambert in Highlander. Picture: Studiocanal 03 Foreword 03 >> In a 2015 online poll by USA Today, Scotland was voted the world’s Best Cinematic Destination. And it’s easy to see why. Films from all around the world have been shot in Scotland. Its rich array of film locations include ancient mountain ranges, mysterious stone circles, lush green glens, deep lochs, castles, stately homes, and vibrant cities complete with festivals, bustling streets and colourful night life. Little wonder the country has attracted filmmakers and cinemagoers since the movies began. This guide provides an introduction to just some of the many Scottish locations seen on the silver screen. The Inaccessible Pinnacle. Numerous Holy Grail to Stardust, The Dark Knight Scottish stars have twinkled in Hollywood’s Rises, Prometheus, Cloud Atlas, World firmament, from Sean Connery to War Z and Brave, various hidden gems Tilda Swinton and Ewan McGregor. -
Festival Schedule
T H E n OR T HWEST FILM CE n TER / p ORTL a n D a R T M US E U M p RESE n TS 3 3 R D p ortl a n D I n ter n a tio n a L film festi v a L S p O n SORED BY: THE OREGO n I a n / R E G a L C I n EM a S F E BR U a R Y 1 1 – 2 7 , 2 0 1 0 WELCOME Welcome to the Northwest Film Center’s 33rd annual showcase of new world cinema. Like our Northwest Film & Video Festival, which celebrates the unique visions of artists in our community, PIFF seeks to engage, educate, entertain and challenge. We invite you to explore and celebrate not only the art of film, but also the world around you. It is said that film is a universal language—able to transcend geographic, political and cultural boundaries in a singular fashion. In the spirit of Robert Louis Stevenson’s famous observation, “There are no foreign lands. It is the traveler who is foreign,” this year’s films allow us to discover what unites rather than what divides. The Festival also unites our community, bringing together culturally diverse audiences, a remarkable cross-section of cinematic voices, public and private funders of the arts, corporate sponsors and global film industry members. This fabulous ecology makes the event possible, and we wish our credits at the back of the program could better convey our deep appreci- ation of all who help make the Festival happen. -
November2020
November 2020 Sponsored by Kraken Yachts From We are pleased to see that the message The Pulpit about the dangers of gas on board- November 2020 oceansailormagazine.com/eliminating- gas-on-board - is starting to get through, see ‘Ditching the Gas’ from the November This issue issue of Yachting World. It’s good to hear that the message we put out some time ago, British Sailing about the risks and inconvenience propane gas causes for world cruising, is beginning to be appreciated. Ocean Sailor Awards & more Readers Questions & Knot of the month By Dick Beaumont - Chairman of Kraken Yachts Page two We are thrilled to announce that the Kraken We are introducing a new section in Ocean 50 has been nominated, yet again, for the Sailor which will be a review of sailing clubs and institutions around the world ’. Feature British Sailing Awards ‘Blue Water Cruiser of the Year' the ‘Oscars’ for sailing yacht Each month Dick Durham will interview A weather eye: Part two designers and builders. To be nominated an elected spokesperson from a nominated Page Three three years in a row is unique in itself, but yacht club or organisation. If you would like to sail away with the golden statuette we to nominate your yacht club please contact need your vote, we need your crew’s vote, [email protected] Technical & Equipment your club member’s vote and anyone who Grab the gribs understands about blue water cruising’s Finally, following many readers’ requests, vote. Come on, let’s win this! we have introduced a new Ocean Sailor ‘tell Page eight a friend’ button as below.